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Tag Archives: Montrose

Spinning Sunday or: The Haul 2/1/20

02 Sunday Feb 2020

Posted by TGBII in Records, Spinning Sunday

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Tags

Carrabba's, Clap Your Hands Say Yeah, Daniel Butner, Depeche Mode, Discogs, Montrose, Music, Pride Winston-Salem, Records, TBD Referral Group, The BCPF, The Less Desirables, The Mountain Goats, Underdog Records, Vibes Up Winston-Salem, West End Coffeehouse

Salutations™!!

Happy Super Bowl Sunday! The BCPF and I went to Penny Path yesterday to celebrate Imbolc (where pancakes are generally the tradition but we went with crêpes). Then we hit up our friend Carly’s shop, VibesUp Winston-Salem, then to Jim & Dana Moody’s West End Coffeehouse and grabbed some pies for today’s big game and we even saw Daniel Butner from Carrabba’s and Kandi and Lori from TBD/Pride WS. Then we headed to Underdog Records and grabbed just a few records. It was a full day of visiting. It was great and tiring all at once. Here’s the haul.

Montrose_-_-s-t-

©Warner Bros.

  • Depeche Mode – Exciter — I was excited to get this because, well, we love Depeche Mode in this house. But, really, while it was a good listen, it really didn’t thrill me. I didn’t hear anything that memorable. It is produced well, mixed well, written well. I just wasn’t moved by it. But, I’m glad I have it. New, remastered on 180g.
  • The Mountain Goats – Transcendental Youth — This album focuses on outcasts, recluses, the mentally ill, and others struggling in ordinary society. John Darnielle has a way with quirky, witty and funny lyrics (even if the subject matter isn’t always funny). It was a good listen. New.
  • Clap Your Hands Say Yeah – The Tourist — Clap Your Hands Say Yeah is a musical project started by Alec Ounsworth. This album was independently released and is on a cool white vinyl. The songs were really well-written and the sonic quality was fantastic. It was a fun listen. EX/VG++.
  • Montrose  – Montrose — This was entry #11 from the Eugeneology/Hard Rock albums I did a few years back. You can read my review here. I’m interested in seeing if my views of it have changed because while I didn’t dislike it, I didn’t exactly like it. And, I said I probably wouldn’t listen again, but here we are. We’ll see. VG+.

It was a short-haul this week. That’s all we got. Underdog Records was jumping yesterday. The store was full and both The BCPF and I had to wait to get to the “Freshly Acquired” section of the used records. That rarely happens. Did you know that Underdog Records has two listening stations in the downstairs part of the store? You can sit on a comfy couch either in a darker, more intimate setting or sit by the window watching the creatures of Burke Street/West End shuffle through. You can do that and listen to just about any used record in the place. Also, you can grab a complimentary cup of coffee and have it whilst listening or if you ask nicely – and are over the age of 21 – you can get a complimentary brew of alcoholic nature. Yesterday I had a Natty Bo, a National Bohemian. Not my favorite beer at all but what the heck. It wasn’t anything that said “Bud” on it. Jonathan wants his store to be welcoming and comfortable to all and I believe he nails it. Listen to each new episode of The Less Desirables to hear the TLD/UR special of the week. And, use Discogs to track your music collection, no matter the medium.

Until tomorrow, keep spinnin’ and GO CHIEFS!!…
Scorp out!

—
“Do every stupid thing that makes you feel alive. Do every stupid thing to try to drive the dark away. Let people call you crazy for the choices that you make. Climb limits past the limits, jump in front of trains all day. And stay alive. Just stay alive.” – “Amy aka Spent Gladiator 1” (Darnielle)

Rock the Nation or: Montrose (Eugeology Entry 11)

23 Thursday Mar 2017

Posted by TGBII in Music Review

≈ 1 Comment

Tags

Bill Church, Boston, David Lee Roth, Denny Carmassi, Eugene B Sims, Eugeology, Gene Simmons, Heart, Jon Lowder, Led Zeppelin, Mötley Crüe, Montrose, Robert Plant, Ronnie Montrose, Sammy Hagar, Tom Sholtz, Van Halen, Wheelers Dog

Salutations™!!

