Tag Archives: Judas Priest

Now Normal Chronicles or: The Hard Rock Day

17 Thursday Sep 2020

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Salutations™!!

Today is a big day in music releases, but for today, I’m only going to focus on hard rock albums that came out on this day. The UK release of Scorpions’ In Trance turns 45 today. Unleashed in the East from Judas Priest turns 41. Use Your Illusion I, Use Your Illusion II from Guns N Roses and No More Tears from Ozzy are all 29 today. That’s a lot of hard rock! I have always loved this song and think this is an amazing version, all things considered. This performance involves 21 students who range in ages from 5 to 16. The poor kid who is playing drums can’t be any bigger then the kick drum and does a great job. However, someone needs to introduce him to a stick bag or stick stick caddy as he dropped a stick twice. Also, I have to say it’s cheating a bit to play a high note instead of the squeal harmonics but again, none of the kids are over 16, they probably hadn’t mastered that yet. I think Zakk needs a wah pedal to get it to sound like he does. Anywhat! Enjoy!

Until tomorrow, same blog channel…
Scorp out!

—
“So now that it’s over can’t we just say goodbye? I’d like to move on and make the most of the night. Maybe a kiss before I leave you this way. Your lips are so cold, I don’t know what else to say. I never wanted it to end this way, my love, my darling. Believe me when I say to you in love I think I’m falling here. No more tears.” – “No More Tears” (Osbourne/Wylde/Castillo/Inez/Purdell)

Spinning Sunday or: Record Store Day Drop One

30 Sunday Aug 2020

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Salutations™!!

Yesterday was a national holiday for record collectors, although it didn’t feel like it. In recent years, I would have camped out overnight in front of Underdog Records in anticipation of Record Store Day. And, it would have been mid- to late-April. But, all that went out the window with C-19. RSD was postponed and then they decided to do it in three drops. One each in August, September, and October. Jonathan did the right thing and set it up in a lottery system where interested parties registered to enter. There were over 100 entries, maybe close to 200. Only 36 slots were available: 3 people every 15 minutes from 8am (the normal start time for RSD) and 11am. Underdog then closed and Jonathan took an inventory of the leftovers and, also for the first time, he was able to sell RSD titles online the day of.rsd drops

I was lucky enough to draw one of the spots. I was a 1015am slot. No overnight camping was allowed, which I don’t mind missing at all, I just missed hanging with my friends. And, no mad scramble for records, although with our crew (or Crüe as we call it), it was fun to do that together. All of these are new and I include (where applicable) the limited issue. So, with that in mind, here’s the haul:

