Tag Archives: Paul Stanley

Hotter Than Hell Again or: Still a Great One

22 Tuesday Oct 2019

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Salutations™!!

Today is the 45th anniversary of one of my favorite KISS albums, Hotter Than Hell. I liked my writeup from last year and I’m reposting it.

… It is one of my faves, for sure. It was one of the first albums I ever got in the 70s and it was one of two KISS CDs that I purchased when I bought my first CD player in Orlando, FL on December 27, 1989. I got the player at Wal-Mart (the first time I ever went to one) and purchased the Bad English CD from the band of the same name and when we were eating dinner, I went to Peaches Records and Tapes and bought this and Music from ‘The Elder.’ I just felt like I needed to. That was when CDs were still $24ish at Peaches. But, enough about me…

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@Casablanca Records

 

In February of 1974 young group of New Yorkers had donned greasepaint and put out their first album called KISS. Casablanca Records had put “Kissin’ Time” which had been a hit for Bobby Rydell on the album because Neil Bogart thought it was catchy and they needed a boost for the album. It wasn’t on the original version but subsequent copies had it. They did some novelty things like KISSing contests and the like. KISS was gaining speed as a live act, but that was on a somewhat smaller scale as it was only the people who went to see the band that knew about them. The album itself had a little momentum but then went nowhere.

Well, if at first you don’t succeed… do it again. So, here they were in August and disappointed with sales of the first record. Bogart shipped them to Los Angeles to record with Kenny Kerner and Richie Wise who both had just moved to LA. None of the band liked it out there (at first). Equipment theft, eccentric people, the list goes on for reasons, just didn’t sit well with the tougher New Yorkers.

Recording went okay, but any KISS fan can tell you it sounds like they recorded it in a bathroom. It’s more reverb-heavy or echoey and the sonic presence is somewhat thinner. That, despite the lyrical content being a little darker and the music heavier than on the first album. The producers can just blame it on their frazzled state after moving to Cali. Now, I’m sure, this being the 70s and such, that there were probably drugs involved, too. Despite that, as a kid, I never knew there was a difference. I just heard the songs. The songs spoke to me.

Ace and Peter were still in it at this time. I mean, they were in it. They were still hungry. Ace wrote two of the songs and co-wrote another with Paul. He still wasn’t in a position to sing as his confidence level in that area was quite low. But, the songs that he wrote were powerful. One becoming a concert staple and making it onto Alive! just a year later. More about that in a minute.

The album, at first, went nowhere. The distribution deal that Casablanca had with Warner Bros. Records had expired. So, they had practically no heat behind it. It undersold the first album and that’s saying something. It did eventually reach gold a few years later but that was because the surprise popularity of Alive! boosted the public interest of the previous studio albums. The low sales/high potential led to the very quick recording of Dressed to Kill only three months later.

Musically, however, this album is chock-full of goodness. The album starts off with “Got to Choose” a tune written and sung by Paul. It’s about a guy who hears his girl is going to leave him or at least going to be double-dippin’ and he’s telling her it’s “him or me,” make up your mind. This song was the first KISS song that Heavens Sake ever performed live. The first of very many. There’s even a recording of it on our 1998ish WV EP that was never released as the sound quality was worse than this album, but we enjoyed it. We realized after we had already come back home that we had totally left off one of the harmonies in the verses. Oh well. It was still fun. And, so, I’d say if you asked Dave and Bobby about this song, we’d all three have the same fond memories of doing it in the HS. This tune was track #3 on Alive!

“Parasite” was another that made it to Alive! and was written by Ace. It’s heavy and is pretty much a song about a leecher or a woman holding on and it seems the guy can’t shake her loose. Ace played bass on this album but left the vocal duties to Gene. I have performed this one a good bit live. It’s fun.

The odd-ball song on this album, which is not to say it’s not one of my faves, is “Goin’ Blind.” It was co-written by Stephen Coronel and Gene when they were both in Wicked Lester. It’s subject matter, which you’d never get away with in today’s musical and political climate, is about a relationship (or wanted relationship) between a 93-year old man and an underaged girl. Gene did a couple of these over the years. I didn’t appreciate it when I was a kid but I love the song now, subject matter notwithstanding.

The title track is one of my faves, for sure. It also was the subject of a lot of misheard or misunderstood lyrics when I was a kid. I didn’t get the whole premise other than this girl was hotter than hell. I don’t really know what I thought he was saying. But, hey! There’s a gong in it! Great, marvelous, okay move on.

The album’s only single is my least favorite song on the album. It has always been just “okay” with me. It’s called “Let Me Go, Rock ‘n’ Roll.” I think because it’s the boogie-woogie style tempo and feel of the song. I don’t usually care for those type of songs. With that, I don’t have a lot to say about it, other than why was that the single?

“All the Way” is actually kind of a fun, punchy, and happy sounding song, even if it’s just about a guy being driven to the edge of crazy because of his girlfriend.

My absolute favorite song on the album is “Watchin’ You.” It’s a pretty tough riff to pull off and it’s one of the few KISS songs that has a weird time signature (at least in the interludes between chorus and verses). It’s heavy as heck and was an inspiration to my lyrical content for the Heavens Sake song “Cannibal.” In fact, the first line is “I’m watchin’ you…”

Peter gets to sing the next one. It’s called “Mainline.” It was written by Paul and is about a heavy want of this girl. I never really cared for it as a kid but I like it now. It’s 60s or 50s style rock with a harder 70s edge.

“Comin’ Home” was co-written by Paul and Ace, one of the few with that co-billing. I listened to it but never paid attention to it until KISS did it for their Unplugged album. Then, of course, Heavens Sake did it for a bit. Come to think of it, every song on this album got some HS love.

Another one of my faves on the album closes it out. Written by Ace but sung by Peter, “Strange Ways” is just mean and heavy. It is also one of my favorite KISS songs that Heavens Sake covered live. Bobby sang it because he sounded like Peter and was the drummer. Makes sense, yeah? A great solo by Ace on this one, too.

