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a/perture Cinema, Amazon Prime, Bebe Neuwirth, Cameron Crowe, Cheap Trick, Chynna Phillips, Depeche Mode, Eric Stoltz, Frasier, Heart, IMDb, Ione Skye, Jeremy Piven, Joan Cusack, Joe Satriani, John Cusack, John Mahoney, Lili Taylor, Living Colour, Movies, Nancy Wilson, Peter Gabriel, Red Hot Chili Peppers, Rotten Tomatoes, Say Anything..., The BCPF, The Less Desirables, The Replacements
Salutations™!!
a/perture cinema, the Official Movie Sponsor of The Less Desirables, presents The Less Desirables Movie of the Week, Say Anything… (1989), starring John Cusack, Ione Skye and John Mahoney.
©20th Century Fox
Per IMDb: “A noble underachiever and a beautiful valedictorian fall in love the summer before she goes off to college.”
Lloyd Dobler (Cusack) starts obsessing over Diane Court (Skye) at their high school graduation. She’s the valedictorian, and most assume she’s “out of his league.” She has won a fellowship to attend school in England and her father, Jim (Mahoney), couldn’t be happier. Jim is the owner of a retirement home and is his daughter’s best friend, after the divorce from her mother. They have a good bit of money and that adds to the ways that Diane and Lloyd are different, although neither of them cares.
Jim is worried that Lloyd may be a detriment to Diane’s upcoming matriculation in England; afraid that she’ll want to stay home instead of going. The more the two teens get involved, the more Jim becomes less tolerant of Diane’s “freedoms.” It doesn’t help that the IRS is investigating Jim on fraud charges through the retirement home. Do the crazy kids stay together? Do they break up? What happens with the IRS? You’ll have to watch to find out.
As usual, Joan Cusack plays in the film with her brother, John. She doesn’t give any Oscar-winning performances but that wasn’t what she set out to do, in this film. It was so strange seeing John Mahoney with dark hair and playing a role outside of Martin Crane, Frasier’s father in the television series. There are times when you don’t like him and I’m not used to that with him, either. There are times when you certainly do like him, though.
The BCPF thinks Ione Skye got the part because she’s pretty while I think she is an awful actress and looks like a horse. As the film went on it was like she learned to act. The acting was less atrocious from her the deeper the film went. Beyond that, I think that she and Cusack (who can act) actually had good screen chemistry.
Another Frasier cast member, Bebe Neuwirth (she played Frasier’s ex-wife, Lillith), made an appearance here, as well. Other cameos include Jeremy Piven, Chynna Phillips, Eric Stoltz and Lili Taylor.
Probably the most notable thing about this film is its soundtrack. One of the most famous scenes of teen-driven dramedies happens in this film: the iconic holding of the boombox playing “In Your Eyes” from Peter Gabriel (off my favorite album of all-time). Cusack reenacted that onstage at a Peter Gabriel show a few years ago. In addition to PG, the soundtrack included Nancy Wilson of Heart (her husband, Cameron Crowe wrote the film), Depeche Mode, The Replacements, Cheap Trick, Red Hot Chili Peppers, Living Colour and Joe Satriani. It’s a great soundtrack and the songs fit well in the film.
Overall, I think it was a decent film. Not my favorite of teen films but it was pretty good. Rotten Tomatoes has it at 98% Fresh with an Audience Score of 85%. IMDb has it at 7.4 stars out of 10. We rented it from Amazon Prime and I will rate it 4 stars out of 5. Have you seen it? What would you like to hear/read me review?
Until tomorrow, same blog channel…
Scorp out!