  • Iggy Pop – Kiss My Blood (Live At The Olympia – Paris France – 1991 — Record Store Day 2020 exclusive release, limited to 2,500 copies. Includes printed inner sleeves, a tour poster, and a DVD of the live concert. 3xLP Gray/Red/Gray. New.
  • Ace Frehley – Trouble Walkin’ — Record Store Day 2020 first release, limited to 2,400. 2XLP, 45 RPM, Yellow/Orange splatter. First time on vinyl since 1989. I only owned it on CD, much later.
  • The Cure – Bloodflowers — Record Store Day 2020 exclusive release, limited to 7,500 copies. 2xLP, Limited Edition, Picture Disc, Reissue. I don’t usually do picture discs because a) they sound atrocious and b) they tear the poop out of my needle. But, this album isn’t available on vinyl right now unless you find an old copy.
  • Judas Priest – British Steel — Record Store Day 2020 exclusive release, limited to 3,500. 2xLP, Single Sided, Album, Limited Edition, Reissue. Side A is on Record 1, and Side B is on Side A of Record 2. Sides B & D are printed on creating the illusion of a picture disc. Tracklisting on the packaging differs from what is listed on RSD’s website. I’m not sure how this works, I haven’t opened the albums. I got this mainly for the collectability of it.
  • Throwing Muses – Purgatory Paradise — Record Store Day 2020 first release, limited to 950 copies. 2xLP, Reissue. I don’t know that this album (released in 2013) was released on vinyl originally. I think that’s what the first release means. This was a pick from The BCPF.
  • k.d. lang – Drag — Record Store Day Aug 2020 edition. Smoky grey vinyl. 2xLP, 3 sides recorded, side 4 etched “drag.” Special Edition. k.d. lang (I love the lowercase styling) has an amazing voice.
  • Fight – A Small Deadly Space — Record Store Day 29 Aug 2020 exclusive. First-ever vinyl reissue. Limited Edition, Red & Black Marble. For those who don’t know, Fight was the band that Rob Halford started after he left Judas Priest in 1992. This is their second album.
  • Martin Denny – Exotic Moog —  Limited Edition, Reissue, Orange. Record Store Day 2020 exclusive, limited to 1,500 copies. Originally released in 1969.
  • Tones On Tail – Pop — Limited Edition, Reissue. RSD 2020 Release. Limited to 1500 copies. We didn’t get this from Underdog Records. I had talked to someone from the Crüe that I knew had an earlier time slot and I knew that this was on his list. Another part of RSD is you’re only allowed to buy one of each title. I also didn’t know how many copies Jonathan got in, so another member of the Crüe had to go to another store (he didn’t get drawn) and was first in line (that store did allow people to gather) and picked it up for me. This was The BCPF’s “must-have” from the list.
  • Al Green – Green Is Blues — Limited Edition, Reissue, Remastered, Green/Blue Split, 180g. First released for Record Store Day 2020 with an initial pressing of 3,000 copies, of which 500 were sold in the UK. Housed in a tip-on jacket. This means the pictures are glued onto the card stock.
  • The Pale Fountains – Longshot For Your Love — Compilation, Limited Edition, Reissue. RSD 2020 release reissue limited to 900 Copies. Black vinyl disc issued in a gatefold sleeve. With inner sleeve featuring liner notes & lots of photographs. This was confusing. Musically it is amazing. Vocally it was awful. The music wins.
  • Roxy Music – Roxy Music — Reissue, Clear, 180 Gram, Gatefold. Record Store Day 2020 exclusive release, limited to 4,000, gatefold cover. This release is listed as “Roxy Music – The Steven Wilson Stereo Mix“ on RSD’s website, but that title does not appear on the front cover or spine. So, I don’t know if it really is the Steven Wilson stereo mix or not. Some copies with “Made in the Czech Republic” sticker on the back. Mine had that. The debut album from the band in 1972.
  • Gorillaz – G Sides — Compilation, Limited Edition, Reissue, Remastered, 180g. Limited to 15,000 worldwide copies according to Record Store Day. Printed inner sleeve. I don’t have any Gorillaz and I don’t know a single tune by them. I figured now is a good time to listen to some of it.
  • Pretenders – Live! At The Paradise Theater, Boston, 1980 — Limited Edition, Reissue, Clear / Red. RSD Drop, August 29, 2020 release. Limited edition of 6500 copies. It’s in a vinyl plastic sleeve that smells like pool floats and beach balls. I dug it. The record is awesome, too.
  • k.d. lang and the reclines – Angel With A Lariat — Limited Edition, Translucent Red, Reissue. Reissue of her 1987 sophomore effort.
  • Tom Tom Club – Genius of Live 2020 — Compilation. Record Store Day 2020. Exclusive limited to only 1200 pressed on yellow vinyl.
  • Dio – Annica — 12″. Picture Disc. Officially released on August 29th, 2020 for Record Store Day. The sticker still lists the date for RSD as April 18, 2020, which was postponed. Limited to 3000 copies. Again, this is more for the collectibility of it than to listen to. I’m not a fan of 12″ single nor picture discs (as I stated).
  • The Charlatans UK – The Charlatans V. The Chemical Brothers — 12″,  Limited Edition, Reissue, Yellow. Record Store Day 2020. Limited to 500 copies. The Chemical Brothers remixed this 12″.
  • Def Leppard – Rock N Roll Hall of Fame — Limited Edition, Special Edition. Released for the first Record Store Day “Drops” 2020. Limited to 4000 copies. Includes a hype sticker. Recorded last year in the Barclay Center during their Rock and Roll Hall of Fame induction.
  • Ultravox – Sleepwalk — 12″, 45 RPM, Single, Limited Edition, Clear. Record Store Day 2020 edition: first time on UK 12″. Cover sticker states Ultravox. 40th Anniversary. 12″ Clear Vinyl Exclusive Sleepwalk. Limited Edition Record Store Day. Rear Cover states: Taken from the 40th Anniversary Deluxe Edition of VIENNA. Note: only one pressing of this has been manufactured for worldwide distribution and there are no separate releases for any specific country. 1,200 copies only.
  • New Riders Of The Purple Sage – Field Trip — Limited Edition, Black. Recorded live at Temple Meadow – Veneta, Oregon August 27, 1972. Taken directly from the original 16-track analog master reel-to-reel tapes running at 15 I.P.S. Previously released as “Veneta, Oregon August 27, 1972” (KUFALA Recordings- KUF 0088) in 2004. Record Store Day Release limited to 1500 copies. I know this is probably a blasphemous statement, but I have never heard of NRPS other than some passing something here and there. I don’t know that if I ever had heard it or anything from them, I wouldn’t know it was them. So, why not check it out?
  • Various – Girls In The Garage Volume 8 — Compilation, Limited Edition, Numbered, Special Edition. Some of the artists on this are Claire Lane, The Beas, The Liverbirds, Marilyn Mattson, Shammy And The Famous Ruis Family, Die Sweetles, What Four and Judy Came, just to name a few.

