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Tag Archives: Rolling Stones

Spinning Sunday or: The Haul 8/21/21

22 Sunday Aug 2021

Posted by TGBII in Records, Spinning Sunday

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Discogs, Electronic, Mozelle's Southern Bistro, Music, Prince, Rolling Stones, The BCPF, Underdog Records, WSNC

Salutations™!!

Yesterday was a day that I absolutely was in need of. The BCPF and I had a “board meeting” which is where we catch up from the week (or more) of seeing each other for about a total of 5 hours. Then, we went to Underdog Records and got some “candy.” We had brunch at Mozelle’s. We went to a local boutique and then to a local coffee shop for her to get some whole beans. Here’s the candy part:

©Rolling Stones Records

Prince – Welcome 2 America — Gatefold Sleeve with foil-embossed title. This release is black vinyl. Hype Sticker On Shrink: Previously unreleased album from Prince’s legendary vault, featuring 12 studio recordings on 2LPs with etched 4th side. (Love Symbol). Special Welcome 2 America Vinyl Etching on Side D of Double LP (featuring Prince image as in the gatefold): “Welcome 2 America, Welcome 2 The Big Show”, “Everybody’s Lookin’ 4 Something When There Ain’t No Place 2 Go”, “Trans4mation Happens Xcept Inside America That’s The Only Place 👁 [Eye Symbol] Know”, “Deep Within: Yes or No?” New.

Electronic – Electronic — Johnny Marr from The Smiths and Bernard Sumner of Joy Division/New Order from 1991. Reissue, Remastered, Repress. Of course, this was something The BCPF wanted and well, who can tell her no? Not me! New!.

The Rolling Stones – Black And Blue — Jonathan had gotten a few used Rolling Stone albums in and they were in fantastic shape. I had these three but all of them in my collection were anywhere from G to VG. These are all in EX shape. I will forego the any descriptions.

The Rolling Stones – Emotional Rescue

Rolling Stones – Tattoo You

It was a great day. Just so you know, Jonathan is requiring masks to enter the store for right now, no matter your vax status. You can be an arse and complain and boycott and all that stuff, or you can do what is right for him and respect his wishes. Your freedom isn’t infringed upon if you don’t want to wear your mask. You are absolutely free to not go and he’s free to require them. None of us want to wear them, but we are wanting to do what we need to. Use Discogs, too.

Until tomorrow, keep spinnin’…
Scorp out!

—
“Yes, you could be mine, tonight and every night. I will be your knight in shining armor, coming to your emotional rescue.” – “Emotional Rescue” (Jagger/Richards)

Painting It or: That VSS Thing

20 Friday Aug 2021

Posted by TGBII in Video

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Chad Nance, Music, Rolling Stones, Vagabond Saints Society, Video

Salutations™!!

Remember when I talked about doing the Vagabond Saints Society’s Rolling Stones show back in June? Well, the show was recorded via video from my pal Chad Nance (and his crew). This week, after they have been releasing a new video about once a week, or so and this week it was my turn. This is me doing “Paint It Black.” Enjoy! (You may have to click the link)

Until tomorrow, same blog channel…
Scorp out!

—
“I look inside myself and see my heart is black.” – “Paint It Black” (Jagger/Richards)

Spinning Sunday or: The Haul 7/31/21

01 Sunday Aug 2021

Posted by TGBII in Records, Spinning Sunday

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Beeswax Vinyl Daily, Björk, Discogs, Explosions in the Sky, Music, Rolling Stones, The BCPF, The Less Desirables, The Less Desirables Network, The Magnetic Fields, Underdog Records

Salutations™!!

The BCPF’s and my day yesterday was a bit weird. We had breakfast and Underdog Records but we had to go to an event for her work in Greensboro yesterday afternoon. It wasn’t a normal Saturday, but we were together, so there’s that. Here’s the haul:

©Temporary Residence Limited

Björk – Post — #376 on the RS list that matters and #289 on the one that doesn’t. I remember listening to it, but don’t remember a lot about it. I went back and read my review of it and it really kicked my behind. I dug it, even included it in a summation on what I did or didn’t like or what what stood out to me. New.

Rolling Stones – Beggars Banquet — #58 on the RS list that matters, #185 on the one that doesn’t. I couldn’t believe I didn’t have this already. Anniversary Edition. Packaged in slip cover with gatefold LP sleeve containing the LP and 12″ 45 rpm disc, a bonus picture sleeve with a flexi disc plus a download card for mp3s of the album and bonus content. Flip side of the 45 rpm disc is embossed with an image of the gatefold front cover. While it is classified as used, it’s still sealed (until I open it), so I’m going to say “New” instead.

