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Tag Archives: W.A.S.P.

Silent Sunday or: The Haul 12/9/17

10 Sunday Dec 2017

Posted by TGBII in Records, Silent Sunday

≈ Leave a comment

Tags

Barbra Streisand, Beethoven, Belle & Sebastian, Bob Marley & The Wailers, Camille Saint-Saëns, Daniel Barenboim, David Bowie, Discogs, Dusty Springfield, Erich Leinsdorf, Eugene Ormandy, Firefall, Foreigner, Heart, Jethro Tull, Leonard Bernstein, Leontyne Price, M. Ward, Madama Butterfly, Madonna, Nikolai Rimsky-Korsakov, Pat Benatar, Peter Tosh, Philip Maero, Pretenders, Richard Tucker, Rosalind Elias, Scheherazade, She & Him, Stash Records, Sting, The BCPF, The Fixx, The Grateful Dead, The Living Presence Orchestra, The Philadelphia Orchestra, The Rolling Stones, Tracey Ullman, Traffic, Underdog Records, W.A.S.P., WSNC, Zooey Deshanel

Salutations™!!

A lazy, snowy day in WSNC yesterday. It was great, though. It was cold enough to snow and the ground warm enough to not allow it to stick to the roads. They were navigatable and it was beautiful. The flakes were big and fluffy. The BCPF and I loved it. It was cool to stand in Underdog Records, talking records, life, music in general, everything. It was just cool. So, we walked out with this:

Phil_Collins_-_Face_Value

©Virgin

 

  • Belle And Sebastian – The Life Pursuit (The BCPF’s and my favorite B&S album; have looked for it for a while and Jonathan was able to finally get it off backorder; new)
  • She & Him – A Very She & Him Christmas (mmmm Zooey Deschanel; The BCPF has wanted this for a long time on vinyl and there it was!; new)
  • Dusty Springfield – You Don’t Have To Say You Love Me (VG+ copy)
  • David Bowie – Stage (2xLP live album from 1978; VG+)
  • The Grateful Dead – Steal Your Face (Okay Danielle, I’m going to try this; 2xLP VG+)
  • The Grateful Dead – The Best Of The Grateful Dead: Skeletons From The Closet (same here; VG+)
  • Traffic – Traffic (VG+)
  • W.A.S.P. – The Headless Children (VG+)
  • Various – The Stash Christmas Album (VG++)
  • Bob Marley & The Wailers Featuring Peter Tosh – The Birth Of A Legend (VG+)
  • Pretenders – The Singles (VG+)
  • Phil Collins – Face Value (have always loved PC and this album is amazing from beginning to end, VG++)
  • The Fixx – Reach The Beach (as I asked on my post about this album, why weren’t they bigger than they were? This band is amazing! VG++)
  • Tracey Ullman – You Broke My Heart In 17 Places (VG+)
  • Heart – Heart (spend a lot of time playing “bed drums” (pillows arranged to emulate a drum kit) with this album; VG+)
  • Pat Benatar – Seven The Hard Way (VG+)
  • Pat Benatar – Tropico (VG+)
  • Rolling Stones – Made In The Shade (VG+)
  • The Rolling Stones – Emotional Rescue (VG)
  • Sting – The Dream Of The Blue Turtles ($1 bin find but this joker is in VG+ condition)
  • Madonna – Like A Virgin ($1 bin find, but in great shape; VG+)
  • Firefall – Élan ($1 bin find; VG+)
  • The Living Presence Orchestra – Neapolitan Nights ($1 bin find; VG+)
  • Rimsky-Korsakov / The Philadelphia Orchestra, Eugene Ormandy – Scheherazade, Op. 35 ($1 bin find; VG)
  • Beethoven, Daniel Barenboim – Beethoven Sonatas: Pathetique – Les Adieux – Moonlight ($1 bin find; VG+)
  • Barbra Streisand – The Way We Were ($1 bin find; VG is the rating but it sounded great, probably closer to VG+)
  • Various – Season’s Greetings From Barbra Streisand…And Friends ($1 bin find; VG)
  • Saint-Saëns / Britten – Leonard Bernstein, New York Philharmonic – The Carnival Of The Animals / The Young Person’s Guide To The Orchestra (hopefully a better version of the “Carnival of the Animals” that I love so much; $1 bin find; VG+)
  • Leontyne Price, Richard Tucker, Rosalind Elias, Philip Maero, Erich Leinsdorf – Highlights From Madama Butterfly ($1 bin find; VG+)
  • Jethro Tull – M.U. – The Best Of Jethro Tull ($1 bin find; VG)
  • Foreigner – Head Games (this is pretty rough looking and I’m going to give it a listen through, Jonathan didn’t charge me for it as it’s in such a sad state and I may remove it if it’s not listenable; G)

So, there you have this week’s haul. Not a bad one, I don’t think. We have sure enjoyed listening to the five or six we got through yesterday (and into today). Right now you can get an additional 10% on a gift certificate (also a 45RPM record with a sticker, très chic!) to give to that record lover that you just don’t know what they have already (and don’t look at Discogs to find out). Jonathan has a few turntables, both new and used, in the store right now! Go check them out. And, if you haven’t noticed, I like Discogs, a lot!

