Tag Archives: Murray Head

Spinning Sunday or: The Haul 3/2/19

03 Sunday Mar 2019

Posted by in Records, Spinning Sunday

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Salutations™!!

We had a brief encounter with warmer, sunnier weather yesterday. That was nice and it made it harder for us to stay indoors and listen to records, but hey, we were listening to records and that’s one of our favorite pastimes. So, it worked out. But, we pulled a lot of stuff home yesterday from Underdog Records. Here’s the haul:

Sheperd's-dog

©Sub-Pop

  • The Japanese House – Good At Falling — I had heard of The Japanese House (who is really just a pseudonym for Amber Bain) whilst watching something else. It was a showcase or something, I don’t remember. But, I liked what I heard. She’s ethereal, atmospheric and even though she uses Auto-Tune, she uses it for effect, not necessarily for patching shoddy vocals. I liked it. It’s a 2xLP and is in limited white vinyl. I usually don’t read the labels (my eyesight isn’t that good), but it says on this one that it’s to be played at 45RPM. I was a quarter through the first track before I realized something was amiss. New.
  • Van Morrison – Astral Weeks — #19 on the RS list, this is not my favorite VM album, nor do I like it all that much. It has some beautiful moments, but mostly, he warbles on a bit much for me. And, in one song he sounds like Porky Pig. I don’t know, I just don’t understand it, I guess. It’s on the list, it needs to be in my collection. New.
  • The Beatles – Abbey Road — #14 on the RS list. This album, along with The Beatles (#10) – also known as “the white album” – and Sgt. Pepper’s (#1) rotate being my favorite Beatles album, and now I have all three. I have had a couple of versions of this album but they have all been really crappy and I didn’t want my collection to reflect crappy versions. Especially on such an important album. 180g black vinyl remaster. New.
  • Band Of Horses – Acoustic At The Ryman — The Ryman is the theater that housed the Grand Ol’ Opry for many, many years. It has been refurbished and is now a legit music venue again (it has been for many years, this is not new). Band of Horses was one of the first bands I learned of from The BCPF, she calls them one of her faves. When we were doing mix CDs, she put a few tunes on there. I love “No One’s Gonna Love You” and that’s on here. New.
  • The Beat – The Beat — It is this band, who happened to release their album first, that prompted Dave Wakeling and his band The Beat to go by The English Beat in the US. In Europe this The Beat is known as Paul Collins’ Beat. It’s a long and confusing story, lawsuits happened (but not between bands but record labels and bands, hmmm). This is a promo copy of their debut from 1979 and is in really great shape. VG+.
  • Iron And Wine – The Shepherd’s Dog — I actually purchased this on Friday. Knowing that The BCPF also loves this band and we have seen him in concert, together, I sent a picture of it to her at work and her reply was “pant pant pant.” I didn’t know if that was a reference to the dog or what. I guess she was really happy. She told me later that it was the album that introduced her to Sam Beam’s (single person named as a band) work. So, she was excited. VG++.
  • Kansas  – Song For America — The band’s second studio album. VG+.
  • Kansas – Point Of Know Return — Their fifth studio album with the title track and “Dust in the Wind.” VG.
  • Blondie – The Best Of Blondie — VG+.
  • Rose Royce – Strikes Again — The official title is Rose Royce III: Strikes Again. I’m going to be completely honest and say the only reason I bought this is because I had it as a kid. I loved the look of it, the embossed raised rose, the purple and silver motif, I just dug it. I can’t tell you one single song off the album without looking it up, but I wanted it because it reminded me of my childhood. It is probably stashed away somewhere at Ma ‘Rents’ and if I find it one day, it will probably be in pretty torn up shape but I had it and that’s all that matters. VG+.
  • Walter Egan – Fundamental Roll — It’s Egan’s debut album. I like “Magnet and Steel” from his second album. This was there, in good shape, why not? VG+.
  • Robert Palmer – Clues — Palmer had played percussion on Talking Heads Remain in Light and Chris Frantz, the drummer from Talking Heads, returned that favor and played on this. I’m not familiar with any of the songs, but there are a couple co-written by Gary Numan (“Cars”) and one Lennon/McCartney song, “Not a Second Time.” It was found by The BCPF in the $1 bin. VG.
  • Roger Daltrey – One Of The Boys — Critic William Ruhlmann said in AllMusic that “Roger Daltrey called on a wider circle of friends for his third album and came up with a more varied collection of songs … But Daltrey was never in danger of getting lost in the all-star session. Nevertheless, the album was not treated as a major release and found only modest commercial success.” This album has songs written by Colin Blunstone (Zombies), Paul McCartney, Murray Head. Eric Clapton, John Entwistle, Keith Moon, Alvin Lee, Rod Argent and more played on it. Yet, I hear it’s mediocre. But, it was $1 and is in VG/VG+.
  • Book Of Love – Book Of Love — American synth-pop band in the vein of Depeche Mode with a majority of female members. It was $1 and The BCPF said it was in her wheelhouse so there you go. It’s in VG.