The Magnetic Fields – The Charm Of The Highway Strip — The third studio album by American indie pop band The Magnetic Fields, released in 1994. It is the first Magnetic Fields album to have its original release with record label Merge (based in Durham, NC). We listened to it yesterday. The BCPF loves this band. I am mostly indifferent. The “mostly” leans toward not liking them. But, I don’t dislike them. New.

Explosions In The Sky – Those Who Tell The Truth Shall Die, Those Who Tell The Truth Shall Live Forever — I know nothing of this band and I haven’t heard it yet. This is from the bastion of truth, accuracy and veracity – Wikipedia: The band garnered a small amount of media attention as the liner notes of this album contained a picture of an airplane and the text “This Plane Will Crash Tomorrow”. A rumor circulated that the album was released on September 10, 2001, the day before the September 11, 2001 attacks, but this is not true. According to Amazon.com, the album was officially released September 4, 2001, exactly one week before the attacks. An interview with Stylus claims the album was available as early as August 24, 2001. Members of the band told Stylus that they had the artwork and idea for the liner notes for over a year before the attacks on the World Trade Center. Has a 20th anniversary Temporary Residence sticker on the cover. Colored labels. New.

Various – Russian Souvenir – Russian Songs And Dances / Русский Сувенир – Русские Песни И Пляски — Just an addition to our World Music collection. EX.

Jonathan has some used stuff to go through in the store which means it’s a good possibility of having a lot of “freshly used” stuff for purchase. You can buy new vinyl, day or night, 24/7, 365 by visiting the Underdog Records website. I use Discogs to track my collection and you should, too!

And lastly, don’t forget to listen to the Beeswax Vinyl Daily podcast. Yeah, I know I reminded you earlier this week but it’s a “Daily” podcast afterall. Subscribe and get it when it comes out!

Until tomorrow, keep spinnin’…
Scorp out!

—
“I watched with glee while your kings and queens fought for ten decades for the gods they made. I shouted out, “Who killed the Kennedys?” Well, after all, it was you and me. Let me please introduce myself, I’m a man of wealth and taste. And I laid traps for troubadours who get killed before they reach Bombay.” – “Sympathy for the Devil” (Jagger/Richards)

Now Normal Chronicles or: Far Far Away

10 Thursday Jun 2021

Posted by TGBII in Video

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Music, Rolling Stones, Vagabond Saints Society, Video

Salutations™!!

Because I did the Piggyback yesterday, I didn’t do the anniversary of my favorite Rolling Stones album, Some Girls. I am privileged to be singing TWO songs from this album next Friday for the Vagabond Saints Society’s Rolling Stones show at Ramkat. It’s outdoors and it isn’t free, as I may have stated before. Repeat: It IS NOT free. Here’s the real band doing their version of this tune. Enjoy!

Until tomorrow, same blog channel…
Scorp out!

—
“Well the preacher kept right on saying that all I had to do was send ten dollars to the Church of the Sacred Bleeding Heart of Jesus, located somewhere in Los Angeles, California, and next week they’d say my prayer on the radio and all my dreams would come true.” – “Far Away Eyes” (Jagger/Richards)

Now Normal Chronicles or: Tumblin’

12 Wednesday May 2021

Posted by TGBII in Video

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Linda Ronstadt, Music, Rolling Stones, Video

Salutations™!!

Today is the 49th anniversary of The Rolling Stones’ Exile on Main Street. Many folks think this is their best album and it’s actually one of my least favorite Stones albums. I don’t mind the Stones, I just don’t like much of this album. Clay Howard and I talked about this album on one of the last Beeswax Vinyl & More podcasts that we did and we both agreed that it would have been a great EP if they had narrowed it down to about 5 songs. It ranked high on all the RS lists because people are dumb. I kid about that. Here’s a great cover by someone with a great voice.

Until tomorrow, same blog channel…
Scorp out!

—
“Always in a hurry, I never stop to worry. Don’t see the time flashin’ by. Honey, got no money. I’m all sixes and sevens and nines. Say now, baby, I’m the rank outsider. You can be my partner in crime.” – “Tumbling Dice” (Jagger/Richards)

Talkin’ About a Revolution or: No Dead Reign O’er Me (RS Part 24)

20 Monday Jul 2015

Posted by TGBII in Music Review

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Blood Sweat and Tears, Crosby Stills and Nash, Paul Simon, Ray Charles, Rolling Stones, The Grateful Dead, The Jesus and Mary Chain, The Who, Tracy Chapman

Salutations™!!

Wow, it took a long time to get through this one. Then again, I did go through surgery, picked up a new podcast production gig and life, so it’s reasonable to say, it’s been hectic. A fairly balanced segment last time, I’m hoping for the same this time as I explore the next section of the Rolling Stone Top 500 Albums of All Time. I don’t have anything really to pontificate on prior, so let’s get to it, shall we?

