Tag Archives: Rod Stewart

Now Normal Chronicles or: Ten Pound Baby Boy?

06 Friday Nov 2020

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Salutations™!!

Today is the 39th anniversary of Rod Stewart’s Tonight I’m Yours album. This was really my first exposure to Rod the Bod. He had some stuff that I knew about but didn’t really know much about what I knew. Does that make sense? Probably not, but that’s okay. This was and probably is one of my favorite Stewart songs. She’s a bit wavering in the chorus but the rest is pretty good. Enjoy!

Until tomorrow, same blog channel…
Scorp out!

—
“Billy wrote a letter back home to Patti’s parents tryin’ to explain. He said: ‘We’re both real sorry that it had to turn out this way. But there ain’t no point in talking when there’s nobody listening, so we just ran away. Patti gave birth to a ten-pound baby boy.'” – “Young Turks” (Stewart/Appice/Hitchings/Savigar)

Now Normal Chronicles or: Infatuation

19 Friday Jun 2020

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Salutations™!!

Yesterday was the 36th anniversary of Rod Stewart’s Camouflage album. I like it. I like Rod much better in the 80s than in the 70s but that’s just me. I know it. And, that’s okay. This was the big hit and the video was awesome as well. This band — it looks like they’re in a hotel or something — does a really good version. Enjoy!

Until tomorrow, same blog channel…
Scorp out!

—
“Heartbeats silly like a big bass drum. Losing all equilibrium. It’s so hard in the middle of the week. Maybe this woman’s just all I need. Oh no, not again. It hurts so good I don’t understand. Infatuation.” – “Infatuation” (Stewart/Hitchings/Robinson)

Now Normal Chronicle or: Reasons to Believe

28 Thursday May 2020

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Salutations™!!

Today is the 49th anniversary of Rod Stewart’s third album, Every Picture Tells a Story. I’ve always had a nonchalant attitude toward Stewart. I don’t mind him but don’t usually go looking for him, either. I liked his poppier-ended stuff that came in the 80s best. Anyway, this is a great tune and a great rendition. Enjoy!

Until tomorrow, same blog channel…
Scorp out!

—
“If I gave you time to change my mind, I’d find a way just to leave the past behind. Knowing that you lied straight-faced while I cried. Still, I look to find a reason to believe.” – “Reason to Believe” (Hardin)

Groovin’ or: Oh, For Heavens Sake

06 Wednesday Nov 2019

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Salutations™!!

Today in the DJ for the Ren-o sessions, I played two albums that had the same exact anniversary. That’s Tonight I’m Yours from Rod Stewart and Shake It Up from The Cars. Both of those were from November 6, 1981.

220px-Supertramp_-_Breakfast_in_America

©A&M

Then came a random grab of Breakfast in America from Supertramp. I played The Chronic from Dr. Dre next for Brian and then I played the debut KISS album.

Then, I played the two Heavens Sake albums (not on vinyl, unfortunately) and reminisced about my time in that band. Those were good musical times. I talked with Bobby, the drummer and David, the guitarist. We talked a little about those times and we may do some stuff in the future. I would like that.

Anyway, tomorrow, we hit it again. I may or may not be here to play DJ. We’ll see.

Until tomorrow, same blog channel…
Scorp out!

—
“Now I believe in what you say, is the undisputed truth. But I have to have things my own way to keep me in my youth. Like a ship without an anchor, like a slave without a chain. Just the thought of those sweet ladies sends a shiver through my veins. And I will go on shining, shining like brand new. I’ll never look behind me, my troubles will be few.” – “Goodbye Stranger” (Davies/Hodgson)

Spinning Sunday or: The Haul 2/16/19

17 Sunday Feb 2019

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Salutations™!!

It was a chilly, wet and murky day yesterday. But, The BCPF and I had each other, good breakfast and, yes, records. Jonathan did a little bit of moving around in Underdog Records, but the records are still the same. I love records. Here’s the haul:

