Tags
a-ha, Bauhaus, Discogs, Eagles, Jackson Browne, KISS, Marvin Gaye, Mary's Gourmet Diner, Rickie Lee Jones, Stevie Wonder, The Less Desirables, Toto, Underdog Records, Whitney Houston
Salutations™!!
We had to do some extensive searching for a parking space when The BCPF and I went to Mary’s Gourmet Diner yesterday morning. The denizens of the Heavy Rebel Weekender were out in full force with their rusted-out Dragulas and slicked back hairdos. And, I mean all of that with love and respect. They own it and that’s how they want it to be. I dig it. Well, I dig them doing their thing. I get absolutely nothing out of that whole scene. So, we found a spot that Annabelle would fit in — she’s a small thing — and went on to Mary’s. We came out and there was a sea of folks down both Liberty and Trade Streets. Nope. On to Underdog for us! Here’s the haul:
©Mercury
- a-ha – Hunting High And Low — I’ve been wanting this one for a while. I don’t believe I had it in any format before. I don’t know why. Well, this is the brand new Rhino reissue and we got two pairs, a neon orange and a neon green, of groovy 80s sunglasses. The whole thing is pretty good and is in the same vein as “Take on Me” and “The Sun Always Shines on TV.” New.
- Bauhaus – Burning From The Inside — My good friend Michael and I went back and forth on who was going to get this album. He wanted it. The BCPF wanted. It was her first Bauhaus album and was what introduced her to the band. I liked the album. She was afraid I wouldn’t. I dug it. VG++.
- Whitney Houston – Whitney Houston — Her debut album and the only one of hers that I remotely care about. I have said it before and I’ll repeat it here. When Mariah Carey showed up on the scene in 1990, Whitney lost all relevance to me. Mariah’s songs were better and her voice was just amazing. At least in the beginning. She lost me later on, but the first two Mariah albums were amazing. This Whitney album was pretty neat, too. This was #259 on the RS list. VG++.
- Marvin Gaye – Midnight Love — The last album from Marvin Gaye, which was his biggest selling by which I presume happened because of his death not long after its release. It has “Sexual Healing” on it, which I’m not really a big fan of, never have been. All-in-all, it’s okay. VG+.
- Eagles – On The Border — I don’t know if any band has ever created such a like/dislike debate or have been more polarizing than the Eagles. I like them, at least most of the Henley-sung stuff, myself. This had “Already Gone,” “James Dean” (which I hate), “Best of My Love” and the Tom Waits=penned “Ol’ 55.” VG.
- Stevie Wonder – Hotter Than July – I really dig Stevie. Although I have to admit, this has some serious cheese on it. But, I love “Master Blaster (Jammin’)” and “Happy Birthday,” a song that pressed for MLK’s birthday to be a national holiday. It was deemed so just a few years later. VG++.
- Toto – Hydra — Just like with Alan Parsons Project, I find that I like just about everything Toto does. I mean, what’s not to like? Also like APP, it’s a set of studio musicians and producers that were the cream of the crop at what they did and turned it into great songs and songwriting. “99” was probably the big hit on the album. VG++.
- Rickie Lee Jones – The Magazine — We have two RLJ albums and both of them are fantastic. She has a great voice and is a very talented songwriter. VG++.
- Jackson Browne – Jackson Browne — Browne’s debut album that we happened to find for $1. It has “Doctor My Eyes” and “Rock Me on the Water” on it. The cover is kind of beat up but the record is in really good shape. Even though it was $1 I’m going to say the vinyl was VG+.
- Jackson Browne – Hold Out — Two Jackson Browne albums both in the $1 bin. Although critically the album has not been as well received as other Browne recordings, it remains his only album to date to reach number 1 on the Billboard chart. The sleeve and the record are at least VG but possibly VG+.
- Kiss – Asylum — I didn’t get this one from Underdog Records. I bought it from the Discogs Marketplace. It cost me about $17 shipping and all and it is in VG+ shape. There’s a spot on the last track on Side B (“Uh! All Night) but it doesn’t affect the playability at all. It was a great transaction and filled the next spot in the KISSography. Crazy Nights is up next.
I loved seeing a good many people in the store, yesterday, at Underdog Records. It’s always fun when you get to see friends of yours, especially ones in the record collecting community, where you can talk shop and records and just enjoy the community. Keep an eye on the Underdog Records Facebook and Instagram feeds as Jonathan posts several times a day what he is putting out on the sales floor. There’s always something good coming in. There was no Underdog/TLD special this week as he was closed through Wednesday.
