Tag Archives: Lou Reed

Spinning Sunday or: The $1 Haul 9/28/19

29 Sunday Sep 2019

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Salutations™!!

Yesterday was the start of the $1 sale at Underdog Records. Jonathan and De put out around 3,000 records Friday night after work. Jonathan estimates around 1600 of those went out yesterday during the sale. Some people walked out with over 200 records yesterday. The place was a madhouse and I loved seeing it like that. Here’s our modest haul, by comparison:

412KCHYT2YL.jpg

©Warner Bros.

  • Lou Reed – The Blue Mask — This was not $1. It was found as we waited in line to purchase what we had already gotten. It was Reed’s 11th studio album. This was okay. It’s not my area of expertise for him. To me, nothing beats Transformer and Berlin from Lou. VG+.
  • The Police – Synchronicity — I know what you’re thinking, dude, you already have this album. You would be correct. There’s a special thing about this album. On vinyl, in 1983, there were around 93 different variants of the cover of this album. Some were blue, red, yellow (BRY), others were (RYB) and then others, still were (YBR), on top of that, in each color scheme, different pictures showed the band members in various orders and in various pictures. No, I’m not looking to have 93 different variants of this album. I am however looking for 30 different variants. I have three right now. I thought I had a fourth but it was a duplicate. Boo hiss. This is BRY and is Sting/Stewart/Andy with the textsheet to the left. VG+.

The rest of these are $1 records and are assumed to be graded VG unless otherwise noted:

This week, (Tuesday-Friday) the records will be left out for the same deal that went on yesterday, purchase 15 and get 15% off; purchase 33 and get 33% off; purchase 50 and get 50% off. Next Saturday, all remaining $1 record will be $.25 each or 5-for-$1, but they will close two hours early on that Saturday (at 5p). Because of this, there will be no TLD/UR special of the week. This is a great way to kickstart a record collection. Discogs has been a big help to me on this long list.

Until tomorrow, keep spinning…
Scorp out!

—
“I ain’t no Christian or no born again saint. I ain’t no cowboy or Marxist D.A. I ain’t no criminal or Reverend Cripple from the right. I am just your average guy, trying to do what’s right.” – “Average Guy” (Reed)

Spinning Sunday or: The Haul 6/30/18

01 Sunday Jul 2018

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Salutations™!!

The BCPF and I were up early to head to Mary’s Gourmet Diner and then over to Underdog Records, yesterday. We were actually home before noon and that gave us over six hours of record listening before heading to Willows Bistro last night. That was great! Here’s the haul:

skidrow

©Atlantic Records

  • Skid Row – Skid Row – I have always been a fan of Sebastian Bach’s voice. He’s got power and soul. His range is amazing, too. This is a VG++ copy of the album was priced at about $20, so it was in magnificent shape and it was so fun listening to it on vinyl after years of CD listening. Great pickup!
  • Extreme – Extreme II: Pornograffitti – I wore the CD out for this album when I discovered it back in the very early 90s. I hate Gary Cherone’s voice outside of Extreme (like in Van Halen), but in Extreme, it fits darned-near perfectly. This was a VG++ copy. Now, my beef with the vinyl version of this album is the exclusion of “Hole Hearted.” I understand there are space limitations on vinyl (see my post a few months back about Dire Strait’s Brothers in Arms) but “Hole Hearted” made it to #4 on the charts! They could have left off “It (‘s a Monster)” or something else. Oh well. I also think this is the Canadian version of the album.
  • Polvo – Shapes – I had never heard of this band before but The BCPF says that they were a staple of the Chapel Hill scene in the early- and mid-90s. I know that it was mixed and partially recorded at my pal Mitch Easter’s Fidelitorium in K-Ville. It was a lot of soft to heavy stuff and I enjoyed listening with her. It was in VG++ shape.
  • Various – Lost In The Stars (The Music Of Kurt Weill) – Kurt Weill was a German/American composer and songwriter active in the 1920s through to his death in 1950. Perhaps his best-known work was The Threepenny Opera which featured the song “Mack the Knife.” This tribute has Sting, Lou Reed, Tom Waits, Marianne Faithfull, Todd Rundgren and others doing his songs. I loved all of it. The BCPF liked some of it. It was great stuff, to me. VG+.
  • Chris Stamey Group Special Guests The dB’s – Christmas Time – Chris Stamey is a Chapel Hill, NC native that spent a lot of time in WSNC. He was in bands with Alex Chilton of Big Star and he was also in Sneakers with Mitch Easter. He later formed the dBs with Peter Holsapple, which along with REM and Let’s Active (Easter’s band) led the charge for guitar bands in the southeast. It’s a Christmas album. That’s what I know of it other than what I’ve already said. VG+.
  • The Dream Academy – The Dream Academy – Yes, “Life in a Northern Town.” But, this album was so much more than just that song. The whole album is in that vein but it’s just as good as that song. This was in the $1 bin and there was a skip here and there but very little. I’m going to say VG.
  • Van Halen – Van Halen – the awesome first VH album and I got it for $1. After cleaning it up, it was in really good shape. Not much surface noise at all and not a single skip. I was quite pleased with that acquisition. I’ll go with VG.
  • The J. Geils Band – Ladies Invited – I don’t recognize any songs on here, but it was $1, so why not? VG.
  • Go-Go’s – Beauty And The Beat  – Yep, “Head Over Heels,” “This Town,” and “We Got the Beat.” No skips and it was only $1. VG.
  • Various – Top Gun (Original Motion Picture Soundtrack) – $1 bin find. You don’t pass this soundtrack up. VG.
  • Michel Legrand And His Orchestra – The New I Love Paris – I’ve said it before but The BCPF and I are obsessed with French music from the 50s and 60s. It was $1 so there you go. VG-.