GoNow

©London

  • Blossom Dearie – Simply Volume VI — I love Blossom Dearie. This was available and I couldn’t pass it up. She had such a sweet voice, but you could tell she had a naughty side, too. VG++.
  • The Moody Blues – Go Now – The Moody Blues #1 — The debut album by Moody Blues and features (for the only time) future Wings guitarist, Denny Laine. In the UK this was called The Magnificent Moodies. I don’t know why they released it differently here, but they did. Also, the US version has three song titles either misspelled or incorrectly labeled. Way to go ‘Merica. Way to go. VG+.
  • The Moody Blues – To Our Children’s Children’s Children — The first album released on the band’s own label, Threshold Records. It was named such after the previous album On the Threshold of a Dream which was inspired by the moon landing. This is the band’s fifth album overall and while none of its singles did well, the album sold pretty well. VG.
  • Warren Zevon – Bad Luck Streak In Dancing School — Classic Zevon song style. I dug it. Plus, it has just about the whole Eagles family as guest musicians: Don Henley, Glenn Frey, Don Felder, Jackson Browne (wrote songs with the Eagles), JD Souther (ditto), Linda Ronstadt (The Eagles were her backing band at one time), and Joe Walsh. He only needed Randy Meisner or Timothy B Schmidt on bass and he’d had them all. But, he had Leland Sklar and when you have Sklar on bass, you don’t need any other bassists. Good album. VG+.
  • Judy Garland – The Very Best Of Judy Garland — VG+.
  • The Trammps – Disco Inferno — The Trammps were a large band. Something about that era with Earth, Wind & Fire as well as others and this band. I do like disco and I do like the title track. We’ll see how I like the rest of it. VG+ (cover is VG as it has a chunk out of the upper right corner).
  • Rod Stewart – Every Picture Tells A Story — The title track, “Maggie May,” “Reason to Believe” and “(I Know) I’m Losing You” were the hits from the album which featured Ronnie Wood. VG.
  • Edith Bauer-Slais With The Vienna Chamber Ensemble And Kurt Equiluz – The Virtuoso Classical Mandolin — The BCPF has a mad on about banjos and mandolins. She found this in a box. It was $1 but is in very good shape. VG++.
  • Michel Legrand And His Orchestra – The Columbia Album Of Cole Porter — She also has a thing for Cole Porter. 2xLP $1 bin find. VG+.
  • Level 42 – Running In The Family — This is the follow up to World Machine which had the mega-hit “Something About You.” This album did have a few singles that did well in the UK: “Lessons in Love,” the title track, “To Be with You Again,” “It’s Over” and “Children Say” were all hits for the band. $1 bin find and the record looks to be at least VG but the cover has some serious wear which looks like it could be water damage. Not sure.
  • Divinyls – Desperate — “Boys in Town,” “Science Fiction” and “Siren (Never Let You Go)” were the singles. $1 bin find. VG.

Underdog Records puts out freshly acquired used albums nearly every day. That’s the place I look first. I want to see what treasures Jonathan has just gotten. The BCPF looks through those, too and then goes for the $1 bins. We usually come away with good stuff. If you watch the Instagram and Facebook pages of Underdog Records, you’ll get a preview of what you’ll find in the freshly acquired used section. And, if you listen to each new episode of The Less Desirables, you can hear what that week’s (Thursday-Wednesday) TLD/UR special of the week is.

And, someone was in the store yesterday using Discogs. We had a cool discussion about it. They, like me, were checking to see if they had something already. It’s a good service.

Until tomorrow, keep spinning…
Scorp out!

—
“Wake up Maggie I think I got something to say to you. It’s late September and I really should be back at school. I know I keep you amused but I feel I’m being used. Oh, Maggie, I couldn’t have tried any more. You lured me away from home just to save you from being alone. You stole my heart and that’s what really hurt.” – “Maggie May” (Stewart/Quittenton)

Spinning Monday or: The Haul 2/2/19

05 Tuesday Feb 2019

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Salutations™!!

Yes, this is usually a Sunday thing but Sunday and yesterday were either an important day or just something I had to rant about instead. So, here’s the haul from Saturday from Underdog Records.

