Greeting from back home after a long day yesterday. Today is the 39th anniversary of the last The Who album with John Entwistle on bass, It’s Hard. This was the big hit on the album and besides it being recorded in a big hall or theater, this version is really good. Enjoy!
Until tomorrow, same blog channel… Scorp out!
— “The sun shines and people forget. The spray flies as the speedboat glides and people forget, forget they’re hiding. The girls smile and people forget. The snow packs as the skier tracks and people forget, forget they’re hiding. Behind an eminence front. Eminence front, it’s a put on.” – “Eminence Front” (Townshend)
Today is the 50th anniversary of (in my opinion) The Who’s best album, Who’s Next. Lots of great tunes on this album but the biggest are probably, “Behind Blue Eyes,” “Won’t Get Fooled Again” and this one. Enjoy!
Until tomorrow, same blog channel… Scorp out!
— “Don’t cry, don’t raise your eye. It’s only teenage wasteland.” – “Baba O’Riley” (Townshend)
The BCPF and I took her brother and her mother to eat the night before at Diamondback Grill to celebrate my MIL’s 80th birthday. Her brother came along with us on Saturday to do some record shopping at Underdog Records, eat breakfast/lunch at Clementine’s and we gave a tour of parts of the town that he hadn’t seen yet. Here’s our haul:
Joni Mitchell – Live At Canterbury House – 1967 — The BCPF is a major fan of Joni Mitchell. She didn’t know that this existed and neither did I. 3×LP, Limited Edition, 180g. Packaged in a 6-panel, book-style gatefold sleeve. Hype Sticker: Includes 9 previously unreleased original songs predating Joni’s first album. Limited edition of 10,000. 3 sets of music. Recorded live at Canterbury House, Ann Arbor, MI, October 27, 1967. New/Sealed.
The Who – The Who Sell Out — Reissue. All Media, Deluxe Edition, Remastered, Stereo. 2×LP with bonus tracks. It’s #115 on the RS list that matters and #316 on the RS list that doesn’t. I remember listening to this when I went through the list and thought it was really good. I’ve been looking for this for a while and it was just reissued. New.
Dave Matthews Band – Remember Two Things — the “debut” album from Dave Matthews Band. When this was first released it was The Dave Matthews Band. I have never liked DMB but this wasn’t too bad. Non-Gatefold, Vinyl are housed in two poly lined white paper sleeves and contains a card with a download code. New.
The Mothers Of Invention – Burnt Weeny Sandwich — Reissue, Remastered, 180 Gram. I’ve been enjoying getting to know some Zappa stuff. Gatefold cover. With replica of original black and white poster. New.
Underdog Records is open Wednesday to Saturday. Things are starting to open back up and Jonathan is bringing people back into the store, mostly without restrictions. Follow Underdog on social media to find out what is new and happening at the store. You can shop 24/7 by visiting the Underdog Records website. Record Store Day is coming soon and you should go to the RSD website to find out more. I use Discogs to track my collection. You should, too.
Until tomorrow, keep spinnin’… Scorp out!
— “I know you’ve deceived me, now here’s a surprise. I know that you have, cause there’s magic in my eyes. I can see for miles and miles and miles and miles and miles. Oh yeah. If you think that I don’t know about the little tricks you’ve played. And never see you when deliberately you put things in my way.” – “I Can See For Miles” (Townshend)
Today is the anniversary of several albums. Drama from Yes turns 40 today. Dark Continentfrom Wall of Voodoo turns 39. Slippery When Wet from Bon Jovi is 34. Kicking Against The Pricksfrom Nick Cave and the Bad Seeds does, too. Out Of The Blue from Debbie Gibson and Permanent Vacation from Aerosmith are both 33. Patty Smyth’s self-titled album is 28. All would be great choices (yeah, even the Debbie Gibson one) and two of those on the above list would have been a choice before this one, but I think I just needed to do it. It’s also the 42nd anniversary of The Who’s Who Are You. So, take it away, Dave…
Until tomorrow, same blog channel…
Scorp out!
— “I woke up in a Soho doorway, a policeman knew my name. He said, “You can go sleep at home tonight if you can get up and walk away.” I staggered back to the underground and the breeze blew back my hair. I remember throwing punches around and preaching from my chair. Well, who are you?” – “Who Are You” (Townshend)
Today is the 49th anniversary of The Who’s best album (in my opinion), Who’s Next. So many great songs on here, it’s hard to choose. But I did… Enjoy!
