Tags
Aretha Franklin, Bauhaus, Depeche Mode, Discogs, Genesis, Madonna, Music, Peter Murphy, Record Collecting, Record Store Day, Records, Red Hot Chili Peppers, Tears for Fears, U2, Underdog Records, Wye Oak, Yes
Salutations™!!
This is this week’s and last week’s hauls together as this week was slammed with video projects. I’m jumping out at it because I have several to go through… Here’s the hauls:
4/17:
Madonna – Ray Of Light — This is #367 on the RS list that matters and #222 on the one that doesn’t. Comes with color printed inner sleeves with lyrics, credits & pictures. Matte cover, not laminated. 2×LP. New.
Depeche Mode – Songs Of Fate And Distortion — Remix import album (unofficial). The title is a play on their album, Songs of Faith and Devotion. New.
Aretha Franklin – I Never Loved A Man The Way I Love You — #84 on the RS list that matters and inexplicably #13 on the one that doesn’t. It’s good, yes, but that good? No. No way. Uh-uh. Forget it. From the hype sticker: Soul Queen Aretha Franklin’s 1967 breakthrough studio album – Featuring signature song “Respect” – Original Mono Recording – 180 Gram Vinyl. New.
Wye Oak – Civilian — This duo out of Baltimore are on Merge Records and we know what that means! Merge Records = The BCPF gets it. This man/woman duo is full instrumentation. Jenn Wasner plays guitar/bass/keys/vox and Andy Stack plays drums and keyboards. He plays the drums with his feet and his right hand and plays bass lines and such with his left. New.
U2 – Wide Awake In America — I had this on vinyl, but it’s just a club edition (not that I care about that part) in VG condition (I DO care about that part). This is a remastered, 180g reissue that was in NM condition. I couldn’t pass that up.
4/24:
Yes – Yes — The bands 1969 debut studio album. Two of the members, Jon Anderson (vox) and Chris Squire (bass), would stay with the band for quite a while, well on and off. Anderson would leave and come back, leave and come back. Squire was the bass player until his death in 2015. 2×LP, Reissue, Remastered, 180 GR, Gatefold, Embossed. New.
Red Hot Chili Peppers – Mother’s Milk — This is the first album from RHCP that I ever knew of and still only heard the Stevie Wonder cover, “Higher Ground.” I respect the heck out of RHCP, all the way around, but I just can’t really get into them. The BCPF picked this one out, but I’m glad she did. I am glad to have it in the arsenal. Reissue on 180 gram Vinyl as part of the Capitol From The Vaults Series. New.
Tears For Fears – The Seeds Of Love — This was the 1989 follow-up to 1985’s megahit Songs from the Big Chair. It didn’t quite have the same punch but the title song alone is worth the price of admission. Reissue, Remastered, 180 gram. New.
Genesis – Selling England By The Pound — The penultimate Peter Gabriel Genesis album. I couldn’t tell you a single song from this album without looking it up (I would have guessed “I Know What I Like (In Your Wardrobe)” and would have been right, but not for certain). But, I didn’t have it and I wanted it. So, there. Deluxe Edition, Mixed, Reissue, Remastered – Half Speed Mastering. 2008 Mixes by Nick Davis & Genesis. 180 Gram Audiophile Vinyl. New.
Peter Murphy – Should The World Fail To Fall Apart — Murphy’s debut solo album from 1986 following his departure from Bauhaus. By the way, the other three members of Bauhaus (Daniel Ash, David J (and his brother), Kevin Haskins) formed Tones on Tail (at least Ash and David J) and subsequently Love and Rockets. Anyway, this sounds great. That deep voice and synth-poppiness are fantastic here. I dug it. Reissue, Gatefold, Blue Vinyl. New.
Bauhaus – The Bela Session — Speaking of Bauhaus, 2018 limited edition colored vinyl (I think, we haven’t opened it yet) 12″ EP. New.
So, that’s the haul from the last two weeks. I think it’s a good haul. Record Store Day is coming in June and July and the list is available if you go to the RSD website. Jonathan has suspended Underdog Records store-to-porch deliveries due to a problem with his vehicle after a car in front of him kicked up a piece of shrapnel and it was hurled at the car like a spear. So, I’ll keep you informed when or if he resumes. Or you can watch the Underdog Records social media for more accurate and timely news about it. You can order new vinyl, anytime, day or night, by visiting the Underdog Records website. I use Discogs to track and document my record collection. You should, too.
Until tomorrow, keep spinnin’…
Scorp out!