Bent_out_of_shape_rainbow

©Mercury

  • Cherry Glazerr – Stuffed & Ready — Another try at introducing The BCPF to a group that I think she’d like. I’m usually successful and this another triumph. It’s a little Riot Grrl ish but that’s okay because she likes that stuff. Girl power! Jonathan said this was a little heavier than their past stuff but he also said he likes everything they do. Win! New.
  • Green Day – Kerplunk! — This is the second album from Green Day, the last indie release before signing with Reprise Records and the massive hit album Dookie was released and it’s the first with Tré Cool on drums. This is the 2009 reissue, VG+.
  • Donovan – Sunshine Superman / In Concert At The Anaheim Convention Center — As the title suggests, it’s a 2xLP/true Double Album as it is Sunshine Superman and a live album packaged together. VG+.
  • Weezer – Raditude — Weezer’s last on Interscope/DGC/Geffen. The title was suggested by Dwight Schrüte from The Office. Actually, it was Rainn Wilson who played Dwight, but still… VG.
  • Rainbow – Bent Out Of Shape — I’m trying to expand my classic hard rock repertoire beyond just what Eugene introduced me to in 2017. I’m trying. I’m trying. I don’t know much about the album. It was there. I purchased it. VG+.
  • U2 – Under A Blood Red Sky (Live) — Live album from the Irish lads that featured songs from their first three albums and was the soundtrack to a companion film of (almost) the same name. Great versions of the tunes, too. It was right before The Unforgettable Fire which was still before “my U2 time.” But, I really like that album, and the next few, a lot. VG+.
  • Rod Stewart – The Rod Stewart Album — Stewart’s debut solo record. I don’t know that I cared for his “Man of Constant Sorrow” but I did like the rest of the album. I like the elegant sleek yellow cover. In the UK it was called An Old Raincoat Won’t Ever Let You Down which was one of the songs on the album. Lots of Faces and other special guests on the album. VG+.
  • Joni Mitchell – Mingus — A collaboration with Charles Mingus prior to his passing, we get to hear a shload of Jaco Pastorius on this record. It’s very experimental and some of it is “out there,” but it’s worth every second. Herbie Hancock, Wayne Shorter and Peter Erskine (along with Jaco) on one album? Wow! VG+.
  • UB40 – Labour Of Love — Yes, the whole thing sounds like “Red Red Wine.” But, it’s reggae with electronica sprinkled in and some of it is really “slow jammy” which is cool with me. It’s not a great record but it’s a decent record. VG+.
  • John Waite – Mask Of Smiles — The lackluster follow-up to No Brakes which had “Missing You.” It was there and I thought the picture on the back was funny. VG+.
  • ABBA – Voulez-Vous — “Chiquitita”, “Does Your Mother Know” and “I Have a Dream” were the singles of this album which saw the group embracing disco. I didn’t know they ever didn’t embrace it…? VG+.
  • Traffic – Mr. Fantasy — Traffic’s debut album. The cover and tracklisting the US got were different than the UK release which was fairly common at that time. It’s a decent record. The band was a four-piece but Dave Mason left before the album was released. VG.
  • Mott – Drive On — Mott the Hoople after Ian Hunter left. I don’t know anything about the album, but I like the Mott the Hoople stuff I’ve heard. Let’s hope it wasn’t all about Hunter. VG.
  • Rick Wakeman – Journey To The Centre Of The Earth — Yes’ keyboardist extraordinaire doing his composition based on the Jules Verne novel of the same name. I want to hear it. It’s in rough shape but I still have it as VG, but the cover is really rough (G/F+). It was a $1 bin find.

Jonathan had sold a couple of speakers when we were there and there were a lot of other speakers to choose from. A lot of cool stuff in there. I meant to ask him about the Curated by Underdog program. I kind of want to know how he’d curate music for me. Listen to The Less Desirables every Wednesday (or when you get to it) and hear the TLD/UR special of the week. Also, I highly recommend you use Discogs to catalog and track your music collection (no matter the format).

Until tomorrow, same blog channel…
Scorp out!

—
“Under a blood red sky a crowd has gathered in black and white. Arms entwined, the chosen few. The newspapers says, says… Say it’s true, it’s true and we can break through. Though torn in two, we can be one. I will begin again.” – “New Year’s Day” (U2)

Music from Rock And Roll Over the Elder or: Many Kisses

29 Thursday Nov 2018

Posted by in KISS, Music Review, Records

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Salutations™!!

I failed you, Dear Reader. I had been keeping up with my KISS album release dates and missed two big ones this month, but in my defense, I have been a bit busy. Holidays, birthdays, work, and other things have kept me tied up. But, let’s just jump in. This may be long and I apologize for that. Or, I may split it into a couple of posts, I won’t know until I get to the end of this one. So, let’s hit it.

Rock_and_roll_over_cover

©Casablanca Records

On November 11 — a couple of weeks back, it was the 42nd anniversary of Rock And Roll Over. This was a big album for the band. It was the first record after their best-selling album, Destroyer. They had a point to prove after their foray into the Top 10 that they could still put out quality albums, especially now that they were in the spotlight they all craved.

