Tag Archives: Vagabond Saints Society

Spinning Sunday or: The Haul 1/19/19

20 Sunday Jan 2019

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Salutations™!!

First off, let me say happy birthday to Paul Stanley. He turns 67 today! A very influential figure to my own musical journey.

It felt like we zoomed in and through Underdog Records yesterday. The BCPF and I are either recovering from or fighting off sickness. But, we ate breakfast in a hurry and then swung by Underdog and were home with a full six hours of record listening time. Here’s what we got:

tom_waits_-_small_change_(1976)

©Asylum

  • Tom Waits – Small Change — Still thinking of my friend Mitchell Snow who was performing Tom Waits on Friday night in Johnson City, Tennessee with the Vagabond Saints Society when he had what is speculated to be sudden cardiac arrhythmia. It was scary. The first track on this album is “Tom Traubert’s Blues” and Doug had asked if I could do it when VSS plays Ramkat in a week. I can’t do the show but, we found this record and I couldn’t pass it up. VG+.
  • The Mamas & The Papas – Deliver — I really know nothing about this album. I know The BCPF likes them and it was there. It’s in mono and is VG+.
  • Emerson Lake & Palmer – Works Volume 1 —  “Each member was allocated one side of a record to write and arrange their own tracks which were performed by the group. The fourth side features songs written by the entire group. Emerson wrote his Piano Concerto No. 1, Lake wrote several songs with Peter Sinfield, and Palmer picked tracks of varied styles.” – according to Wikipedia. VG+.
  • Donovan – Essence To Essence — I believe Donovan is my favorite musical hippie. He brings humor and wit to his songs about putting healthy stuff in your body and be nice to the plants and things. It’s weird but still good. VG.
  • Dusty Springfield – Stay Awhile – I Only Want To Be With You — The first album from Dusty to be released in the US. It contains “I Only Want To Be With You,” “Stay Awhile” and “Wishin’ and Hopin’.” $1 bin find but it looks to be okay. VG.
  • Dan Fogelberg – Souvenirs — Produced by Joe Walsh, who also played on just about every track, provided a more pop-based album instead of that folksy mess that he usually played. $1 bin find and in VG/VG+.
  • 10,000 Maniacs – In My Tribe — $1 bin find from The BCPF. I don’t know much about it, but it’s in pretty good shape. VG/VG+.
  • Charles Fox – “9 To 5” (Original Soundtrack Recording) — We actually got this last week and I don’t know why it wasn’t in Discogs. I totally missed it. But, it’s in now. It’s VG+.

I went through Underdog Records so fast yesterday that I didn’t get a chance to even look around to see what kind of equipment or other recordy things were about the store. But, I’m interested in finding out more about the Curated by Underdog thing. I wonder how hard it would be to curate music for me. I think it would be more of a challenge to Jonathan. I think I’ll ask him about it. You should, too. Listen to The Less Desirables to hear the TLD/UR special of the week.

As I’ve said, I use Discogs to curate my collection and see what I do or don’t have.

Until tomorrow, same blog channel…
Scorp out!

—
“Tumble out of bed and stumble to the kitchen, pour myself a cup of ambition and yawn and stretch and try to come to life. Jump in the shower and the blood starts pumpin’. Out on the streets, the traffic starts jumpin’ for folks like me on the job from 9 to 5.” – “9 to 5” (Parton)

Sounds Like Saturday or: Radiohead

16 Saturday Jun 2018

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Salutations™!!

Today is the 21st anniversary of Radiohead’s OK Computer album. It’s old enough to drink. I’ll drink to it tonight at Willows Bistro. I was really hoping to find a video from the VSS show of this with my buddy Patrick Ferguson doing the vocals of the entire album. I was really surprised and bummed that there was no official video of this happening because he nailed it (they all did). It’s his favorite album so you know he killed it. So, instead, I have to go with my second choice, the awesome Mike Massé (with Jeff Hall). Enjoy!

Until tomorrow, same blog channel…
Scorp out!

—
“Karma police arrest this man. He talks in maths. He buzzes like a fridge. He’s like a detuned radio. Karma police arrest this girl. Her Hitler hairdo is making me feel ill. And we have crashed her party. This is what you’ll get, this is what you’ll get, this is what you’ll get when you mess with us.” – “Karma Police” (Yorke/Greenwood/Selway/O’Brien/ Greenwood)

No Piggyback or: Doing My Part

22 Tuesday May 2018

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Salutations™!!