The next two were not part of the RSD releases but we picked them up while we were in the store:

  • Fantastic Negrito – Have You Lost Your Mind Yet? — My Kousin Gary turned me on to this during the recording of Asylum: The Tales from the Devereaux Diaries podcast last week. It’s hard to put him in a genre but you can include, blues, R&B, and some roots stuff. It’s a great listen and The BCPF loved it as well. New.
  • Rolling Blackouts C.F. – Hope Downs — The BCPF really liked the first album we got from Rolling Blackouts C.F. (which was their second album) so she wanted this one (their first), too. New.

I know this was all long and I won’t go into any long-winded diatribe things. Checkout Underdog Records’ website, listen to Asylum: Tales from the Devereaux Diaries podcast (and The Less Desirables and The Man Who Ate the Town and… well, the whole TLD Network) and use Discogs for cataloging and collecting!

Until tomorrow, whew! Keep spininn’!
Scorp out!

—
“Have you lost your mind yet? To get free tonight, ah. To all of your friends that come over, uh. And get free tonight, uh. Clap your hands in time. Get free tonight, yeah. Now the whole world is watching. Get free tonight. It’s your mind, body and soul food tonight. Let your mind, body and soul feel it tonight.” – “Chocolate Samurai” (Dphrepaulezz)

The Monday Recap or: The Listens 5/31/20

01 Monday Jun 2020

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Salutations™!!

So, as I said yesterday, I’m going to attempt to write my Monday blog post about the week of “my” listening. Per usual, this week’s streaming listens comes from Discogs’ shuffle feature and it has to be an album that I own on vinyl (outside of peripheral things like Beeswax Vinyl & More listens), that way it’s like listening to my vinyl but with headphones from my computer whilst The BCPF works 10 feet away. Here’s the list (this is in order of listens):

Collage16120

So, all the records that I had in Discogs for this, I believe they all came from Underdog Records. 99% of my records came from there.

Again, check out Underdog Records’ social and web stuffs. Buy records. Use Discogs to keep track of your collection and use it’s groovy (see what I did there) shuffle feature.

Until tomorrow, keep spinnin’…
Scorp out!

—
“I am standing up at the water’s edge in my dream. I cannot make a single sound as you scream. It can’t be that cold, the ground is still warm to touch. We touch, this place is so quiet, sensing that storm.” – “Red Rain” (Gabriel)

Now Normal Chronicles or: Choices Again

14 Tuesday Apr 2020

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Salutations™!!

Today, there are several choices, again, to choose from as the anniversary feature. Let’s see… Today is the 40th anniversary of both British Steel from Judas Priest and Iron Maiden, the debut, self-titled album from… you guessed it… Iron Maiden. It’s also the 38th anniversary of Van Halen’s Diver Down album, the 37th anniversary of Bowie’s Let’s Dance album, the 34th anniversary of Cocteau Twins’ Victorialand, and the also the 34th anniversary, and the second of the day for Judas Priest, of Priest’s Turbo.

Now, let’s see. I’m not a huge fan of Cocteau Twins and Diver Down is one of my least favorite Van Halen albums, so those are out. I’m a Dickenson fan and not a Di’Anno fan so the Iron Maiden is out, too. British Steel is a little early in the NWBHM realm for me to say that I love it. That means New Wave of British Heavy Metal. I dig it, but not my favorite. That leaves Bowie and Turbo. Man, that’s hard.

Turbo is my favorite Priest album. Yeah, it’s like the cheeseballest, 80s pop Priest record, but that was what I cut my Priest teeth on. I like “Turbo Lover” and “Parental Guidance.” Sorry, but I do. I liked the over-polished hipness of it. Sue me. Well, don’t. You wouldn’t get any from me.