I remember looking at the album cover and think that Gene had some ironed, flipped hairdo and that Paul looked like he had his hand down Peter’s pants. I also couldn’t figure out all the Japanese things. And, what in the wide world of sports was with the green fingernails? The back cover, however, turned me on and confused me. Peter was sitting in a throne (which would probably be more Gene-like) with a naked woman (with stars over her nipples). Ace was sitting, virtually, on nothing in a big aluminum bag. Gene looked like something from “Planet of the Apes” breathing fire but the fire didn’t look real. And, Paul was either making out with a mannequin or doing his best impression of Captain Kirk because his picture partner looked like she was blue.

None of that (other than Peter) was actually what was going on, it just what it looked like to my 8-year old self. I loved, however, the amalgamation mask of the members, adding elements of them all to one face.

It turns out that there had been a party thrown and, other than Gene, all of the band were either drunk or high. So, probably, other than Gene, none of them really have any recollection of what happened during that shoot.

I would put this in my top 10 of KISS albums, possibly even top 5. It’s a great album, even with the shoddy production. Five of the ten songs made it to Alive! and some are still concert staples. It’s a great album and should be heard. If you are confused about what I’ve written, just listen to it and you’ll get it. Imagine an 8-year old kid just learning about rock and roll music in a house full of country and gospel. I was in heaven. Thanks, Paul, Gene, Ace, and Peter.

Until tomorrow, keep KISSing!
Scorp out!

—
“You’ve got a lot to say every night and every sunny day. It’s the same thing you’ve been sayin’ to me every day. You say it’s within your heart. You keep repeating that we’ll never part. I’m so finally glad to hear you stop for a day. You just keep talking louder, complain to your mother and father. One of these days, you’ll push me all the way.” – “All the Way” (Simmons)

Many a Title or: The Biggest Day in KISStory

19 Thursday Sep 2019

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Yesterday was September 18, which means it’s the biggest release day in KISStory.

September 18, 1978, saw all four KISS solo albums (Paul Stanley, Gene Simmons, Ace Frehley, Peter Criss) released.

September 18, 1983, saw Lick It Up released.

September 18, 1987, saw Crazy Nights released.

So, six KISS albums were released on that day. All six of them are certified platinum.

So, here’s a tune, enjoy!

Until tomorrow, same blog channel…
Scorp out!

—
“Don’t like to dress, talk too good, but I found my queen. Not too clean, know what I like, if you know what I mean. Baby, baby, guess you win the prize. Maybe, baby, where the sun never shines. This must be love, fits like a glove.” – “Fits Like a Glove” (Simmons)

Silent Sunday or: Been KISSed

07 Sunday Apr 2019

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Salutations™!!

We didn’t get to Underdog Records yesterday due to our travels for the KISS concert. It was 3B’s and The BCPF’s first KISS concert and 3B’s first overall. They had smiles on their face all night long but some of that could have come from watching me.

I have seen KISS about 11 times now and I will say this show is in my top 5. There was no evidence of so-called lip syncing that people have talked about with Paul. I heard every crack in his voice in every song and especially during the interspersed banter. You could tell he was having a bit of trouble but he put on a great show. Gene looked like he was my age, not about to drop into 70. Eric and Tommy were great and on it. I do think Tommy was a bit loud but it was great.

3B was most impressed with Eric’s drumming, especially the obligatory solo. And, it was great. I know some people hate drum solos but I love them.

Also, I have very few pics because I purposefully didn’t take them or even pull my phone out once the show started except these few (the pic of the three of us was before the show).

Until tomorrow, recuperating…
Scorp out!

—
“Baby gets tired, everybody knows. Your mother tells you, baby has to show, yeah, yeah. Let me go. ‘Cause baby’s got the feelin’, baby wants a show. Baby, won’t you tell me? Baby, rock ‘n’ roll, yeah, yeah.” – “Let Me Go, Rock and Roll” (Simmons/Stanley)

Dressed to Kill or: Many KISSes

19 Tuesday Mar 2019

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Salutations™!!

I know I said that I was done with these, but I had to write about something, right?

Today is the 44th anniversary of the release of KISS’ Dressed to Kill album. Probably my least favorite of the “Klassic KISS” albums, it still has plenty of proud moments for me. One of my favorite KISS tunes is “She” and while that was originally a Wicked Lester tune (co-written by Gene and Stephen Coronel), really no one ever heard it like that and I think most people would prefer there not be flutes, a la Jethro Tull, in their KISS songs. Incidentally, today is also the anniversary of Aqualung. I just thought I’d throw that out there.

Dressed_to_Kill_(album)_cover

©Casablanca Records

Other great songs on this album are “C’mon and Love Me” which I performed probably as much as any KISS song in Heavens Sake, “Rock Bottom,” “Two Timer,” and “Love Her All I Can,” also a former Wicked Lester tune but completely written by Paul. Those are the great tunes from the album (including “She”). Then there are the mid-card KISS tunes like “Room Service,” “Ladies in Waiting,” “Getaway,” and “Anything For My Baby.” These are okay but nothing really kicks me from them.

Of course, the “elephant in the room” is that song. And by that song, I mean that song.

I have to give credit where credit is due, without that song, KISS may have never been what they became. Without that song there probably wouldn’t have been any Destroyers, Unmasked, solo albums, Lick It Up, Revenge, Sonic Boom and so on. I’m almost positive that without that song, Casablanca Records would have folded after the release of Alive! later in the year. But, I really don’t like that song. That’s not true. I am so burnt out on that song. I cringe when I hear it come on, but I have to respect it. That song made KISS KISS. I know this. I am just so over it. More than any other KISS song, I don’t care if I never hear it again, although I know I certainly will.

Okay, enough, that song is obviously “Rock and Roll All Nite.”