Destroyer had knocked it out of the park, albeit weirdly with orchestras and choirs and such. But, KISS went back to their bread and butter on this album, rock and roll. Heck, it’s in the name of the album itself. KISS, manager Bill Aucoin and Casablanca Records brought in Eddie Kramer, best known at the time for his work with Jimi Hendrix, to produce the album. They also chose to record it at the Star Theatre just outside of New York City.

In the recording, they were in a big cavernous space, which was good for the live-like vibe. But, they also put Peter in a bathroom to get the proper tone on his drums. I’ve always said that the bathroom can be a great place for reverb because of the porcelain fixtures and tile and such. But, I bet it can be a headache at times, too. Kramer knew what he was doing, though.

The album starts off with a little acoustically-blended subtleness that eventually turns into a full-on rock fest, with “I Want You.” That song, written by Paul has some great riffs and I say it’s one of my favorite original studio album songs. “Take Me” is a Klassic rock and roll riffed song and while it didn’t make it to the Alive II release, it did get a bit of play on the tour. There is a “live” version of it on the You Wanted the Best You Got the Best live compilation in 1996 (when the reunion was going on). It wasn’t really live but okay. The song was co-written by Paul and Sean Delaney, whom I’ve talked about in other blog posts.

Next came the first time I ever heard a cowbell in a song. The intro to “Calling Dr. Love” has this cowbell and as a kid, I had no idea what it was but I know that I liked it! I have always thought that the intro to this song has a bad edit. It’s right when the drums kick in after the wonderful cowbell spot. There’s some weird skip or something that happens. I don’t know if anyone will agree with me or not, but I hear it. It’s there. When Gene isn’t called the God of Thunder he’s been referred to as Dr. Love. I think it’s funny that he wrote the lyrics at a Holiday Inn on one of the complimentary notepads.

The cowbell extravaganza continues into “Ladies Room,” a tune about a rendezvous or some secret tryst in the women’s room with one of the lovely ladies that Gene happened to encounter. Most of his songs were about doing that. Well, not in the restroom but hey, it was 70s “cock rock” and that is what he was known for. It is what it is, folks. I can’t say that I, too didn’t write my share in Heavens Sake.

Peter’s contribution, writing-wise, is “Baby Driver” which I think is probably my favorite Peter-penned song in KISS. Perhaps “Hooligan” from Love Gun, but I think this is it. It definitely isn’t “Beth” or “Dirty Livin’.” He co-wrote the song, as he usually did, with Stan Penridge, a bandmate of Peter’s in Chelsea. I figure Penridge probably wrote the music and Pete the lyrics.

“Love ‘Em and Leave ‘Em” is a song that I really didn’t like as a kid but now, I really love it. It’s the same situation as all of Gene’s songs from this album. He’s the object someone’s infatuation and, of course, the ladies (probably young girls) can’t resist him and want to do cruel and unusual things with him. “She had an opening and I had a stiff proposition…” kind of things, as he would say. Some of the most prolific lyrics in Gene’s career, too (tongue firmly planted in cheek). Don’t believe me? Check the quote at the end! The promotional video for the song is just a “concert” setting but it’s still funny. I think it’s funny that even into the 80s when Gene was filming videos he always plays with his fingers but he’s actually a pick bassist.

“Mr. Speed” is Paul/Delaney’s rock and roller boogie. I say that because it has a little boogie-woogie swag to it. I don’t know, though, that I’d want the ladies to call me “Mr. Speed.” I’m just sayin’. This album has a number of titles, Drs., Messrs. Hmm.

“See You In Your Dreams” is a Gene tune and one that he didn’t care for. At least, not this version. He redid this on his solo album just two years later. I prefer this one, actually. I just like the straight-ahead rockingness of this one. It seems heavier. His solo album didn’t seem as fluid, to me. I also like Paul singing the call/response parts. Incidentally, all the Gene songs on this album were written solely by him.

Next is the Rod Stewart tune, “Hard Luck Woman.” Not really. It was written for him by Paul, but Mr. Hot Legs turned it down, I suppose. They say that it was on the success of “Beth” they decided to keep it for themselves, but I don’t know that I believe that. Anyway, Peter sang it and sounded just like Stewart doing it. I have always liked the song even if I didn’t know what the heck it was about when I was a kid. I couldn’t figure out what a “child of the border” was. It was, of course, “child of the water” but hey, I was young. Heavens Sake covered it a few times.