#270 – Some Girls by The Rolling Stones. One of, if not the favorite album of mine of the Rolling Stones. I think because I really love “Miss You,” “Far Away Eyes,” “Shattered” and “Beast of Burden,” I would say that about this album. I love when 1Some_GirlsDoug Davis does it in his Mystery Dates shows. It’s right there in the disco time and “Miss You” does fit in that realm, but it’s not a disco album, although it is quite slick like one. It’s a full album that I have on my iPod from RS and was a big come back for them as they’d kind of fallen into a rut. My only complaint about this album is that it should be much higher on this list. I’d say it really needs to be Top 50 at least. I’ll admit that I don’t listen to a lot of the “filler” songs, usually, but I’m digging them during this session and with that, forty minutes is like the perfect length of album for me. I truly DIG this with extreme prejudice!

#269 – Psychocandy by The Jesus and Mary Chain. What the heck is this!? Let me clarify. I like the songwriting and songs and even the singing and stuff, but the production…? I don’t know if they were being “clever” or what but this is atrocious. It sounds like it’s in a cave and it’s hard for me to discern anything, really, about what is going on. The songs, like I said, are fine, but I really can’t handle listening to it. Is everything by them like this? I hope not. Did but didn’t dig it.

#268 – Paul Simon by Paul Simon. I’ve always like Paul but didn’t know much about him other than the “hits.” I do have Old Friends, the Simon and Garfunkel Box Set. The BCPF got me to really pay more attention to him. I am a huge fan of Graceland, too, 1PaulSimonwhich comes much later in the list. MUCH later. “Mother and Child Reunion” starts this off and it’s very much what I’d think would be the sound from early-1970s New York City. I have a fascination with that time and regional period that I just can’t explain. It’s a bit on the reggae side but that’s not a bad thing, here. Simon is a fantastic songwriter and he doesn’t disappoint with this. A lot of styles are in play here, from jazz to folk to Americana to the aforementioned reggae. The crowd favorite “Me and Julio Down by the School Yard” is one that you’ll hear others play in acoustic solo shows. “Peace Like a River” and “Duncan” are more hints at Simon’s near-genius songwriting skills. He’s a great storyteller. “Papa Hobo” is a good example of such. And the NOLA-like Jazz ditty, “Hobo’s Blues” fun. I love the electric piano on “Congratulations,” the finale track. Larry Knechtel does great work on the e.p as well as the organ work on that song. A great finishe, I say. Quite a good listen. I’d listen, again. Dug.

#267 – Quadrophenia by The Who. This is not Tommy, is it? I’m thinking they’re trying too hard to redo that rock opera. This is good and I can totally get on board with catching your niche. I just think this pales to Tommy and Who’s Next. I think I may have heard “The Real Me” and I know I have “Love Reign O’er Me.” I had that on a greatest hits album. Yeah, I have greatest hits albums, I’m not against them, but I’m not going to review them. I’m just not… so stop trying to get me to. I digress! This isn’t moving me as much as I feel it should be. It’s Quadrophenia after all!? The album does rock and has a lot of feeling, I think I’m just disappointed with it. I know I’ll get flogged for that comment but that’s just how I feel about it. Dug-ish.

#266 – Child is Father to the Man by Blood, Sweat & Tears. After a nice (yet oddly placed), classical- or circus-like “Overture,” the album goes to “I Love You More Than You’ll Ever Know,” a blues-laden, prog love song that, in my opinion, is more 1BSandTenjoyable than anything that was on the Quadrophenia album before. It’s a beautifully written and executed tune that is full of life and luster. That’s not surprising since there’s only like forty-three people in the band. That’s an exaggeration… there’s only eight but whole orchestral sections involved in the recording. This album is so “summer of love”ish which is to say it sounds so “1967” (it really is from 1968) and the love is still flowing at this point. Oddly enough, after this album, Al Kooper, the founder and band leader, flew the “koop” if you will. While BS&T are still touring today, none of the founding members are in the band. It also reminds me of what I’d figure this-era Chicago would sound like with the horn and orchestral sections. I’m not too familiar with this era of prog rock, but I like what I’m hearing here. Great harmonies are on this album, too, along with great melodies and rhythm section work. “My Days are Numbered” is a great example of all that. And Jeez! I love the lounge stylings of “Without Her.” Even Donald Duck makes an appearance in “House in the Country.” I think that it may be a hair too long but at least all the songs are interesting; each a bit different than the next, all while maintaining a canon or uniformed “belonging.” I’d love to hear it on vinyl. I really, dug it.