Paul and Gene were basically told by Bill Aucoin, their manager, who was in turn told by Neil Bogart, the president of Casablanca Records, that they had to write an anthem. They didn’t really know what he meant. What he meant was a “cheerleading song,” something everyone can sing along to. So, they cranked this thing out. The words make no sense really, but hey, it was 1975. Really, though, name an “anthem” that is more known than this tune. I’ll wait. “Twist and Shout?” “Shout?” “Hey Jude?” I don’t know if any of them are as potent as “RNRAN.” Anyway, the KISS haters will debate that all day long. KISS fans may try to include “Shout It Out Loud” (Destroyer) or “I Love It Loud” (Creatures of the Night), but I’m pretty sure that while we may all be tired of “RNRAN,” we’d be hard-pressed to put those ahead of it.

Funds at Casablanca Records were tight. So tight, in fact, that when the band was brought in the studio after touring, they couldn’t even afford to hire a proper producer. So, Bogart did the work himself. I think he did okay. It’s not the most sonically-dynamic KISS album, but it’s not the worst sounding either.

This was KISS’ third album in just 13 months. Today, that would be unheard of. KISS was released in February 1974 and Hotter Than Hell in October 1974. This was March 1975. There was little time to write and prepare, which, I believe, is why there are two Wicked Lester songs on the album. I also believe that is why there are so many mid-card songs on the album. And, I think it is why the album is so short. The whole thing comes in at 30:07. That’s 15 minutes per side on vinyl. It’s almost EP length in comparison to standards.

Gene played rhythm guitar on “Ladies in Waiting” and Ace played all guitars and bass on “Getaway” (he wrote) and “Rock Bottom” (he co-wrote). Peter sang “Getaway.” Four of the tunes made it to Alive! 

It does have one of the coolest covers, though. I love the boys in business suits. All of them, except Peter, had to borrow theirs because they didn’t own one. If you notice, Gene has on some open-backed high-heeled clogs or something and they’re a little small for his feet. The heel is about an inch out of the back of the shoe. The back cover is the negative of that cover photo.

The album was certified gold in 1977. To my knowledge, it hasn’t progressed from there.

It sits at #29 on my KISS list (out of a possible 32), which surprises a lot of folks. Sorry, it’s just not up there on my “want-to-listen” list. But, it is a KISS Klassic and, again, I give it mad props because of that.

What do you think of this album, Dear Reader?

Until tomorrow, same blog channel…
Scorp out!

—
“Hard times got me down. Good times ain’t around. Now I got the mind to say, ‘Girl, you hit rock bottom and you’re there to stay!'” – “Rock Bottom” (Stanley/Frehley)

KISS Off! or: Are You Sirius?

14 Thursday Feb 2019

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Salutations™!!

This will be brief but I just wanted to say that I found the absolute best SiriusXM channel, ever. It is called KISS Army Radio and it is 95% KISS and 5% their influences or bands that may have opened for them, like Rush, AC/DC, The Who, Led Zeppelin, The Beatles, etc. kissarmyradio-v1-1117-1920x1080

I found it late last week and I haven’t turned the channel since. There are live performances, deep cuts, and more. Yes, I have to sit through 17 versions of “Rock and Roll All Nite” every three or four hours, but it’s worth it. Yes, I also have all of these songs and almost all of the versions on some kind of medium, but as I’ve always maintained, there’s nothing like hearing it on the radio.

Plus, you get some tidbits here and there from all four current members about many things throughout KISStory; the earliest and the latest.

This past Tuesday, they broadcast a special SiriusXM-guest-only concert at the Whiskey A Go Go. It is probably one of the smallest crowds they ever played to. Not because no one was there, but because the venue is small. Gene sounded great. The music all sounded great. Paul was there. I have nothing to say about that, I’m reserving judgment. Or voiced judgment, really.

Anyway, I just wanted to say that my love for KISS is fully realized with this channel. I love it.

Until tomorrow, same blog channel…
Scorp out!

—
“Oh, oh, ’cause anytime is KISSin’ time, USA. So treat me right, don’t make me fight. And we’ll rock and roll tonight.” – “Kissin’ Time” (Lowe/Mann)

Spinning Sunday or: The Haul 1/19/19

20 Sunday Jan 2019

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Salutations™!!

First off, let me say happy birthday to Paul Stanley. He turns 67 today! A very influential figure to my own musical journey.

It felt like we zoomed in and through Underdog Records yesterday. The BCPF and I are either recovering from or fighting off sickness. But, we ate breakfast in a hurry and then swung by Underdog and were home with a full six hours of record listening time. Here’s what we got:

tom_waits_-_small_change_(1976)

©Asylum

  • Tom Waits – Small Change — Still thinking of my friend Mitchell Snow who was performing Tom Waits on Friday night in Johnson City, Tennessee with the Vagabond Saints Society when he had what is speculated to be sudden cardiac arrhythmia. It was scary. The first track on this album is “Tom Traubert’s Blues” and Doug had asked if I could do it when VSS plays Ramkat in a week. I can’t do the show but, we found this record and I couldn’t pass it up. VG+.
  • The Mamas & The Papas – Deliver — I really know nothing about this album. I know The BCPF likes them and it was there. It’s in mono and is VG+.
  • Emerson Lake & Palmer – Works Volume 1 —  “Each member was allocated one side of a record to write and arrange their own tracks which were performed by the group. The fourth side features songs written by the entire group. Emerson wrote his Piano Concerto No. 1, Lake wrote several songs with Peter Sinfield, and Palmer picked tracks of varied styles.” – according to Wikipedia. VG+.
  • Donovan – Essence To Essence — I believe Donovan is my favorite musical hippie. He brings humor and wit to his songs about putting healthy stuff in your body and be nice to the plants and things. It’s weird but still good. VG.
  • Dusty Springfield – Stay Awhile – I Only Want To Be With You — The first album from Dusty to be released in the US. It contains “I Only Want To Be With You,” “Stay Awhile” and “Wishin’ and Hopin’.” $1 bin find but it looks to be okay. VG.
  • Dan Fogelberg – Souvenirs — Produced by Joe Walsh, who also played on just about every track, provided a more pop-based album instead of that folksy mess that he usually played. $1 bin find and in VG/VG+.
  • 10,000 Maniacs – In My Tribe — $1 bin find from The BCPF. I don’t know much about it, but it’s in pretty good shape. VG/VG+.
  • Charles Fox – “9 To 5” (Original Soundtrack Recording) — We actually got this last week and I don’t know why it wasn’t in Discogs. I totally missed it. But, it’s in now. It’s VG+.