So, a while back, Jonathan had given me a crate of “warped” records that he was going to let me do some experimenting with because I wanted to play with flattening them. I went through some of them yesterday and while there was a little bit of warble on the turntable, none of the ones I pulled were too awfully bad. So, here’s what I cleaned from that stack:

  • Christopher Cross – Another Page – It’s the album with “All Right” and “Think of Laura.” The LP itself was in pretty good shape with the slightest warp. I would say it’s about VG.
  • Francis Albert Sinatra & Antonio Carlos Jobim – Francis Albert Sinatra & Antonio Carlos Jobim – Ol’ Blue Eyes. Not too bad. VG-.
  • Bruce Springsteen – Human Touch and Bruce Springsteen – Lucky Town – Sister releases, ninth and tenth of Springsteen’s studio albums, released on the same day. Lucky Town was still sealed. They each had a little warble but all in all, VG/VG+.
  • The Beach Boys – Endless Summer – 2xLP compilation album. I had to do some serious washing on this album and there were some spots on the album that I have no idea what it is. I washed it extra long and most but not all of that scum came off of the wax. I’d say G+, and that’s being generous.
  • Richard Marx – Rush Street – I’m a huge fan of Richard Marx, whether I should be or not. I dig him. One of my favorite tunes from him and this album is “Hazard.” I love the story. Not much warp, either. VG/VG+.
  • K.T. Oslin – 80’s Ladies – Still sealed and not much warpage. VG/VG+.
  • Various – Happy Days – Fonzie Favorites – Yeah, I don’t know. It was there and I couldn’t resist cleaning it to see what came of it. I’ve not listened to it but it’s mostly Doo-wop and old rock and roll. Everly Brothers, Bobby Darin, Bill Haley & the Comets, Jerry Lee Lewis, The Coasters, The Chantels, etc. VG.
  • Bee Gees – 1st – The guys, including the non-Brothers Gibb, look way young. It’s the coolest that Barry Gibb has ever looked, I’d say. It’s called 1st and for a major label, it is their first, but it’s third in their actual discography. It has the tune “New York Mining Disaster 1941” on it. VG. Mono.
  • Tom Jones – What A Night – I love me some Tom Jones. According to its Wikipedia page, “the album was promoted by Epic as showing a more sensitive and thoughtful side to the singer.” Okay. G+.

So, that’s a pretty good haul or at least a pretty good addition. Jonathan had a pretty good selection of receivers and turntables in Underdog Records yesterday. It’s a great way to start your record collecting (besides having something to play them on), having good and decent equipment.

Thanks to Discogs for providing a place to keep a record of what I have in my collection. Last night at Willows I was able to compare notes and collections with my good friend Michael. Discogs is great.

Until tomorrow, same blog channel…
Scorp out!

—
“A Salvation Army band played and the children drank lemonade and the morning lasted all day, all day. And through an open window came, like Sinatra in a younger day, pushing the town away, away. Life in a northern town.” – “Life in a Northern Town” (Laird-Clowes/Gabriel)

Silent Sunday or: The Haul – Record Store Edition

22 Sunday Apr 2018

Posted by in Records, Silent Sunday

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Salutations™!!

So, the thing I want to say first is this: as much as I don’t mind the cold, sitting outside when the temperature drops to 41° and the wind comes barreling in at 3:45am in the morning and you’re in line for the Super Bowl of Records and Vinyl. That “ish” sucks like a Hoover. But, that’s exactly what we did right outside of Underdog Records. The BCPF and I camped along with a few of our vinyl friends all night Friday night/Saturday morning to be the first four (actually six but two pairs and two individuals) in the door to make sure we get our wants/wishlist filled for Record Store Day.

They'reallgonnalaughatyou

©Warner Bros.

 

We went to eat at Mary’s Gourmet Diner directly after and then we went home and crashed for FIVE hours. We got up and listened a little before heading to Willows Bistro to have dinner with friends of ours, The Johnsons. Anywhat! You came for the list, right? I will say that all of these are brand new/NM (because I’m opening them). I’ll also put down who wanted and/or picked it up (Scorp/The BCPF). Here is the list:

  • Fleetwood Mac – The Alternate Tango In The Night – I love the original Tango in the Night. I was kind of disappointed with this. I mean, it’s good, but I was hoping for true alternate takes of “Big Love” and “Everywhere.” There were cool things on it, but I didn’t get my full satisfaction out of it but that’s okay. I’ll listen over and over anyways. This was my top RSD priority. (Scorp)
  • Living Colour – “Live From CGGB’s” Tuesday 12/19/89 – Actually picked up by The BCPF. She saw them open for the Rolling Stones on this tour and wanted to capture it. I’d think it was a little out of her wheelhouse but I was happy she got it. I have always loved what I’ve heard from Living Colour. 2xLP. (The BCPF)
  • The Cure – Mixed Up – A remastered remix album that came out on my 20th birthday (which, by the way, means 1990) and The BCPF loved it. It’s on a 2xLP picture disc set and it’s pretty awesome. I loved the remixes, too. I hadn’t heard them before.  2xLP. (The BCPF)
  • The Cure – Torn Down: Mixed Up Extras 2018 – A sequel to the 1990 remix album Mixed Up. It is even more remixes, done by Robert Smith. 2xLP. (The BCPF)
  • Adam Sandler – They’re All Gonna Laugh At You! – My favorite Adam Sandler album. I got the only one that Jonathan got in. I don’t know how many he ordered but he only received one. I think it’s Sandler’s best. A mix of really great sketches and really good songs. There may be a clunker here and there but overall, it’s great! I’m glad I was where I was in line because the guy behind us wanted it and he drove all the way from New Bern to do his RSD shopping. Sorry, Jason. Looking at his haul though, I’d say he spent close to if not over $1000 that day, so I figured I saved him a few bucks. 2xLP. (Scorp)
  • Ella Fitzgerald – Ella At Zardi’s – Zardi’s Jazzland was a jazz-focused music venue in Los Angeles in the ’50s. It was world-famous and a lot of top-name jazz folks played there, including, Ella. There were only two of these that Jonathan got and it was a top priority for The BCPF, which because our pal Michael got the other, left our friend Bill out. Sorry, Bill. 2xLP (The BCPF)
  • Wilco – Live At The Troubadour L.A. 1996 – The BCPF is a Wilco fan and this is a 2xLP of the band in their heyday, at their peak. I like Wilco pretty well. It’s not my favorite but it is cool. (The BCPF)
  • The Sundays – Reading, Writing And Arithmetic – The absolute top priority for The BCPF, this completes the Sundays trilogy. It’s a reissue but she had them all on CD when she was younger. I’m glad she got it. (The BCPF)
  • Jeff Buckley – Live At Sin-é – The Sin-é Coffeehouse in Manhattan’s East Village was a jumping in point for a good amount of well-known musicians, including Mr. Buckley. This 4xLP is the complete version of his 4-song EP that was released in 1993. The “Legacy” collection (4xLP) was released in 2003 but only on CD. I could be wrong but I believe this is its first time released on vinyl. (The BCPF)
  • Madonna – The First Album – Picture disc of Madge’s first album with “Borderline,” “Holiday” and “Lucky Star.” It was surprisingly inexpensive. It will be fun listening to it. (The BCPF)
  • Neil Young – Roxy Tonight’s The Night Live – A live concert from Neil Young recorded in 1973, although the official release isn’t until next Saturday. Yay us for getting an early copy. It’s 2xLP but only three sides. The fourth side is etched. (The BCPF)
  • Pink Floyd – The Piper At The Gates Of Dawn – The mono version of the debut Pink Floyd album. I wasn’t going to get it but then I figured, I can’t not get it. I won’t get this chance again unless I am ready to pay 20% markup on them. I’ll admit this isn’t a favorite of mine but it is needed for the RS List (#347) but it’s a limited edition. (Scorp)
  • David Bowie – Welcome To The Blackout (Live London ’78) – As the title suggests, it’s live from 1978. Bowie wasn’t ever “not good” and I loved the late 70s/early 80s stuff. This is a 3xLP set, too. (Scorp)
  • David Bowie – Bowie Now – Compilation rerelease on white vinyl. (The BCPF)
  • Lou Reed – Animal Serenade – A 3xLP live album recorded in Los Angeles at the Wiltern Theatre in 2003 after The Raven. The show features a drummer-less band (including Mike Rathke on guitar/synth, bassist, vocalist Fernando Saunders, and the cello of Jane Scarpantoni). Reed delivers dramatic readings of some of his most compelling work. In addition, Anohni, of Antony and the Johnsons fame, contributes background vocals throughout and sings the lead on “Set The Twilight Reeling” and “Candy Says.” (The BCPF)
  • Duran Duran – Thanksgiving Live – The Ultra Chrome, Latex And Steel Tour – A 2xLP of Duran Duran on tour in 1997. (Scorp)
  • Duran Duran – Budokan – A brief live performance from Duran Duran in Japan. There are only nine songs, but they sound fantastic. Simon’s voice is on point and you can really hear everything coming through. (Scorp)
  • Dylan & The Dead – Dylan & The Dead – Just what it sounds like it would be. You can guess who picked this one up but I’ll give you a hint, it was not me. (The BCPF)
  • The Rolling Stones – Their Satanic Majesties Request – I’m very surprised this wasn’t on the RS List. A cool lenticular cover and gatefold packaging. I like KISS’ version of “2000 Man” better, but this isn’t bad. It’s on blue-splattered vinyl. (The BCPF)
  • Human League – Secrets – Vinyl debut and reissue of their 2001 album. (Scorp)
  • Sufjan Stevens – Mystery Of Love – 10″ transparent vinyl of Sufjan Stevens single from the soundtrack of Call Me By Your Name. (The BCPF)

So, by my count, that’s 13 for The BCPF and 7 for Scorp. Not a contest at all and it just is what it is. We both got what we wanted and that’s cool. The only thing I missed was the reissue of the Whitesnake ’87 album which I’ll find somewhere later. It was just a good haul. If I haven’t already told you how much we paid, privately, you’ll have to just guess. No reason to broadcast that, but I will say it was over $70.

