Tag Archives: Geoff Tate

Spinning Sunday or: The Haul 12/13/19

15 Sunday Dec 2019

Posted by in Records, Spinning Sunday

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Salutations™!!

Like the last few weeks, The BCPF had the day off on Friday and we went to Underdog Records a day early. We got some good stuff and I’m going to share that with you, now!

Queensryche_-_Promised_Land_cover

©EMI

  • Michael Kiwanuka – Kiwanuka — I first heard pieces of this album when I was making the commercial for Underdog Records on The Less Desirables. I thought it was great. Jonathan kept getting copies and selling out before I could get there to get one. So, I had him order one for me specifically. Here it was, finally. And it was well worth the wait. Lots of good ambient blues, R&B, rock, all that in one. A great album that even The BCPF loved and was disappointed there wasn’t a download code in the sleeve. New.
  • The Smiths – Strangeways, Here We Come — Gotta love some miserable Brits, eh? “I Started Something I Couldn’t Finish,” “Stop Me If You Think You’ve Heard This One Before,” “Last Night I Dreamt That Somebody Loved Me” and one of my favorite Smiths tunes, “Girlfriend in a Coma” is on this album. VG++.
  • Elvis Costello & The Imposters – Look Now — A 2018 release from EC, it sounds like old EC and that is a good thing. He wrote most of the stuff himself but there were three songs co-written by Burt Bacharach and one co-written by Carole King. A really good listen. VG++.
  • Pink Floyd – Atom Heart Mother — Released a month and a half before I was (born), this is Pink Floyd’s fifth studio album and consists of mostly instrumentals (36:44 of the 52:06 total running time). I didn’t think I’d care for it as sometimes Floyd’s instrumental stuff idles on, but I did enjoy it. It is a good and relaxing atmospheric listen. VG+.
  • Faces – Ooh La La — This is the fourth and final studio album by Faces. By this time, Rod Stewart had already had a hit with “Maggie May” and his first few solo albums, and the singer had become increasingly distanced from some of his Faces bandmates, who were frustrated by the fact that by this point they had come to be perceived by the public (and even by some concert promoters) as little more than Stewart’s backing band for live work (according to Wikipedia). I had never heard the title track until the Amazon Echo commercials and when I found out who it was, I was like, yeah, that sounds like Rod Stewart. Turns out it was Ronnie Wood who sang it, co-writing it with Ronnie Lane, the bassist. The cover is cool, you can “squeeze” the top of the sleeve and the mouth and eyes move. VG+.
  • The Who – Magic Bus — Oh we crazy Americans in the 60s and 70s. This is a compilation album of previously released material and was not issued in the UK. They were capitalizing on the success of the song by the same name. The BCPF picked it up! VG+.
  • Ringo Starr – Beaucoups Of Blues — A most peculiar album, indeed. It’s not really that peculiar, but it’s certainly Ringo’s take on American country and western. It’s pure “tears in my beer.” Not bad for what it was, but… VG+.
  • Angel City – Face To Face — I had never heard of Angel City until Eugene had me review Two Minute Warning on his hard rock list. You can read my review here. In Australia, they were known as The Angels, but so they wouldn’t be confused with the band Angel (KISS’ rostermates on Casablanca Records), they changed to Angel City. This was their second overall release and the first for the US. It’s a decent listen, as we did so whilst cleaning/straightening our downstairs. Rock, punk, even metal at some points. VG+.
  • Queensrÿche – Promised Land — This wasn’t purchased at Underdog Records. I believe this came from Bobby the Drummer (from Heavens Sake) when he worked at CEMA (EMI) when we first met. He knew I was a Queensryche fan and gave it to me. I had either forgotten that I had it or where it was (or a combo of the two) and I found it located behind a filing cabinet that I have in my living room. You’d have to see it… but it was still sealed. So, I promptly opened it up and gave it a spin. Operation: Mindcrime will always be my favorite Queensryche album (second favorite overall of all time) and Empire will always be my second favorite ‘Ryche album. But, to me, this is their most underrated. It is just what I wanted to do musically at that time and I still love it. It’s still hard rock but has a more modern edge to it (at least in the mid=90s) and Geoff Tate was still singing and not talk-singing through songs. He hadn’t quite blown himself out at this point. The songs are well-written, still tell stories and still sounds like Queensryche. I love this album and will listen to it again, really soon. Have I mentioned that I love this album?

It’s Christmas time and that means gift certificates and Underdog Records has plenty of them, in any denomination you want. The cool thing is these come on old 45s/singles/7″ whatever you call them. And, Jonathan can still special order anything on vinyl that you need in time for your special vinyl lover (I can give you a list if you’re interested *wink*). Also, Underdog Records will be putting out freshly acquired used vinyl every single business day until Christmas. Also, also, there are plenty of used receivers, turntables, speakers and more in the store if you know someone who has said they’d love to start listening to records (perhaps again) but don’t know where to start. Jonathan can help you out. Listen to each new episode of The Less Desirables to hear the TLD/UR special of the week. I use Discogs to track my awesome record collection and to make sure I don’t double dip something I already have. The BCPF used it to “random grab” a record during our cleaning time yesterday. Much fun, indeed!

Until tomorrow, keep spinning!
Scorp out!

—
“Let me whisper my last goodbyes, I know – it’s serious.” – “Girlfriend in a Coma” (Morrissey/Marr)

Sounds Like Saturday or: Mindcrime!

04 Saturday May 2019

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Salutations™!!