I went through Underdog Records so fast yesterday that I didn’t get a chance to even look around to see what kind of equipment or other recordy things were about the store. But, I’m interested in finding out more about the Curated by Underdog thing. I wonder how hard it would be to curate music for me. I think it would be more of a challenge to Jonathan. I think I’ll ask him about it. You should, too. Listen to The Less Desirables to hear the TLD/UR special of the week.

As I’ve said, I use Discogs to curate my collection and see what I do or don’t have.

Until tomorrow, same blog channel…
Scorp out!

—
“Tumble out of bed and stumble to the kitchen, pour myself a cup of ambition and yawn and stretch and try to come to life. Jump in the shower and the blood starts pumpin’. Out on the streets, the traffic starts jumpin’ for folks like me on the job from 9 to 5.” – “9 to 5” (Parton)

Where They Stand or: Many KISSes? (part II)

12 Wednesday Dec 2018

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Salutations™!!

Have you recovered from the first half of the list? Are you torn up about it? That’s okay. I’m used to that. So, here we go into the top 15 KISS albums in my preferred order. Let’s go!

Crazy_nights_album_cover

Crazy Nights

#15 — Crazy Nights (1987). Yeah, this gets a lot of flack for being bubble gum, sugary rubbish, but not with me. I loved this album and I still like it. Is it as good an album as Destroyer or KISS or Rock and Roll Over? Nah, but I enjoyed it. I was almost 17 when the album came out and it was still KISS to me. It didn’t matter how sugary it was, I couldn’t hear enough of it. But, then again, I like that pop-rock stuff. So, there.

#14 — Destroyer (1976). Yeah, what is widely called their best album isn’t even in the top 10 for me; barely does it crack the top 15. Yes, it has classic tunes, including one of my top ever, “God of Thunder,” but overall, it just isn’t my bag. Now, it could be that I never had this as a kid on record and didn’t spend all my pubescent years listening to it. I got what I could when I could and it was never gifted or given to me as a present and I didn’t buy it myself. So, it just doesn’t hold the same nostalgia as the following albums did. Now, I agree it is great, I just don’t get excited about it.

#13 — Lick It Up (1983). I talked about this album on its 35th birthday, which is September 18. You can go back and read more if you want. It was heavy and “metal” and that’s some of what made this a great album. It wasn’t about sex, it was about serious rock stuff. It was a great album and I dig it.

Dynasty_(album)_cover

Dynasty

#12 — Dynasty (1979). The disco craze had just hit and this is where KISS decided they needed to be trendy over their roots and hit up Vini Poncia to produce an overly-slick album that reeked with disco flavor, and I liked it. I talked about the album earlier this year on May 23, its anniversary. I talked about how I really didn’t notice that it was different until much later. I did notice that “2000 Man” sounded unlike KISS, but the rest of it wasn’t really different. I couldn’t pick out the differences back then, I was 8 years old.

 

#11 — Creatures of the Night (1982). The “lost” album. It wasn’t lost, it wasn’t hidden away, it was where many KISS fans were just looking over KISS after their disco/pop/art rock debacles from 1979-1981. As with the previous album, though it was a departure, I didn’t notice the difference. The last true “makeup” album it was KISS trying to get their feet back under them. So, until they went back and listened, most KISS fans didn’t know what they were missing. I will say, it is the coolest of any KISS cover.

#10 — Paul Stanley (1978). So, that means that two solo albums cracked my Top 10. This is very KISS-like, but there was something about it that also wasn’t KISS. It was a little less hard as the KISS stuff. Well-written songs and a bevy of great studio musicians helped make this a fun album to listen to. I could see these being KISS songs and not just KISS throw-aways. To me, probably the best of the solo albums. But…

#9 — Gene Simmons (1978). Gene’s album was what I felt the solo albums should be and my favorite of the four. It was the most experimental, had the widest range of styles, the biggest guest list of any of them and still pulled off a great album that was a lot of softer Beatles-esque tunes, groove rock, horror film feels, and Disney tunes. I mean, c’mon! That’s amazing. Way to go, Demon!

Kiss_alive_album_cover

Alive!

#8 — Unmasked (1980). Unofficially the first album after Peter’s “departure.” But, realistically, it was. Dynasty held that last thread with a Peter tune, but this was not Peter and although I could tell the drumming was different (I was 9) I didn’t know it wasn’t actually Peter until several years later. Some pan this record, a lot. But, as I’ve had to tell one person and probably a few others, don’t think of it as a hard KISS record because it certainly isn’t. Think of it as a good pop record. It has a lot of cool tunes on it if you’ll give them the chance. I always loved the cover, too.

#7 — Alive! (1975). What really broke KISS out was this album. The live version of “Rock and Roll All Nite” kicked it up that notch. It is certainly a Klassic with the whole album a non-stop punch in the face. It’s energetic and KISS was still hungry. The cracks hadn’t started to form, yet. While it is probably their best live album…

#6 — Alive II (1977). This one is my favorite and yes, I know to call this a “live” album is probably a misnomer, it’s the time/era of KISS that is my favorite. I wish they would have filled the five studio songs with more live stuff, but the song selections that I grew up with was spot on. Most of it was overdubbed and recreated in the studio, but it’s still the live album I go to first.

