Tag Archives: Velvet Underground + Nico

Spinning Sunday or: The Haul 1/22/22

23 Sunday Jan 2022

Posted by in Records, Spinning Sunday

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Salutations™!!

Yesterday was a routine Saturday for The BCPF and me. Breakfast, wine, records. That was it. Here’s the haul:

©EMI

Pink Floyd – A Momentary Lapse Of Reason (Remixed & Updated) — 2×LP, 45 RPM. Gatefold sleeve + 24-page booklet. Remixed in 2019 from the original master tapes on Heavyweight 180g pressing. I had this on Cassette and can’t remember if I have it on CD or not. I think it was hard to find. I’m not huge on live albums, but this was a great show. New.

Various – I’ll Be Your Mirror (A Tribute To The Velvet Underground & Nico) — I’ve always said about Velvet Underground, I can handle the songwriting and structure, I just wish someone else would be singing the songs. I got my wish. 2×LP, Compilation. Michael Stipe, St Vincent, Thurston Moore, Andrew Bird, etc. New.

Grim Reaper – See You In Hell — A name I know from the 80s NWBHM days. This was the band’s debut album. I know Nick Bowcott from being a contributor for Guitar for the Practicing Musician when that was in publication and I was still reading it (I loved that magazine). I haven’t really ever heard it before, though. At least, as far as I know. It was there in EX condition, so I had to jump on it.

System Of A Down – Mezmerize — SOAD is always hit or miss with me, it’s a little aggressive, but when it’s melodic, it’s certainly melodic. This album, I love because of three songs specifically: BYOB (which stands for Bring Your Own Bomb), Audio/Video, and Cigaro. It was there brand new so I hit it. New.

Archers Of Loaf – All The Nations Airports — The BCPF’s album. She loves everything this band puts out. Any guesses as to what record label this is on? Yes, Merge. We know how she feels about that. New.,

The Magnetic Fields – Love At The Bottom Of The Sea — Another Merge Records band and another band that The BCPF loves. I am not a huge fan of this one. She is and that’s how it goes in this house. New.

Händel – English Baroque Soloists, John Eliot Gardiner – Water Music — Just like it says. EX.

Watch the social media for Underdog Records to see what Jonathan has put out and has available for purchase. You can purchase unused vinyl (new and rereleases) 24/7/365 by visiting the website. Use Discogs to track your collection.

Until next time, keep spinnin’…
Scorp out!

—
“Can I make you an offer you can’t refuse? I kept my eyes on you, ’cause I tell you that you lose. And you can come with me to a place you’ll know so well. And I will take you to the very gates of Hell.” – “See You In Hell” (Bowcott/Grimmett)

Waiting on the Man or: Almost Done

22 Thursday Feb 2018

Posted by in Life as We Know It, Records

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Salutations™!!

So, the title of this post is two-fold, a double entendre, if you will. First, I have completed the first drafts of the video job. The copy, the VO, the splicing, it’s all done. Now, I just have to have the client sign off on them, which I’m waiting for him to do tomorrow. If there are changes needed, then I’ll make those and if not, then I will put it together and have it ready for next week. Right as rain, that.

Velvet_Underground_and_Nico

©Verve

 

The other thing is I listened, again, to the Velvet Underground + Nico album. This time it was because of “procedure.” Because I play something that was released today, or I play something from someone whose birthday or deathday is on this day.

None of the releases for today did I have in the collection. No one’s birthday was today that I could find that mattered. Today was, however, the anniversary of Andy Warhol’s death. So, since that was my only recourse, I played it. I took one for the team.

I hate that album. I must say that today I found it more tolerable than usual, but I still didn’t enjoy it. I told someone that it is the auditory equivalent of eating cow dung for breakfast. Oddly enough, I really like Lou Reed solo. And, I don’t mind two of the Nico songs on the album.

But, overall it’s just a wreck of sound. I don’t like “raw.” I don’t like the lo-fi production value. I think it sounds like they were just goofing off, although I know they weren’t. I don’t like the off-key talk/singing that Lou Reed does in this. I don’t like the “artistic” side of it. But, I do like how the songs are written.

I think it’s kind of like Bob Dylan. Great songs but man I like hearing others doing them. I have some folks say that it’s one of the “finest” albums ever recorded and to that, I say it’s absolute bullshite.  You can be all hipster and claim to like it all you want, but it’s pure crap, at least in this album form. There, I said it.

And I’ll end up with at least two more VU albums because they’re on that darned list and I want all that I can get from it. I was asked why I do that and my answer was because I am a collector. Some disagree with me, but I don’t care. I do what I want. That’s how I roll. The BCPF likes it but she likes a lot of stuff that I don’t necessarily like to listen to. That’s okay. I have it here for her. Yeah… that’s it.

Until tomorrow, same blog channel…
Scorp out!

—
“Hey, white boy, what you doin’ uptown? Hey, white boy, you chasin’ our women around? Oh pardon me, sir, it’s the furthest from my mind. I’m just lookin’ for a dear, dear friend of mine. I’m waiting for my man.” – “Waiting For My Man” (Reed)