Tags
Black Sabbath, Broadway, Carly Simon, Charlie Parker, Curated by Underdog, Discogs, Emerson Lake & Palmer, Harry Nilsson, Ian Hunter, Joe Cocker, Joni Mitchell, Linda Ronstadt, Mass Gothic, Music, Pink Floyd, Scorpions, Suzanne Vega, The Carpenters, The Clash, The Less Desirables, The Moody Blues, The Who, Tina Turner, Underdog Records
Salutations™!!
The first Underdog Records purchase of 2019, woot! It’s going to be a good year all around and it’s going to be a good record year, too. I want to continue to fill my RS list wants and discover things that I didn’t know existed. I’m going to attempt to listen to more new music, but it really isn’t my bag. Anywhat! Here’s the haul:
©CBS/Epic
- Pink Floyd – Obscured By Clouds — I had made a post on this blog a few weeks back about this album. How great it was and how I was disappointed that no one had brought it to my attention prior. It was there and I grabbed it. This is the remastered reissue, new. It is a great album!
- The Clash – Combat Rock — The “Should I Stay or Should I Go” and “Rock the Casbah” album. First pressing in EX/VG++ condition. I couldn’t pass that up.
- Scorpions – Best Of Scorpions — Jonathan said, “yes and yes” when I brought this album up to the counter. He said that old Scorpions are under-appreciated and I nodded in agreement. The Scorps (no relation to me) have been around in some form or fashion since 1965 and most people don’t know that. So they had stuff that predates the “Rock You Like a Hurricane” era. This is in VG.
- Mass Gothic – I’ve Tortured You Long Enough — promo copy of this album, it has no official cover but it’s from Sub Pop Records and it’s everything you’d think an album on that label would be. Which means that The BCPF loved it. VG++.
- Charlie Parker And His Orchestra – Night And Day — The BCPF grabbed this one and I’m not really sure why. She usually avoids the more horn musicians. But, I dig them, so I’m glad she did. VG-.
- Various – Midnight Cowboy (Original Motion Picture Score) — I like soundtracks and this was from the only X-Rated film to win Best Picture and first gay-related Best Picture. Also, it has Harry Nilsson’s “Everybody’s Talkin’,” which I love. VG+.
- Black Sabbath – Technical Ecstasy — The penultimate Ozzy Sabbath record. He was blitzed most of the time and spent a lot of that time on the beach in Miami whilst Tommy Iommi was left to produce the album. It was recorded at the same studio as the Eagles’ Hotel California was being recorded at the same time. Geezer Butler said that they’d have to go in and scrape the residual cocaine off the mixing board after the Eagles left. VG-.
- The Who – Who’s Next — I already have this album, but I believe this is a better copy than what I have. VG.
- Linda Ronstadt – Hand Sown… Home Grown — Ronstadt’s debut solo album after leaving the Stone Poneys. It flopped but we like her so it was a good one to get. VG+.
- Tina Turner – Private Dancer — The “What’s Love Got To Do With It,” “Better Be Good To Me” and “Private Dancer” album. I didn’t know that the title track was written by Mark Knopfler, but it does make sense now that I’ve listened to other Dire Straits albums. Ode to oneself and lamenting about the role that they’re the lot of. Plus, it’s an 80s staple and we know I’m a sucker for that stuff. VG+.
The rest are $1 albums and unless otherwise noted, they’re at least VG.
- Carpenters – Now & Then — 3-way gatefold cover that shows Richard and Karen driving by the house they bought for their parents.
- Emerson, Lake & Palmer – Brain Salad Surgery — I love the H.R. Geiger cover, which was somewhat an inspiration for the film Alien. “Karn Evil 9” is one of their better-known songs but it’s a long one.
- Suzanne Vega – Solitude Standing — “Luka” and “Tom’s Diner.” Nuff said.
- Various – How To Succeed In Business Without Really Trying (The Original Broadway Cast Recording) — I like my “original Broadway cast recordings.”
- Ian Hunter – You’re Never Alone With A Schizophrenic — I like Mott the Hoople and some of his other solo stuff so let’s give it a try. Plus, it’s a great album title.
- Carly Simon – Carly Simon — The debut album by Simon, it was produced by Eddie Kramer who produced both Alive! and Alive II by KISS.
- The Moody Blues – Seventh Sojourn — The eighth album by the band and had “I’m Just a Singer (In a Rock and Roll Band)” on it.
- Various – An Officer And A Gentleman – Soundtrack — Again, soundtrack. The 80s. Cocker. Warnes.
- Joni Mitchell – Song To A Seagull — Three major female voices of the 60s/70s and three debuts in one haul. That’s pretty impressive. This was Joni’s debut album.