#5 — Rock and Roll Over (1976). So, here we are in the Top 5. This album was the follow-up to Destroyer and I think it surpassed it. I wrote a review about this just two weeks ago. It was given to me by my Uncle Ricky, as was my first copy of Double Platinum. He was my first grownup KISS fan. I didn’t have older brothers or even cousins that were into or aware of KISS. He helped me. Starting slow, ramping up and just having a great mixture of song styles, this album has it all. It was well represented on Alive II, as well.

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Hotter Than Hell

#4 — Hotter Than Hell (1974). the band’s sophomore effort was a great followup to the debut album. This was one of the first albums I was able to get my hands on and my mother put up a fight because it said “hell.” As I wrote just a few weeks back, it sounds like it was recorded in an old porcelain bathroom, but I think that also adds to the charm. Some of my favorite KISS songs are on there.

 

#3 — KISS (1974). The one that started it all. The KISS debut album is the Klassic-est of Klassics when it comes to KISS. From the opening drum intro of “Strutter” to the tape drag of the bombs at the end of “Black Diamond” it really never gives up except for “Love Theme from KISS.” It’s a great album, all the way through.

#2 — Love Gun (1977). The first KISS album I ever owned. The bombastic opening of “I Stole Your Love” to Ace’s debut vocal performance on “Shock Me,” to the bizarre penis references in “Plaster Caster” to the gender-altering cover of the Crystals’ tune “And Then She Kissed Me,” the album has many highlights and five of the first six songs are represented on Alive II. Also, a great album cover, one in which I spent a lot of time staring at when I was 7. And…

The_elder_album_cover

Music from ‘The Elder’

#1 — Music from ‘The Elder’ (1981). I have said many times that this was my favorite KISS album and I still maintain that. Though, really, any of the top 15 could probably sit on the top of this list. They’re like kids, my favorite one is the one in front of me at that moment. But, this album was KISS trying to be artistic and gain critics’ approval. They didn’t need either one but they thought they did. To most KISS fans and critics alike this was the ultimate KISS “mistake.” A beautiful mistake in my opinion. While Love Gun was the first KISS album I owned, this was the first CD I bought (along with Hotter Than Hell) after Bad English’ debut. At the age of 10, I was only really familiar with “The Oath,” “A World Without Heroes” and “I” and I just knew those tunes were rocking. It wasn’t until much later that I realized it was what it was, or attempted to be. I think it’s gravely overlooked and deserves a second or twelfth listen if you didn’t like it the first time you listened. But, keep an open mind. Like with Unmasked, you have to be prepared to put aside the KISS aspect and listen to the album as a whole. I love it and while I know it’s not the best KISS album, it currently sits at the top of my faves.

So, there you have it, Dear Reader. I know many of you will disagree with just about all of this list and I’m prepared for that. Send me your comments, but keep it cordial. Again, this is my opinion and isn’t supposed to represent how “good” any album is. What is your top 5? I’d like to hear that. Or heck, do the full list.

I did leave off 19 greatest hits albums and other inconsequential recordings, including the box set and You Wanted the Best You Got the Best with two new “live” tracks. I just felt that the three greatest hits albums that I included were enough. Most of them were repetitive anyway. So, yeah, let me know your thoughts, not like you wouldn’t anyway.

Until tomorrow, same blog channel…
Scorp out!

—
“Once I was a fool dreamin’ my life away, and then yesterday I found you lookin’ for me, draggin’ your heart around at the lost and found. I love you, you’re the only one who could make me feel love was smart. I feel you deep inside of me, beatin’ up against my heart. And I found out, I found out, what makes the world go ’round. Oh I found out, really found out, what makes the world go ’round.” – “What Makes the World Go Round” (Stanley/Poncia)

Where They Stand or: Many KISSes?

11 Tuesday Dec 2018

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Salutations™!!

I threatened this a while back. I threatened that I would do my own ranking list of KISS albums, and here it is. There are a few criteria to this list and I will give some details as to why on some of them. This is my opinion and not based on anything other than my preferences with the albums. This doesn’t even represent what I think are the better albums and which are the worse as far as the overall substance, it’s where I prefer them.

I know there will be controversy and I know that there will be screaming and yelling at me over some of them, especially one pretty low on the list. We’ll hit it fairly soon. But first, let’s go over the criteria. To begin, these are the first 20 studio albums, the four solo albums, Alive I-IV, Unplugged, and the three “greatest hits” albums that I felt qualified (read: that I consider worth a crap). I am going from #32 and counting down backward. According to how long-winded I get, I may break this down into two posts, we’ll see when we get there. Okay, ready? Here we go:

Hot_in_the_shade_cover

Hot in the Shade

#32 — Sonic Boom (2009) and #31 Monster (2012). As I said in my post about these two last month, I think Monster is the better of the two, but both are pretty much non-existent to me. There are some hits and misses on each but, more misses than hits.

#30 — Hot in the Shade (1989). This was the long-reigning worst KISS album until the previous two came along. It was half-arsed, lacking substance, about five songs too long and, with the exception of about four songs, I didn’t care about any of it.

Dressed_to_Kill_(album)_cover

Dressed to Kill

#29 — Dressed to Kill (1975). Yeah, this is the one that will probably get the most attention and get me screamed at by my KISS-lovin’ friends and “purists” alike. While this album has three of my favorite songs overall (top 15 probably), it also has that song on it. It has “Rock and Roll All Nite” on it. It also has “Getaway” and “Room Service” on it. Neither of those is awful, I just think they’re quite cheesy. The album, to me, sounds thin, and I just don’t like to listen to it. So, there’s the first surprise.

#28 — KISS Symphony: Alive IV (2003). To really even call this a KISS Alive is kind of pushing it, to me, anyway. Yes, it is live and some of it is done with the Melbourne Symphony, but it’s thrown together and while I like to listen to it, it just doesn’t move me as a KISS album.

#27 — KISS Killers (1982). This was originally a Japanese-only release and then was re-released here in the US later. It’s kind of shoddy production and while there are four new songs on this album, outside of “Nowhere to Run,” I don’t really care for the others. The new songs were recorded because Phonogram, the international label at the time, pretty much made them after the disappointing sales of 1981’s Music from ‘The Elder.’ The makeup and costumes are of that same period.