Jonathan was swamped but in a great mood when we left, I hope it stayed that way and I hope he made all his money back and more. I believe he’s open today for a rare Sunday opening. That may have changed but may not have. Check the Underdog Records social media channels.

Surprisingly, Discogs had all of them in by the time I got to them, however, some were just the European versions (which should be about the same), so I’ll go looking for the US versions to make the collection listing more accurate. That’s it, I’m still tired and I’m out!

Until tomorrow, same blog channel…
Scorp is worn out!

—
“Whenever I’m alone with you, you make me feel like I am home again. Whenever I’m alone with you, you make me feel like I am whole again. Whenever I’m alone with you, you make me feel like I am young again. Whenever I’m alone with you, you make me feel like I am fun again.” – “Lovesong” (Smith/Gallup/Thompson/O’Donnell/Williams/Tolhurst)

Waiting on the Man or: Almost Done

22 Thursday Feb 2018

Posted by in Life as We Know It, Records

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Salutations™!!

So, the title of this post is two-fold, a double entendre, if you will. First, I have completed the first drafts of the video job. The copy, the VO, the splicing, it’s all done. Now, I just have to have the client sign off on them, which I’m waiting for him to do tomorrow. If there are changes needed, then I’ll make those and if not, then I will put it together and have it ready for next week. Right as rain, that.

Velvet_Underground_and_Nico

©Verve

 

The other thing is I listened, again, to the Velvet Underground + Nico album. This time it was because of “procedure.” Because I play something that was released today, or I play something from someone whose birthday or deathday is on this day.

None of the releases for today did I have in the collection. No one’s birthday was today that I could find that mattered. Today was, however, the anniversary of Andy Warhol’s death. So, since that was my only recourse, I played it. I took one for the team.

I hate that album. I must say that today I found it more tolerable than usual, but I still didn’t enjoy it. I told someone that it is the auditory equivalent of eating cow dung for breakfast. Oddly enough, I really like Lou Reed solo. And, I don’t mind two of the Nico songs on the album.

But, overall it’s just a wreck of sound. I don’t like “raw.” I don’t like the lo-fi production value. I think it sounds like they were just goofing off, although I know they weren’t. I don’t like the off-key talk/singing that Lou Reed does in this. I don’t like the “artistic” side of it. But, I do like how the songs are written.

I think it’s kind of like Bob Dylan. Great songs but man I like hearing others doing them. I have some folks say that it’s one of the “finest” albums ever recorded and to that, I say it’s absolute bullshite.  You can be all hipster and claim to like it all you want, but it’s pure crap, at least in this album form. There, I said it.

And I’ll end up with at least two more VU albums because they’re on that darned list and I want all that I can get from it. I was asked why I do that and my answer was because I am a collector. Some disagree with me, but I don’t care. I do what I want. That’s how I roll. The BCPF likes it but she likes a lot of stuff that I don’t necessarily like to listen to. That’s okay. I have it here for her. Yeah… that’s it.

Until tomorrow, same blog channel…
Scorp out!

—
“Hey, white boy, what you doin’ uptown? Hey, white boy, you chasin’ our women around? Oh pardon me, sir, it’s the furthest from my mind. I’m just lookin’ for a dear, dear friend of mine. I’m waiting for my man.” – “Waiting For My Man” (Reed)

Silent Sunday or: The Haul 1/27/18

28 Sunday Jan 2018

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Salutations™!!R-3734657-1342257119-1574.jpeg

Yesterday was a typical Saturday with The BCPF. We had our breakfast and then to Underdog Records for our take. Then, we did run to see friends of ours who are moving to Denver (the one in Colorado). Then home to listen to the wonderful sounds we purchased on vinyl and then on to Willows. Here’s what we got from Underdog Records:

  • Calexico – The Thread That Keeps Us – Brand new from Calexico. The BCPF loves this stuff. It’s hard to keep track of what kind of music you’re listening to with them as their styles change quite frequently within the same album. It’s cool but weird. A friend of mine said that you could classify it as “Post-Devotchka acoustic meandering since you asked.” Thanks, Tony. I liked it. So did The BCPF. New.
  • Eno – Here Come The Warm Jets – #432 on the RS List. Brian Eno is a weird dude. Very weird. But, I dug this and the next album. New.
  • Eno – Another Green World – #429 on the RS List. Both of these are very ambient and proggy. I dug them both. New.
  • The Outfield – Play Deep – This actually wasn’t from Underdog. I purchased it from Discogs Marketplace. I had wanted it for a while. I had it on cassette when I first moved to WSNC at the age of 15. I wore that out. I then had it (still do) on CD and that thing is scratched to all hades. I had forgotten how amazing the entire album was until we listened to it yesterday. I love it start to finish and will play it often. It won’t be just thrown in the collection. VG+/NM-.
  • Lou Reed – New Sensations – Yes, I hate Velvet Underground but I can actually listen to Lou. VG.
  • Yes – Drama – A VG+ copy of some proggy goodness.
  • Various – Weird Science – Music From The Motion Picture Soundtrack – VG copy just because I wanted it.
  • Devo – Freedom Of Choice – The “Whip It” album. VG.
  • Murray Head – Say It Ain’t So – So, we all know that Murray Head is the “One Night in Bangkok” guy. We also know that he was Judas in Jesus Christ Superstar (the original cast). Did you know that he’s Andrew Head’ brother in real life? Andrew played Rupert Giles on the television series “Buffy the Vampire Slayer.” Anywhat! This was a fantastic album. We really enjoyed it. VG+.
  • Billy Squier – Emotions In Motion – Had to have this gem, especially since it was in the $1 bin.
  • Various – High Voltage – A K-Tel collection. I love these things. I like when they’re in the $1 bin, too. VG.
  • Suzanne Vega – Suzanne Vega – $1 bin find. Vega is a good storyteller. A lot of her stuff sounds the same but you can’t say she doesn’t have a “style” about her. It was a good album to listen to. VG.
  • New Birth, The – Golden Classics – Yeah, once I got the New Birth bug, I still gotta grab them. $1 bin find. VG.