I enjoyed last week’s entry, even thinking that I wouldn’t. Good surprise for me. Still waiting on Jon and Eugene‘s assessment of that one. So, let’s see how I like the selection this week.

Montrose_-_-s-t-

©Warner Bros.

#11 – Montrose by Montrose.

I like Sammy Hagar. I like the overplayed “I Can’t Drive 55” and “There’s Only One Way to Rock.” I like a few others of his solo stuff. My favorite stuff from him, though, is his days with Van Halen and that’s my favorite Van Halen. There, I said it. I like Van Hagar better than Van Halen. Do I think the songs are better? Well, I think they’re better written even if they’re not more mass appealing. I like that over the party cock-rock that DLR brought to the table. Don’t get me wrong, I liked Van Lee Roth, too, but enjoyed Sammy better. Anywhat! I got off the rail there.

This was Sammy’s “let’s rip off Robert Plant” phase. Sure, it sounds like Sammy but a lot of it sounds like he’s trying to be Plant. He was young and this was his vocal debut. I get it, he was finding his style. We all do that when we get into music. Heck, I still play like Gene Simmons. And, upon reading more about the album, it turns out that some refer to this album as “America’s answer to Led Zeppelin.” I can see that. It is, at least to me, mainly because of Sammy’s vocals.

Ronnie Montrose was a good guitarist. He had plenty of riffs on the album that were cool and his solos were on point. I feel at times his tone was a bit boxy, but it works for here. It’s not quite Tom Sholtz boxy, though. It was standard Les Paul tone for the time period. Les Paul through a Fender amp, worlds colliding there. I kid. I do like his pull offs and bends.

I did some digging on Denny Carmassi and like the fact that he played on the Heart album. I know it’s poppy cheese but I like it. He’s had a long and storied career that I never knew about (which isn’t surprising) and I enjoyed listening to his works, both post, and during, this production. Heavy beats, heavy playing. You can tell he’s pounding the snot out of the drums. I dig it.

I think my favorite part about the album is Bill Church. His bass lines are flavorful, tasteful and full. He literally fills the recording with his bottom end. Possibly taking up more than is needed. But, I’m a bassist and I don’t complain about those things. He went on to be Sammy’s bassist for most of his solo career. Great, solid bassist right there.

Even with all the components that I like (or mostly like), there’s something about this album that has left me just feeling “blah.” I’m sure I know what at least half of it is: that fast, rollicking “boogie blues rock.” I can’t stand that stuff. Precisely, I don’t like “Good Rockin’ Tonight” (not a Montrose song) and “One Thing on My Mind.” I really want to like “Bad Motor Scooter” and for the most part I do, but something about it, and I cannot put my finger on it, bugs me. I see from where Mötley Crüe got the intro to “Kickstart My Heart,” though. My favorite song on the album is “Rock Candy.” It also was the only song on the album that all four members got writing credit.

I listened to this album about seven times. That was easy to do since the whole thing isn’t but 32 minutes long. I listened over and over trying – nay, hoping – to get a better liking of it. I wanted to like it. I really, really did. And, I didn’t dislike it. That’s the thing. I wasn’t against it and I don’t not like it, I just didn’t like it. Other than this exercise, I probably won’t listen to it again. It’s a decent album that didn’t really grab me the way I wanted it to. That’s a shame.

I can’t wait to read Eugene’s memories of it and if Jon ever catches up, I’d like to read his thoughts on it. So, bring on the next one, Eug.

Until tomorrow, same blog channel…
Scorp out!

—
“But you’re rock candy baby. Hard, sweet and sticky, yes.” – “Rock Candy” (Carmassi, Church, Hagar, Montrose)

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