#26 — KISS: MTV Unplugged (1996). This has some great version and I have the full uncut show on VHS somewhere, and it got the “band back together.” I like to listen to it, but it’s not something I listen to often, so it isn’t dislike but disinterest that puts it this low on the list. Not a bad album.

#25 — Alive III (1993). I did like this album. I saw the tour it was on and I loved hearing “I Was Made for Lovin’ You” and later KISS tunes live. The sound is pretty good on this, too. It’s starting to get into albums that I just had to place them somewhere, not because I disliked them, same as the one previous.

#24 — Carnival of Souls: The Final Sessions (1997). I wrote a review of this last month, too. It was a big

Carnival_of_Souls_KISS

Carnival of Souls

departure from even the heaviest (to that point) KISS albums like Revenge and Creatures of the Night. I don’t know that they could have toured in support of this album, though, as I don’t think Gene could even play half of the bass lines on the album. Nor, do I think they’d want to. I liked it, though. I just don’t listen as much as its predecessors. You can search the blog for the review if you missed it. Just type in Carnival of Souls.

#23 — Psycho Circus (1998).  Again, reviewed just recently. I do think while it attempted to capture the old-makeup days’ glory, it missed a lot of its spirit. I do really like the album, but not better than the next 22.

#22 — Ace Frehley (1978). Yeah, here’s the second yelling spot. In September, I wrote about the four and stated that Ace’s album was my least favorite. To me, the solo albums were a chance to experiment and Ace experimented the least. While Paul’s was also KISS-like, Ace’s was just plain KISS.

#21 — Smashes Thrashes & Hits (1988). A good representation of KISS from 1974-1988 (including the two new originals). I talked a bit about this album last month, too.

Peter_criss_solo_album_cover

Peter Criss

#20 — Peter Criss (1978). It was a lot of disco, country & western, boogie rock and ballads. But, I liked it. And, I liked it better than Ace’s.

#19 — Double Platinum (1978). The KISS greatest hits album that started it all. Two records, four sides, each loaded with KISS Klassics. Some remixes, most notably “Strutter ’78” which added a little disco hi-hat overdubs in to jazz it up a bit. Some tunes had parts removed and some remixed and rearranged. I wore that record out.

#18 — Animalize (1984). I don’t know that I’ll ever really understand the title or cover, but that’s okay. It was 1984 and that was the going thing. “Heavens on Fire” is still one of my favorite non-makeup songs and “I’ve Had Enough (Into the Fire),” “Under the Gun,” “Thrills in the Night” were pretty cool, too. There were some Gene clunkers but there was a lot of energy on the album.

#17 — Asylum (1985). The only reason this album gets higher than Animalize is that this album has “Tears are Falling” and “Who Wants to be Lonely” which are two of my favorite KISS songs overall, not just non-makeup. Again, a lot of energy on this album and it’s fun to listen to.

Kiss_revenge_cover

Revenge

#16 — Revenge (1992). Released after Eric Carr’s passing, KISS went into “heavy mode” to right the wrongs that their direction had taken. The did the same in 1982, yes, 10 years earlier. It’s like they had started to veer and needed to correct. The album is a monster (more so than the one actually titled that) and while there are heavy tunes, there are also some Paul cheese. Paul cheese generally isn’t a bad thing. It’s just that, cheese. The album that the Alive III tour was recorded for, I saw this tour and it was great!

I think I am going to stop here and break it up. I’ve given you enough to stare at your screen agape already. I’ll get back to the rest later this week, maybe tomorrow.

So, just from this, go ahead, Dear Reader and all you KISS fans, give it to me. I can handle it. Again, this is my opinion, not based on anything else. I’m pretty outspoken about a lot of the albums, but I’ve tried to keep my verbosity to a minimum on this. Be on the lookout for Part 2.

Until tomorrow, same blog channel…
Scorp out!

—
“Open yourself to me. Let me show you what it can be like. Baby, giving it all that you’ve got. Nothing can hold you back. Some things can stand alone. A mountain can feel no desire. But a heart isn’t made out of stone. Wake up in the middle of the night. Nobody’s gonna make it alright.” – “Who Wants to Be Lonely” (Stanley/Child/Beauvoir)

Smashin’ Thrashin’ the Millenial Box or: Many Kisses

30 Friday Nov 2018

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Salutations™!!

Finishing out the month of November with KISS things, we have three more anniversaries this month.

Smashes_Thrashes_cover

©Mercury

First, what is, to me, the better of the two original US-based greatest hits KISS albums, Smashes Thrashes & Hits. I don’t know why they used this title as I think it’s kind of silly, but I liked the album itself. November 15 was the THIRTIETH anniversary of that album. THIRTY! Wow.

There are several things to note about this album, though.

One, it has two original songs written and recorded for this comp. I believe they may have been written for Crazy Nights but just didn’t make it on. I also think that those two songs sound more like Hot in the Shade material than they do Crazy Nights and it came out between the two.

Both songs are dripping with sex. Extra sex. I mean, the songs’ titles are “Let’s Put the ‘X’ in Sex” and “(You Make Me) Rock Hard.” I think that Paul was trying too hard, actually. Well, him and his writing partners. Both were co-written with frequent writing partner Desmond Child and “(You Make Me) Rock Hard” was co-written by Diane Warren. The second isn’t as obvious but the double entendre is “hard” to miss. Both had videos and both were pretty cheesy. But, I listen to them.

Another thing, with the exception of “I Was Made For Lovin’ You,” all the makeup songs (which were most of the album) were all remixes. Eric Carr recorded his version of “Beth” which I thought was a much better version. Another notable change was with “Love Gun” where they sang the outro chorus over what would normally be the solo spot. The solo spot still happened just under the vocals.