Until tomorrow, same blog channel…
Scorp out!
— “I’d pay any price just to win you. Surrender my good life for bad. To find you I’m gonna drown an unsung man. I’d call that a bargain. The best I ever had.” – “Bargain” (Townshend)
Dear sweet baby [enter deity here], please let this be over soon. If for no other reason, I want to get back to Underdog Records, see Jonathan and buy vinyl goodness. Amen.
You know my religion is “non-Prophet” so that was really just symbolic. However, the sentiment is exact and true. I want to get back to Underdog. The good news is Jonathan is doing a lot of deliveries and is still getting in new stock. I don’t buy a lot of new stuff so that throws me behind. I am more about the used stuff and, well, I figured it’s just not as feasible for him to rifle through the used stuff. That’s okay. I have plenty to keep me company here, but there’s nothing like the thrill of bin diving. I love it. Anywhat!
This week, I was home more than usual (usual for the lockdown) and The BCPF had work and conferences via Zoom, so I was under headphones a lot this week. I listened to 23 albums. I should probably try to listen to some podcasts during this downtime but I really want to listen to music. I suppose this is the equivalent of being a chef and having to cook at home, or being a truck driver and having to drive the family to Florida for vacation or per my old job working with the family sand business, why would I go to the beach when I can see sand anytime I want? So, I’m just not in the mood to listen to podcasts on my “downtime.” That’s cleared up.
The criteria for my streaming listening (for this list, anyway) is this: I have to own it on vinyl. I can’t listen to it on vinyl because of the situation, but I want to act like I am. So, I use the Discogs shuffle feature and see what pops up. Oddly enough, on the same day, I had two from The Who and even odder, I had two Yes albums right in a row; one I wish I had drawn after the other started. That worked out for me. Here’s my headphone “haul:”
That was a good listen haul, I think. I enjoyed most of it a lot. I didn’t have that I didn’t like, I just would have preferred something else, I guess.
Then yesterday, The BCPF and I had our listening time and we shuffled through these albums:
That’s what we listened to. Follow Underdog Records on Facebook and Instagram, you’ll see what he’s got going on and you can get into the delivery thing and have him bring you some records. Also, visit the website to order new vinyl. Obviously, I use Discogs and even more so this week. There are no TLD/UR specials right now but I still hope you listen to the episodes. Okay, that’s all I have. Have a great week, stay home if you can, wash your damn hands and stay safe!
Until tomorrow, keep spinnin’…
Scorp out!
— “Walked out this morning, don’t believe what I saw. A hundred billion bottles washed up on the shore. Seems I’m not alone at being alone. A hundred billion castaways looking for a home.” – “Message in a Bottle” (Sting)
Like the last few weeks, The BCPF had the day off on Friday and we went to Underdog Records a day early. We got some good stuff and I’m going to share that with you, now!
Michael Kiwanuka – Kiwanuka — I first heard pieces of this album when I was making the commercial for Underdog Records on The Less Desirables. I thought it was great. Jonathan kept getting copies and selling out before I could get there to get one. So, I had him order one for me specifically. Here it was, finally. And it was well worth the wait. Lots of good ambient blues, R&B, rock, all that in one. A great album that even The BCPF loved and was disappointed there wasn’t a download code in the sleeve. New.
The Smiths – Strangeways, Here We Come — Gotta love some miserable Brits, eh? “I Started Something I Couldn’t Finish,” “Stop Me If You Think You’ve Heard This One Before,” “Last Night I Dreamt That Somebody Loved Me” and one of my favorite Smiths tunes, “Girlfriend in a Coma” is on this album. VG++.
Elvis Costello & The Imposters – Look Now — A 2018 release from EC, it sounds like old EC and that is a good thing. He wrote most of the stuff himself but there were three songs co-written by Burt Bacharach and one co-written by Carole King. A really good listen. VG++.
Pink Floyd – Atom Heart Mother — Released a month and a half before I was (born), this is Pink Floyd’s fifth studio album and consists of mostly instrumentals (36:44 of the 52:06 total running time). I didn’t think I’d care for it as sometimes Floyd’s instrumental stuff idles on, but I did enjoy it. It is a good and relaxing atmospheric listen. VG+.