“Makin’ Love” closes out the album and is co-penned by Paul and Delaney again. It’s a rocker for sure. Paul is ready to pounce on this girl, he’s moving in and won’t take “no” for an answer. Maybe this is why they call him Mr. Speed? Anywhat! There is this weird heavy drum at the end that gets off beat a few times and I don’t think that was on purpose, I just think they left it in there. It has always bothered me, but I have also always liked it.

This is the first KISS studio album (out of 5) not to feature a writing credit from Ace. There were five songs from RNRO that made it on the Alive II release. Those are “Ladies Room,” Makin’ Love,” “Calling Dr. Love,” “Hard Luck Woman” and “I Want You.” Not a bad representation. And, I believe a few of the others made it in the set, sporadically, when the album was first released.

RNRO is a KISS Klassic, for sure. It does fall in my Top 10, but I’m not sure where, right now. I am going to create my list, soon. It has a Klassic or iKonic kover, too. I went krazy with the “K,” I know. But, the cover has been used in many a tattoo, t-shirts, pins, patches, etc. The same person who did this cover, Michael Doret, also did the cover for Sonic Boom. This was a better cover and a much better album.

November 10 was the 37th anniversary of what I call “my favorite” KISS album, Music from ‘The Elder.’ Instead of rewriting the thing, I’m going to leave a link to last year’s post about it. You can read that, HERE.

There are three more November KISS releases to mention, but I’ll save them for another post. It will be much less verbose. I won’t promise that because I am verbose, but I can try, right? Right.

Until tomorrow, same blog channel…
Scorp out!

—
“My limousine is a-waitin’ and I see you comin’ my way, hey, hey, hey. I’m sittin’ by the window and you ask me which hotel I stay in. Well, make a reservation between the hours of ten and two, how do you do? You’ve got the time to remember, I’ve gotta stiff proposition, yeah! There’s nothing else I’d rather do. So, you lift your dress. You wanna impress. There’s one thing I’ve got to confess. Love ’em, leave ’em, love ’em, leave ’em.” – “Love ‘Em and Leave ‘Em” (Simmons)

Spinning Sunday or: The Haul 9/15/18

16 Sunday Sep 2018

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Salutations™!!

Points_on_the_Curve_CD_cover

©Geffen Records

It was a rather dreary day in WSNC yesterday and will continue to be for a few days. There were minimal folks out because no one knows what Florence is going to do. So, The BCPF and I made sure to get some good listening material at Underdog Records. And, we did! Here’s what:

  • Sly & The Family Stone – Fresh — #186 on the RS List and I love good funky rock and that’s what this is. Great stuff. Yellow label UK pressing, I believe. It’s in VG++ condition.
  • The Blue Öyster Cult – Tyranny And Mutation — This was the 23rd entry on the Eugeology list from last year. I stated at the time that I didn’t care to hear it again. I do want my list stuffs on vinyl, so here it is in my listening realm again. VG+.
  • Aztec Camera – High Land, Hard Rain — I had heard of Aztec Camera but knew nothing of them. I had seen a few AC albums and thought nothing of it. I didn’t know it was The BCPF’s kind of thing. She said it was and we got this one. I could tell right away that it was definitely her kind of thing. It’s VG++.
  • Simple Minds – Once Upon A Time — There are a lot of great songs on this album and I was very happy to have it. It was a VG++ rated album and we really enjoyed listening to it. Simple Minds are a great band and I’ll buy pretty much anything from them I find.
  • New Order – Low-life — This wasn’t purchased from Underdog Records but was given to us there by our pal Clay Howard. Clay’s the only person we know that will give you gifts for his birthday! It was a great listen and The BCPF was singing along with the whole thing. At least mouthing the words, she won’t sing in front of me for whatever reason. VG++!
  • Wang Chung – Points On The Curve — I will never understand what in the wide-world-of-sports they’re talking about on “Dance Hall Days” but I really like the song. There were several great tunes on this album, and I’ll venture to say it was one of my favorite listens yesterday. Good early 80s pop and the best part is we found it in the $1 bin. I will go as far as saying it was VG++.
  • Henry Mancini – The Best Of Mancini — I love Henry Mancini and his smooth and groovy jazz stylings. He does it really well not only as musical releases but in television and movies, as well. It was a $1 bin find and is VG+.
  • Rod Stewart – Never A Dull Moment — It was funny to watch both The BCPF and me trying to figure out how to get the vinyl out of the sleeve. It was some weird double-flapped gatefold type thing. It turns out you get the vinyl from the back of that. It’s difficult to explain. We just had never seen one like that. Anywhat! It was a $1 bin find and I was surprised how much I liked the album. Some of Stewart’s older albums are a bit bluesy for me. VG.
  • Rick Springfield – Success Hasn’t Spoiled Me Yet — Another great pop album from the early 1980s. Speaking of Clay Howard, the first time we talked about playing music together was him asking about doing a Springfield tribute band. “Don’t Talk to Strangers” is on this one. Great stuff. VG+.
  • Various – Hit Machine — My friend Taylor Chamberlin contacted me on my Instagram post about this. He asked if I had it and I said I didn’t, which was odd because I have such a vast collection of K-Tel albums. He left it at Underdog Records for me. That was a swell gesture of him, I think. Thanks, TC. It’s G+.