It was a slow day at Underdog Yesterday, but I believe it picked up later. I could just hang out there all the time. I’m sure I’d annoy the dickens out of Jonathan, though. Cheap plug here, listen to The Less Desirables to hear the latest TLD/Underdog special for the week.

I use Discogs to catalog my entire collection. If I’m Underdog and find an album that I (thought) needed, I can check to see if I actually already have it. Plus, there are several versions of many of the recordings, you can use the identifiers to find out which version you have. And, as you can see from me doing so, you can purchase stuff from the Marketplace. I love Discogs.

—
“Say it ain’t so, Joe please, say it ain’t so. That’s not what I want to hear Joe and I’ve got a right to know. Say it ain’t so, Joe, please say it ain’t so. I’m sure they’re telling us lies Joe please tell us it ain’t so.” – “Say It Ain’t So, Joe” (Head)

Listing or: a New Play

05 Friday Jan 2018

Posted by in Life as We Know It, Movie Review, Music Review, Records

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Salutations™!!

Well, it’s a new year. Last year around the new year, I finished two long-time lists, The Rolling Stone Top 500 Albums of All Time and the 400 nominations for the AFI 100 Years… 100 Movies. Again, those were long, drawn-out treks. The movies list took almost nine years and the RS list was a three-year jaunt. Lots of hours spent in that. One day I may add up the run times of each film and each album to see how much time those actually took. I’m really curious.

nme

©NME

 

Then, this past year, I did Eugeology: Eugene’s List of Hard Rock Albums and Possible Gems where Eugene and Jon and I listened to a random list of 50 hard rock albums that Eugene thought were fantastic and perhaps lesser known to everyday music folk. I finished it in almost perfect time. Eugene got somewhere barely over half done and Jon never made it to half. Oh well.

Now, the point is, Dear Reader, you know that I do lists. That’s how I operate. Eug jokes that the only way to get me to do something is to put it on a list or let it involve a streak and watch me burn through it. He’s not far off from the truth, there.

I feel I need to explain this again, but I’m always asked why I have to have lists, why can’t I just listen to stuff? I’ll condense it and say that where I grew up there were no top 40 or pop music radio stations until at least 1982 and at that, it was a limited playlist. We didn’t have MTV and I really had no access to the plethora of music that was out there. My father listened only to what we now know as “classic country” and my mother listened to Leslie Gore and gospel stuff. She isn’t really a “musical person.” I spent most of my time, ages 8 until around 12/13, listening to nothing but KISS. I don’t regret that, but I do wish I had more knowledge of the rest of musicdom.

As I said at the beginning, it’s a new year. And, since I’m out of lists that I was already working on, well, I need another. So, I was looking through some Google searches and came across a few lists but the one that I think is manageable right now is NME’s 101 Albums to Hear Before You Die. I will figure out how to structure the listen. I know for the RS list I did 10 at a time and with Eug’s list we did one a week. I don’t know, just yet, how I’m going to approach it. I know that about half of the albums on that are on the RS list in different spots (obviously) but there are some out there things that I’ve never even heard of. You never know I may find the next Forever Changes (Love), Maggot Brain (Funkadelic) or Berlin (Lou Reed) on this list. Or, I may find the stuff too out there for me and abandon it. We’ll see. I know that NME has a 500 of all time, too. Who knows. I have the 1001 Movies You Must See Before You Die (2011 edition) book and there’s a website with the whole list including all editions. You never know I may pick all of those. For now, however, I’m going to say the NME list is what I pick. You’ll see how it works out because I know you read every day, right? Right.

Until tomorrow, same blog channel…
Scorp out!

—
“Lists are how I parse and manage the world.” – Adam Savage

Bonus Post! or: Music from My Past

10 Friday Nov 2017

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Salutations™!!

The_elder_album_cover

©Casablanca Records

 

That’s right, you get two music posts today. This one is about what I call my “favorite KISS album.” Is it really my favorite? Maybe. Maybe not. Why I say it is is because it was an important, pivotal moment in KISStory that mostly goes unnoticed. Today is the 36th anniversary of the release of Music from “The Elder” (1981). This is historically the lowest-selling, most ridiculed and most controversial release in the entire KISS Katalog.

Why is that? Well, KISS listened to some bad advice. Gene, Paul, and Ace were recently joined by a brand new drummer, Eric Carr. Gene and Paul decided that going along with some bogus counsel, they needed the approval of critics. The power duo overrode Ace’s vote (Eric had no say as he was just a “hired hand”) and went a little more artistic instead of trying to dig out of the disco-laden hell they were putting most of their fans through. I say “most” because I loved Dynasty (1979) and Unmasked (1980). I didn’t really notice the difference in the musical styles until much later. The voting override is partially why Ace left after this album.