One more thing, there was nothing from Crazy Nights even though that was the most recent album. All the non-makeup albums and including Creatures of the Night were represented except Crazy. The UK version did have “Reason to Live” and “Crazy, Crazy Nights” but not the US version. The UK also didn’t have “Deuce.”

I wore the cassette and CD out of this album. The cover had Gene and Bruce looking kind of cool to the right while Eric was playing a little side-shy-peek-a-boo and Paul doing some weird jazz hands thing. They were surrounded by a bunch of reaching arms, I suppose of fans. It was billed as “15 Years of KISStory.” Overall, I really like the album. I had grown weary of Double Platinum and this included more than the first six studio albums. If you’re not a KISS fan or just wonder what I get out of it? This is a decent representation. More things came after this. Speaking of which…

Last Tuesday, November 20, which happens to be my birthday, was the 17th anniversary of the KISS Box Set. Now, I have mixed feelings about this album. I have the cool “box set” that is in the mini guitar case with five CDs. There’s also a 120-page booklet that has “commentary” and liner notes from Ace, Peter, Gene and Paul. There are a good bit of unreleased songs and demos.

Now, what I have a problem with is there should have been a lot more demos and unreleased songs. They remixed and remastered the Wicked Lester album, or at least they did three of the songs. I was hoping to hear the whole thing remastered. I had only heard a muddy mix of a dubbed tape of a dubbed tape of a dubbed tape of about 20 generations. I know that Gene and Paul didn’t write but a small handful of the songs, but I think they could have secured rights.

Plus, I think there should have been a better representation of all the albums to that point. In some shape or form, the entire debut album is represented on here (minus the cover of “Kissin’ Time”). Five songs are represented from Hotter Than Hell including demos. Four from Dressed to Kill, and then, and then, and then.

I have never known KISS to worry about how much something costs. I think they could have done two boxes. One just the demos, unreleased and rarities, the other more complete albums. Maybe that’s not feasible. Maybe it’s overkill. I just wish I had more of the stuff I’ve not heard my entire life over the stuff that I have. I know they have to assume that people who aren’t KISS fans will buy it and they need to give them the substance. But, again, make that a separate thing. Give us more of that. Give me more of that.

What is included? As I said, parts of the Wicked Lester unreleased album; “Stop, Look to Listen,” a 1966 demo by Paul; “Leeta” a 1969 demo by Gene; a six-minute live performance from 1973 of “Acrobat” which in part became “Love Theme from KISS”; the original studio demos that got KISS their record deal; “Doncha Hesitate” and “Mad Dog” both unreleased demos from the Destroyer sessions; the demo of “God of Thunder”; “Bad, Bad Lovin'” which became “Calling Dr. Love”; “I Want You” from a 1977 soundcheck; “Love Is Blind” an unreleased demo from the Love Gun sessions; a demo version of “Radioactive” from Gene’s solo album (each member has one solo album song); “You’re All That I Want, You’re All That I Need” a demo recorded in 1977 that would eventually become “You’re All That I Want” on Unmasked; ” Talk to Me” live in 1980;  an unreleased demo of Paul’s “Time Traveler” from the Crazy Nights sessions; “Ain’t That Peculiar” Eric demo that became “Little Caesar”; the demo of “Domino”; “Childhood’s End” with the special coda – previously unreleased; a previously unreleased demo of “It’s My Life” from the Psycho Circus sessions, which sounds like something that would come later on Sonic Boom or Monster.

So, really that is a lot of cool things, but with the vault they must have, can you imagine what this could have been? Now, also I recognize that with the “End of the Road” tour coming up and their impending retirement of the band, that there will be opportunities for more box sets. This was a great start, but I think it could have been much better.

And, then the last thing (or two last things) I’ll talk about for November is another box set of sorts. It’s KISS Alive! 1975-2000. This includes the same day release of Alive! The Millennium Concert, a show that was recorded on New Years Eve 1999 but not released until 2006 on November 21. The box set contained Alive, Alive II, Alive III and the Millennium Concert. I haven’t heard the last so I can’t really comment on it. But, it is from 1999 before Paul’s voice was completely shot. There’s really nothing that stands out to me about it. It was supposed to be Alive IV but that got shelved and we ended up with KISS Symphony: Alive IV. It’s okay.

So, happy anniversaries to each of the releases I talked about. This is all of the releases for the year. There were no KISS album releases in December, as of yet. So, I hope you enjoyed the KISS albums that I have touched on. I think it’s all true to the best of my knowledge.

Until tomorrow, keep KISSin’!
Scorp out!

—
“Kiss is a Fourth of July fireworks show with a backbeat.” – Gene Simmons

Music from Rock And Roll Over the Elder or: Many Kisses

29 Thursday Nov 2018

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Salutations™!!

I failed you, Dear Reader. I had been keeping up with my KISS album release dates and missed two big ones this month, but in my defense, I have been a bit busy. Holidays, birthdays, work, and other things have kept me tied up. But, let’s just jump in. This may be long and I apologize for that. Or, I may split it into a couple of posts, I won’t know until I get to the end of this one. So, let’s hit it.

Rock_and_roll_over_cover

©Casablanca Records

On November 11 — a couple of weeks back, it was the 42nd anniversary of Rock And Roll Over. This was a big album for the band. It was the first record after their best-selling album, Destroyer. They had a point to prove after their foray into the Top 10 that they could still put out quality albums, especially now that they were in the spotlight they all craved.

Destroyer had knocked it out of the park, albeit weirdly with orchestras and choirs and such. But, KISS went back to their bread and butter on this album, rock and roll. Heck, it’s in the name of the album itself. KISS, manager Bill Aucoin and Casablanca Records brought in Eddie Kramer, best known at the time for his work with Jimi Hendrix, to produce the album. They also chose to record it at the Star Theatre just outside of New York City.