We didn’t do The Man Who Ate the Town again this week. This time it was Kelly’s turn to miss as she had something she had to take care of. Next week, though!

I do want to say a very special thanks to DiLisio’s Italian Restaurant, Washington Perk and The Humblebee Shoppe for their support of us, as well as Test Pattern Studios.

Something different for today’s post, though. Here is Jeffrey Dean Foster and Karon Click (McKinney) doing “Under Pressure” at the Ramkat’s opening gala with the Vagabond Saints Society. I was the only choir member that was on this song (other than Karon) and I got to make a few cameo appearances in it. Thanks to Gregory Silva for the video!

Until tomorrow, same blog channel…
Scorp out!

—
“‘Cause love’s such an old-fashioned word and love dares you to care for the people on the (People on streets) edge of the night. And, loves (People on streets) dares you to change our way of caring about ourselves. This is our last dance. This is our last dance. This is ourselves under pressure.” – “Under Pressure” (Mercury/Deacon/May/Taylor/Bowie)

Sounds Like Saturday or: Don’t Give Up

19 Saturday May 2018

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Salutations™!!

Today is the 32nd anniversary of the release of what I call my favorite album of all time, So by Peter Gabriel. So, I wanted to share one of my faves from the album. My favorite of all time is, of course, “Sledgehammer” but I give that enough love, so here’s another from that album. I want to do So in its entirety with VSS and I want to do all the PG vocals and I want local legend Susan Snow to be my Kate Bush. We’ll see if that ever happens.

Until tomorrow, same blog channel…
Scorp out!

—
“Got to walk out of here. I can’t take any more. Going to stand on that bridge, keep my eyes down below. Whatever may come and whatever may go that river’s flowing. That river’s flowing. Moved on to another town, tried hard to settle down. For every job, so many men. So many men no-one needs.” – “Don’t Give Up” (Gabriel)

Sounds Like Saturday or: Gabriella Quevedo

24 Saturday Mar 2018

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Salutations™!!

My cousin Gary put this on my timeline and I thought it was just awesome, so I’m sharing it with you, today. We all know that KISS is my favorite band. We know, too, that I did “I Was Made For Lovin’ You” with the Vagabond Saints Society a few years back. I think the disco-esque song is perfect for the Spanish-style guitar in this case. I especially love the middle bridge part in this manner. Ladies and germs, I present Gabriella Quevedo!

Until tomorrow, same blog channel…
Scorp out!

—
“Tonight I want to give it all to you. In the darkness, there’s so much I want to do. And tonight, I want to lay it at your feet. Because girl, I was made for you. And girl, you were made for me.” – “I Was Made for Lovin’ You” (Stanley/Poncia/Child)

Forty-Two On or: Destroyer

15 Thursday Mar 2018

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Salutations™!!

Forty-two years ago today, March 15, 1976, the fourth KISS studio album, Destroyer was released. Destroyer was the immediate follow-up to Alive which, thanks to “Rock and Roll All Nite,” really broke KISS into popularity.

200px-Kiss_destroyer_album_cover

©Casablanca

 

Their first three studio albums did absolutely nothing and were released within 13 months. They tried one after the other and no luck. This album was released two years after the first album.

People had heard rumors that this band KISS put on makeup and were rocking so hard that their live shows were going great. But, bands (and record labels) want to sell records. The release of Alive brought them to the radio. Fans then went back and bought up the first three albums, which made up the contents of Alive.

So, here they were recording a follow-up album. The record company brought in Bob Ezrin, best known at the time, for producing Alice Cooper. Ezrin brought string arrangements, choirs, and special effects. KISS was just straightforward Gibsons and Marshalls at that time. Fans were expecting the same hard rock pizzazz that KISS, Hotter Than Hell and Dressed To Kill had. They got that, kind of…

The strings and acoustic guitars, pianos and choirs kind of threw people off. Not in a bad way, mind you, just perplexingly. It wasn’t expected. And, really, that wasn’t something that happened on a full-blown KISS album again until 1981. The solo albums had some hints of it but, again, full-blown KISS albums.

The album starts off with someone washing dishes and listening to or watching a news report about someone dying in an auto accident. It was the intro to “Detroit Rock City,” which was based on a true story about someone who died on their way to a KISS concert in Charlotte. But, Charlotte Rock City doesn’t have the same ring to it. DRC was a song that I got really tired of really quickly. I got to where it turned my stomach to hear it. It was just overdone and I didn’t really care much about it. I will say the solo was awesome, which was arranged by Ezrin. I have come back around and now don’t mind hearing it again. I don’t know why.