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“High time we made a stand and shook up the views of the common man. And, the love train rides from coast to coast. D.J.’s the man we love the most. Could you be, could you be squeaky clean and smash any hope of democracy? As the headline says you’re free to choose, there’s egg on your face and mud on your shoes. One of these days they’re gonna call it the blues, yeah, yeah.” – “Sowing the Seeds of Love” (Orzabal/Smith)
blues and the gospel and gain respect for doing so. Speaking of which, this album shows a lot of that latter point. Elvis had been throwing down some soundtrack albums in the few years prior to this (1969) to fulfill his obligation to Paramount Pictures for allowing him to make horrendous movies. There’s plenty of the blues and gospel on here with a lot of soul aspects thrown in. There’s even some rock happening. “I’m Movin’ On” is an example of such an amalgamation: country rock rhythms with the feeling of soul and gospel choirs. It’s a thorough representation, I think. The first part of the album, to me, started a bit slow (not the tempo, just the pace of the album) but at the point of the aforementioned song, it picks up. “Power of Love,” whilst a blues song, it rocks and pretty hard for The King. I love the aggressiveness of that song and the strong rhythmic punches it throws. Elvis’ history comes to life in “Gentle on my Mind.” The lone hit on this album was “In the Ghetto,” although one of my favorite Elvis songs, if I had any, is “Suspicious Minds,” and that song was recorded during the sessions but released independent of the album. And “In the Ghetto” reminds me of Taylor Hicks from back in the days when I watched that ridiculous program, American Idol. I liked this album, and I will admit I was surprised to say so. I’m saying yes, to Elvis’ comeback record and I dig.
Rhapsody, but I am an Amazon Prime customer and have been since it started. This was the first time that I used Prime Music and it’s awesome! I have the album on CD (two versions, the original release and the original concept) and vinyl (the 25th anniversary edition). Let’s say that I LOVE this album. I’m working (read: chipping away at) on Vagabond Saints Society to do this album front to back with me doing the PG parts. The only part that I don’t really care for is “We Do What We’re Told (Milgrams 37)” and that’s just because there’s not a lot to it. It was recorded for Melt, also known as Peter Gabriel (3). It’s an interlude, really. And, it’s only lately that I’ve grown fond of “This is the Picture (Excellent Birds).” That tune has some weird timings and I think that really it was thrown together. I know, for a fact, that it was decided just in the last 48 hours before submission to the record company to even include it. It was written with Laurie Anderson and was on an album of hers in 1984. If I ever get to do this with VSS, then I guarantee that it will be a visual show. I even have my Kate Bush picked out (and she agreed). Now, who that will be, you’d have to wait to see if we do it. You won’t be disappointed. Anywhat! To give this a dug or twenty dugs wouldn’t do it justice about how I feel about this album. If you want to know more about my thoughts and feelings about it, hit me up. I can talk about it for sure. My only regret about this album is its placement. To me, and yes, I’m biased, it should at least be in the top twenty if not fifteen. But that’s just me. At least it’s not Quicksilver Messenger Service.
hang a man for killing a woman what was stealing his horse, I guess (that’s what the lyrics pretty much said). I think that horse belonged to his wife. As you’d guess, he falls in love with another woman and they live happily ever after or something like that. I’m not giving this facetious sounding review to be negative. There’s a lot of good instrumental interludes and storytelling here. There’s nostalgia to hearing Willie because Ma Père is a Willie fan and makes me think back to my childhood. Willie, like Neil Young, Lou Reed and especially Bob Dylan, aren’t the greatest singers but their stuff is full of emotion and conviction. There’s something endearing about that; warm, embracing. And it was short! Fifteen songs in just over thirty-three minutes. That’s where the instrumental interludes happened. Is this something that I’d want to hear a lot of? Not at all. I am, however, glad that I listened as it’s certainly one that I’d not get close to voluntarily. I dig it for what it is, though. Especially since it’s not Quicksilver Messenger Service.
up album, is better known and probably the better album. It seems that while they let the lovers in the band they didn’t really feel easy with their songs. Yes, Lindsay started the album off with “Monday Morning” and each had three writing credits per with some extra vocals. But, out of the four singles released (“Warm Ways,” “Over My Head,” “Rhiannon” and “Say You Love Me”) three were McVie and one, “Rhiannon,” was Stevie. I think “Monday Morning” would have been a better choice than either “Warm Ways” or “Over My Head.” “Landslide” was released as a single twenty years later when the band stopped squabbling long enough to do a reunion tour and release an album commemorating it. I’ve always like McVie the least, but think she’s a great songwriter, even if I’m not the biggest fan of those songs. Like I said, Rumours was a better album, and her songs on that album were, to me, much better. I’m not saying these are bad, just not my faves. Give me Lindsay and Stevie first. Still, this is a good album. It’s not Quicksilver Messenger Service and I dug it.
