Tag Archives: Suzanne Vega

Spinning Sunday or: The Haul 1/5/19

06 Sunday Jan 2019

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Salutations™!!

The first Underdog Records purchase of 2019, woot! It’s going to be a good year all around and it’s going to be a good record year, too. I want to continue to fill my RS list wants and discover things that I didn’t know existed. I’m going to attempt to listen to more new music, but it really isn’t my bag. Anywhat! Here’s the haul:

The_Clash_-_Combat_Rock.jpg

©CBS/Epic

  • Pink Floyd – Obscured By Clouds — I had made a post on this blog a few weeks back about this album. How great it was and how I was disappointed that no one had brought it to my attention prior. It was there and I grabbed it. This is the remastered reissue, new. It is a great album!
  • The Clash – Combat Rock — The “Should I Stay or Should I Go” and “Rock the Casbah” album. First pressing in EX/VG++ condition. I couldn’t pass that up.
  • Scorpions – Best Of Scorpions — Jonathan said, “yes and yes” when I brought this album up to the counter. He said that old Scorpions are under-appreciated and I nodded in agreement. The Scorps (no relation to me) have been around in some form or fashion since 1965 and most people don’t know that. So they had stuff that predates the “Rock You Like a Hurricane” era. This is in VG.
  • Mass Gothic – I’ve Tortured You Long Enough — promo copy of this album, it has no official cover but it’s from Sub Pop Records and it’s everything you’d think an album on that label would be. Which means that The BCPF loved it. VG++.
  • Charlie Parker And His Orchestra – Night And Day — The BCPF grabbed this one and I’m not really sure why. She usually avoids the more horn musicians. But, I dig them, so I’m glad she did. VG-.
  • Various – Midnight Cowboy (Original Motion Picture Score) — I like soundtracks and this was from the only X-Rated film to win Best Picture and first gay-related Best Picture. Also, it has Harry Nilsson’s “Everybody’s Talkin’,” which I love. VG+.
  • Black Sabbath – Technical Ecstasy — The penultimate Ozzy Sabbath record. He was blitzed most of the time and spent a lot of that time on the beach in Miami whilst Tommy Iommi was left to produce the album. It was recorded at the same studio as the Eagles’ Hotel California was being recorded at the same time. Geezer Butler said that they’d have to go in and scrape the residual cocaine off the mixing board after the Eagles left. VG-.
  • The Who – Who’s Next — I already have this album, but I believe this is a better copy than what I have. VG.
  • Linda Ronstadt – Hand Sown… Home Grown — Ronstadt’s debut solo album after leaving the Stone Poneys. It flopped but we like her so it was a good one to get. VG+.
  • Tina Turner – Private Dancer — The “What’s Love Got To Do With It,” “Better Be Good To Me” and “Private Dancer” album. I didn’t know that the title track was written by Mark Knopfler, but it does make sense now that I’ve listened to other Dire Straits albums. Ode to oneself and lamenting about the role that they’re the lot of. Plus, it’s an 80s staple and we know I’m a sucker for that stuff. VG+.

The rest are $1 albums and unless otherwise noted, they’re at least VG.

Jonathan had a lot of “fresh” stuff that he was going through yesterday which only means you’re going to have a lot to choose from. Now, something new for 2019 that Jonathan is doing is called “Curated by Underdog” which is a subscription service that you can have Jonathan (and I’m sure his trusted associates) curate your collection with criteria of your choosing. Like only indie things? Like 80s music? Only want new records? Only want used records? Want a combo of the two? Well, Jonathan and Underdog Records have you covered. You’ll receive your subscription either monthly, bi-monthly or quarterly. The lowest cost package comes in at just $12. I think that’s a pretty good deal. It’s also a way to find things you may not have thought about. For more information visit the Curated by Underdog site. Also, listen to each episode of The Less Desirables to find out what that week’s TLD/UR special is.

Curated by Underdog and I both use Discogs. Underdog to help create and manage your subscription and me to make sure that I don’t get multiples of things. It also has a cool “shuffle” feature that picks a random album (upon your request).

Until tomorrow, same blog channel…
Scorp out!