Until tomorrow, same blog channel…
Scorp out!

—
“Sukie was the kid, she liked to hang out in the graveyard. She did brass rubbings, she learned you never had to press hard. When she finished hanging out she was all alone. She decided that she better check in at home. There was an awful row between her mum and dad. They said she hadn’t done this, she hadn’t done that. If she wanted to remain inside the family home she’d have to tow the line, she’d have to give it a go. It didn’t suit Sukie, so she took her things and left.” – “Sukie in the Graveyard” (Kildea/Geddes/Cooke/Colburn/Martin/Jackson/Murdoch

The World’s Greatest Lie or: Ready to Strike (Eugeology Entry 17)

04 Thursday May 2017

Posted by TGBII in Music Review

≈ 1 Comment

Tags

Alice Cooper, Carmine Appice, David Michael-Philips, Eugene B Sims, Eugeology, Johnny Rod, Jon Lowder, Kick Axe, King Kobra, Kix, Marcie Free, Mick Sweda, Pasha Records, Quiet Riot, Ready to Strike, Spencer Proffer, That Metal Show, Tia Carrere, W.A.S.P., Yngwie Malmsteen

Salutations™!!

Last week’s selection was a bit weird for me. I liked it okay, but didn’t love it. That’s fine, it happens. Of course, Jon and Eugene are behind. They’ll catch up, probably. But, more of the Eugeology train…

KingKobra_ReadyToStrike

©Capitol Records

#17 – Ready to Strike by King Kobra.

All I ever knew of this band was the promo pics of Carmine Appice, in his cheesy tiger-striped spandex bodysuit and fu-manchu mustache, advertising either drums, cymbals or sticks. I thought it looked silly, even though I was into stuff like that. Something about Carmine that always made me not like him. I really don’t know what that is because when he was on That Metal Show he seemed like a genuinely cool guy. Anywhat!

This came up and I wondered why I hadn’t ever thought to listen to it. I guess it just wasn’t something I necessarily wanted to hear. That happens and preconceived notions are, sometimes, very restrictive. So, I kranked this up (see what I did there?) and let it fly. I thought I was listening to some Yngwie Malmsteen or something because of all the chiming synths and Gothic sounds. That, on its own, isn’t like Eugene, but on the whole, I have to think of the Alice Cooper, Kix and Kick Axe that he likes and, well, okay, it makes sense. I have been surprised by some of the poppy-happy albums that he puts on this list, though. Not disappointed in that, but surprised.

Carmine does a good job on the album. The guitar work on this album, that of David Michael-Philips and Mick Sweda, is at times really flashy. However, it’s all classy and not gratuitous. I really like the guitars’ tone on this album. It’s meaty and beefy and fills the whole album with sonic fullness. A then-unknown Johnny Rod (he later got some recognition with W.A.S.P.) does some sweet bass runs and glissando and holds that bottom end, deep. Musically this album is solid. But, as usual in these Eugeology albums, for me, the real highlight lies in the vocals.

Marcie Free (then she was known as Mark) has a phenomenal voice! It’s depth ranges from near-glass-shattering highs to ear-rattling power to heart-breaking emotion. She picks just the right attribute to use in each performance.  The only part I didn’t like from her was this crazy falsetto thing in one of the songs. I have gone back and now I can’t find it, but it’s not that important. She makes this album great. Spencer Proffer (and Carmine) do a nice on the production, too. It’s full and bombastic. What you’d expect from 1985, I’d say.

Some of my favorite songs on Ready to Strike are “Hunger” (written by Kick Axe – no wonder Eug likes this), “Dancing With Desire,” “Second Thoughts.” My absolute fave on the album is “Tough Guys.” It is awesome. There are a couple of songs that I don’t care for and I can’t put my finger on what they are. Those would be “Shake Up” and “Attention.” Well, I know what bothers me about “Shake Up.” Those lyrics are that whole “fist in the air/live for rock and roll” mess. I don’t like that. “Attention,” I guess, sounds like “Walk Like An Egyptian” on speed and then they switch to Tia Carrere’s version of “Ballroom Blitz.” I don’t know why I don’t like those, but I don’t. Two of the songs were co-written by Kick Axe, the aforementioned “Hunger” and “Piece of the Rock.” Spencer Proffer (Pasha Records – think Quiet Riot) is all over the song-writing credits, too. And someone that is named H. Banger, which to me, sounds like a pen name for someone. I’m pretty sure the “H” stands for Head. I find nothing on this person in my searches.

All-in-all, it’s a great album with but a few clunkers. I’d say that’s still a good thing. I want to read E & J’s takes on it. I may hear from them around Father’s Day on this one. I also want to hear from you, Dear Reader. What do you know/think of this album? I look forward to responses. What’s next, Eug?

Until tomorrow, same blog channel…
Scorp out!

—
“Don’t ask why… Cause we all know that tough guys don’t cry. The world’s greatest lie is that all of us tough guys don’t cry” – “Tough Guys” (King Kobra/Banger/Proffer)

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