Let’s Dance starts off really strong. “Modern Love,” his version of “China Girl” and the title track. It gets a little squirrely outside the theme from Cat People, “Cat People (Putting Out Fire)”, co-written by Giorgio Moroder.

So, for my vid pick for today, I decided I couldn’t pass up on Culture Club doing a Bowie cover. I hope you enjoy it! I should think I’d have liked to see Culture Club doing “Grinder” from British Steel but oh well.

Until tomorrow, same blog channel…
Scorp out!

—
“If you say run, I’ll run with you. And if you say hide, we’ll hide. Because my love for you would break my heart in two if you should fall, into my arms and tremble like a flower.” – “Let’s Dance” (Bowie)

Not So Sad or: Preach On

23 Monday Mar 2020

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Salutations™!!

Today is the 44th anniversary of Judas Priest’s Sad Wings of Destiny album and while I could have spent countless hours looking for bad cover bands trying to do Halford, or at least Tim “Ripper” Owens, I decided to just stick with the real deal. Enjoy!

Until tomorrow, same blog channel…
Scorp out!

—
“You’re in for surprise. You’re in for a shock. In London town streets when there’s darkness and fog. When you least expect me and you turn your back, I’ll attack.” – “The Ripper” (Tipton)

Big Album Day or: February 10

10 Monday Feb 2020

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Salutations™!!

I don’t like to do video posts on Monday and I still don’t know that I will do one today, but February 10 has a lot of history for releases.

1carole_king_-_tapestry

©A&M

In 1971, Carole King released her seminal album, Tapestry. It contains 12 songs and there isn’t a clunker one. “I Feel the Earth Move,” “So Far Away,” “It’s Too Late,” “Home Again,”
“Beautiful,” “You’ve Got a Friend” (I really don’t like James Taylor’s version but love this one), “Where You Lead” (I’m a huge Gilmore Girls fan and that was the theme song sung by Carole and her daughter Louise Goffin), “Will You Love Me Tomorrow?” “Smackwater Jack,” “Tapestry” and “(You Make Me Feel Like) A Natural Woman.” The album is amazing. It’s #36 on the RS list and I wonder if that’s too far up the list. Should it be in the 20s? I don’t know, but man, it’s a great album.

Little_Feat_-_Waiting_for_Columbus

©Warner Bros.

Now, in 1978, there were three big albums released. Well, I know one of them was big, the other two were pretty big for fans of those bands, too. Let’s start with the “other two.”

Waiting for Columbus is Little Feat’s first live album. 17 tracks on 2xLP. I’m not a Little Feat fan, really. But for some, it’s the tops.

Stained Class is the fourth album from Judas Priest. It’s the first album with temporary drummer Les Binks. Binks gets a songwriting credit with “Beyond the Realms of Death.” Bassist Ian Hill gets his first writing credit with “Invader.” I always thought anyone could be the bassist for Priest because he doesn’t “do anything.” Now, he isn’t flashy, but Hill is a good solid bassist. I think the best song on the album is the opening track, “Exciter.” I have grown to really dig Judas Priest.

StainedClass

©Columbia

Now, the big one is where we were introduced to the magic that was Van Halen. On this day in 1978, Van Halen was released. The wizardry of Eddie Van Halen was something that few had heard before. His fretboard work, combined with his tremolo picking was earthshattering. Yeah, it’s not as out-there as it used to be but in 1978, it certainly was. Combine Eddie’s guitar work with Alex’s thunderous drumming, Michael Anthony’s near virtuoso-like bass playing, he was matching Eddie in a lot of those tunes, and his ultra-high harmonies and the frontman that is second, in my opinion to Paul Stanley in stage presence (at least then), Diamond David Lee Roth and you have a band like no other. Dave’s ability to split his vocals in those early days was amazing.

Van_Halen_album

©Warner Bros.

From the siren into with the growling bass in “Running With the Devil” to the groove rock of “Jamie’s Cryin'” and “Ain’t Talkin’ ‘Bout Love” to the classic rock and roll feel of “Feel Your Love Tonight” to the speed boogie of “I’m the One.” All of that on their own would be a darn-great rock album. But, then you add the laid back feel of “Little Dreamer,” the in-your-face version of the Kink’s “You Really Got Me,” the classic “Ice Cream Man” and the song that changed the lives of as many up-and-coming/wannabe guitarists as “Purple Haze,” “Stairway to Heaven” and “Iron Man,” “Eruption” and that makes this one of the greatest rock albums I have ever heard. I say that and I’m not even a big VH fan. It’s #410 on the RS list and I think that’s a bit too high. I think it should at least be in the top 200. But, that’s just me, I guess.

