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Tag Archives: Parliament

Now Normal Chronicles or: The Mothership Has Landed

15 Tuesday Dec 2020

Posted by TGBII in Video

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Music, Parliament, Video

Salutations™!!

Today is the 45th anniversary of Parliament’s Mothership Connection album. #276 on the RS list that matters. I love me some great funk and the big hit off this album offers a lot of funkin’ and groovin’. This cover is pertty righteous and the bass player is channeling his best Bootsy… and singing. You also get some Gap Band bonus in here. Enjoy!

Until tomorrow, same blog channel…
Scorp out!

—
“Tear the roof off, we’re gonna tear the roof off the mothersucker. Tear the roof off the sucker.” – “Give Up the Funk (Tear the Roof off the Sucker)” (Brailey/Clinton/Collins)

Spinning Sunday or: The Haul 10/26/19

27 Sunday Oct 2019

Posted by TGBII in KISS, Records, Spinning Sunday

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Casablanca Records, Discogs, Ex Hex, Joe Cooley, KISS, Marlene Dietrich, Music, Nine Inch Nails, Parliament, Pavement, Records, Sleater-Kinney, Superchunk, The Cure, The Less Desirables, The Replacements, Underdog Records

Salutations™!!

Yesterday, The BCPF and I got to go to Underdog Records for the first time in around three weeks. We made up for it by getting a lot of records and listening to a lot of records before we went to have dinner with friends. Jonathan is ramping up for Record Store Day Black Friday so go to the RSD website to find what you’re looking for. Here’s our haul:

51Ytw7QYLML._SY355_

©Casablanca

  • Kiss – Destroyer (Resurrected) — Yes, KISS is my favorite band and no this is not my favorite album by them, as you’d know if you read through my two-part ranking a few months back. This was the Bob Ezrin remix from 2012 and I like some aspects of it and don’t like others. The addition of the extra vocals in “Detroit Rock City” gets on my nerves. I always thought that was a cheesy addition on the Double Platinum version and it is here, too. It doesn’t need it. I like hearing Ace’s solo on “Sweet Pain” over the one that Dick Wagner did on the original. Do I like it better? Nah, but it’s nice to hear it. New.
  • The Cure – Seventeen Seconds — This was the second album from The Cure and Robert Smith wrote these things (and recorded them) when he was just 21 and he sounds so young. It’s a great album and fun to listen to. New.
  • Nine Inch Nails – Pretty Hate Machine — The debut album from Trent Reznor and friends and a direct descendant of the previous album, at least by influence. “Head Like a Hole” was the only thing I had heard from this but the whole album is amazing. It’s hard and coarse yet hauntingly beautiful at the same time. Angst is riddled throughout but I also feel it is a little tongue-in-cheek. I could be wrong. New.
  • The Replacements – Let It Be — #241 on the RS list, it ranks higher than the Beatles album of the same title. When I wrote my first review about this whilst doing the countdown, I was pretty hard on it. Listening back with fresher (and dare I say more mature) ears, I liked it a whole lot better yesterday than I did in September of 2015. That’s four years difference. Wow. A loose cover of KISS’ “Black Diamond” and all, this was fantastic. New.
  • Superchunk – AF (Acoustic Foolish) — Mac McCaughn released Foolish in 1994 and this is the acoustic re-recording of it from, I guess, 2019. The BCPF has always loved Superchunk and we’ve seen them live twice. She really enjoyed this and she doesn’t have the original at all. So, yay us! New.
  • Pavement – Live Europaturnén MCMXCVII — Yep, a live album from Pavement from 1997, although it wasn’t officially released until 2008. I haven’t heard it yet, but I know The BCPF likes Pavement, so that’s why we got it. NM.
  • Ex Hex – Rips — A band consisting of Mary Timony from Sleater-Kinney. The BCPF saw it was on Merge records and had to have it. So, here it is. NM.
  • Marlene Dietrich – Marlene Dietrich’s Berlin (Her Nostalgic Songs About The Grand Old City) — I have enjoyed the other Marlene Dietrich albums we had so I’m sure I’ll enjoy this one, too. VG+.
  • Parliament – GloryHallaStoopid (Pin The Tale On The Funky) — The penultimate album for Parliament on the Casablanca Records label, and is another concept album which tries to explain that Funk was responsible for the creation of the universe. Great artwork. VG-.
  • Joe Cooley – Cooley — Irish accordion drinking music. VG+.