Jonathan had a lot of “fresh” stuff that he was going through yesterday which only means you’re going to have a lot to choose from. Now, something new for 2019 that Jonathan is doing is called “Curated by Underdog” which is a subscription service that you can have Jonathan (and I’m sure his trusted associates) curate your collection with criteria of your choosing. Like only indie things? Like 80s music? Only want new records? Only want used records? Want a combo of the two? Well, Jonathan and Underdog Records have you covered. You’ll receive your subscription either monthly, bi-monthly or quarterly. The lowest cost package comes in at just $12. I think that’s a pretty good deal. It’s also a way to find things you may not have thought about. For more information visit the Curated by Underdog site. Also, listen to each episode of The Less Desirables to find out what that week’s TLD/UR special is.
Curated by Underdog and I both use Discogs. Underdog to help create and manage your subscription and me to make sure that I don’t get multiples of things. It also has a cool “shuffle” feature that picks a random album (upon your request).
Until tomorrow, same blog channel…
Scorp out!
—
“Welcome back, my friends To the show that never ends. We’re so glad you could attend. Come inside! Come inside! There, behind a glass, stands a real blade of grass. Be careful as you pass. Move along! Move along.” – “Karn Evil 9: 1st Impression, Part 2” (Lake/Emerson)
One more… he wrote the lyrics to one of my favorite TV show themes ever, “Love Boat Theme.” I would have probably been a fan of Paul had I been about three years older. I just missed out, I think. But, what I didn’t know of Paul Williams is probably more profound in watching this.
anyway. Give me the Beatles anyday. Speaking of which, Chuck Berry’s “You Can’t Catch Me” (recorded here) features the lyric, “Here come old flat top” just like “Come Together” from Abbey Road. There was some stink about that but it was settled. Some of why I don’t care for this record is the blues aspect. We know how I am about that. I like the more polished late-60s-through-early-90s Stones, if I’m going to listen to them at all. Another thing, twelve songs and only four are written by them. Again, I know it’s still really, really early in their careers, but that perplexes me. I have to say that I do not mind the RS originals but their covers on this, drives me up the wall. Meh.
songs about dancing and it not only not be cheesy but be relevant and serious. ‘Cause really, who doesn’t just want to funk out? “Groovallegiance” features a very rare bass solo, but I didn’t find clarification if it’s “Bootsy,” “Boogie” or “Skeet” that’s playing said solo. All three as listed as personnel but nothing is necessarily denoted as who does what where. It’s awesome no matter whom it is. “Who Says a Funk Band Can’t Play Rock?!” is truly a rock song. The whole album is about breaking through to something more. This song proves exactly what the title suggests, wrong. “Promentalshitbackwashpsychosis Enema Squad (The Doo-Doo Chasers)” wins the award for the longest song title on the countdown (at least that I can tell). It’s pretty much saying that the world can be a “shite hole” and there are those that perpetuate that assumption. We’ve all gone in the crapper, if you will. A great (almost) 11 minute song, that. I am pretty certain that “Bootsy” is playing the bass on “Cholly (Funk Getting Ready to Roll)” as he’s a co-writer. All in all this is a great funk/rock album. I have really gotten in to most everything in that genre that I’ve heard in this countdown, thus far. Yay, me and dug!
Dylan I know and that’s a good thing. “Isis,” “Mozambique” are mesmerizing. They are so easy to listen to but strangely complex. “One More Cup of Coffee” which I believe has Emmylou Harris singing backup is sad and beautiful. Although, the story isn’t bad, I don’t really care much about “Joey.” It drags, it’s whiny and it’s eleven minutes long. It seems that one got some negative attention for glorifying gangsters. Yikes! I do like the Mexican-style of “Romance in Durango.” Reminds me of some stuff Ma Père would listen to when I was a child. He’s not Mexican but liked Marty Robbins and such. “Sara” is an almost pleading, directly personal direction of songwriting as it was about his wife. It wasn’t often, at least that I can figure, that he did that. That’s one of my favorite songs on this album. I’d own this album if I could skip “Joey.” Dug!
the first single. I have that on a Time-Life compilation, which I’m sure is Sounds of the 70s. You can hear the imperfections in the drumming and other instruments, but I think that adds to the uniqueness. At the beginning of side two, he gives a small tour of studio sounds like hum and hiss. It was odd hearing it. “Marlene” has xylophones and such on it and at one point sounds just like that new chime that Facebook uses for it’s Instant Messenger and I kept thinking someone was messaging me. Side four is comprised of songs that were done with full ensembles. Musicians include Mark Klingman, Rick Derringer, Vicki Sue Robinson and Edward James Olmos (yes, that Edward James Olmos, vox). The third released single was “Hello It’s Me” which is a side four song. The second was “Couldn’t I Just Tell You” and the fourth was “Wolfman Jack” which is probably the worst song on the album and it was released TWO years after “Hello It’s Me.” There was another album released before “Wolfman Jack” came out. I don’t understand that. Anywhat! Overall I thought the album was fantastic, but really, Rundgren could have cut that down to about eleven songs and left it as an LP. Most of it was filler, some of which sounded very much like other songs on the album and could have been done away with or released two separate albums. It was too much. But, because I liked the material, I’m still going with a “dug” here.