The crash then goes into “King of the Night Time World,” a song about a youth having troubles at home and wanting to make it with his girl (“… and the dirty things that we do”). That song grew on me later, as well. I really didn’t pay much attention to it until the band I was in, Heavens Sake, learned it and played it live.

Third, is my favorite song from the album and one of my all-time KISS songs all around – “God of Thunder.” It is Gene Simmons, even though he didn’t write the song. Paul Stanley did. But, Ezrin thought the theme and progression were better suited for Gene’s darker character, so he slowed it down and turned it over to Gene. Starting off with Ezrin’s kids playing in the studio, they were wearing some space helmets with walkie-talkies in them. What they actually say has been debated for 42 years and even David and Josh Ezrin don’t know what they said. I’ve always thought they said, “okay… talk sexy.” Who knows? Anywhat! I have always loved singing this, which I did for the VSS show a few years back and playing it with Heavens Sake. The darkness of the song is amazing. Lots of crackles, feedback, screaming, moaning and wasteland effects. I love the song. Gene usually does his blood spitting at the beginning of this tune.

All that was well and good. Great hard-rocking tunes. Then it happened. The strings. The acoustic guitar. The odd lyrics and (gasp!!!) the Brooklyn Boys Chorus singing about getting a girl horny. “Great Expectations” was a drastic turn of events. Part of the compositional theme of the song was based on Beethoven’s “Sonata Pathétique,” and I find that pretty cool. Now, I dig the song; like it, in fact. But, it threw people for sure. After a few listens, it grows on you and it’s a pretty cool song. Odd… but cool. End Side 1.

Side Two starts with some rock and roll rebellion going on. Paul wrote two songs about breaking out and being free of the parental grasp on this album. Well, three really. I know that rock and roll was about rebellion and they took this to heart in the song, “Flaming Youth.” I mean, could it be more obvious? “My parents think I’m crazy and they hate the things I do. I’m stupid and I’m lazy, man, if they only knew. How flaming youth will set the world on fire. Flaming youth, our flag is flying higher and higher and higher.” Yeah, rebellion. The song was an amalgamation of ideas from Gene, Paul and Ace Frehley, with Ezrin taking them and embellishing them. I really dig this tune.

“Sweet Pain” is up next and it’s quintessential Gene and his horndog-laden love god persona. Ain’t no one can love you like me and my BDSM loving arse is basically the theme. I’ll love you so much it will hurt. And, he’ll do it while wearing leather and using whips. Isn’t that sweet? Yeah, sweet pain, from what I hear. I didn’t understand most of that when I was a kid but I find it funny now. Gene was what? 26 when they released this? Yeah. Horndog. And, I love it.

The third “break out and be something/do something song” was a bit of a smash from the album and a live staple for many years to come. “Shout It Out Loud” was co-written by  Stanley, Simmons and Ezrin. If it’s too loud they’re too old. Shouting it out loud is basically the cheerleading call-to-action of the rockin’ world. That’s what they want you to do. They took the title from the Hollies tune “We Want to Shout It Out Loud.” Wicked Lester recorded that when Gene and Paul were in that band. I got to do the Gene lines with my pal Reid Mansell at the VSS show.

“Beth” was a surprise. It was filler. It was a throw-away. They recorded it to appease Peter’s itch to have a song with his name on it. That may not be the official story but from what I’ve read between the lines over the years, yeah… It was the B-side of “Detroit Rock City” and was left to its (presumed) fate of filler. But, something happened. Something that I don’t know what really common at the time, DJs started flipping the record over and playing “Beth” instead of “DRC.” It still sits as the highest charting song in KISStory, at #7, one place higher than “Forever” which came 14 years later. I like the tune. I prefer the Eric Carr version on the greatest hits album, Smashes Thrashes and Hits in 1988, but this is classic.

The album closes with “Do You Love Me.” It’s a tune about the glitzy lifestyle of the rockstar and the potential gold-digging girlfriend who may or may not really like the singer; she may just be using him to get the status, attend the parties, get the backstage passes, limousine rides and so on. It’s sad really. That is unless Paul’s character in the song was getting what he wanted out of it. But, if he was, would he need to ask if she loves him? Probably not. That song became a concert staple. It then fades into some weird effected thing where you hear Paul doing banter from Dressed to Kill/Alive tour about a “rock and roll party.” I never felt it was necessary but I didn’t hate it.