It was so good getting back to Underdog Records. So much enjoyment. This week, Underdog Records will have a Halloween party on Wednesday from 7-9 with Segreto (aka DJ Eighty Four) playing a bunch of darkwave and mood-appropriate tunes with live painting by Dane Walters. There will be free refreshments but folks may also BYOB. Listen to each new episode of The Less Desirables to hear the TLD/UR special of the week. Use Discogs to keep track of your music collection.

Until tomorrow, keep spinning…
Scorp out!

—
“God money I’ll do anything for you. God money just tell me what you want me to. God money nail me up against the wall. God money don’t want everything he wants it all.” – “Head Like a Hole” (Reznor)

Sounds Like Saturday or: What a Mother!

15 Saturday Dec 2018

Posted by TGBII in Sounds Like Saturday

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George Clinton, Music, P-Funk, Parliament, Parliament Funkadelic, Sounds Like Saturday

Salutations™!!

Today is the 43rd anniversary of Parliment’s Mothership Connection, so, I didn’t figure I’d find much in way of covers and I was right but I got a live clip of “Give Up the Funk (Tear the Roof off the Sucker)” from 1976 in Houston. So, enjoy this groovy classic!

Until tomorrow, same blog channel…
Scorp out!

—
“Tear the roof off, we’re gonna tear the roof off the mother sucker. Tear the roof off the sucker.” – “Give Up the Funk (Tear the Roof off the Sucker)” (Brailey/Clinton/Collins)

Silent Sunday or: The Haul 3/17/18

18 Sunday Mar 2018

Posted by TGBII in Records, Silent Sunday

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Billie Holiday, Bob Marley & The Wailers, Bob Wills and His Texas Playboys, Chet Baker, Discogs, Donovan, Finnigan's Wake Irish Pub & Kitchen, George Shearing, Hank Williams, K-Tel, Kim Carnes, Mary's Gourmet Diner, Nat King Cole, Parliament, Peabo Bryson, Record Store Day, Roberta Flack, Sheena Easton, Stevie Wonder, The Less Desirables, The New Birth, Underdog Records, Yo La Tengo

Salutations™!!

Yesterday was St. Patrick’s Day so of course we had to get our Irish on and went to Finnigan’s Wake instead of Mary’s Gourmet Diner (we did that this morning) but we did get to Underdog Records on time. Here’s what we got:

51uJRjJwQSL

©Riverside

 