In the recording, they were in a big cavernous space, which was good for the live-like vibe. But, they also put Peter in a bathroom to get the proper tone on his drums. I’ve always said that the bathroom can be a great place for reverb because of the porcelain fixtures and tile and such. But, I bet it can be a headache at times, too. Kramer knew what he was doing, though.

The album starts off with a little acoustically-blended subtleness that eventually turns into a full-on rock fest, with “I Want You.” That song, written by Paul has some great riffs and I say it’s one of my favorite original studio album songs. “Take Me” is a Klassic rock and roll riffed song and while it didn’t make it to the Alive II release, it did get a bit of play on the tour. There is a “live” version of it on the You Wanted the Best You Got the Best live compilation in 1996 (when the reunion was going on). It wasn’t really live but okay. The song was co-written by Paul and Sean Delaney, whom I’ve talked about in other blog posts.

Next came the first time I ever heard a cowbell in a song. The intro to “Calling Dr. Love” has this cowbell and as a kid, I had no idea what it was but I know that I liked it! I have always thought that the intro to this song has a bad edit. It’s right when the drums kick in after the wonderful cowbell spot. There’s some weird skip or something that happens. I don’t know if anyone will agree with me or not, but I hear it. It’s there. When Gene isn’t called the God of Thunder he’s been referred to as Dr. Love. I think it’s funny that he wrote the lyrics at a Holiday Inn on one of the complimentary notepads.

The cowbell extravaganza continues into “Ladies Room,” a tune about a rendezvous or some secret tryst in the women’s room with one of the lovely ladies that Gene happened to encounter. Most of his songs were about doing that. Well, not in the restroom but hey, it was 70s “cock rock” and that is what he was known for. It is what it is, folks. I can’t say that I, too didn’t write my share in Heavens Sake.

Peter’s contribution, writing-wise, is “Baby Driver” which I think is probably my favorite Peter-penned song in KISS. Perhaps “Hooligan” from Love Gun, but I think this is it. It definitely isn’t “Beth” or “Dirty Livin’.” He co-wrote the song, as he usually did, with Stan Penridge, a bandmate of Peter’s in Chelsea. I figure Penridge probably wrote the music and Pete the lyrics.

“Love ‘Em and Leave ‘Em” is a song that I really didn’t like as a kid but now, I really love it. It’s the same situation as all of Gene’s songs from this album. He’s the object someone’s infatuation and, of course, the ladies (probably young girls) can’t resist him and want to do cruel and unusual things with him. “She had an opening and I had a stiff proposition…” kind of things, as he would say. Some of the most prolific lyrics in Gene’s career, too (tongue firmly planted in cheek). Don’t believe me? Check the quote at the end! The promotional video for the song is just a “concert” setting but it’s still funny. I think it’s funny that even into the 80s when Gene was filming videos he always plays with his fingers but he’s actually a pick bassist.

“Mr. Speed” is Paul/Delaney’s rock and roller boogie. I say that because it has a little boogie-woogie swag to it. I don’t know, though, that I’d want the ladies to call me “Mr. Speed.” I’m just sayin’. This album has a number of titles, Drs., Messrs. Hmm.

“See You In Your Dreams” is a Gene tune and one that he didn’t care for. At least, not this version. He redid this on his solo album just two years later. I prefer this one, actually. I just like the straight-ahead rockingness of this one. It seems heavier. His solo album didn’t seem as fluid, to me. I also like Paul singing the call/response parts. Incidentally, all the Gene songs on this album were written solely by him.

Next is the Rod Stewart tune, “Hard Luck Woman.” Not really. It was written for him by Paul, but Mr. Hot Legs turned it down, I suppose. They say that it was on the success of “Beth” they decided to keep it for themselves, but I don’t know that I believe that. Anyway, Peter sang it and sounded just like Stewart doing it. I have always liked the song even if I didn’t know what the heck it was about when I was a kid. I couldn’t figure out what a “child of the border” was. It was, of course, “child of the water” but hey, I was young. Heavens Sake covered it a few times.

“Makin’ Love” closes out the album and is co-penned by Paul and Delaney again. It’s a rocker for sure. Paul is ready to pounce on this girl, he’s moving in and won’t take “no” for an answer. Maybe this is why they call him Mr. Speed? Anywhat! There is this weird heavy drum at the end that gets off beat a few times and I don’t think that was on purpose, I just think they left it in there. It has always bothered me, but I have also always liked it.

This is the first KISS studio album (out of 5) not to feature a writing credit from Ace. There were five songs from RNRO that made it on the Alive II release. Those are “Ladies Room,” Makin’ Love,” “Calling Dr. Love,” “Hard Luck Woman” and “I Want You.” Not a bad representation. And, I believe a few of the others made it in the set, sporadically, when the album was first released.

RNRO is a KISS Klassic, for sure. It does fall in my Top 10, but I’m not sure where, right now. I am going to create my list, soon. It has a Klassic or iKonic kover, too. I went krazy with the “K,” I know. But, the cover has been used in many a tattoo, t-shirts, pins, patches, etc. The same person who did this cover, Michael Doret, also did the cover for Sonic Boom. This was a better cover and a much better album.

November 10 was the 37th anniversary of what I call “my favorite” KISS album, Music from ‘The Elder.’ Instead of rewriting the thing, I’m going to leave a link to last year’s post about it. You can read that, HERE.

There are three more November KISS releases to mention, but I’ll save them for another post. It will be much less verbose. I won’t promise that because I am verbose, but I can try, right? Right.

Until tomorrow, same blog channel…
Scorp out!

—
“My limousine is a-waitin’ and I see you comin’ my way, hey, hey, hey. I’m sittin’ by the window and you ask me which hotel I stay in. Well, make a reservation between the hours of ten and two, how do you do? You’ve got the time to remember, I’ve gotta stiff proposition, yeah! There’s nothing else I’d rather do. So, you lift your dress. You wanna impress. There’s one thing I’ve got to confess. Love ’em, leave ’em, love ’em, leave ’em.” – “Love ‘Em and Leave ‘Em” (Simmons)