Tag Archives: Ultravox

Spinning Sunday or: Record Store Day Drop One

30 Sunday Aug 2020

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Salutations™!!

Yesterday was a national holiday for record collectors, although it didn’t feel like it. In recent years, I would have camped out overnight in front of Underdog Records in anticipation of Record Store Day. And, it would have been mid- to late-April. But, all that went out the window with C-19. RSD was postponed and then they decided to do it in three drops. One each in August, September, and October. Jonathan did the right thing and set it up in a lottery system where interested parties registered to enter. There were over 100 entries, maybe close to 200. Only 36 slots were available: 3 people every 15 minutes from 8am (the normal start time for RSD) and 11am. Underdog then closed and Jonathan took an inventory of the leftovers and, also for the first time, he was able to sell RSD titles online the day of.rsd drops

I was lucky enough to draw one of the spots. I was a 1015am slot. No overnight camping was allowed, which I don’t mind missing at all, I just missed hanging with my friends. And, no mad scramble for records, although with our crew (or Crüe as we call it), it was fun to do that together. All of these are new and I include (where applicable) the limited issue. So, with that in mind, here’s the haul:

  • Iggy Pop – Kiss My Blood (Live At The Olympia – Paris France – 1991 — Record Store Day 2020 exclusive release, limited to 2,500 copies. Includes printed inner sleeves, a tour poster, and a DVD of the live concert. 3xLP Gray/Red/Gray. New.
  • Ace Frehley – Trouble Walkin’ — Record Store Day 2020 first release, limited to 2,400. 2XLP, 45 RPM, Yellow/Orange splatter. First time on vinyl since 1989. I only owned it on CD, much later.
  • The Cure – Bloodflowers — Record Store Day 2020 exclusive release, limited to 7,500 copies. 2xLP, Limited Edition, Picture Disc, Reissue. I don’t usually do picture discs because a) they sound atrocious and b) they tear the poop out of my needle. But, this album isn’t available on vinyl right now unless you find an old copy.
  • Judas Priest – British Steel — Record Store Day 2020 exclusive release, limited to 3,500. 2xLP, Single Sided, Album, Limited Edition, Reissue. Side A is on Record 1, and Side B is on Side A of Record 2. Sides B & D are printed on creating the illusion of a picture disc. Tracklisting on the packaging differs from what is listed on RSD’s website. I’m not sure how this works, I haven’t opened the albums. I got this mainly for the collectability of it.
  • Throwing Muses – Purgatory Paradise — Record Store Day 2020 first release, limited to 950 copies. 2xLP, Reissue. I don’t know that this album (released in 2013) was released on vinyl originally. I think that’s what the first release means. This was a pick from The BCPF.
  • k.d. lang – Drag — Record Store Day Aug 2020 edition. Smoky grey vinyl. 2xLP, 3 sides recorded, side 4 etched “drag.” Special Edition. k.d. lang (I love the lowercase styling) has an amazing voice.
  • Fight – A Small Deadly Space — Record Store Day 29 Aug 2020 exclusive. First-ever vinyl reissue. Limited Edition, Red & Black Marble. For those who don’t know, Fight was the band that Rob Halford started after he left Judas Priest in 1992. This is their second album.
  • Martin Denny – Exotic Moog —  Limited Edition, Reissue, Orange. Record Store Day 2020 exclusive, limited to 1,500 copies. Originally released in 1969.
  • Tones On Tail – Pop — Limited Edition, Reissue. RSD 2020 Release. Limited to 1500 copies. We didn’t get this from Underdog Records. I had talked to someone from the Crüe that I knew had an earlier time slot and I knew that this was on his list. Another part of RSD is you’re only allowed to buy one of each title. I also didn’t know how many copies Jonathan got in, so another member of the Crüe had to go to another store (he didn’t get drawn) and was first in line (that store did allow people to gather) and picked it up for me. This was The BCPF’s “must-have” from the list.
  • Al Green – Green Is Blues — Limited Edition, Reissue, Remastered, Green/Blue Split, 180g. First released for Record Store Day 2020 with an initial pressing of 3,000 copies, of which 500 were sold in the UK. Housed in a tip-on jacket. This means the pictures are glued onto the card stock.