#265 – The Genius of Ray Charles by Ray Charles. I don’t mind the blues aspect if it’s topped off with an icing of swing-pop and jazz. Plus, I’m a sucker for “standards.” Said standards include “Let the Good Times Roll,” “Alexander’s Ragtime Band,” “Come Rain or Come Shine,” “Tell Me You’ll Wait For Me.” What’s cool, too, is not only is Ray singing, he’s playing the piano for all of it as well. His voice is, in 1959, in top shape and he’s 1RayCharleskilling it here. Another cool thing is the first half (side one) is big band pop standards and the second half (side two) is orchestral pop standards. This was kind of critically-panned when it came out but, obviously since it’s on this list, more modern critics find it to be a classic and I would dare to say “masterpiece.” That’s what I’m going with, so there! Definitely, DUG!!!

#264 – Workingman’s Dead by Grateful Dead. Thank you Stephen Stills and David Crosby for teaching this band about harmonies. “Uncle John’s Band” could have been a CSN song. I’ll be honest, I didn’t know what this song was called, even though I have it on a 70s collection. I skipped The Dead on principle; principle I don’t like the “culture.” Hey! I’m not proud of it, just the way it was. And, I already thought this was CSN. Now, I know. They go back to slightly off-key harmonies in the next song (“High Time” which is probably about right), but they gave us a good one to start off.  I know that “Cumberland Blues” is a staple but I don’t really see why. Oddly enough, I do like “Black Peter” as it’s laid back and melodic. Reminds me of someone playing down in the bayou whilst others sip lemonade under a big weeping willow tree or something. I don’t know that’s just the imagery that I get from it. I like that one a lot, actually. And, the final song, “Casey Jones,” if I were going to pick a Dead song to say was my “favorite,” I’ve always considered that one it. All that being said, I think the band is just meh. I think this album is just meh as well. Exceptions being “Uncle John’s Band,” “Black Peter,” “Casey Jones.” Meh.

#263 – Tracy Chapman by Tracy Chapman. She has such a strong voice, not only the beautiful sound what comes from her face but for the awareness and support for her causes. She would have been just as “at home” in the late ’60s singing protest songs. At least she would have fit in, nicely. I have always loved “Fast Car” and had it on “Cassingle” in 1988, when it came out. Was fascinated by the imagery she portrayed and the songwriting itself. She’s so very talented. That song is probably the biggest hit of her career. Definitely until “Give Me One Reason” many years later. She wanes poetic a capella with “Behind the Wall” in a lament of wondering and worry. “Baby Can I Hold 1Tracy_Chapman_-_Tracy_ChapmanYou” is a fantastic ballad that reached #19 on the charts in 1989 and was even covered by the champion songwriter, Neil Diamond in 1992. There are no clunkers on this album. It’s solid beginning to end. Loved it!

#262 – Crosby, Stills & Nash by Crosby, Stills & Nash. It’s funny that this is on the same segment as Workingman’s Dead since it was during the recording of this that Crosby and Stills stayed at the ranch where the Dead were hanging out and taught them the harmonies in “Uncle John’s Band” and this is followed by another Dead album. Weird. Anywhat! This is some of the most famous and unique (and best) harmonies in music. They set some standards in that department and it all started right here. “Suite: Judy Blue Eyes” starts it off and is the first intro to the casual album listener to what will become “that sound.” I also loved “Wooden Ships.” The rest of the album, by all means not ordinary, seemed to vanish into the background for me, though. It was all good, but nothing captured me. Am I becoming too desensitized to the process? I mean, I think I really should have felt better about this album. I dug it but am somewhat disappointed in myself for not liking it better.

#261 – American Beauty by Grateful Dead. *Sigh… Another Grateful Dead album. Other than “Truckin’,” I am not plussed by anything on here. I’m not putting it down and I’m not saying they’re not decent songwriters but it’s just not moving me. “Candyman” isn’t too bad, neither is “Operator.” I don’t hate it, though. I don’t really know what else to say. There’s just not a lot I feel I can say about it. Again, I’m not being critical. I think I’m being exactly the opposite. Meh.

So, two Grateful Dead albums in this segment and both were just “meh”s. I hope I’m done with them, although I figure they’ll sneak at least one more in here on me. Five really good ones, two that I was iffy about, two Grateful Deads and one really confusing (Jesus & Mary Chain). Half were really good so, I think this is a very fine segment, indeed. Four of these (Simon, CSN, BS&T, Chapman) were debut or debut solo albums. RSThat’s pretty cool, I think. I would love to find the Ray Charles on vinyl and the BS&T, as well. My favorite Stones album (so far). Yep this was a fun, yet drawn out listen (it’s about three weeks in the making). So, here’s hoping the next segment of Rolling Stone Top 500 Albums of All Time is at least this good!

Until tomorrow, same blog channel…
Scorp out!

—
“I was driving home early Sunday morning through Bakersfield, listening to gospel music on the colored radio station. And the preacher said, ‘You know you always have the Lord by your side.’ And, I was so pleased to be informed of this that I ran twenty red lights in his honor. Thank you, Jesus. Thank you, Lord.” – “Far Away Eyes” by Rolling Stones (Richards/Jagger)

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