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“One question: are you here ’cause you need someone, or ’cause you need me?… Forget it, I don’t care.” – Lloyd Dobler
well-planned nonsense). Three staples of Sirius XM’s First Wave channel, “Hanging on the Telephone,” “One Way or Another,” which starts this album out right, and “Heart of Glass,” all three are the flour while the rest of the album is the egg in the cake; the rest holds it together. It truly is in your face. You can look away but you can’t escape. “Picture This” is probably some of the best capturing of a live feel in the studio I’ve heard since the 76-77 era of KISS, while “Fade Away and Radiate” has that Blondie reggae beat but a sultry and seductive backbone. “Pretty Baby” reminds me of the Shangri-Las or something like that. It hearkens back to the 50s rock and roll pop girl groups. I know that was the point and I’m quite okay with it. I hear some Cheap Trick (or just similarities therein) in the music of “I Know But I Don’t Know.” The dissonant chord changes are what do it for me, I think. I’m ashamed to say that I really don’t know much about Blondie other than the hits on this album, “Rapture” and “Call Me.” This is a reminder of how sucky I can be at knowing my classic bands. Pity, Scorp, pity. I think “Heart of Glass” is a good indication as to where the band would be going in the following few years. It sounds more futuristic than the rest of the album and, to me, was more than just a representation of the disco stuff that was still lingering and hanging on at the time; it was advanced in structure and sound. I really like that song. I really like this album! Dug!
spend money on it as it’s not my thing, really. BUT, I got it and put it on my iPod and listened to it whilst driving around in Nigel (my Kia Soul) and I have to say, this is some really good stuff. Well, let’s not go crazy, whether or not it’s “good” is subjective but I really like it. I’ve enjoyed listening to it. As always, I could certainly do without all the “n” word strewn about the album, but what can you do? I’d actually consider this a Snoop Dogg album over a Dre album. He’s highlighted throughout and his work is the best on the record. There’s a lot of shots at Eazy-E, who owned Ruthless Redords and Ice Cube, both former N.W.A. members. Dre and gang also take shots at Tim Dog and Luther Campbell (Luke of 2 Live Crew). They’re not at all apologetic about it, either. They don’t hold back. It was a pleasure to listen to. “F*** with Dre Day (And Everybody’s Celebratin’),” “Let Me Ride,” “Nuthin’ but a ‘G’ Thang,” “A N***a Witta Gun” and “Deeez Nuuuts” are my favorites on here. I almost wish I’d have bought the vinyl version, now. I’m still happy with it. Dug!!
alternative rock would have sounded like in my head. I know it’s a travesty and all that but I knew nothing of The Replacements, other than the song “Alex Chilton,” prior to this complete countdown. I don’t know how I didn’t. Well, that’s not true. This was released before I moved to WSNC and we didn’t have access to this where I was from. “Dose of Thunder” sounds like something Cult would have done. I like that. “Hold my Life,” “I’ll Buy” are both solid songs. The first one that really made me go, that’s cool is “Waitress in the Sky.” Next is “Swinging Party” and I REALLY like that one. At the time it was rough and dirty, I’m sure. But, I think it fits perfectly snug in the annuls of the early alternative (or First Wave) motif. It’s rebellious but not totally defiant; accessible. There’s not a single song on this album that I’d skip over. I may not think them my favorite tunes, but they’re certainly a great listen. One of my faves in the last bit. And closing out on “Here Comes a Regular?” I nearly wept. Priceless. DUG!
I’m done with it and don’t care if I ever listen to it again, other than a handful of tunes. Dug-ish.
loved Ozzy’s rendition of that and “Children of the Grave” on the Tribute album. I never got Pantera’s cover of “Planet Caravan” but I think this version sits easy as a mood shift from the heaviness. It’s very Doors-like to me with some Allman Brothers thrown in. Great vocal effect on that, too. I listened to this one through headphones and love the panning on “Iron Man.” Really, does a song get much heavier than this? This is the heavy that Death and Speed Metal bands wish they could get. A menacing riff to go with a menacing figure in the lyrics. What I get out of the lyrics are: he goes to the future and sees destruction. He tries to get back to warn everyone in his own time that this is going to happen. In the magnetic field that enabled his time travel, he’s turned into a bit metal dude and he can’t talk. We know in this society, anything the masses don’t understand, they shun. He gets mad and destroys those who mock him. So, I guess he created the destruction he saw the vision of? Do I hear a talkbox mixed with the wah pedal in “Electric Funeral.” I’d love to ask Ed B. here in WSNC what Geezer Butler is playing to make the bass sound so boxy. Is it the Rickenbacker 4001? I generally don’t like that kind of bass sound but this is actually perfect for what they’re doing. The album closes with “Fairies Wear Boots” and as it goes quiet afterwards, you kind of feel like something’s over. A feeling of finality. That’s sad, but good that you can feel that way about an album, right? I certainly dug it. It’s a great album.