KISS brought back producer Bob Ezrin who was at the helm during their then best-selling album, Destroyer, in hopes that he would help renew that same magic. New drummer, new chance to shine. Sadly, that wasn’t the case. Ezrin was entangled in a bad cocaine addiction at the time and his magic was basically in the mirror’s lines. Ace was resentful of the direction and what he felt like was Gene’s and Paul’s dominance of the decisions. He refused to do much of the recording with the others, instead relying on courier service to deliver tapes to his home where he would record his parts and solos and then return them to Ezrin. Ezrin didn’t much care for this and some of Ace’s solos were redone.

Now, it is true that the band went back to a harder rock motif, but that was accented by orchestras and choirs. You may recall that Destroyer did that, too, but this was not the same heavy layers that Destroyer was. The songs were not as strong as previous KISS albums. The songs came off as pretentious and grandiose. To put it plainly, KISS was trying way too hard. All they had to do was do an album of hard rock goodness. I believe their fans would have stayed on board, at least most of them, sales would have been better and the band wouldn’t have to have dug themselves out of a “cred” hole.

That is how it was. Of course, I was blinded by the KISSness of it all and thought it was just awesome, only something different. I had first heard the three “focus” songs, “The Oath,” “I,” and “A World Without Heroes,” on the ABC TV show Fridays. I thought it was cool to see them live. It was really the first time I ever had. The costumes were different, too. They were a little more post-apocalyptic than previously and all but Eric had changed their signature hairstyles. When I got the gatefold album a little later, I was in awe of the image of a hand reaching for a big door knocker on an oak door that adorned the cover.

The US release of the album added to the confusion as to what the deal was with the album. You see, I forgot to mention that this was supposed to be a concept album based on a story that Gene had written and it was supposed to be made into a movie. The original track listing was altered for the US release because Casablanca and Neil Bogart wanted to highlight the songs I mentioned above. This made the already loose story completely unravel. So, we were aware that there were a theme and story but it really made little sense because the songs were scattered about the album. The Japanese releases were in the correct order and it wasn’t until the US remasters that came out in the 1990s that we were able to get the proper track order without spending a lot of money for bootlegs or imports.

The story goes loosely like this: a group of elders called the Order of the Rose send Morpheus to train “The Boy” to do their bidding and combat evil. The Boy is scared and full of self-doubt. He eventually evolves and becomes more and more self-confident. Morpheus reports to the Order that The Boy is ready to expound evil. It’s kind of hard to follow and I’ve spent the last 36 years trying. I thought I had it figured out before but I was mistaken. It’s not really any easier when you do know the story.

The artsy aspect of the record turned many off but I loved it. When there were heavy riffs and beats, the lyrics were taken as storytellerish and contrived. Paul played more solos on this album than he ever had on a KISS album, being the solos on “The Oath,” “A World Without Heroes” and “Just a Boy.” Ace was credited with two songs, “Dark Light” (co-written by Gene, Anton Fig and Lou Reed (yes, that Lou Reed)), and “Escape from the Island,” an instrumental co-written by Eric Carr and Ezrin. Speaking of Lou Reed, he co-wrote three tunes on the album. And Tony Powers brought his “Odyssey” to the KISS table making this basically a cover tune, even playing piano on the song. There’s not a song on here, other than the “Escape from the Island” that I don’t like and it’s not that I don’t still listen to it, it’s just I’m too lazy to skip it usually when it tags onto the end of “Mr. Blackwell.”

The debate as to my “favorite” album is that I love the difference of it. The chance they took. The risk that didn’t really pay off in the long run, but they did take that chance. I love the songs, and I know I’m squarely in the minority in that field, but I’m okay with that, I usually am. Happy 36th anniversary to Music from “The Elder,” and I may have to pull that out and listen to it this weekend, just because. What are your thoughts on this album, if you’re familiar? If you’re not and you have Spotify or Napster or whatever, then give it a listen. Make sure your version starts with “fanfare,” though, as that’s the one that matters. If it starts with “The Oath,” it’s the modified version.

Thanks for listening to the rant.

Until tomorrow, again, same blog channel…
Scorp out!

—
“A world without heroes is like a bird without wings. Or a bell that never rings. Just a sad and useless thing. Where you don’t know what you’re after or if something’s after you. And you don’t know why you don’t know in a world without heroes.” – “A World Without Heroes” (Stanley, Simmons, Ezrin, Reed)

Escape From The Island or: A True Turning Point

17 Monday Jul 2017

Posted by in Music Review

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Salutations™!!

This wasn’t included in my “The Haul” from yesterday because it was delivered after I had posted that. This album was not purchased from Underdog Records, but Amazon. The distributors are back ordered and Amazon had five of them left, so I grabbed one. What is this, already, you ask? It’s my favorite KISS album: Music from “The Elder” (1981).

The_elder_album_cover

©Casablanca Records/Universal 

 

Now, I know a lot of my friends cringe when I say that, especially true KISSheads. Deeper than that, a lot of my friends cringe when I say I’m a KISS fan, period. I have always and will always be a fan of the band and in turn, this album. It’s a major dividing line not only in KISStory itself but in much of the KISS Army. Most people I’ve talked to that have any clue what this album is are in the love camp or hate camp. There isn’t that much in-between.