And, as I mentioned, I got that KISS album from the Discogs Marketplace. I really dig it. You can find deals, but you have to look for them. I had ordered Queensryche’s Rage For Order but the guy convinced me that shipping was astronomical and said he’d go ahead if I wanted to but it was really no problem to cancel. I did. Anyone else may have wanted to just make money and not care, or maybe he got burned from it in the past. I don’t know. He was honest and that was awesome. It’s a really good community over there. Try it if you’re looking for something. The Marketplace also deals cassettes and CDs as well.
Until tomorrow, same blog channel…
Scorp out!
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“We’re talking away. I don’t know what I’m to say. I’ll say it anyway. Today’s another day to find you. Shying away. I’ll be coming for your love, OK? Take on me. Take me on. I’ll be gone in a day or two.” – “Take On Me” (Waaktaar/Furuholmen/Harket)
wheelhouse. We just have gotten to know more about the music. Our summer Sundays on the lawn include dialing up some JM on Pandora and letting it play through. It wasn’t always her but when it was, we really enjoyed it. This was a catalyst for the whole modern singer-songwriter movement. Some people that guested on the album are James Taylor on three songs and Stephen Stills who played bass on the whole album. He does impressive work, too. I’m not quite sure what was going on, or the effect they were trying for during “This Flight Tonight” but it’s weird. I don’t not like it, it’s just weird. The title track is one of my faves from this album and “California.” Joni is a definite storyteller. It’s not just songwriting for the sake of writing a song, she has something to say and the lyrics are a vivid tale, not just rhyming babble. I like her piano playing, too. It’s simple but effective. “All I Want, “A Case of You” and “River” are also great tunes. I dug it!
Times” and “Your Time is Gonna Come.” Understanding the importance and significance of this album is key. I’d rate Zep II or IV in front of this album on the list, if it were me. But, I still dig it good bit.
reminds me of a time when I hated U2 (what I knew of them) because it wasn’t the other pop drivel I had come to love. I know better, now, considering them one of my top 10 acts, if not top 5. It doesn’t have a bad song on it. I LOVE this album.
bombastic, energetic and loud. This was early, I get it, but it just wasn’t fun to listen to, history and significance be darned. I just didn’t care for it. I did like “Night Train,” so there’s that.
Spector plays piano on “Love,” which is a little bit of fresh air after all the depressing songs that precede it. I was thrown off by the little instrumental interlude before the end of the song; the song disappeared and came back. “Well Well Well” is just an abundance of screaming. I can’t find any redeeming qualities about it, really. Billy Preston plays piano on “God” where Lennon pretty much questions everything and I can’t blame him for that. It’s a beautiful song, though, musically. And the album ends as morbidly as it starts and keeps with the sad theme, “My Mummy’s Dead.” I like John Lennon. He’s never been my favorite Beatle, or even my second fave, probably. I’m used to his stuff being better than this. That doctor (and Yoko) really messed him up. Other than a few flashes, I really couldn’t get into this album. For the three or four songs I did like, I’ll say I dug it, but just barely.
absolutely nothing about them. In fact, other than maybe in passing, I’ve never even heard of them. Yes, I know that floors you, Dear Reader, and yet, comes as no surprise, whatsoever. All that said, I really wish I still didn’t know who it was and I really wish I hadn’t heard this. I remember being in high school, having only played the bass for about 2 years and getting together with a bunch of other high school musicians who also hadn’t played very long and never in a “band.” What we pulled out of our arses noodling around on instruments we barely knew our way around sounded 800x better than this. The mere fact that Frank Zappa had anything to do with it makes me question my respect for him and that was spotty to begin with. I did some research to find out more about the album before I passed harsh judgement but nothing in my readings made me feel any better about this. All I read was about how important it is and how the Magic Band was a “well-rehearsed” band for these recordings. The construction site across from the studio makes better music than this when they’re running the cement mixer, running a brick saw, riveting aluminum studs and hauling stuff around the building on heavy equipment. This is an hour+ that I will never get back. I don’t care about the “importance” of it, it sucks. Pure and simple. It’s gawd-awful. The fact that it’s on this list at all, much less Top 60? That is an atrocity. There’s no explaining to me how important or fantastic it is, because no matter the significance, there’s no changing that I got a headache from it and wanted to step in front of a passing city bus while and after listening to it. I hated this.