  • Yo La Tengo – There’s A Riot Going On  – The BCPF really loves this band, who have been around for a long time and when this Indie-Exclusive Orange Vinyl 2xLP set came out, well she had to have it. And she got it. New.
  • Chet Baker – Chet – From what I hear, Chet Baker was a sad story. Mostly drugs, I’d say, but man, this cat was fantastic on the horn. The label said “the lyrical trumpet of Chet Baker” and I think that’s exactly right. His trumpet was like a vocalists’ voice, smooth and dreamy. And, the cover is awesome. He looks like James Dean. New.
  • Various – Souled Out – Adding to my K-Tel Collection, this one is all about the “soul.” Found it for $3 in the “just in ‘Used'” bin. VG+.
  • Donovan – Cosmic Wheels – A very fun and hilarious listen. Not that it’s all comedy but there are moments. If you ever get the chance, I highly recommend listening to the tune, “The Intergalactic Laxative.” You won’t be disappointed. VG.
  • Sheena Easton – Sheena Easton – Her debut album. I always liked her voice so why not have it? It was called Take My Time in the UK but just eponymous here in the US. VG++.
  • Sheena Easton – A Private Heaven – So, just three years later, this is her sixth album. That’s a lot of output, really. This is also VG++.
  • Hank Williams, Bob Wills & His Texas Playboys – Original Sound Track – The Last Picture Show – Yep, the soundtrack for the Peter Bogdanovich featuring the legendary Hank Williams, et al. VG+.
  • Kim Carnes – Mistaken Identity – Yes, the “Bette Davis Eyes” album. VG+.
  • Bob Marley & The Wailers – Babylon By Bus – A 2xLP live album featuring the Wailers. I still don’t really care for reggae as a whole but, man, I love listening to Bob Marley. This is really, really beaten up and has scratches and gashes throughout. I can’t listen to it often because I don’t want my needle ruined but it was fun to listen through. Fair condition, only. “Curvy,” whose name is scrawled on the labels didn’t take very good care of this. $1 bin find.
  • Parliament – Mothership Connection – This. Is. Awesome! #276 on the RS list. I liked it then and I love it even more now. I think I got more out of it this time. I wasn’t trying to plow through the list. I think that was the issue. But, this whole album is phenomenal. A VG $1 bin find. There was a “skip” and it was a perfect skip, right on the beat because I thought they were just doing a repetitious passage and it turns out it was skipping for about two minutes. I didn’t really let it go on that long.
  • The New Birth– Comin’ From All Ends – Another New Birth LP. VG $1 bin find.
  • Nat King Cole – The Christmas Song – The BCPF’s favorite Christmas album and there it was, in pretty good condition, with a $1 sticker on it. After confirming that we don’t already have it, it was quickly added.
  • Nat King Cole / George Shearing – Nat King Cole Sings / George Shearing Plays – The BCPF can’t resist anything with Nat King Cole on it. VG. $1 bin find.
  • Billie Holiday – Billie Holiday – We’re fans of women jazz vocalists and try to collect what we can. The BCPF loves Ella. I love Etta. We both dig Billie. Good condition. $1 bin find.
  • Stevie Wonder – In Square Circle – The first Stevie I ever owned and it was on cassette. It was in the $1 bin yesterday and in pretty good shape, so yep!
  • Roberta Flack And Peabo Bryson – Live & More – More Roberta Flack and this time with Peabo Bryson. I can’t not say “why you trippin’ Peabo?!” every time I read his name. $1 bin find. VG.

Record store day is coming, April 21. Visit the RSD website for more information. There are no holds, no pre-orders, no prepays, and there will be a line early (some people even camp out overnight) but it’s fun and there’s a lot of unique things coming out. Underdog is ready and will have all but like four things. But, supplies are limited, when he’s out, he’s out. Everything is limited edition, too. Check out The Less Desirables to hear what this week’s TLD/UR special is. And use Discogs to catalog your collection!

Until tomorrow, same blog channel…
Scorp out!

—
“Oh, the intergalactic laxative will get you from here to there. Relieve you and believe me, without a worry or care. If sh*tting is your problem when you’re out there in the stars, oh, the intergalactic laxative will get you from here to Mars.” – “The Intergalactic Laxative” (Leitch)

Stuck in a Moment or: Voulez-Vous Coucher Avec Moi? (RS Part 23)

22 Monday Jun 2015

Posted by TGBII in Music Review

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Tags

David Bowie, Eminem, Folk Music, Janet Jackson, Labelle, Parliament, Sleater-Kinney, Smokey Robins and the Miracles, The Beach Boys, U2

Salutations™!!

A whole lot of soul and a little bit of rock and roll. That’s how I sum up the last segment of Rolling Stone’s Top 500 Albums of All Time. I try not to look ahead too much because I want it to be kind of like listening to the radio, but of whole albums. I also try to keep an open mind, just sometimes, that’s hard. So let’s stop wasting time and jump right in, shall we!?

#280 – All That You Can’t Leave Behind by U2. A good start. U2 has grown to be a favorite of mine, at least partly. This was a good return to listenable music from the Irish quartet. Their two previous albums, Zooropa and Pop were, at least in my ears, kind of flops. That’s hard to say but, I believe it to be true. And even this album pales in comparison to its follow-up, How to Dismantle an Atomic Bomb. That is one fine album,1All That You Can't Leave Behind - U2 - (2000) - (freeallmusic.me) but I don’t know if it’s on the list or not. I’d say probably not. Why? Because I like it. But the electronica-laden opener, “Beautiful Day,” is a great tune but not the best song on the album, in my opinion. That comes with track #2, “Stuck in a Moment You Can’t Get Out of.” That is fantastic from its melody to the musicality and down to the lyrics. Great song. “Elevation” and “Walk On” are hit material, as well. “Kite” is a bit like a country song, at least by feel, not necessarily by sonic measure. Bono said it was written about his daughters and The Edge says it was more about Bono’s dad. I can hear more of The Edge’s perspective in it, personally. “Wild Honey” is a straight ahead rock and roll song straight from the style of the 70s and that’s cool. One thing that I have been able to do with this list is see some influences from other artists. I don’t know that The Velvet Underground is an influence of U2 or not, but I can hear them in “Peace on Earth.” The exception is that Bono can sing in key and be pleasant. Not so much with TVU. I take all that back. I definitely hear the influence and upon reading an article that had to do with this album and the song “New York” especially, Bono mentions Lou Reed by name. Apparently, Lou mentioned him by name in a song so, why not return the favor. Actually, Lou’s name was left out of the song, but was meant for him. That’s a pretty good tune, that. Even though this isn’t my favorite U2 album, it’s still a solid and wonderful album. Definitely DUG!!