I wasn’t into KISS or even know about them, until around 1977/78 and I never had this on vinyl as a kid. I did get it on cassette when I moved to WSNC and I definitely got it on CD and then the remastered CDs. I got it the vinyl remasters on 180g black vinyl that has all the original packaging and all.

I do have the remixed copy of Destroyer: Resurrected that Ezrin remixed and re-EQed the songs while adding some elements that had been left out. The original Ace solos (which were originally Dick Wagner of Alice Cooper’s band in the release) for a couple of songs and added some additional vocals to a few songs. Ace was part of stuff from this album but he was starting to flake a bit. That’s why Wagner did his thing.

The cover was painted by sci-fi/fantasy artist Ken Kelly (who also did the Love Gun cover) and it depicts a true wasteland with burning buildings and barren, burning land. It showed the band as larger-than-life characters that were destroying the world around them.

I don’t know why the album was called Destroyer other than it goes with the God of Thunder theme. I don’t know and I don’t care. It’s a great album. To me, there’s not a filler on there. It is #489 on the RS list I’m always talking about. It isn’t my favorite KISS album but I’d say it’s in the top 10. One day I really need to rank them. I’ll do a post on that when I do.

Have you listened to this album, Dear Reader? What did you think? Tell me about it, I’m truly interested. If you haven’t check it out on your favorite streaming service and if you like it, consider purchasing it. It sounds great on vinyl, but I’m biased. Rock on, Destroyer!

Until tomorrow, same blog channel…
Scorp out!

—
“I’m the lord of the wastelands. A modern day man of steel. I gather darkness to please me and I command you to kneel before the… God of Thunder and Rock and Roll. The spell you’re under will slowly rob you of your virgin soul.” – “God of Thunder” (Stanley)

Silent Sunday or: The Haul 3/10/18

11 Sunday Mar 2018

Posted by in Records, Silent Sunday

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Salutations™!!

Yesterday morning was a little odd because 1) we were recovering from the awesome VSS/Queen show the night before and 2) we had to be at home until later to have some things picked up from our house. We eventually got to Mary’s Gourmet Diner (with 3B with us) and then to Underdog Records.  So, here’s the haul:

  • Cheap Trick – We’re All Alright! – I had to look up this record on Discogs to see if I had it. I didn’t. 2017 release. New.

    220px-Oracular_Spectacular_2008

    ©Columbia

  • They Might Be Giants – I Like Fun – Brand new TMBG and it includes all the smart and snark that you’d think you need from them. It’s in there! New.
  • MGMT – Oracular Spectacular – #494 on the RS list. It was in VG++ condition, basically played maybe once and then sold. So it was near new. Great album, too.
  • The WaterBoys – Room To Roam – UK pressing, VG condition. I know very little about the band but what I have heard, I’ve enjoyed.
  • Al Green – Let’s Stay Together – 2009 reissue in VG++ condition. Same as the MGMT above, like it’s really not been played more than twice or so.
  • Blue Öyster Cult – Agents Of Fortune – The album with what is probably their most famous song on it, “(Don’t Fear) The Reaper.” It’s in VG+ condition. At Underdog, the albums that have better ratings and are in better condition get put in the protective sleeves and have detailed stickers on those sleeves. In the “notes” section, Jonathan has “more cowbell!!”
  • Roberta Flack – Feel Like Makin’ Love –  I have found that I really enjoy listening to Roberta Flack’s music. This was a great VG+ addition to the collection.
  • Graham Nash – Wild Tales – VG condition. Nash looks like he’s a necromancer or getting ready to conjure the dark lord or something.
  • Gerry Rafferty – Gerry Rafferty – I know of “Baker Street” and “Right Down the Line.” Other than that, I don’t know much about Rafferty. I’ll find out more when I listen. VG+.
  • The Art Of Noise – In Visible Silence – I didn’t have any Art of Noise on any medium so when I found this in the $1 bin, I had to grab it. It’s in VG condition.
  • Moms Mabley – Moms Mabley At The Playboy Club – I have no idea what this is. It was The BCPF’s pickup. It’s pretty beaten up. I’d say “Good” at best.
  • Orchestral Manoeuvres In The Dark – Crush – I love when I get stuff that I knew of but didn’t know it. Does that make sense? I know OMD’s “If You Leave.” I have their latest release. I knew they had more tunes that I had heard. This album has two of those songs. Plus, they have a song entitled “88 Seconds in Greensboro.” I found out that it is talking about the 1979 “Greensboro Massacre” where 5 civil rights activists were shot down by KKK and Nazis right here in Greensboro. It was a $1 bin find and is in really good shape. I’d say VG+.
  • U2 – Wide Awake In America. Rarely do I find U2 albums in the $1 bin. That’s what happened this time. This four-song EP has live recordings from “The Unforgettable Fire” tour. It looks well-used but it plays great. I’ll call it VG.
  • Mott The Hoople – Mott The Hoople – I’ve liked all I’ve heard from this band and this was in the $1 bin. Let’s go with it. There is a bunch of gunk on Side 1 and without getting microscopes and sewing needles, I can’t get it cleaned and I don’t know how it will sound, I’ll just call it G.
  • Michael Jackson – Thriller – This did not come from Underdog, at least not when I got it. I told you last week of the albums that Jerry Chapman, yes, that Jerry Chapman sent me and I had one that was a duplicate? I also said I traded it to Clay for something. This is what I traded for. My sister had this when we were younger and I pretty much procured it for myself. It was tossed around and beaten up pretty bad. I have come across a few copies but none that were in any kind of listenable condition. This is in good shape. Thanks, Clay!