sat this high, in my opinion. I’ve never made it a secret that I don’t like the bluesier stuff. This was a return to their roots (read: more blues) than the nearest previous stuff. To ME, this is less Stones than I’m used to. I know, too, that it was the last album released while Brian Jones was alive. So, there’s some kind of creepiness there, although I’m used to hearing stuff from people who have passed on. I remember listening to Pearl, it was creepy knowing that Janis had died after recording it, even one song instrumental because she died mere days before the scheduled vocal session. Creepy. Okay, sorry. To me, this album drags, almost the whole time. I like “Sympathy for the Devil” (one of my favorite Stones songs) and “Street Fighting Man.” But, the rest, meh. I can look back on this entire list and find almost any other Stones album and put it before this one. I’m not saying it doesn’t belong on the list, I get its importance. I just think most of the other albums on this list should, could or would be higher. Even the last that we listened to, Sticky Fingers, much better album than this. Tattoo You, Some Girls, all should have been higher than this, certainly higher than they were. I don’t get it, other than that roots mess. Meh, at best.
instruments but most of the instrumentation was done by him. Of course, he had guest players and this there was a great deal of them: “Maniac” Mike Sambello, Nathan Watts, Raymond Pounds, George Benson, Minnie Riperton, Herbie Hancock, just to name a few. The guest list was extensive. It’s jazz, it’s rock, it’s R&B, it’s soul, it’s everything. Great ballads, jammy jazz riffs and swinging horn sections, oh yeah! “Sir Duke.” ‘Nuff said with that. Well, maybe not ’nuff said. This album would be worth it alone just for that tune. Luckily, there’s a shload more on here to enjoy in addition. How in the world did I not know that Coolio totally ripped off Stevie with “Pastime Paradise?” I was like what the heck is that!? And, Coolio had any room to get upset when ‘Weird Al’ used “Gangsta Paradise” as one of his parodies? Yeah, perhaps he had permission from Stevie to use it, but still, it was only partly his to complain about. This version is the best of all of them, I say. I have to say, too, that synth basses in 1976 were actually more advanced than I realized. Stevie plays the crap out of it, too. The runs are like someone actually playing bass. When it is bass, it’s Nathan Watts.”I Wish,” “Isn’t She Lovely” and “Joy Inside My Tears” are some of my faves on this album. I have the video for the Classic Albums series on this album. I’ll have to break that out and watch it again. Great album from a great artist! DUG!
and “Money Honey.” This was the first rock and roll record to sell one million copies, which makes sense since it was one the first rock records. I dug it!
Garfunkel. Another album released in the year of my birth, 1970, this one is older, by 10 months. It’s the fifth album and is the swan song for the duo, each going their own way. I’m thinking it was a bit contentious, who’s with me? The album starts with the sweet “lean on me” themed title track. There were rumors that the song was about drugs (“silver girl”), but it wasn’t. Apparently, it’s about Peggy, Paul Simon’s then-wife. I love the overall feel of this album. There’s tension and there are times you can sense it but even with the deteriorating relationship of the duo going on they’re able to keep it together and make it work, even renting a house in L.A. while Art was filming Catch-22. They experimented with sounds and effects, much used during the song “Cecilia,” which is one of my favorite S&G tunes. “The Boxer,” another fave, is probably the one that took the longest to record. From what I understand, it started in 1968 and was recorded in several places over the course of almost two years. While he was the more prolific of the two, I think Paul Simon was jealous of the growing popularity of Art Garfunkel. “The Only Living Boy in New York” was the product of feeling lonely in NYC while Art was filming in Mexico. The last tune on the album, “Song for the Asking,” from what I’ve read, was like Simon and Garfunkel, each trying to reconcile and keep the channels open for future opportunities to work together. I believe they only did spot reunions after that. A landmark album that instead of boosting the duo was the sunset for them. Simon, of course, went on to monster success as a solo guy and Art didn’t do too bad, as far as I can tell. It’s a great album. Great, well-written tunes and it’s S&G, hard to go wrong with that, yeah? DUG!