Yesterday was the 31st anniversary of my former #1 album and current #2 album of all time. But, it remains really close to that #1 spot. Operation:Mindcrime is a masterpiece and showcases the genius that was Queensryche. Yeah, I said was. I love Todd LaTorre as their new singer, but something about this lineup, with Tate and DeGarmo, was magic. I’m still a fan of the band with LaTorre, I want that clear. I couldn’t find a quality cover so you get the real thing here.

Until tomorrow, same blog channel…
Scorp out!

—
“Ten P.M., I feel the rain coming down. My face feels the wet, my mind the storm. Flashing lights as people race to find shelter from the pour. Moving silent, through the streets, they’re mine, they’re mine.” – “Suite Sister Mary” (DeGarmo)

They’re Building Empires or: 28

21 Tuesday Aug 2018

Posted by in Life as We Know It, Music Review, Records

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Salutations™!!

Yesterday was the 28th anniversary of a very influential album for me. 28 Years ago yesterday, Empire was released by Queensryche.

Queensryche_-_Empire_cover

©EMI America

It was the follow up to my #2 album of all time, Operation: Mindcrime and really was the first time I really got to hear what this band could do. I was big into “mind metal” at the time and this was a good break from the thrash stuff I had to listen to in order to get that. Empire was a completely different path for the band, especially given its direct predecessor and the previous few. It was definitely more commercial.

This was probably due to the fact that Mindcrime was such a hit. It gave them a boost that let them experiment and evolve their sound and focus. While still somewhat present, gone was the focus on political statements and social issues and more on life and dreams. Sure, “Best I Can,” “Resistance,” “Empire,” “Della Brown” were all social statements, but songs like “The Thin Line,” “Another Rainy Night (Without You),” “Anybody Listening?” “Jet City Woman,” and “Hand on Heart” are more romantic or loss thereof.

The album’s signature song (and probably the best known among non-Queensryche fans) is “Silent Lucidity.” It’s not my favorite on the album, by any means, but it certainly isn’t the least. I think it is still a fantastic song that still holds up. It is well-written and well-versed in the whole “lucid dreaming” phenomenon. Lucid dreaming is where the dreamer is aware that they’re dreaming. I still shudder when I hear the woman’s voice say, “Help me.” Did you know that was sampled from Hellraiser II? It was. And, Michael Kamen’s orchestration adds a lot of depth to the entire song, but especially the end which is from Johannes Brahms’ “Lullaby” which you’d certainly know as soon as you heard it. There’s just a lot of cool things about the song. It reminds me of having my Sony Discman® in freshman Algebra I in college, listening to it while the professor went on about a bunch of numbers and letters in which I had no clue what she was talking about, before or after listening to the CD.

My faves on this album are “The Thin Line,” “Jet City Woman” (I am a bass player, ya know?), “Empire,” “Anybody Listening?” and “Silent Lucidity.” The production on this album is amazing and Peter Collins, who also produced Mindcrime is a great producer.

The tour for this, “The Building Empires Tour,” was the first time I had seen them live and it was the first time that they had performed Mindcrime in its entirety. We were front row on the second level right over the stage and it was so much fun watching them. For a “mind metal” band, they put on a great, and at times theatrical, show. Suicidal Tendencies opened for them.

The dual guitar force of Michael Wilton and Chris DeGarmo (who was the main music-writer of this album and most of Queensryche’s earlier stuff) was unmatched at the time. Sure there were metal bands that did the same thing, but to me, there was no matching the smooth velvet leads of DeGarmo with Wilton’s blazing riffs. It was like adding spicy Ro-Tel to Velveeta only better (and better for you).

Scott Rockenfield is still one of my all-time favorite drummers. What he does with a set both large (then) and small (now) is just fun to watch. He’s technical but with feeling and he bashes the crap out of those skins. I’m always amazed by his hi-hat work, too, which is one of my favorite things from drummers who know what they’re doing.

Eddie Jackson is one of the steadiest, most solid and in-pocket bass players around. He now handles most of the backup vocals since DeGarmo left the band and even though I’m not a big fan of bass players who play with their fingers as opposed to a pick, generally, he does both very, very well. Plus, he’s got some seriously awesome hair.

Then, there’s Geoff Tate. I think this album was the start of a transition for him. Yes, he’s demonstrating his multi-octave virtuosity but he also started to go low a little bit. Not as much as he did on the next album, Promised Land and especially Now in the Hear Frontier on, but some. He’s still my favorite lead vocalist in rock. I should clarify that he’s my favorite lead vocalist in rock from this era of the band and before. After Promised Land, he started losing me, at least from the newer songs. He was still hitting the good notes live; mostly.

Some say this was the band’s last great album. Again, I go with Promised Land on that, but even PL isn’t this and neither are Mindcrime. And, I must say if you’ve not heard the last two Queensryche albums with Todd La Torre, you’re missing out. La Torre sounds like younger Tate but he also brings his own personality to the songs. His versions of the older ‘Ryche stuff is really good, too.

So, happy anniversary Empire. You mean a lot to me and darn it! I hope to have you on vinyl, soon. There’s so much awesomeness on this album. I think I’m going to go give it a spin, now (or stream it, as the case probably is).

Until tomorrow, same blog channel…
Scorp out!

—
“In the fiscal year 1986 to ’87, local, state and federal governments spent a combined total of $60.6M on law enforcement. Federal law enforcement expenditures ranked last in absolute dollars and accounted for only 6% of all federal spending. By way of comparison, the federal government spent $24M more on space exploration and 43 times more on national defense and international relations than the law enforcement.” – “Empire” (Tate/Wilton)