#279 – Aladdin Sane by David Bowie.  Not generally a fan of the dirty boogie rock and roll. “Watch That Man” is okay, though. It’s a really weird, but totally Bowie. And sometimes, that’s not the best of things. To me it’s inadequate up beside of some other Bowie discs. The hits “The Jean Genie,” “Time” and the Stones’ “Let’s Spend the Night Together” are the best things on the record. Nothing really stands out to me, though. Mark it up with the other “why” albums on this list that are placed way too high (or in some cases, even on the list). Didn’t hate it, just didn’t enjoy it except the last song, “Lady Grinning Soul.” Meh.

#278 – Anthology of American Folk Music by Various Artists.

#277 – Rhythm Nation 1814 by Janet Jackson. My first thought was: “there is no way that this can be as good as Control.” Well, perhaps I don’t “favor” it over Control but it is just as good. I didn’t realize the hits this thing had on it. It’s the only album in history to have seven singles reach the Top 5 of Billboard Hot 100. That beats out big brother Michael’s Thriller album, which had 6. Eight singles were released world-wide but only 1-220px-RhythmNation1814seven in the US. While “Miss You Much” was the first single released it wasn’t my favorite, neither was the title track. “Escapade” I liked very much. “Come Back to Me,” “Love Will Never Do” and “Alright” I did like, but the crème de la crème on this album is “Black Cat.” It’s a rocker and I like rockers, especially “chick rockers.” That’s just plain good hard rock. Subsequent, alternative versions of “Black Cat” have guest guitar gods, such as Nuno Bettencourt of the band Extreme, Jesse Johnson of The Time and Vernon Reid of Living Color. The overall album wasn’t just sugary pop, there was a message here, of self-assurance and (forgive me) “control.” She makes a stand and expects you to as well. The album itself is loosely a concept album. When I saw there was 20 tracks on the album I didn’t really know what to think but many of the tracks (eight, actually) were “interlude” spots of a minute or so, or less. It’s a good album, although I still have a spot in my heart for Control and there is no denying its status as a classic and a darn fine one at that. Dug!

#276 – Mothership Connection by Parliament. I was excited to put this one on. I have found that I like me some funk and especially things that Bootsy Collins is involved with. Bootsy only played on a handful of songs, here. After that comes Cordell Mosson for the rest of them. Horns are prevalent here and this is the first album with trombonist 1-51rLHckp7DLMarceo Parker and saxophonist Fred Wesley, both formerly of James Brown’s band. My two favorite songs is “Handcuffs” (do I have to put my handcuffs on your momma?) and the always awesome “Give Up the Funk (Tear the Roof off the Sucker).” GO CORDELL! This is a great album and I certainly dug it.

#275 – The Slim Shady LP by Eminem. Okaaaayyyyyy. I’m not a huge fan of Mr. Mathers myself. At least, I haven’t ever been. We’ll see if this changes my mind. Not really. The white trash aspect of it does nothing for me. I know a good bit of it is “tongue in cheek” and there are moments like “97′ Bonnie & Clyde” is about his daughter and “My Name Is” sets the tone. A lot of the interstitial spots are about people putting him down in one way or another. “Role Model” is all about not doing what he did. Some rough imagery but still can’t shake that it’s all some kind of joke. Maybe I’m taking it more serious than I should? If it is a joke, it’s not too funny to me. I don’t know. I get the novelty of a white guy doing this kind of hip hop and that he does his phrasing unlike most others before him. But overall…? Not a fan of it, really. Meh.