—
“Welcome back, my friends To the show that never ends. We’re so glad you could attend. Come inside! Come inside! There, behind a glass, stands a real blade of grass. Be careful as you pass. Move along! Move along.” – “Karn Evil 9: 1st Impression, Part 2” (Lake/Emerson)

Silent Sunday or: The Haul 1/27/18

28 Sunday Jan 2018

Posted by in Records, Silent Sunday

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Salutations™!!R-3734657-1342257119-1574.jpeg

Yesterday was a typical Saturday with The BCPF. We had our breakfast and then to Underdog Records for our take. Then, we did run to see friends of ours who are moving to Denver (the one in Colorado). Then home to listen to the wonderful sounds we purchased on vinyl and then on to Willows. Here’s what we got from Underdog Records:

  • Calexico – The Thread That Keeps Us – Brand new from Calexico. The BCPF loves this stuff. It’s hard to keep track of what kind of music you’re listening to with them as their styles change quite frequently within the same album. It’s cool but weird. A friend of mine said that you could classify it as “Post-Devotchka acoustic meandering since you asked.” Thanks, Tony. I liked it. So did The BCPF. New.
  • Eno – Here Come The Warm Jets – #432 on the RS List. Brian Eno is a weird dude. Very weird. But, I dug this and the next album. New.
  • Eno – Another Green World – #429 on the RS List. Both of these are very ambient and proggy. I dug them both. New.
  • The Outfield – Play Deep – This actually wasn’t from Underdog. I purchased it from Discogs Marketplace. I had wanted it for a while. I had it on cassette when I first moved to WSNC at the age of 15. I wore that out. I then had it (still do) on CD and that thing is scratched to all hades. I had forgotten how amazing the entire album was until we listened to it yesterday. I love it start to finish and will play it often. It won’t be just thrown in the collection. VG+/NM-.
  • Lou Reed – New Sensations – Yes, I hate Velvet Underground but I can actually listen to Lou. VG.
  • Yes – Drama – A VG+ copy of some proggy goodness.
  • Various – Weird Science – Music From The Motion Picture Soundtrack – VG copy just because I wanted it.
  • Devo – Freedom Of Choice – The “Whip It” album. VG.
  • Murray Head – Say It Ain’t So – So, we all know that Murray Head is the “One Night in Bangkok” guy. We also know that he was Judas in Jesus Christ Superstar (the original cast). Did you know that he’s Andrew Head’ brother in real life? Andrew played Rupert Giles on the television series “Buffy the Vampire Slayer.” Anywhat! This was a fantastic album. We really enjoyed it. VG+.
  • Billy Squier – Emotions In Motion – Had to have this gem, especially since it was in the $1 bin.
  • Various – High Voltage – A K-Tel collection. I love these things. I like when they’re in the $1 bin, too. VG.
  • Suzanne Vega – Suzanne Vega – $1 bin find. Vega is a good storyteller. A lot of her stuff sounds the same but you can’t say she doesn’t have a “style” about her. It was a good album to listen to. VG.
  • New Birth, The – Golden Classics – Yeah, once I got the New Birth bug, I still gotta grab them. $1 bin find. VG.

It was a slow day at Underdog Yesterday, but I believe it picked up later. I could just hang out there all the time. I’m sure I’d annoy the dickens out of Jonathan, though. Cheap plug here, listen to The Less Desirables to hear the latest TLD/Underdog special for the week.

I use Discogs to catalog my entire collection. If I’m Underdog and find an album that I (thought) needed, I can check to see if I actually already have it. Plus, there are several versions of many of the recordings, you can use the identifiers to find out which version you have. And, as you can see from me doing so, you can purchase stuff from the Marketplace. I love Discogs.

—
“Say it ain’t so, Joe please, say it ain’t so. That’s not what I want to hear Joe and I’ve got a right to know. Say it ain’t so, Joe, please say it ain’t so. I’m sure they’re telling us lies Joe please tell us it ain’t so.” – “Say It Ain’t So, Joe” (Head)

Pretty In Pink or: The Less Desirables Movie of the Week

01 Saturday Apr 2017

Posted by in Movie Review

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Salutations™!!

a/perture cinema, the Official Movie Sponsor of The Less Desirables, presents The Less Desirables Movie of the Week, Pretty in Pink (1986), starring Molly Ringwald, Jon Cryer and Harry Dean Stanton.