Faces – Ooh La La — This is the fourth and final studio album by Faces. By this time, Rod Stewart had already had a hit with “Maggie May” and his first few solo albums, and the singer had become increasingly distanced from some of his Faces bandmates, who were frustrated by the fact that by this point they had come to be perceived by the public (and even by some concert promoters) as little more than Stewart’s backing band for live work (according to Wikipedia). I had never heard the title track until the Amazon Echo commercials and when I found out who it was, I was like, yeah, that sounds like Rod Stewart. Turns out it was Ronnie Wood who sang it, co-writing it with Ronnie Lane, the bassist. The cover is cool, you can “squeeze” the top of the sleeve and the mouth and eyes move. VG+.
The Who – Magic Bus — Oh we crazy Americans in the 60s and 70s. This is a compilation album of previously released material and was not issued in the UK. They were capitalizing on the success of the song by the same name. The BCPF picked it up! VG+.
Ringo Starr – Beaucoups Of Blues — A most peculiar album, indeed. It’s not really that peculiar, but it’s certainly Ringo’s take on American country and western. It’s pure “tears in my beer.” Not bad for what it was, but… VG+.
Angel City – Face To Face — I had never heard of Angel City until Eugene had me review Two Minute Warning on his hard rock list. You can read my review here. In Australia, they were known as The Angels, but so they wouldn’t be confused with the band Angel (KISS’ rostermates on Casablanca Records), they changed to Angel City. This was their second overall release and the first for the US. It’s a decent listen, as we did so whilst cleaning/straightening our downstairs. Rock, punk, even metal at some points. VG+.
Queensrÿche – Promised Land — This wasn’t purchased at Underdog Records. I believe this came from Bobby the Drummer (from Heavens Sake) when he worked at CEMA (EMI) when we first met. He knew I was a Queensryche fan and gave it to me. I had either forgotten that I had it or where it was (or a combo of the two) and I found it located behind a filing cabinet that I have in my living room. You’d have to see it… but it was still sealed. So, I promptly opened it up and gave it a spin. Operation: Mindcrime will always be my favorite Queensryche album (second favorite overall of all time) and Empire will always be my second favorite ‘Ryche album. But, to me, this is their most underrated. It is just what I wanted to do musically at that time and I still love it. It’s still hard rock but has a more modern edge to it (at least in the mid=90s) and Geoff Tate was still singing and not talk-singing through songs. He hadn’t quite blown himself out at this point. The songs are well-written, still tell stories and still sounds like Queensryche. I love this album and will listen to it again, really soon. Have I mentioned that I love this album?
It’s Christmas time and that means gift certificates and Underdog Records has plenty of them, in any denomination you want. The cool thing is these come on old 45s/singles/7″ whatever you call them. And, Jonathan can still special order anything on vinyl that you need in time for your special vinyl lover (I can give you a list if you’re interested *wink*). Also, Underdog Records will be putting out freshly acquired used vinyl every single business day until Christmas. Also, also, there are plenty of used receivers, turntables, speakers and more in the store if you know someone who has said they’d love to start listening to records (perhaps again) but don’t know where to start. Jonathan can help you out. Listen to each new episode of The Less Desirables to hear the TLD/UR special of the week. I use Discogs to track my awesome record collection and to make sure I don’t double dip something I already have. The BCPF used it to “random grab” a record during our cleaning time yesterday. Much fun, indeed!
Until tomorrow, keep spinning!
Scorp out!
— “Let me whisper my last goodbyes, I know – it’s serious.” – “Girlfriend in a Coma” (Morrissey/Marr)
Yesterday, The BCPF and I got to attend a 60th birthday bash unlike either of us had seen before. The Michael family (the awesome owners of Yamas!, Cin-Cin, Waldo’s Wings and Mama Zöe Michael’s restaurants) celebrated the matriarch’s milestone and the shindig was amazing! That’s their business and I won’t go on about it, but I want to extend a big thank you to the family for allowing us to be part of it.
Now, we had breakfast at First Watch, got to see Daniel Butner and his wife outside of Underdog Records and then got to see Jonathan. Our haul is small but we enjoyed it. Here it is:
The Who – My Generation — #237 on the RS list this is the debut album by The Who. The album came out in 1965 and in 1967 a music writer for Esquire said it was the hardest rock in history. At the time, yeah, it was. Another writer said it was the heaviest of mod pop ever recorded. I’ll agree with that, too. It’s a good album, a really good debut. This is in mono. New.