  • The Pale Fountains – Longshot For Your Love — Compilation, Limited Edition, Reissue. RSD 2020 release reissue limited to 900 Copies. Black vinyl disc issued in a gatefold sleeve. With inner sleeve featuring liner notes & lots of photographs. This was confusing. Musically it is amazing. Vocally it was awful. The music wins.
  • Roxy Music – Roxy Music — Reissue, Clear, 180 Gram, Gatefold. Record Store Day 2020 exclusive release, limited to 4,000, gatefold cover. This release is listed as “Roxy Music – The Steven Wilson Stereo Mix“ on RSD’s website, but that title does not appear on the front cover or spine. So, I don’t know if it really is the Steven Wilson stereo mix or not. Some copies with “Made in the Czech Republic” sticker on the back. Mine had that. The debut album from the band in 1972.
  • Gorillaz – G Sides — Compilation, Limited Edition, Reissue, Remastered, 180g. Limited to 15,000 worldwide copies according to Record Store Day. Printed inner sleeve. I don’t have any Gorillaz and I don’t know a single tune by them. I figured now is a good time to listen to some of it.
  • Pretenders – Live! At The Paradise Theater, Boston, 1980 — Limited Edition, Reissue, Clear / Red. RSD Drop, August 29, 2020 release. Limited edition of 6500 copies. It’s in a vinyl plastic sleeve that smells like pool floats and beach balls. I dug it. The record is awesome, too.
  • k.d. lang and the reclines – Angel With A Lariat — Limited Edition, Translucent Red, Reissue. Reissue of her 1987 sophomore effort.
  • Tom Tom Club – Genius of Live 2020 — Compilation. Record Store Day 2020. Exclusive limited to only 1200 pressed on yellow vinyl.
  • Dio – Annica — 12″. Picture Disc. Officially released on August 29th, 2020 for Record Store Day. The sticker still lists the date for RSD as April 18, 2020, which was postponed. Limited to 3000 copies. Again, this is more for the collectibility of it than to listen to. I’m not a fan of 12″ single nor picture discs (as I stated).
  • The Charlatans UK – The Charlatans V. The Chemical Brothers — 12″,  Limited Edition, Reissue, Yellow. Record Store Day 2020. Limited to 500 copies. The Chemical Brothers remixed this 12″.
  • Def Leppard – Rock N Roll Hall of Fame — Limited Edition, Special Edition. Released for the first Record Store Day “Drops” 2020. Limited to 4000 copies. Includes a hype sticker. Recorded last year in the Barclay Center during their Rock and Roll Hall of Fame induction.
  • Ultravox – Sleepwalk — 12″, 45 RPM, Single, Limited Edition, Clear. Record Store Day 2020 edition: first time on UK 12″. Cover sticker states Ultravox. 40th Anniversary. 12″ Clear Vinyl Exclusive Sleepwalk. Limited Edition Record Store Day. Rear Cover states: Taken from the 40th Anniversary Deluxe Edition of VIENNA. Note: only one pressing of this has been manufactured for worldwide distribution and there are no separate releases for any specific country. 1,200 copies only.
  • New Riders Of The Purple Sage – Field Trip — Limited Edition, Black. Recorded live at Temple Meadow – Veneta, Oregon August 27, 1972. Taken directly from the original 16-track analog master reel-to-reel tapes running at 15 I.P.S. Previously released as “Veneta, Oregon August 27, 1972” (KUFALA Recordings- KUF 0088) in 2004. Record Store Day Release limited to 1500 copies. I know this is probably a blasphemous statement, but I have never heard of NRPS other than some passing something here and there. I don’t know that if I ever had heard it or anything from them, I wouldn’t know it was them. So, why not check it out?
  • Various – Girls In The Garage Volume 8 — Compilation, Limited Edition, Numbered, Special Edition. Some of the artists on this are Claire Lane, The Beas, The Liverbirds, Marilyn Mattson, Shammy And The Famous Ruis Family, Die Sweetles, What Four and Judy Came, just to name a few.

The next two were not part of the RSD releases but we picked them up while we were in the store:

  • Fantastic Negrito – Have You Lost Your Mind Yet? — My Kousin Gary turned me on to this during the recording of Asylum: The Tales from the Devereaux Diaries podcast last week. It’s hard to put him in a genre but you can include, blues, R&B, and some roots stuff. It’s a great listen and The BCPF loved it as well. New.
  • Rolling Blackouts C.F. – Hope Downs — The BCPF really liked the first album we got from Rolling Blackouts C.F. (which was their second album) so she wanted this one (their first), too. New.