Record Store Day is coming on April 21 and the list is out. Just visit the website and make plans to stand out in the morning in line to grab what you want. The line will be long and the lineup of the releases for that day will be really good. The BCPF has already gone through and made a list. And, then, Discogs, Y’all! Keep track of what you’ve got!

Until tomorrow, same blog channel…
Scorp out!

—
“We don’t make mistakes. We know you. Oh, yes we have known you. Times are changing but not in our street. Once we played there, like the good times. You know it. God, you know it. They’re heading for a shallow grave with a big black cross by a tall white house to a place down south. We won’t forget. To be stabbed in the back by a man they met. In 88 seconds in Greensboro.” – “88 Seconds in Greensboro” (McCluskey/Humphreys)

Sounds Like Saturday or: VSS/Queen

10 Saturday Mar 2018

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Salutations™!!

Last night was amazing! A-MAZE-ING (yeah there’s no “e” in amazing, it’s called effect). Whether I was doing the leads or being marveled by what was in front of me, it was, again, amazing. The crowd was singing along with everything Queen. They were into it. The Ramkat is amazing. It’s run amazing. It is amazing. There were probably close to 900 people there. That is amazing.

Here’s a little of me doing my thang. Sorry, no video, yet.

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©Jason Faylen

Until tomorrow, same blog channel…
Scorp out!

—
“All I want to do is…” – “Bicycle Race” (Mercury)

Is This the Real Life? or: Ramkatting

09 Friday Mar 2018

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Salutations™!!

Tonight is the night. There has been a big buildup in the local media about this this week. The “old new Ziggy’s” is getting its fresh new makeover and it’s a “royal” one. queen-logo-0C3566206E-seeklogo.com

Tonight is the grand opening of The Ramkat and for the opening, it’s the incomparable Vagabond Saints Society doing a night of Queen. Yes, Queen.

I believe, if I’m not mistaken when you take into account the sheer scope of the situation –  the biggest music venue opening in the last many years, having a massive choir to sing, the 11 on a 10 scale difficulty, singing Freddie Mercury – this is probably the biggest show in the history of the Vagabond Saints Society.  It’s scary and exciting all at the same time.

Yes, if you were wondering, I am participating. I’m part of the choir. That in itself isn’t a huge deal. The fact that most of my parts are the “soprano” parts, when I’m a baritone/tenor, that’s a pretty big deal. At least for me. Doug Davis, yes that Doug Davis, said that he could use my falsetto because Queen drummer Roger Taylor has an amazing falsetto (or at least he did back then). I was kind of scared shiteless when I got the assignments, but really they’re not that bad and I’ve been through three practices (once with choir) and I held my own. Luckily, I’m not the only soprano, there are several of us.

But, wait! There’s more! I am also doing lead on two songs. Two that I requested, so I”m really looking forward to them. I’m not going to tell you which two, you’ll have to come to find out (or wait until some video surfaces).

This is going to be a big night and the place will be packed so I suggest you buy your tix early, which you can do right here. This is soooo exciting! I want to see your smiling faces there and help us sing these songs that you have grown up singing and been singing all these years.