Radiohead – Kid A — #67 on the RS list. I think that is way too high. It’s not my favorite Radiohead. It’s okay. I went back to read what I wrote about this album when I did the RS list. Here’s what I said: As I said, it’s not bad, just not my thing. I see its importance, but don’t see how it rates higher than OK Computer and The Bends. Both are far superior albums in my opinion. Even Pablo Honey is better than this. Didn’t dig. Not much has changed. It’s 2xLP and new.
Elliott Smith – Roman Candle — When I first met The BCPF and realized she liked indie rock and modern folksy stuff, Elliott Smith was the first artist she told me about. He’s tragic because of his life and because of his death. This is his debut album and was recorded in his basement. It is very lo-fi but very Elliott Smith. A good album that showed the talent that would only get better as time went on, even if his troubles got in the way. New.
Prince And The Revolution – Parade — The follow-up to the follow-up, I call this. The follow up was Around the World in a Day, which, of course, followed Purple Rain. This was the fourth and final album with “the Revolution” before doing it eponymously for the next one, Sign o’ The Times. It was the soundtrack for Under the Cherry Moon the film that Prince wrote, directed and starred in. It was pretty awful, really. There are some bright spots on this album (“Venus de Milo,” “Sometimes It Snows in April,” “Anotherloverholenyohead,” and of course, “Kiss), but mostly it was scattered and weird. Am I glad I have it? Oh yeah! I’ve never owned it before in any medium, so I’m glad to have it. Just not my favorite Prince. EX/VG++.
The Tarwater Band – Walking Across Egypt — This is signed by Clyde Edgerton who played banjo, piano and sang. When I look up Tarwater on Wikipedia, it only shows a duo from Germany. This isn’t that, I don’t think. “Walking Across Egypt” only shows a movie from 1999 starring Ellen Byrnston and Mark Hammil and other folks. So, I really don’t know what this is, but The BCPF picked it up. So, we’ll see. VG+.
Heart – Dog & Butterfly — The fourth album from Heart. Musically, this was more on track to what Heart was doing with Little Queen than it’s actual follow-up Magazine. There was the whole skirmish between the band and Mushroom Records at that time, too. This did well, was on the charts for a while and had two hits, the title track and “Straight On.” VG++.
A lot of stuff had been acquired at Underdog Records over the week and was out for purchase and I jumped on some of that. There are some cool stereo receivers and turntables for sale, too. Go in and see what Jonathan has going on. And, listen to each new episode of The Less Desirables to hear what the TLD/UR special of the week is. I use Discogs to keep track of my collection while I’m in the record store and also see what my friends may or may not have. It’s a cool app/website.
Until tomorrow, keep spinning…
Scorp out!
— “People try to put us d-down just because we get around. Things they do look awful c-c-cold. I hope I die before I get old.” – “My Generation” (Townshend)
A cold and slimy day yesterday was made better by being with my girl, seeing Jonathan at Underdog Records, buying records and listening to them all day. And, in the listening (and buying) there was a lot of The BCPF influenced listening since I let her pick out a few new or reissued albums because her birthday is Tuesday. Here’s what we got:
Johnny Marr – Call The Comet — Marr, unlike his former bandmate in The Smiths, Morrissey, isn’t all gloom and doom and this album was really rocking. We enjoyed listening to it. A lot. New.
Cranes – Self-Non-Self — The BCPF described this as “the Cure with a weird-voiced woman singer.” I don’t necessarily disagree with that but, to me, it sounds more like Art of Noise with an amalgamation of Siouxsie Sioux and Blossom Dearie singing lead. But, as weird as it truly was, I really dug it. Good stuff but I need to pace myself with it. New.
The Smiths – Meat Is Murder — Hey, speaking of The Smiths, this is #296 on the RS list and whilst I didn’t really know any of the tunes, it’s the wonderful, miserable stuff you expect from them. New.
Hüsker Dü – New Day Rising — #488 on the RS list. I don’t really remember what it sounds like. I think I gave it a bad review but my listening tastes have matured since #488 on that list. That was a few years back and most of the stuff that I didn’t like then have grown on me or I can just give a new listen. So, let’s see how this one goes. New.
Paul Simon – The Rhythm Of The Saints — This was the follow-up to Graceland and while I don’t think it is nearly as good as its predecessor, it was a good album. On Graceland Simon used African-inspired percussion and rhythms, on this album, he used Latin-American influences to achieve his musical goals.