I know this was all long and I won’t go into any long-winded diatribe things. Checkout Underdog Records’ website, listen to Asylum: Tales from the Devereaux Diaries podcast (and The Less Desirables and The Man Who Ate the Town and… well, the whole TLD Network) and use Discogs for cataloging and collecting!

Until tomorrow, whew! Keep spininn’!
Scorp out!

—
“Have you lost your mind yet? To get free tonight, ah. To all of your friends that come over, uh. And get free tonight, uh. Clap your hands in time. Get free tonight, yeah. Now the whole world is watching. Get free tonight. It’s your mind, body and soul food tonight. Let your mind, body and soul feel it tonight.” – “Chocolate Samurai” (Dphrepaulezz)

Now Normal Chronicles or: With Tears in My Eyes

15 Wednesday Jul 2020

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Salutations™!!

Continuing my tribute to Live Aid this week, I am focusing on the other “organizer” of the event(s) than Bob Geldof, Midge Ure and his band, Ultravox. As I have said, I have just recently gotten into the catalog of Ultravox. I think Midge killed the vocals on this tune. It is a great rendition. Enjoy!

Until tomorrow, same blog channel…
Scorp out!

—
“It’s five and I’m driving home again. It’s hard to believe that it’s my last time. The man on the wireless cries again, it’s over, it’s over. Dancing with tears in my eyes. Weeping for the memory of a life gone by. Dancing with tears in my eyes. Living out a memory of a love that died.” – “Dancing with Tears in My Eyes” (Cann/Cross/Currie/Ure)

Sounds Like Saturday or: This Means Nothing to Me

11 Saturday Jul 2020

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Salutations™!!

Today is the 40th anniversary of Ultravox’s Vienna. I know a few songs by Ultravox and have loved what I’ve heard. I love that new wave synth stuff from the late 70s/early 80s. This, the title song, is kind of haunting and Midge Ure, the lead vox for Ultravox did a fantastic job. I dig it. I think you will, too. Enjoy!

Until tomorrow, same blog channel…
Scorp out!

—
“We walked in the cold air, freezing breath on a windowpane. Lying and waiting. A man in the dark in a picture frame, so mystic and soulful. A voice reaching out in a piercing cry, it stays with you until… The feeling has gone, only you and I. It means nothing to me. This means nothing to me. Oh, Vienna.” – “Vienna” (Cann/Cross/Currie/Ure)

Spinning Sunday or: The Haul 1/18/20

19 Sunday Jan 2020

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Salutations™!!

The BCPF and I finally had a normal Saturday. We didn’t have to put anything together. We didn’t have to install anything. We didn’t have to go anywhere. We didn’t have to work on the house. We had breakfast. We went to Underdog Records. We came home and listened to records all day. I told The BCPF I want today to be as “mindless” as possible. It fit the bill perfectly. Here’s our haul:

Too_Fast

©Elektra/Leathür

  • Megadeth – Peace Sells… But Who’s Buying? — As much as I love hard rock and metal, I don’t really have a lot of it on vinyl. I’ve been looking to add some Megadeth and this was there and ripe for the picking. It’s a 2017 reissue, but that’s good enough for me. Not necessarily my favorite from Dave and Co, but it’s a good start! New.
  • Tori Amos – Little Earthquakes — Amos’ debut solo album after breaking up Y Kant Tori Read. It was co-produced by Ian Stanley who used to be with Tears for Fears and was a big reason why Songs from the Big Chair was so popular. This was happening about the time I was rejecting anything that wasn’t hard or heavy and nothing that remotely sounded “alternative” was allowed. I realize how ridiculous that is, but at the time, my angst was against those with angst. This is good, although she does still kind of get on my nerves. Like a more talented Jewel. New.
  • Mötley Crüe – Too Fast For Love — I did this for the Eugeology list back in 2017. You can read my review here. I try to collect anything that I did on a “list” and again, hard rock in my collection. My review more than describes anything you need to know about it. New.
  • Ultravox – Rage In Eden — I have grown to dig what I hear from this band. They were new wave and most of what I know of them I hear on 1st Wave on SiriusXM. When I see or hear them, I immediately think of my pal Doug Davis (yes, that Doug Davis) and a conversation we had after a Vagabond Saints Society gig sitting at Finnigan’s Wake. I only have one other thing from Ultravox and that’s Vienna. This is good First Wave synthpop. I dug it. EX/VG++.
  • R.E.O. Speedwagon – R.E.O. Speedwagon — I have a confession to make. Well, a couple, actually. First, I’ve never really liked REO (or R.E.O.) Speedwagon. I loved Hi Infidelity and some of Wheels Are Turnin’ (that album is mostly crap) and a few other songs here and there. But, overall? Nah. The other thing is I never knew that Kevin Cronin didn’t found the band. I always thought that since he was the end-all-be-all in the band that it was his baby. Nope. This is the band’s debut and Terry Luttrell is the lead vox. I couldn’t pass up having it, but I don’t see me really enjoying it so much. VG+.
  • Cutumay Camones De El Salvador – Patria Chiquita Mía — Cutumay Camones was a band from El Salvador whose stated objective was to “recover Salvadorean cultural roots and to provide popular music for the national liberation movement.” I guess they accomplished that? I don’t know. The BCPF picked it up. VG+.
  • Frank Strozier – Fantastic Frank Strozier — So this was not from Underdog Records. This is from a “first.” One of our loyal listeners on the Apartment 5B podcast sent this to me. The album was in a jacket and had a post-it that reads, “For Producer Tim (that’s what I go by on that show)… Had to go really deep… my 5th Grade Social Studies Teacher.” I think from what Jeff Evans (the podcast’s host) said, the 5th-grade teacher really recommended that album to him. I looked this up because I don’t know anything about it. So, the rhythm section, that’s the bass, drums, and piano had all played on Miles Davis’ Kind of Blue earlier in 1959. It was also one of the few recordings to feature a brilliant, young trumpeter named Booker Little who died of uremia at the age of 23 in 1961. Strozier is a saxophonist and I really can’t wait to hear this. So, many, many thanks to you, “Loyal Listener Matt,” for sending this to me. I really, really appreciate it. NM.

So, a mid-sized haul and a lot of good stuff. Jonathan had a lot of new-to-the-store used vinyl and has restocked some of the new stuff so he is churning out some records! Good used equipment there, too. Speakers, receivers, good stuff. Listen to each new episode of The Less Desirables to hear the TLD/UR special. I’m going to give you one for free right here. There are a lot of cool records in the clearance bin there at Underdog Records. Go in and tell Jonathan that you heard from The Less Desirables that you should get something from the clearance bin and you’ll get an additional discount on the things in that section. Don’t expect me to give away the beans every time, I still need you to listen to the podcast! I use Discogs to track my collection and the collections of my friends.

Until tomorrow, keep spinning…
Scorp out!

—
“Excuse me, but can I be you for a while? My dog won’t bite if you sit real still. I got the Antichrist in the kitchen yelling at me again. Yeah, I can hear that. Been saved again by the garbage truck. I got something to say, you know but nothing comes. Yes, I know what you think of me, ‘you never shut up.’ Yeah, I can hear that.” – “Silent All These Years” (Amos)

Riding the Wild Wind or: Ultra Anniversary

15 Tuesday Oct 2019

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Salutations™!!

Today is the 37th anniversary of Ultravox’s Quartet album. This is probably the album’s biggest hit. Plus, it was produced by George Martin. Enjoy!

Until tomorrow, same blog channel…
Scorp out!

—
“You take my hand and give me your friendship. I’ll take my time and send you my slow reply. Give me an inch, and I’ll make the best of it. Take all you want and leave all the rest to die. Reap the wild wind.” – “Reap the Wild Wind” (Cann/Cross/Currie/Ure)

Spinning Sunday or: The Haul 7/5/19

07 Sunday Jul 2019

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Salutations™!!

Yes, I have the date right up there. The BCPF and I went to Underdog Records on Friday because I had a Cobras Game last night. Jonathan had been closed on Wednesday and Thursday for the holiday but was open on Friday. Yay us! Here’s the haul:

Ultravox_-_Vienna

©Chrysalis Records

  • Metallica – Metallica — #255 on the RS list, it’s my second favorite Metallica album after Ride the Lightning. On this tour, they did an “In-the-Round” stage setup where they were in the middle and the crowd surrounded them on all sides. During the song “Seek and Destroy” from their debut album, Kill ‘Em All, James Hetfield came down and sang the hook with groups of people. As he walked past me (I was in the second row but we had been moved up to the security railing) and said, “I need one more crazy m*****f***er and I nearly jumped the fence screaming me! me! me! He came over, grabbed my hand and had me dangling over the railing as he went into the line. I was breathing through my nose, inhaling deeply, and he did the “searchin’…” and I yelled, at the top of my voice, “SEEK AND DESTROY!!!” I had friends who watched it from farther back in the arena and they told me later that they couldn’t even hear the music when I did that because it was so loud. “Enter Sandman,” “Sad But True,” “The Unforgiven,” “Wherever I May Roam” and “Nothing Else Matters” were all released as singles. It was a great heavy album. Not as heavy as their previous albums, at least not in the “thrash” way, but it was heavy sonically. 2xLP. New.
  • The Decemberists – Picaresque — The BCPF doesn’t hold back when it comes to The Decemberists. This album was the band’s last on the Kill Rock Stars label and was produced by Chris Walla, guitarist for Death Cab for Cutie. 2xLP. VG++.
  • Judas Priest – Killing Machine — This is a 2015 reissue of what we Americans knew as Hell Bent for Leather. It’s the same album and yes, I have Hell Bent but I wanted one with the albums’ proper name. Why was there a change? When this came out it was around the time of the Cleveland Elementary School shooting in San Diego. Brenda Spencer, a 16-year old, shot and killed the principal and a custodian and injured nine others (including eight children) from her house. When a reporter got in touch with her whilst she was holed up in her house and asked why she did it, she said, “I don’t like Mondays. This livens up the day.” That was the inspiration of Bob Geldof’s Boomtown Rats’ song, “I Don’t Like Mondays.” Anyway, this was an opportunity to have both titles. VG+.
  • Okkervil River – The Stand Ins — The BCPF likes this band and picked out the album. I liked what I heard but I wouldn’t have known to get it. My pal Patrick Ferguson is a big fan of the band as well. This was a follow up to The Stage Names and if you put the prior album above this one, it makes a complete picture. VG++.
  • The Knack – …But The Little Girls Understand — The follow-up to their debut, Get the Knack, which I tout as a gravely underappreciated album. This one charted well, but many critics panned it for its tired misogynistic themes and subject matter. I haven’t listened to it, yet, but again, I loved the previous record. We’ll see how the sophomore effort goes with me. VG+.
  • Arlo Guthrie – Power Of Love — I know nothing about this album other than it was released in 1981. The BCPF likes her folk heroes and well, he is one. VG+.
  • The Shirelles – The Shirelles Greatest Hits — $1 bin find. I’m not really sure why The BCPF wanted this one but it could be that it was a girl group. She usually goes for the more rocking/post-punk/first wave-kind but she picked it up.

Now, the next four I did not buy at Underdog Records, although I would have had I seen them there. Before we knew that Jonathan was open on Friday, we had stopped by Design Archives on Fourth Street and they had vinyl. I thought at first these things were overpriced, but I had Jonathan look at them and he said that was pretty accurate to what he would have charged, so I felt better about getting them at that point. Here’s that mini-haul:

  • Rush – Fly By Night — I added three more albums to my Rush collection through this vinyl stop. This is Rush’s second album and the first with the monster Neil Peart not only on drums but with the lyrics, too. Alex Lifeson and Geddy Lee liked that Peart was a bookworm and wrote imaginative lyrics. That way they could concentrate on complex music. VG+.
  • Rush – Power Windows — This was the follow-up to Grace Under Pressure. The album has the songs “The Big Money” (for which there was a somewhat revolutionary video), “Manhattan Project,” “Marathon” and “Mystic Rhythms” among others. VG+.
  • Rush – Hold Your Fire — The mostly forgettable follow-up to Power Windows does at least feature “Time Stand Still” with Aimee Mann singing back up. It was the lowest selling Rush album since Hemispheres. VG+.
  • Ultravox – Vienna — Their fourth album and the first on Chrysalis Records and the first with singer Midge Ure. The singles on this album were “Sleepwalk,” “Passing Strangers,” the title track and “All Stood Still.” VG+.

I think this week’s haul was awesome. We’ve already listened to some great stuff and hopefully will get to a bit more today and hopefully, I’ll have time to listen to some throughout the week. Underdog Records will be open all next week and you should listen to The Less Desirables (well, you should anyway) to hear the TLD/UR weekly special. Also, use Discogs to track your music collection, be it vinyl, cassette, CD, or even 8-Track.

Until tomorrow, keep spinnin’…
Scorp out!

—
“Time stand still. I’m not looking back but I want to look around me now. Time stands still. See more of the people and the places that surround me now.” – “Time Stand Still” (Peart/Lee/Lifeson)