KISS fans had already started to wane in loyalty over the perceived debacles that the two previous albums, the disco-laden Dynasty (1979) and the power-pop heavy Unmasked (1980). They didn’t like that their favorite band was bowing to trends and seemingly abandoning their roots, and arguably, their fans. There was a lot of turmoil and trouble in the KISS camp that the general public didn’t know about until several years post. The public never knew the fact that Peter was essentially out of the picture for just about everything KISS at this point and that Ace was very unhappy, as well. Part of that was that he wanted to get back to rocking and another part was the fact that, without Peter, he was constantly being outvoted by Gene and Paul and their clique. So for Dynasty and Unmasked Peter wasn’t even on the albums other than one song. They needed something to kickstart the interest again. KISS touted a new album that returned to the rocking style that got them “world domination” status.

Instead, Gene and Paul were persuaded by bad advice and “those who know” suggestions to do something to get critics on board with how KISS really are great musicians. Here’s the thing, though… KISS aren’t great musicians. KISS are good musicians and great entertainers that did what they did (entertain) really, really well.

There was Rock on the album, no doubt. In fact, most of the songs were rock, but this wasn’t the Cock Rock that KISS was known for. Instead of an album full of sex and debauchery, the fans were given art rock concept album that followed a disjointed storyline that was like Excalibur meets Homer’s Odyssey or something equally as weird. In fact, “Odyssey” was a song on the album, written by songwriter Tony Powers that was released a few years prior but never got anywhere. The critics, instead of jumping on the bandwagon, jumped into a ditch to steer clear of it. It wasn’t very good in their eyes. Pretty much, it wasn’t that good. It’s the only KISS album up until Carnival of Souls (1997) that didn’t at least make Gold status in sales. The official tally is around 375k sold. It was also the first record that didn’t have a tour to go with it.

To make matters worse, here in the States, Casablanca decided to rearrange the songs in order to turn the focus onto two songs: “The Oath” and “A World Without Heroes.” So, the concept album that was already confusing enough totally went into the weeds and the songs weren’t strong enough to keep the listeners interested. No one cared. KISS had essentially lied and not put out a kick-arse rock album. KISS put out sub-par tunes that were not even on a decent band’s throw away list. KISS messed up.

I could have been there was a new drummer, one that replaced the departed Peter Criss. Eric Carr is my favorite KISS drummer. He breathed new life into a crumbling phase of KISStory. It was a new, youthful (even though he was only a few years younger than Peter) approach and while the tunes didn’t rattle the windows, his drumming was spot on. Also, Ace was all but checked out. The only real promotion KISS did for this album was on the ABC version of Saturday Night Live called Fridays Ace didn’t care to be there, you could tell if you watched it. He could have phoned in the performance. End-of-caring bare bones costumes, songs that were limp, band members who were either embarrassed or imbibing on substance and it made for a bad time. There was also a “video” performance of “A World Without Heroes” on TV’s Solid Gold.

Most of Ace’s parts were redone in the studio and you had Paul doing several solos and guitarist Robben Ford doing the solo for “Just a Boy.” Ace couldn’t even be bothered to show up for the recording sessions. He had his own studio, “Ace in the Hole,” in a bunker behind his house and he had the tapes sent to him where he’d record his parts and send them back to Toronto or New York, wherever they were recording at the time. It was a long, drawn-out process, to say the least.

Even bringing in legendary producer Bob Ezrin, who co-wrote some of the tunes and who was instrumental in making Destroyer (1976) the beast and success it was, couldn’t save this project. I believe it was a bit of his doing that it was made this way. I also think he was strung out on cocaine. Oddly enough, a few songs were co-written by the late, great Lou Reed. It just made for strange bedfellows, I think. It was a bad time for KISS. It was a bad time for many KISS fans. But, it wasn’t for me; not at the time.

I was still in my “KISS-Can-Do-No-Wrong” phase and truthfully, other than knowing it sounded a little different, I was so blinded that I couldn’t really tell there was a musical change. Not at almost 11 years old (the album was released 10 days before my 11th). It was KISS and I liked the songs. I liked some more than others. I loved “The Oath,” “A World Without Heroes,” “I” and “Mr. Blackwell” (mostly because they said “go to hell”). I listened a little to the others but it wasn’t until much later that I realized what was going on and fell in love with the whole album. I listened and formulated the nonexistent film in my head through the songs. When the “remastered” version came out in the correct track order (the Japanese version was always in the right order), it made a world of more sense to me. It made it a better album to me, although I already dug it. But, it really wasn’t great. I was just too blinded to notice.

So, why then do I say it’s my favorite KISS album if I’ve spent the entire post explaining why it sucked? Okay, it’s only my favorite album in theory. I can’t really place that tag on any one album. I can point to the ones I don’t like as much, easily, though. I think because it was when I was hitting that certain age and still loving KISS in every way and getting to see them on Fridays, that was a big time for me. The next album, they came to their senses and busted arse, but it was a tad too late, sort of… I think Music From “The Elder” is a fine album. Weird but fine. I think it took a lot of balls, the same balls the overall vibe was missing, to put it out and own it. Gene and Paul recognize it for what it is, whatever you want to call it. I love it and will tout it as my favorite, still.

Listen to Music From “The Elder” and give it a fair shake. Understand what it is and try to understand the whys and hows. It’s not typical KISS and it’s not that great but for this former 11-year old, it was it! It was the first KISS album I had on CD (original release listing) and I made sure to get it quick on LP before they discontinued it. Thanks for reading this long-winded post, Dear Reader.