other than he’s just awesomely funky-n-groovy? That on many of his albums and tracks, he plays most of the instruments himself. Lots of clavinets happening on this album and other great keyboard spots. He plays the drums, synth basses, a bit of everything. That and guest spots from Ray Parker, Jr., Jeff Beck, Deneice Williams, “Buzz” Feiten make this album even more spectacular. Stevie’s use of melody and orchestration fills the cracks and holes (not in quality, just covers the speakers) with aural splendor. The ultra-powerful and urgent, “Superstition” is there and offset by the sweetness of “You Are the Sunshine of My Life” and “You and I” and “You’ve Got It Bad Girl.” There’s range and spread on this album and that’s a great thing. Groove and shuffle, intensity and tenderness, bits of it all. I dug this album and thought it was well composed.
There’s so much power in her music and in these songs it’s easy to get lost in them. This is a fantastic album. I DUG it!
yet another check on the “I’m from West Virginia and my parents listened to country music” tally of life. Neither of those, by the way are knocks nor mock on the facts. We didn’t have radio stations that played Pink Floyd, or anything like that until around 1981 or 1982. Ma Mère listened to gospel or older pop stuffs like Leslie Gore or folksy stuff like Peter, Paul & Mary. Ma Père listened to country. Tears-in-beer country. Plus, none of my friends listened to Pink Floyd, so I had no exposure, at all. I do remember walking into a record store on Main Street in Welch, WV, looking for KISS’ Unmasked (1980) album and seeing a cardboard cutout of the album cover and Gerald Scarfe posters that were associated with the album. I moved to WSNC, as I’ve said countless times, in 1986 and there was a reissue of “Another Brick in the Wall, Part 2” around 1987-88 or so and I bought it on 45. I had just started listening to the local classic rock station and got more familiar with some other Floyd songs. I decided, sometime later, to buy The Wall, but it was in or after 1990 because I didn’t buy my first CD player until December 27, 1989. I did have Delicate Sound of Thunder on cassette (it was released two days after my 18th birthday) and heard three of the songs that way. Anywhat! All that to say, I love the album and with the exception of a song or so (can we say “Bring the Boys Back Home?”). My faves are (all three) “Another Brick in the Wall,” “Goodbye Blue Sky,” “Young Lust,” “Hey You,” “Comfortably Numb” and “Run Like Hell.” I love the album.
#86 – Born in the U.S.A. by Bruce Springsteen. I think this is the first time in a bit, if not the entire list, that I have two albums in a row that I actually own. It may have happened. But, I’m pretty positive that it is the first time that I own two in a row on vinyl. Sadly, I didn’t have time to listen to this on vinyl at home. I’ll try to do a vinyl listen soon, if I have something that is available on it. That’s something that I’ve not done since I’ve started this countdown. It’ll be fun. When I first heard the first single, “Dancing in the Dark,” believe it or not, that was the first time I heard of Bruce Springsteen. Yeah, yeah, I know, but it really was. Chalk it up to my total immersion into KISS and just breaking out of the mold. And, here’s the other thing, I hated it, every bit of it. I don’t know that I heard “Cover Me” (the second single until much later. If I did, I probably turned it off or went out to play or something. I’ve mostly come around to who I used to call Spruce Bedspring over the years. Most of that with the help of my friend Beth who is the biggest Springsteen fan I have ever met or even ever heard of. To me, though, at the time, the title track and to some extent “Dancing…” sounds like he’s just yelling the whole time. I just wanted to shout back “just shut up!” Now, fast forward to now. I don’t know how I feel about “Darlington County” but the rest of the album (if you take into account I like more laid-back and alternative versions of the title track) is fantastic. Of course, my favorite tune (since I asked for it and did it at the VSS Springsteen show) is “I’m on Fire.” It’s a sultry little number. I loved the video, too. “My Hometown” and “Glory Days” are also faves of mine. There are some throwaways, at least to me, such as “Working on the Highway” and the aforementioned “Darlington County.” “Downbound Train” and “I’m Goin’ Down” make up for both of those, though. There were seven singles released on this album. While none of the songs are virtuosity tunes or even particularly intrinsic or complex, that’s not what this album was about it, I don’t think. It was just putting out a good album. This is that. Great even. I really dug it.
this countdown are any better than most of the albums that were in the top 200-100? Does it deserve to be on this list, absolutely and I dig it, but I still don’t think it’s Top 100 material. Not a knock on the album, I just think some stuff is better. Dug.