Pretty_In_Pink

©Paramount Pictures

Per IMDb: “A poor girl must choose between the affections of her doting childhood sweetheart and a rich but sensitive playboy.”

Molly Ringwald plays Andie Walsh, a pretty girl who lives in near poverty after her mother leaves the family and her dad (Stanton) is too depressed, or lazy, to work to support the family. She has a fashion ingenuity about her and designs, and makes, her own clothes. She works in a local record store for an eccentric boss, Iona (Annie Potts) and they basically sit around and gossip and talk boys and troubles. Andie is picked on at school by the rich and popular girls, often to cruel measures, but Andie refuses to give up the antagonists, which makes her look even more like a goody-good-doer. Her main worry, though, is that she won’t get asked to the prom.

She has a not-so-secret admirer, though; two actually. First, there’s the lovable geek and outcast, “Duckie” Dale (Cryer) whose undying love for Andie has him hanging out with her father during the day, following and somewhat harassing her around at work and hanging out at her house in the evenings. They’ve been friends for a while and he’s smitten. She only sees them as friends. Then, there’s Blane (Andrew McCarthy). Blane  is a rich kid who struggles with his sensitivity and living up to the snobbish standards of his other rich friends. It’s a tough ride, really.

He takes an interest in Andie and that not only infuriates Duckie, it makes Blane’s best pal, Steff McKee (played by a pre-weight gain/still an a-hole James Spader), reveal his true a-hole self. It’s not pretty. Andie is skeptical of the whole thing because she worries that she’s out of Blane’s league, he’s rich, she’s poor. She’s somewhat embarrassed by it. They go on a date, Duckie flips out. How does the date go? Who takes her to the prom? You’ll have to watch to find out.

I’ll admit that for whatever reason, I never saw this all the way through until just a few years ago. I don’t know what it is about the rom-com John Hughes “Brat Pack” films that just escaped me, because I really enjoy them. I just didn’t see them. I think to some extent we all know someone like each of the characters and we can relate to them. While the times are different, the situations really aren’t. It’s typical coming-of-age stuff and it’s relative to us because of it.

We watched this film to introduce 3B to it. That’s part of the Sunday tradition, now. Cook and watch an older film. He seemed to really enjoy it. He’s in high school now and I can see, and I think he can, too, the relativity to his life. He laughed a good bit. That’s a good sign.

Jon Cryer plays the part of Duckie perfectly. Smart, witty but a lonely outsider who is just head-over-it with Andie. McCarthy shows good sensitivity and still has the pretty-boy look to fit what the part needed. Harry Dean Stanton, is still alive today and is 90 years old. He’s a great actor and played the part of Andie’s dad with compassion for his daughter but with the distraught disposition that the role called for. James Spader is always a great a-hole. Molly Ringwald grew up with John Hughes. She is what she is because of him. She has talent and it shows up in this film. She took the lead and ran with it.

John Hughes has a way with capturing what he’s looking for in a story line through his soundtracks. They always are more than just songs in the background. Take for instance the song “If You Leave” by OMD. It’s in the final scene. If you’ve seen the film you understand why that’s important. If you’ve not seen it, you will when you do. Other songs fit in perfectly, too. The title track, of course, “Left of Center” from Suzanne Vega and Joe Jackson, “Shellshock” from New Order, “Wouldn’t It Be Good” by Nik Kershaw (on the soundtrack as Danny Hutton Hitters), “Please, Please, Please, Let Me Get What I Want” from The Smiths, and so on. It is considered by many to be one of the top movie soundtracks of all time. Huffington Post, Rolling Stone and Allmusic all rated it in their greatest soundtrack lists.

Rotten Tomatoes rates it at 80% Fresh with an Audience Score of 81%. IMDb has it at 6.7 stars out of 10. That’s a little lower than I though it would/should be. We watched this on Amazon Prime and I rate the film 4.25 stars out of 5 because I think it’s an important film for those living that age, now, for us that grew up in the one depicted in the film and because the soundtrack is awesome. Have you seen it? What did you think? What would you like to read/hear me review? I want recommendations, dang it!!!

Until tomorrow, same blog channel…
Scorp out!

—
“May I admire you again today?” – Duckie