Until tomorrow, same blog channel…
Scorp out!

—
“Morpheus, you have been summoned here to offer your judgment of The Boy. Do you still deem him worthy of The Fellowship?” – Order of the Rose

Silent Sunday or: The Haul 6/17/17

18 Sunday Jun 2017

Posted by in Records, Silent Sunday

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Salutations!!

Our haul from Underdog Records was smaller than normal but we didn’t go through the $1 bin, so that kept us a little more honest. Here’s what we got!R-371878-1351475600-8668.jpeg

I have been looking hard for Berlin from Lou Reed since I heard it on the Rolling Stone Top 500 Albums of All Time that I did the last couple of years. I found a near mint first pressing of it and it is near perfect. I am so happy to have that one, finally. Thanks, Jonathan. Get over to Underdog to check out his vinyl awesomeness and listen to The Less Desirables for the weekly UDR/TLD special. And, as always, use Discogs for your album archiving needs (it’s free)!

Until tomorrow, same blog channel…
Scorp out!

—
“Oh! You Pretty Things. Don’t you know you’re driving your Mamas and Papas insane? Oh! You Pretty Things. Don’t you know you’re driving your Mamas and Papas insane? Let me make it plain: you gotta make way for the Homo Superior!” – “Oh! You Pretty Things” (Bowie)

CBGB or: The Less Desirables Movie of the Week

18 Saturday Feb 2017

Posted by in Movie Review, Uncategorized

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Salutations™!!

a/perture cinema, the Official Movie Sponsor of The Less Desirables, presents The Less Desirables Movie of the Week, CBGB (2013), starring Alan Rickman, Malin Akerman, Justin Bartha.

Per IMDb: “A look at the New York City punk-rock scene and the venerable nightclub, CBGB.”

Hilly Kristal (Rickman) had a few businesses and marriage that failed, mostly because of

220px-cbgbmovieposter

©XLerator Media

his hedonistic lifestyle of thinking that money was secondary and happiness and doing good was enough. Doesn’t always work that way. He tried another “club,” this time in the Bowery of New York City. His closest friends, even his daughter, figured he’d fail, as he always had. He wanted this bar, again, in the Bowery of NYC, to be a place for country, blue grass and blues, so he renamed what was going to be called Hilly’s on the Bowery, CBGB to reflect his wishes for the establishment.

He hired an artist fella by the name of “Taxi” to run sound for his new club. He gave a junkie named “Idaho” a job cooking what looks like old toilet water, but they call it Hilly’s Chili. He enlists the help of some biker gangs to keep people off of his back, giving them free drinks in exchange for “protection,” whenever he needed it.

One day, a dude by the name of Terry Ork shows up saying he represents a band called Television and they want to audition to play the club. He doesn’t really dig it but he doesn’t really not. He gives them a gig. They become popular. Following that, a slew of punk icons, still in their early days, come rolling through. Acts like The Ramones, Blondie, Iggy Pop, Lou Reed, The Dead Boys, Talking Heads and Patti Smith, just to name a few. CBGB became the birthplace of American punk. Speaking of which, the film also talks about the phenomenon that was Punk Magazine. The mag’s origin, the people that worked there, promoted there and counted on there to get their fix of the NYC punk scene.

I don’t know how truthful most of this film is. It seems plausible but improbable most of the time. It is entertaining, though. It’s NYC in the 70s, what could be bad about that? The story is gritty and dingy, as is the scenery, as are the sets. I’ll admit that I don’t know a lot about the punk scene, American, British, or otherwise, but I really enjoyed getting a (probably) convoluted account of the rise and somewhat fall (Dead Boys) of some of these punk pioneers. I also, admit that I enjoyed the soundtrack immensely. Bands that I normally wouldn’t care for, I enjoyed, even the Ramones, if you can believe that. It made me want to go and find the real backstories of these real life bands.

I liked the many cameos and supporting actors and actresses that had parts. Rupert Grint as Cheetah Chrome, Taylor Hawkins as Iggy Pop, Johnny Galecki as Ork and many others. Again, I’m not thinking this film was supposed to knock anyone’s socks off and it certainly didn’t. Total US theater gross for this film was $40,400. That’s not a typo, forty thousand, four hunderd. Including the Home Distribution tallies, it has made about $526,514. Still, small change for the movie industry with a large release.

I don’t know that the filmmakers knew how to handle the true history and made it a bit cheesy, where the source material should have been portrayed a bit richer. I am huge fan of Alan Rickman and this was one of the last films he made before his death a little over a year ago, January 14, 2016. I don’t know that I especially enjoyed his portrayal of Hilly Kristal but I liked that he gave it a shot.

Rotten Tomatoes rates the film at a dismal 8% Rotten and the Audience Score, while significantly better is only a 42%. IMDb has it at 6.6 stars out of 10. That’s actually not too bad. I saw the film on Netflix. I am rating it 3.75 stars. That last .75 is from the soundtrack alone. Not a great film but decent if you want a bit of historical fiction and some great music. Have you seen it? What did you think? What would you like to hear/read me review?

Until tomorrow, same blog channel…
Scorp out!

—
“I opened CBGB because I thought country music was gonna become the next big thing. And it did… in Nashville.” – Hilly Kristal