Until tomorrow (or tonight!!!)…
Scorp out!

—
“Oh… won’t you take me home tonight?” – “Fat Bottomed Girls” (May)

I’ve Got a Rampant What? or: Live at the Inferno (Eugeology Entry 49)

14 Thursday Dec 2017

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Salutations™!!

Inching closer, we’re at the penultimate position in this countdown. The last entry was okay. It was more a question to Eugene about why the album for me. It was a good listen but it wasn’t anything spectacular. I know he has a way to go but I really want to read his review of that one. Jon meet ether… Ether, Jon. Let’s do the next to last ‘un…

Raven_-_Live_at_the_Inferno

©Megaforce Records

 

#49 – Live at the Inferno by Raven.

We waited over half the countdown for this one. It was a matter of getting it for all of us. It is available from Amazon Prime Music and I never had any troubles, but it isn’t available on any other streaming service. I also listened when it first was mentioned but am revisiting it with research this time.

I was amazed that so much sound came out of a trio. This is full! If I’m remembering correctly (and I could be mistaken), from what Eugene said it’s a show with no overdubs so what you hear is what they gave. You get hit from the opening until the end. I believe they proclaim that on the album itself. Another drawback to having to listen to stuff digitally, I don’t get to hold the media, thus missing a major advantage of being a music fan; marveling in the packaging, thought and effort that went into an album.

I knew nothing of Raven, just the name. I thought it was yet another five-piece New Wave of British Heavy Metal (NWOBHM) music. They give you all that you’d want in such an album: rapid double kick with galloping rhythms, high-pitched screams, fast guitar riffs, etc. It was all in there. You can tell they were having fun and the crowd seems to be really into it.

This is no “gettin’ by” band, either. They’re the real deal. John Gallagher did things on the bass guitar that many guitarists would be jealous of. Listen to the solo “I.G.A.R.B.O.” That’s him slinging his c**k around. Figuratively, obviously. In fact, he has stated that the title of that song is “I’ve Got a Raging Boner On.” Whether that’s true or not, I have no reason to not believe him. We’ll go with it. Johnny G is also the one with all the glass-shattering screams in a register that makes even me say, wow (if you don’t know, I do a lot of falsetto screams and I’ve kind of gotten to be known for it in the VSS circle; he has me beat). I don’t know how he can growl at the crowd but still maintain the smooth vocals while singing. His jumping from lower to higher registers and back again, in the middle of the phrase is pretty cool. He does it the whole time but the verses of “Break the Chain” is where you can really hear it happen. And, his screams in “Hell Patrol.”

John’s brother Mark is all over the fingerboard. Sometimes it’s almost as if it’s too much, but he seems to reign it in and makes it work. He’s got chops, for sure. His tone is certainly in line with the status quo of NWOBHM era. That’s good – give them familiarity, but then break their face. The tone is heavy and meaty but it cuts through. He’s certainly not afraid of the tremolo bar, either. He whammies pretty darn well. Also, his pinch harmonics are pretty mean.

Future Harry Connick, Jr. audio engineer, Rob Hunter (known to his pals as “Wacko), is the one holding down those cliche galloping beats (not a bad thing) with some pretty mad fills and rolls. I love the crisp snap of his snare drum. He also does the backing vox for the show.

If I’m going to pick things that I don’t like (there aren’t many), I would start with the growling demon sounds in “Hell Patrol.” JG pretty much undermines the ingenious screams with that. I know he was just feeling it and playing the crowd and in 1984, it was definitely part of the landscape. So, just ignore that, I did. Also, nothing else stood out enough for me to gripe about it.

This was a fun listen. It’s probably not something that I’d want to hear a lot of, but I think the boys were good. I’d have it on vinyl if I came across it. They’re still together, at least the Gallagher brothers and a new drummer, Joe Hasselvander (who has no known nicknames). My faves on the album were “All for One,” “Mind over Metal,” “Break the Chain,” “I.G.A.R.B.O.” Thanks Eug for adding it. We have one more to go, I’ll get that assignment today, I hope, and we’ll be ready to close this thing out. Jon, (sigh), nevermind…

Until tomorrow, same blog channel…
Scorp out!

—
“That complacent tramp setting the world on fire. C***s to smell you’re ready to kill and the father that calls me a liar. You can’t shimmy down, be her in this town. You won’t know the score to the break of the dawn. You’re totally wiped out!” – “Wiped Out” (Hunter/Gallagher/Gallagher)