So, not a huge haul but a very satisfying one. We got to all but the BOC and K-Tel album yesterday. It was a great listen day. I’ll have some news about The Less Desirables and Underdog Records this week. But, let me say that you can find a lot of cool records both used and new at Underdog. A lot of the stuff from the late 80s and into the 00s that were not even really released on LP is not being re-released in that format and Underdog Records gets them. Be sure to listen to The Less Desirables to hear what the TLD/UDR exclusive deal of the week is.

Discogs is my go-to for cataloging my albums and listing them here. It’s the easiest way to keep up with your collection, too. And, they have a great marketplace for selling or buying your records, cassettes or CDs.

Until tomorrow, keep spinning…
Scorp out!

—
“What you gonna do when things go wrong? What you gonna do when it all cracks up? What you gonna do when the love burns down? What you gonna do when the flames go up? Who is gonna come and turn the tide? What’s it gonna take to make a dream survive? Who’s got the touch to calm the storm inside? Who’s gonna save you? Alive and kicking.” – “Alive and Kicking” (Kerr/Burchill/MacNeil)

Silent Sunday or: The Haul 4/7/18

08 Sunday Apr 2018

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Salutations™!!

It was a cold, dreary but fun day for The BCPF and me yesterday. Mary’s early, Underdog Records, Costco to find another record storage shelf (they didn’t have them but we ordered one from the online store), back home to listen to our haul and finally, Willows. Hey did I mention Underdog Records? Here’s the haul:

Connellsboylan

©TVT Records

 

  • Unknown Mortal Orchestra – Sex & Food – I heard some of the UMO stuff when I was making the Underdog commercial for The Less Desirables on Wednesday. This album hadn’t come out, yet, but I did go listen to their previous one and thought it was great. This one will have to grow on me a bit but it is a decent album. It’s on nice, heavy, “Pepto” pink vinyl, too. New.
  • Cream – Disraeli Gears – #114 on the RS List. I’m not a Clapton fan and really, I’m not a Cream fan, but this is a good album. It is used but in VG+ shape and is on 180g black vinyl. It’s a reissue but I don’t really care that much about that.
  • The Jam – The Gift – I have heard Doug Davis, yes, that Doug Davis, talk about The Jam before, as I have other folks as well. I was familiar with “Town Called Malice” but nothing else. The album is a pretty good listen. I liked it. VG+.
  • Neutral Milk Hotel – On Avery Island – I had never even heard of this band until about two months ago when someone was comparing them to another band (which band escapes me). What kind of name is that? I’d ask. Anywhat! I would have been okay had I never heard of them. This isn’t bad, but I just don’t care. I have it. The BCPF “likes” them. She’s not crazy about them but they’re her wheelhouse. VG+
  • The Connells – Boylan Heights – The BCPF let out an audible moan when she saw this. She was almost jumping up and down on the little step stool she was standing on. Okay, okay, I’ll add it. She was very excited about it. I listened. I don’t get the big deal but okay. I heard nothing “special” but if she’s happy, that’s what really matters. And, my pal Mitch Easter produced it! VG+.
  • Blondie – AutoAmerican – “Rapture” and “The Tide is High” are on this album. The rest is a little weird at times, but it was a great listen. It’s a fun album. VG+.
  • Leo Sayer – Endless Flight – I’m just a sucker for the Yacht Rock lot. “When I Need You” and “You Make Me Feel Like Dancing” (which I know isn’t technically Yacht material but the former is) are on this and there’s a lot of my favorite studio musicians playing on it. VG++ condition.
  • Rod Stewart – Tonight I’m Yours – The first song I remember hearing from Rod Stewart (and knowing it was Rod Stewart) was “Young Turks.” I had it on 45. His version of Ace’s “How Long” (written by Paul Carrack) and Dylan’s “Just Like a Woman” is pretty good, too. Overall, this is a decent album but certainly not a “great” album. VG+.
  • Mott The Hoople – All The Young Dudes – #484 on the RS list. I saw this one from the back in the $1 rack. I was like oh yeah! I needed a little love. I cleaned it. There’s surface noise, sure, but for the most part, it turned out to be VG. This album also demonstrates how a Velvet Underground song can sound good. Let someone other than Velvet Underground do it.
  • Marvin Gaye – Moods Of Marvin Gaye – Beaten up and a little moldy, I cleaned it up and there was a little skippage happening but it was Good. It has been through it, I think. Of course, $1 bin find.
  • Freddie Jackson – Rock Me Tonight – Knowing songs from this album deemed me “the coolest white boy in school” when I was in high school. I am a sucker for slow jams and “You Are My Lady” is one of my goto slow jams (or is it jamz?). So, you can imagine my almost The BCPF-like squeal when I saw it in the $1 bin. Yep. I did. VG.
  • Seals & Crofts – Unborn Child – I mentioned Yacht Rock, right? Yeah, ’nuff said. $1 bin find and it’s G+; a little beaten up but we’ll see how it plays.
  • Walter Carlos – Switched-On Bach – Yeah, I want to hear 60s synths doing Bach. I don’t care much for Bach’s organ work, but I love me some synthesizers. Do it, Walter Carlos! G+ $1 bin find.