So, I’ll spare you a video to watch, but I just wanted to bring attention to this day in record releases, of which I have three of the four on vinyl! Thanks for indulging me.

Until tomorrow, same blog channel…
Scorp out!

—
“It used to be so easy living here with you. You were light and breezy and I knew just what to do. Now you look so unhappy and I feel like a fool.” – “It’s Too Late” (Stern/King)

The Apology or: It Happened Again

08 Tuesday Oct 2019

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Salutations™!!

Dear Reader, I want to apologize to you. I try to keep up my daily updates and I try to give you quality content for these blog posts. I could just do it when I feel like it or whatever, but I know me and if I stop posting every day, and have a reason for it, then I won’t do it enough to make any difference, especially to myself. So, these posts happen and we go on.

It’s no secret that I love music and what the videos do is give me something to put out here that goes along with my love of it, but also gives me something to post when I don’t get to it on time. So, yeah, it’s Tuesday’s post. Here ya go.

So, tomorrow is the 41st anniversary of the Judas Priest album Killing Machine which was renamed in the US as Hell Bent For Leather after the Cleveland Elementary shootings by 16-year old Brenda Spencer where she said she did it because “I don’t like Mondays. This livens up the day.” That, of course, led to the Boomtown Rats tune, “I Don’t Like Mondays.” Here’s a video of the title track of the US version, done by a Priest tribute band. I don’t know if I should be impressed or feel sorry for them. Anywhat! Enjoy!

Until tomorrow, same blog channel…
Scorp out!

—
“Seek him here, seek him on the highway. Never knowing when he’ll appear. All await, engine’s ticking over. Hear the roar as they sense the fear. Wheels! A glint of steel and a flash of light! Screams! From a streak of fire as he strikes! Hell bent, hell bent for leather.” – “Hell Bent For Leather” (Tipton)

Spinning Sunday or: The Haul 7/5/19

07 Sunday Jul 2019

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Salutations™!!

Yes, I have the date right up there. The BCPF and I went to Underdog Records on Friday because I had a Cobras Game last night. Jonathan had been closed on Wednesday and Thursday for the holiday but was open on Friday. Yay us! Here’s the haul:

Ultravox_-_Vienna

©Chrysalis Records

  • Metallica – Metallica — #255 on the RS list, it’s my second favorite Metallica album after Ride the Lightning. On this tour, they did an “In-the-Round” stage setup where they were in the middle and the crowd surrounded them on all sides. During the song “Seek and Destroy” from their debut album, Kill ‘Em All, James Hetfield came down and sang the hook with groups of people. As he walked past me (I was in the second row but we had been moved up to the security railing) and said, “I need one more crazy m*****f***er and I nearly jumped the fence screaming me! me! me! He came over, grabbed my hand and had me dangling over the railing as he went into the line. I was breathing through my nose, inhaling deeply, and he did the “searchin’…” and I yelled, at the top of my voice, “SEEK AND DESTROY!!!” I had friends who watched it from farther back in the arena and they told me later that they couldn’t even hear the music when I did that because it was so loud. “Enter Sandman,” “Sad But True,” “The Unforgiven,” “Wherever I May Roam” and “Nothing Else Matters” were all released as singles. It was a great heavy album. Not as heavy as their previous albums, at least not in the “thrash” way, but it was heavy sonically. 2xLP. New.
  • The Decemberists – Picaresque — The BCPF doesn’t hold back when it comes to The Decemberists. This album was the band’s last on the Kill Rock Stars label and was produced by Chris Walla, guitarist for Death Cab for Cutie. 2xLP. VG++.
  • Judas Priest – Killing Machine — This is a 2015 reissue of what we Americans knew as Hell Bent for Leather. It’s the same album and yes, I have Hell Bent but I wanted one with the albums’ proper name. Why was there a change? When this came out it was around the time of the Cleveland Elementary School shooting in San Diego. Brenda Spencer, a 16-year old, shot and killed the principal and a custodian and injured nine others (including eight children) from her house. When a reporter got in touch with her whilst she was holed up in her house and asked why she did it, she said, “I don’t like Mondays. This livens up the day.” That was the inspiration of Bob Geldof’s Boomtown Rats’ song, “I Don’t Like Mondays.” Anyway, this was an opportunity to have both titles. VG+.
  • Okkervil River – The Stand Ins — The BCPF likes this band and picked out the album. I liked what I heard but I wouldn’t have known to get it. My pal Patrick Ferguson is a big fan of the band as well. This was a follow up to The Stage Names and if you put the prior album above this one, it makes a complete picture. VG++.
  • The Knack – …But The Little Girls Understand — The follow-up to their debut, Get the Knack, which I tout as a gravely underappreciated album. This one charted well, but many critics panned it for its tired misogynistic themes and subject matter. I haven’t listened to it, yet, but again, I loved the previous record. We’ll see how the sophomore effort goes with me. VG+.
  • Arlo Guthrie – Power Of Love — I know nothing about this album other than it was released in 1981. The BCPF likes her folk heroes and well, he is one. VG+.
  • The Shirelles – The Shirelles Greatest Hits — $1 bin find. I’m not really sure why The BCPF wanted this one but it could be that it was a girl group. She usually goes for the more rocking/post-punk/first wave-kind but she picked it up.