#274 – Nightbirds by Labelle. One of the greatest songs ever recorded, “Lady Marmalade” starts this album out and that, in itself, if fierce. Patti Labelle had a magnificently powerful voice back then. She belted it. The cool thing is that for the most 151VJZ8PMMGLpart (not “Lady Marmalade”) Nona Hendryx (a cousin of Jimi – she changed the spelling of her name) wrote a lot of the songs on this album. Five actually. It’s hard to tell when she’s singing but I can tell Patti’s voice most of the time. “It Took a Long Time” is a great tune, too. Girl power is in abundance on this album. Very 1974 in feel and musicality. “Don’t Bring Me Down” reminds me of the “What’s Up With That” skit on Saturday Night Live featuring Keenan Thompson. Later in the album, however, it turns into a mostly run-of-the-mill 1970s album. Not saying it’s bad, at all but it’s nothing spectacular. Save the last tune, “You Turn Me On.” That song’s pretty awesome. I dug it!

#273 – Going to a Go-Go by Smokey Robinson and the Miracles. I love artists that write their own music. Out of twelve songs, only one was not written by Smokey and the guys, that being “My Baby Changes Like the Weather” from Hal Davis and Frank Wilson. Also, it’s twelve songs in just over thirty-three minutes. Much music without over-kill, that’s how I like it; to the point and no filler. Great songwriting on this album. The title track does kind of remind me “Working in a Coal Mine” somewhat, which came a year after this album. I’m going to have the ear work, “Ooh Baby Baby” in my head now. I am always singing that chorus and I know I will be back at it, now. Thanks Smokey! Some doo-wop aspects as well as straight up soul. This is a great album. A great collection of songs. Dug!

#272 – Dig Me Out by Sleater-Kinney. Femme on riot grrrl!! When The BCPF and I saw Sleater-Kinney perform on Later… with Jools Holland we were quite unimpressed. It wasn’t very good. This, however, is. One thing to note, too, is that there is no bass guitar in this album. They didn’t have a bass player on Jools either, although they did add another girl playing guitar live. One of the ladies is playing more of the upper 1SleaterKinneyDigMeOutregister stuff and the other is keeping the bottom end going playing with what sounds like it could be an octave pedal. There some depth in the sound but it’s not bass. I also have to chuckle because the drummer (this was her debut with the band) is named Janet Weiss. Dammit Janet! I was writing down songs that I like as I was listening so I could recap it and well, I would have written all of them had I kept going. So, I like all of them. I think you should give it a listen! DUG!

#271 – Today! by The Beach Boys. Mid-sixties as usual. Not quite ready to let loose but still annoying parents around the country. Not really my thing but I can see the influence to many that came after. Like most mid-sixties, and really through most of the seventies, everything is really airy. It could be that a lot of stuff was recorded in open rooms and “in the round.”  I must admit, I really, really, really don’t get the appeal of the Beach Boys. Notice I said “appeal.” Nothing on the talent, itself. The “appeal” of the Beach Boys is not existent with me. Sure, I may like a song here or there but for the most part, I am at a total loss of understanding. I am so totally not moved by this album, at all. Sure, it has a few good songs, even “hits” like “Help Me Rhonda,” which I totally had to hunt down because that and “I’m So Young” were missing on Rhapsody (seriously, it jumped from track 4 to 6 and 7 to 9 in the track listing itself), and what have you, but I just don’t care. They aren’t appealing to me. It was interesting to hear the recorded “chat session” in “Bull Session with ‘Big Daddy.'” Indifferent.

So there, it was a pretty balanced mixture of ratings there. Three “DUG”s, three “Dug”s, three “Meh”s, and only one compilation. So that’s pretty fair and balanced, I’d say, right? I think I was most moved in this segment by Parliament and Janet. Good stuff, I gotta find some Parliament on vinyl as I feel that would be fantastico! Here’s hoping the next segment is, at least, as good as this one!

Until tomorrow, same blog channel…
Scorp out!

—

“Don’t you tell yourself that it’s okay. Sick and tired of all of your games. And you want me to stay, ah, better change. Makes no sense to me, your crazy ways” – “Black Cat” by Janet Jackson

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©Timothy G Beeman II

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