Not a huge haul this week. We’re saving money for Record Store Day which is coming April 21. Jonathan has already said he’s ordered almost all of the day’s offerings. That may be the perfect time for you to get back into vinyl. There are special editions, reissues, collections, and more. Visit the website to see what is coming out.

While we were in there yesterday I looked at a Denon and a Yamaha turntables. Each was over $500. But, they looked so danged cool. I’m sure they play great, too. But, not to worry, Jonathan has less expensive turntables, including beginner-/entry-level models. He sometimes carries new but for the most part, it is a used inventory. Great stuff, nonetheless.

Also, I use Discogs to catalog my collection and bring you “the Haul” every week. More than that, I have ordered a few things off the Marketplace if I am looking for something specific and I am noticing that there’s not a lot of them coming through Underdog (which isn’t often). Check them out, too.

Until tomorrow, same blog channel…
Keep spinnin’!

—
“Fab Five Freddie told me everybody’s high, DJ’s spinnin’ are savin’ my mind. Flash is fast, Flash is cool. Francois sez fas, Flashe’ no do. And you don’t stop, sure shot. Go out to the parking lot. And you get in your car and you drive real far. And you drive all night and then you see a light. And it comes right down and lands on the ground. And out comes a man from Mars. And you try to run but he’s got a gun. And he shoots you dead and he eats your head. And then you’re in the man from Mars. You go out at night, eatin’ cars. You eat Cadillacs, Lincolns too; Mercury’s and Subaru’s. And you don’t stop, you keep on eatin’ cars.” – “Rapture” (Stein/Harry)

Silent Sunday or: The Haul 9/9/17

10 Sunday Sep 2017

Posted by in Records, Silent Sunday

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Salutations™!!

The BCPF’s and my trip to Underdog Records was a bit of a lighter load than normal, yesterday. That’s okay. It helps with the pocket book. I will include two albums on this that we got previously but not on Discogs because I had to enter them myself; they’re after the line. That’s a long and arduous process. All the credits need to be included individually in each song, person, etc. Again, long. For one album alone it took me almost an hour to do. Anywhat! Here’s the haul:

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©Reprise Music

 

So, a shorter list this week and that’s okay. If you want to get back into vinyl after a long hiatus or are looking to see what all the buzz about vinyl is, then head over to Underdog Records and talk to Jonathan. He can direct you. The new and used vinyl are all competitively priced and you’ll find deals every day. Listen to The Less Desirables each week to hear what that week’s Underdog/TLD special is. And when you start buying again, archive it all on Discogs and show pride in your collection.

Until tomorrow, same blog channel…
Scorp out!

—
“Sometimes when this place gets kind of empty, sound of their breath fades with the light. I think about the loveless fascination under the Milky Way tonight.” – “Under the Milky Way” (Kilbey/Jansson)