Now, the next four I did not buy at Underdog Records, although I would have had I seen them there. Before we knew that Jonathan was open on Friday, we had stopped by Design Archives on Fourth Street and they had vinyl. I thought at first these things were overpriced, but I had Jonathan look at them and he said that was pretty accurate to what he would have charged, so I felt better about getting them at that point. Here’s that mini-haul:

  • Rush – Fly By Night — I added three more albums to my Rush collection through this vinyl stop. This is Rush’s second album and the first with the monster Neil Peart not only on drums but with the lyrics, too. Alex Lifeson and Geddy Lee liked that Peart was a bookworm and wrote imaginative lyrics. That way they could concentrate on complex music. VG+.
  • Rush – Power Windows — This was the follow-up to Grace Under Pressure. The album has the songs “The Big Money” (for which there was a somewhat revolutionary video), “Manhattan Project,” “Marathon” and “Mystic Rhythms” among others. VG+.
  • Rush – Hold Your Fire — The mostly forgettable follow-up to Power Windows does at least feature “Time Stand Still” with Aimee Mann singing back up. It was the lowest selling Rush album since Hemispheres. VG+.
  • Ultravox – Vienna — Their fourth album and the first on Chrysalis Records and the first with singer Midge Ure. The singles on this album were “Sleepwalk,” “Passing Strangers,” the title track and “All Stood Still.” VG+.

I think this week’s haul was awesome. We’ve already listened to some great stuff and hopefully will get to a bit more today and hopefully, I’ll have time to listen to some throughout the week. Underdog Records will be open all next week and you should listen to The Less Desirables (well, you should anyway) to hear the TLD/UR weekly special. Also, use Discogs to track your music collection, be it vinyl, cassette, CD, or even 8-Track.

Until tomorrow, keep spinnin’…
Scorp out!

—
“Time stand still. I’m not looking back but I want to look around me now. Time stands still. See more of the people and the places that surround me now.” – “Time Stand Still” (Peart/Lee/Lifeson)

Spinning Monday or: The Haul 5/11/19

13 Monday May 2019

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Salutations™!!

The post mother’s day edition of Spinning Sunday Monday is here. We had a whole weekend that was “normal” for us and about time. Started with breakfast, then to Underdog Records, buying and listening and then to dinner. A great day, minus the rain, but we were in listening to records, so there’s that! Here’s the haul:

GunsnRosesAppetiteforDestructionalbumcover

©Geffen Records

  • Guns N’ Roses – Appetite For Destruction — #62 on the RS list and really a great all-around album. I had never had it on vinyl and was waiting to find a good used copy but people don’t just give that up so we bought it new. This album was a game changer. I know I give Nirvana a lot of flack for “killing my music,” but I really believe this is where the killing started. They may have had a song about “doing it” but most of it was slinging their stuff around with attitude and extreme prejudice. They weren’t fluffing anything and taking no prisoners. Hair bands couldn’t keep up with this and the scene shifted a bit. Hair was still going strong into the 90s but it was watering itself down and then in 1992, it all really fell apart. This was just turning the eye on. I will say if I never hear “Paradise City” again, I’ll be happy. Everything else on the album is great.
  • Judas Priest – British Steel — Four to go. I have every official Judas Priest album from the first Rocka Rolla to Screaming for Vengeance and also Turbo. I want to fill the gap to Painkiller which is what I think of as the definitive “Priest Discography.” Yes, they did stuff, good stuff, even after, but once you get past 1990, then records weren’t the thing any longer. I need Defenders of the Faith, Priest Live, Ram It Down and Painkiller to have them all. I am glad to have what I have so far. Great first wave of British Heavy Metal stuffs. New.
  • Lambchop – This (Is What I Wanted To Tell You) — The BCPF loves Lambchop, but this, his latest release, was a bit of a departure from what he’s done in the past. It was good, but he used a bit too much autotune as a prop, I felt. The BCPF agreed, I think. It’s on cool clear vinyl, though. New.
  • Rush – Caress Of Steel — I have started trying to fill my Rush discography, as well. I got three steps closer on Saturday. This album is the oldest of theirs that I have and a little rawer than I’d like but it has some great stuff on it. “Bastille Day” is probably the biggest thing from it. It’s just starting to be a little more prog from the band at this point. VG+.
  • Rush – Permanent Waves — The album that followed Hemispheres (which I need to get) and before their biggest album Moving Pictures, this has “Spirit of Radio,” “Free Will” and “Entre Nous” on it. I didn’t know that I was such a fan of what they did before yesterday. Yeah, I know stuff I like, but I’ve always said they were too robotic and lacked feeling. That is true about some aspects of their music, but the lyrics are deep (sometimes too deep) and they tell a story with the music, even above the lyrics at times. I liked it. VG+.
  • Rush – Grace Under Pressure — The band was definitely in their synth years at this point, which I love because I’m a synth fan. When I saw the video for “Distant Early Warning” for the first time, I didn’t get it and didn’t like the song. Now, though, I dig the song. I like this album and it had four “official” singles, “Distant Early Warning,” “The Body Electric,” “Afterimage” and “Red Sector A.” “The Enemy Within” had a video and was the very first video played on Canada’s MuchMusic in August 1984. VG+.
  • Pet Shop Boys – Please — The debut album from Pet Shop Boys, it is probably still what they’re best known for, even though they have had some great things since. The big singles were “West End Girls,” “Opportunities (Let’s Make Lots of Money),” “Suburbia,” and “Love Comes Quickly.” Great synth-pop from some of the masters of that genre. VG++.
  • ELO – Time — The ninth studio album from Electric Light Orchestra, although for this album they were credited as ELO only. It’s a concept album and had five singles released for it: “Hold On Tight,” “Twilight,” “Ticket to the Moon” (backed with “Here Is the News”), “Rain Is Falling” and “The Way Life’s Meant to Be.” This was more synth-based music as Jeff Lynne had already gotten rid of the orchestral aspect of the band, which may be why they went with ELO as the band’s name? Who knows? VG+.
  • Chilliwack – Lights From The Valley — I know little about Chilliwack, except for two songs, “My Girl (She’s Gone, Gone, Gone)” and “I Believe” in which neither is on this album. They came later. But, in my quest to become more rounded in my musical knowledge, this was at Underdog and I wanted it. It was sealed, which, I immediately unsealed it to get the catalog number to be able to put it in Discogs. The vinyl is in NM condition and the sleeve is VG+ with a little wear on it, including a “record ring.”
  • Bangles – All Over The Place — The band’s debut album with the singles “Hero Takes a Fall” and “Going Down to Liverpool,” written by Kimberley Rew of Katrina and the Waves. Great pop record, this. VG++.
  • Roger Hodgson – In The Eye Of The Storm — I asked Jonathan if Hodgson’s solo stuff sounds like Supertramp (since he was one of the main songwriters/singers) and he said that not only does it, but he has this record in his collection and loves it. So, I bought it. I’m a fan of Supertramp, so I figure I’ll be a fan of this, too. VG++.
  • Various – Sgt. Pepper’s Lonely Hearts Club Band — I know a lot of people hated this film. I didn’t hate this film. Plus, I mean the all-star lineup for the soundtrack is hard to beat and they’re doing Beatles songs? Heck yeah! 2xLP. VG.
  • Donnie Iris – Back On The Streets — Donnie Iris, the former songwriter/singer of The Jaggerz (“The Rapper”) and post-“Funky Music” Wild Cherry, I came to know him for one song. “Ah, Leah.” It was brought to my attention because my sister’s name is Leah and she liked the tune. That’s on this album and why I snatched it from the $1 bin. VG.
  • Rud Wharton And The Musette Street Players – –  Sidewalks Of Paris — Because The BCPF and I are suckers for anything Parisian. No other reason. Well, that and this was a $1 bin find. VG.
  • Peter, Paul And Mary – A Song Will Rise — It’s sappy 60s folk, just the way The BCPF likes it from the $1 bin. VG-.
  • Peter, Paul And Mary – Album — Second verse, same as the first. VG-.
  • Creedence Clearwater Revival – Green River — A very “fair” copy of this album. It’s scuffed, it’s scratched, I almost didn’t include it in the collection. But, it is here, now. G at best and that’s pushing it. $1 bin find.