Underdog Records was rockin’ when we were there and it was getting crowded. That’s a good thing. Jonathan has just gone through a bunch of $1 albums and put them out for purchase. Listen to The Less Desirables newest episode on Wednesday night/Thursday mornings and hear what that week’s TLD/UR special is. Discogs helps me keep track of all this stuff.

Until tomorrow, keep spinning…
Scorp out!

—
“He bad production. He got walrus gumboot. He got Ono sideboard. He one spinal cracker. He got feet down below his knee. Hold you in his armchair you can feel his disease. Come together, right now. Over me.” – “Come Together” (Lennon/McCartney)

JC Superstar or: Dixon Does It

05 Thursday Apr 2018

Posted by in Life as We Know It, Music Review

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Salutations™!!

This past Sunday was Easter and NBC presented a live version of the Andrew Lloyd Webber/Tim Rice masterpiece, Jesus Christ Superstar. And, I must say that I thought it was brilliant. In many ways, at least to me, it was superior to other versions. Not in all but there were several ways.

norm-lewis-jesus-christ-superstar

Norm Lewis as Caiaphas (©NBC)

 

John Legend has a great voice and I think he did a fine job singing. His acting was suspect, but he’s never been known as an actor. Some questioned casting him. Not me, I think it was an admirable job. Now, it is totally my belief that this story, despite its name, isn’t about Jesus. I think it’s about Judas. In all the versions I have heard and/or seen, Judas always outdoes Jesus. But, back to Jesus, John Legend did great but he comes in third in my rating behind Ted Neeley and Ian Gillan in that order, although Ted and Ian can alternate depending on my mood.

Like I said, the true star of this show was Judas and in such, Brandon Victor Dixon played a fantastic Judas. His voice was powerful and his range wide. There was a time toward the end that he was seemingly struggling to hit some notes but he still hit them. I’ve only seen the film and heard the Original UK Recording so those folk had time between performances. This was all in one. Dixon killed. He had emotion, passion (pun!), discourse, regret and power in the part. I’m rating him tied for first with both Carl Anderson and Murray Head. Judas is my favorite character and I have really loved each performance, each for different reasons.

Another of my favorite characters in the story is Caiaphas, played by Norm Lewis in this production. I think Lewis had the best voice of the three (Victor Brox in the UK and Bob Bingham in the film). He kept the low growly parts rough and the higher baritone parts smooth. And, dang! I want those cloaks the Pharisees/Sanhedrin wore. Those looked cool as heck. Lewis’ hairstyle was soooo the part, too. He made the part cool, for sure. Again, he wins as best.

Another star of this show that didn’t get enough respect in the reviews that I read was Jin Ha who played Annas another of the Sanhedrin. His register was spot on and he really captured the spirit of the part. I think his voice is better than both Brian Keith (UK) and Kurt Yaghjian (film). He, too, looked cool in the Sanhedrin cloak.

I don’t think the performances of John Gustafson (UK) and Larry Marshall (film) were all in your face, but the portrayal of Simon Zealotes by Erik Grönwall is quite memorable. It could be the half-shaved head with the geometric tattoos or the over-the-top performance or that strong high-pitched voice. Who knows, but Grönwall knocks it out of the park. Grönwall won the 2009 Swedish Idol contest. He’s also in a hard rock band over in Sweden. Interesting dude and a great high voice.

Ben Daniels’ Pontius Pilate was a cool character. His costume was top-notch and his performance went along with that. I don’t know if it was just out of his range or he was just playing the part but at the end of his trial (and the 39 lashes) his voice gets disheveled, shaky and “weak.” I would like to think that the character’s urgent circumstance led to the frazzled sounds coming from his mouth. Both the UK and film versions were played by Barry Dennen. I think Daniels was the best of the two, although I do dig his version of “Pilate and Christ.”

King Herod and “King Herod’s Song” are one of my favorite character/song combos in this story. The incomparable Alice Cooper played Herod in this production. Former lead singer of Manfred Mann, Mike d’Abo played the part in the UK version and Josh Mostel (son of famous Broadway/film actor, Zero Mostel) is in the film. I loved Alice’s performance, but he takes the passenger seat compared to Mostel’s. His floaty/flighty performance in the film was so much fun.

I’ve saved Mary Magdalene for last. As much as I loved what Yvonne Elliman did in both the UK and film versions, Sara Bareilles tore them up. I think she looked the part, played the part and sounded the part, each by 1000. Mary isn’t one of my favorite characters in the story but she plays the “innocent resignation” quite well. “Everything’s Alright” has been stuck in my head since Sunday. Bareilles’s version in particular. It was great.

The chorus and extras were all where they needed to be and the story was updated for 2018 as opposed to 33 CE/AD/etc. It was more street and less ancient. The orchestra was great. The young guitarist that started the show was quite awesome. The costumes and some of the set design/work was done in part by UNCSA alumni. It was visually stunning.