Alice Cooper – Pretties For You — This is the debut album by Alice Cooper (that’s the band, not necessarily Vincent Furnier’s character in the band). I’ve not heard it but from what I understand, Frank Zappa “produced” it. I say that because, supposedly, Frank left the studio and left his brother in charge. He recorded their rehearsals and Frank came in and told them the album was done. Now, Zappa was a weird individual so I want to hear what, if anything, he did to the album. VG-.
Jimi Hendrix – The Cry Of Love — This was the first album released after Jimi’s death. This past Tuesday was the 48th anniversary of the release of the album. It was released in March 1971 after Jimi passed on September 18 the year before. It was comprised of music Jimi had been working on for his new album and the compilation of this album was done by Mitch Mitchell and Eddie Kramer, who is given credit for production. VG+.
The Hollies – Words And Music By Bob Dylan — This is a reissue of the album “Hollies Sing Dylan” with a different cover. The track listing is the same. Anytime The BCPF sees something with Dylan’s name on it, she grabs it. That’s what happened here. VG+.
The Moody Blues – On The Threshold Of A Dream — The Moodies fourth album. Once Ray got me going on the collection, now I feel like I need to populate it. So, here we are. I know nothing about the album. VG+.
Stephen Stills – Right By You — I try to get things like this for The BCPF because I know she loves it. I found it Friday and had Jonathan put it back for me. She was happy. I was happy. ‘Nuff said. VG+.
The Style Council – My Ever Changing Moods — The Style Council was basically Paul Weller from The Jam and Mick Talbot from Dexy’s Midnight Runners. I haven’t listened to this yet, but from what I can tell, it’s some “blue-eyed soul.” The US version was slightly different from the UK version. This is the US version. The UK version was called Café Bleu and Side 1 of the US is called that. VG/VG+.
Audrey Hepburn, Rex Harrison – My Fair Lady — The movie soundtrack and not cast recording. So, while Audrey Hepburn is credited, Marni Nixon was the actual vocalist. Incidentally, Marni Nixon was the mother of Andrew Gold whose biggest hit was “Lonely Boy.” $1 bin find. VG.
Creedence Clearwater Revival – Cosmo’s Factory — CCR’s fifth album. This was a $1 bin find and is in pretty bad shape. I don’t know how much we’ll get to listen to it, but I’ll give it one spin. G+. Incidentally, we also got Rolling Stones’ Let It Bleed but I’m not counting that we have it because it is in bad shape and the cover is being held together by one quarter-inch piece of cardboard. I cleaned the record but it wasn’t better than G/G+ either.
Underdog Records is gearing up for Record Store Day which is April 13. If you haven’t seen the list yet, you should, it is pretty impressive. I will be camping out again with my pals Bob, Dave, Jordan and Michael. We are going to be better prepared for warmth and fun and frolic this time around. But, to see the list go to the RSD website.
Discogs is how I keep track of my collection and am able to give you this list every week.
Until tomorrow, same blog channel…
Scorp out!
— “Heifer whines could be human cries. Closer comes the screaming knife. This beautiful creature must die. This beautiful creature must die. A death for no reason. And death for no reason is murder.” – “Meat is Murder” (Morrissey/Marr)
This will be brief but I just wanted to say that I found the absolute best SiriusXM channel, ever. It is called KISS Army Radio and it is 95% KISS and 5% their influences or bands that may have opened for them, like Rush, AC/DC, The Who, Led Zeppelin, The Beatles, etc.
I found it late last week and I haven’t turned the channel since. There are live performances, deep cuts, and more. Yes, I have to sit through 17 versions of “Rock and Roll All Nite” every three or four hours, but it’s worth it. Yes, I also have all of these songs and almost all of the versions on some kind of medium, but as I’ve always maintained, there’s nothing like hearing it on the radio.
Plus, you get some tidbits here and there from all four current members about many things throughout KISStory; the earliest and the latest.
This past Tuesday, they broadcast a special SiriusXM-guest-only concert at the Whiskey A Go Go. It is probably one of the smallest crowds they ever played to. Not because no one was there, but because the venue is small. Gene sounded great. The music all sounded great. Paul was there. I have nothing to say about that, I’m reserving judgment. Or voiced judgment, really.
Anyway, I just wanted to say that my love for KISS is fully realized with this channel. I love it.
Until tomorrow, same blog channel…
Scorp out!
— “Oh, oh, ’cause anytime is KISSin’ time, USA. So treat me right, don’t make me fight. And we’ll rock and roll tonight.” – “Kissin’ Time” (Lowe/Mann)