Underdog Records was a bit empty when we got there but people started coming in pretty steady by the time we left. Jonathan wasn’t feeling good, so watch social media to make sure he’s back by Tuesday. Always listen to each new episode of The Less Desirables to find out what the TLD/UR special of the week is.

I use Discogs to rate, catalog and track my collection. You can do it with CDs and cassettes, too.

Until tomorrow, keep spinnin’!
Scorp out!

—
“Off on your way, hit the open road. There is magic at your fingers. For the spirit ever lingers, undemanding contact in your happy solitude.” – “Spirit of Radio” (Peart/Lee/Lifeson)

Spinning Sunday or: The Haul 1/26/19

27 Sunday Jan 2019

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Salutations™!!

jfrontiers

©Columbia

Yesterday, The BCPF and I got off to an earlier-than-usual start and had breakfast and then ran by Underdog Records. We were there before they opened so we got first dibs on his wares, but not until he opened, of course, we don’t do that. The record-listening time was cut short because we judged a chili cook-off for the Ardmore Neighborhood late in the afternoon. But, the haul was great and I was excited about three things, in particular. Here’s the haul:

  • Roxy Music – Manifesto — This is one of the ones I’m excited about. I have really enjoyed listening to Roxy Music stuff, whether I have it on vinyl or not. In fact, I listen to it on streaming, too. I also like the Brian Eno solo stuff. He was gone from Roxy before this album came out. I was just making a point. “Dance Away” is one of my favorite Roxy tunes and it’s on this album. VG+.
  • Journey – Frontiers — Another that I was excited about. I can’t believe I didn’t already have this, but now, I can’t say that any longer. This has so many good songs from “Separate Ways (Worlds Apart)” to “Faithfully,” “After the Fall” to “Send Her My Love” which happens to be one of my favorite Journey songs. I know the album and the band (in this era) got a lot of flack and scoffs but I love them and I love this album. VG++.
  • Stan Getz – Eloquence — Stan Getz. ‘Nuff said. VG.
  • Canned Heat – The Canned Heat Cook Book (The Best Of Canned Heat) — All I know from Canned Heat is “Going Up the Country” and “On the Road Again.” Both of those are on here, so we got it. VG.
  • The Joseph Consortium, Andrew Lloyd Webber, Tim Rice– Joseph And The Amazing Technicolor Dreamcoat — I saw this on a traveling tour. I liked it, but then again… Webber and Rice. VG+.
  • Richard Strauss – Rudolf Kempe, Dresden Staatskapelle– Also Sprach Zarathustra — This is a “tone poem” from Strauss that was inspired by Friedrich Nietzsche’s novel Also Sprach Zarathustra (Thus Spoke Zarathustra). You and I, though? We know it as the theme to Stanley Kubrick’s 2001: A Space Odyssey. VG++.
  • Judas Priest – Hell Bent For Leather — The American version of Killing Machine from Priest. The album was renamed in the US because CBS/Columbia was wary of the implications following the Cleveland School Shooting in San Diego. Incidentally, that shooting led to Boomtown Rats’ song “I Don’t Like Mondays” because the shooter, 16-year old Brenda Spencer shot folks from her house across the street and when questioned about it, said “I don’t like Mondays. This livens up the day.” She still sits in jail 40 years later. But, this album rocks, as does all Priest, I’m learning. It’s the last one with Les Binks behind the drums. VG.

Again, with the swing through, I didn’t get to notice a lot of equipment that Jonathan had but there were things there, including a few cassette decks, speakers and of course, turntables/record players. And, again, check out the Curated by Underdog feature that Jonathan does, now. Go in and ask him about it. Listen to The Less Desirables, new episodes out every Wednesday night, to hear the TLD/UR special of the week.

I used Discogs to track and catalog my collection.

Until tomorrow, same blog channel…
Scorp out!

—
“Yesterday, when it seemed so cool, when I walked you home, kissed goodnight, I said, “It’s love”, you said, “Alright.” It’s funny how I could never cry until tonight when you pass by hand in hand with another guy. You’re dressed to kill and guess who’s dying. Dance away the heartache. Dance away the tears. Dance away the heartache. Dance away the fear. Dance away.” – “Dance Away” (Ferry)