Now, not everything was great. I loved that they had the audience but the audience was a bit overly enthusiastic. Every time someone would sing, they’d go crazy. It was great but every breath didn’t need to be applauded. The sound mixing was a bit off, at least in the beginning. You could hear a lot of the music but not so much of the singing; it was spotty and patchy. Later in the show that straightened itself out.

I did like the “during the commercial” spycam of backstage and even front of the house while the commercial breaks happened. That was good.

All in all, I loved this version. I have watched it twice. I have recently watched the film again and I’ve listened to the film soundtrack no less than four times since Sunday (including once today). I think this set the standard for the live musicals if NBC is going to continue to do it. They teased Wicked which is my favorite Musical Theatre show during this, I wonder if that’s next? We’ll see. I think most of the reviews were positive and I definitely give this a 4.5 out of 5 on it. I hope they do more of it. I miss going to Charlotte for the Broadway Lights series. Great stuff. Now, where’s the remote? I have another watch in me.

Until tomorrow, same blog channel…
Scorp out!

—
“So, you are the Christ, you’re the great Jesus Christ? Prove to me that you’re divine; change my water into wine. That’s all you need do, then I’ll know it’s all true. Come on, King of the Jews.” – “King Herod’s Song (Try It and See)” (Webber/Rice)

Silent Sunday or: The Haul 1/27/18

28 Sunday Jan 2018

Posted by in Records, Silent Sunday

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Salutations™!!R-3734657-1342257119-1574.jpeg

Yesterday was a typical Saturday with The BCPF. We had our breakfast and then to Underdog Records for our take. Then, we did run to see friends of ours who are moving to Denver (the one in Colorado). Then home to listen to the wonderful sounds we purchased on vinyl and then on to Willows. Here’s what we got from Underdog Records:

  • Calexico – The Thread That Keeps Us – Brand new from Calexico. The BCPF loves this stuff. It’s hard to keep track of what kind of music you’re listening to with them as their styles change quite frequently within the same album. It’s cool but weird. A friend of mine said that you could classify it as “Post-Devotchka acoustic meandering since you asked.” Thanks, Tony. I liked it. So did The BCPF. New.
  • Eno – Here Come The Warm Jets – #432 on the RS List. Brian Eno is a weird dude. Very weird. But, I dug this and the next album. New.
  • Eno – Another Green World – #429 on the RS List. Both of these are very ambient and proggy. I dug them both. New.
  • The Outfield – Play Deep – This actually wasn’t from Underdog. I purchased it from Discogs Marketplace. I had wanted it for a while. I had it on cassette when I first moved to WSNC at the age of 15. I wore that out. I then had it (still do) on CD and that thing is scratched to all hades. I had forgotten how amazing the entire album was until we listened to it yesterday. I love it start to finish and will play it often. It won’t be just thrown in the collection. VG+/NM-.
  • Lou Reed – New Sensations – Yes, I hate Velvet Underground but I can actually listen to Lou. VG.
  • Yes – Drama – A VG+ copy of some proggy goodness.
  • Various – Weird Science – Music From The Motion Picture Soundtrack – VG copy just because I wanted it.
  • Devo – Freedom Of Choice – The “Whip It” album. VG.
  • Murray Head – Say It Ain’t So – So, we all know that Murray Head is the “One Night in Bangkok” guy. We also know that he was Judas in Jesus Christ Superstar (the original cast). Did you know that he’s Andrew Head’ brother in real life? Andrew played Rupert Giles on the television series “Buffy the Vampire Slayer.” Anywhat! This was a fantastic album. We really enjoyed it. VG+.
  • Billy Squier – Emotions In Motion – Had to have this gem, especially since it was in the $1 bin.
  • Various – High Voltage – A K-Tel collection. I love these things. I like when they’re in the $1 bin, too. VG.
  • Suzanne Vega – Suzanne Vega – $1 bin find. Vega is a good storyteller. A lot of her stuff sounds the same but you can’t say she doesn’t have a “style” about her. It was a good album to listen to. VG.
  • New Birth, The – Golden Classics – Yeah, once I got the New Birth bug, I still gotta grab them. $1 bin find. VG.

It was a slow day at Underdog Yesterday, but I believe it picked up later. I could just hang out there all the time. I’m sure I’d annoy the dickens out of Jonathan, though. Cheap plug here, listen to The Less Desirables to hear the latest TLD/Underdog special for the week.

I use Discogs to catalog my entire collection. If I’m Underdog and find an album that I (thought) needed, I can check to see if I actually already have it. Plus, there are several versions of many of the recordings, you can use the identifiers to find out which version you have. And, as you can see from me doing so, you can purchase stuff from the Marketplace. I love Discogs.

—
“Say it ain’t so, Joe please, say it ain’t so. That’s not what I want to hear Joe and I’ve got a right to know. Say it ain’t so, Joe, please say it ain’t so. I’m sure they’re telling us lies Joe please tell us it ain’t so.” – “Say It Ain’t So, Joe” (Head)