Tag Archives: Aerosmith

Spinning Sunday or: The Haul 3/12/20

14 Sunday Mar 2021

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Salutations™!!

The BCPF and I actually went to Underdog Records on Friday instead of yesterday. Friday was her birthday. It may not seem like much, but I got a special advanced preview of the cheeseburger that will come from Mr. Barbecue with their opening TOMORROW!!! So, she can say she ate there before just about everyone else. I’m used to that. She isn’t. It was cool. Her birthday weekend has been great (according to her) and will culminate in me getting my “FauciOuchie” (C-19 vax) after I write this blog post. So, that means I need to get a move on… Here’s the haul:

Wilco – Being There — This was one of The BCPF’s birthday presents. She is a big Wilco fan. I can handle them in small doses. This is 19 songs, I may have to have a drink or two for it, but, hey! She has it. It gets its name from the 1979 film starring Peter Sellers and Shirley MacLaine. It’s self-produced by the band. 2×LP. New.

©Music Brokers

Guns N’ Roses – G N’ R Lies — I love “Patience” and I like a few of the other tunes on this “unofficial” release. I don’t know why they call it that. The album is definitely not without its controversy. A lot of homophobic and racial slurs being thrown around. I like this version of “You’re Crazy” better than the Appetite for Destruction version. Cream-colored vinyl. NM.

The Flying Burrito Bros – The Gilded Palace Of Sin — This album was #192 on the RS list that matters and fell to #463 on the one that doesn’t. I went back and looked at my review of it from 2015 and it seems mostly favorable. I don’t remember it, truthfully, but when I saw that Jonathan had a reissue of it, it triggered me to purchase it because I would just overlook it otherwise. So, now I have it. New.

She & Him – Volume One — The first album by M. Ward and the beautiful Zooey Deschanel. We did get to listen to that one on Friday. She sounds great and “young.” I like the classic/old-timey-ness of her voice and the music itself. The tracks were all written by her except for “You Really Got a Hold on Me,” “I Should Have Known Better,” “Swing Low, Sweet Chariot.” She co-wrote “Sweet Darlin'” with fellow actor/musician Jason Schwartzman. I liked it. New. The BCPF’s birthday present.

She & Him – Volume Two — The second album by M. Ward and Zooey. Again, she wrote all the songs except for two covers. I haven’t heard this one yet, but I can’t imagine me not liking it. New. The BCPF’s birthday present.

The Magnetic Fields – Get Lost — Original 1995 album release was on compact disc only. This is 180g and features an alternate song sequence. I haven’t heard it yet, but I can imagine it’s going to be weird, just like all other Magnetic Fields albums. New. The BCPF’s birthday present.

Calexico – Garden Ruin — This, the fifth studio album by the rock band Calexico, was released in 2006 and was the first Calexico album to feature no instrumental tracks, instead relying on a more direct, pop-style approach. Leaving behind the “indie-mariachi” genre, if you will, the band took their music in a different direction. This is a more straightforward indie rock album. One of The BCPF’s favorite bands, she had only ever had this on CD. New. Her birthday present.

Various – The Many Faces Of Prince (A Journey Through The Inner World Of Prince) — From what I can tell, these are songs that were written by Prince, possibly with the band before he broke big, 94 East, and some by the artists that made them famous, like Sheila E. doing “Glamorous Life” (which I never knew he wrote) or Chaka Khan’s “I Feel For You” which should have probably been “I Feel 4 U.” Also on this is Dead Or Alive’s cover of “Pop Life,” Heaven 17’s “Sign O’The Times”, Gary Numan doing “U Got The Look,” Information Society doing “Controversy” and Sigue Sigue Sputnik doing “I Could Never Take The Place Of Your Man,” among others. 2×LP. Purple vinyl (of course). Import (I think).180g. NM.

Marvin Gaye – The Soulful Moods Of Marvin Gaye — Marvin Gaye. Good stuff. NM.

Neil Young – Trans — I don’t know anything about this album, other than it was a bit weird to long-time fans. The reason I got it, though? Jonathan’s note on the sales sticker: “Neil Young was never afraid to take a chance.” VG+.

Frank Zappa – Sheik Yerbouti — Mostly made up of live material recorded in 1977 and 1978, with later overdubs in the studio. I think it’s also a bit of a parody compared to the contemporaries of the time. I don’t know what to expect but I expect it to be, well… different. 2×LP. VG.

Aerosmith – Classics Live — Yeah, I know what you’re thinking. Yes, I do hate Aerosuck, but I couldn’t resist this when it was sitting there in the “freshly acquired” bin. It’s in VG+ condition and it should be in my collection. Now, it is.

Icehouse – Primitive Man — I love Icehouse’s later stuff, so I’m hoping I love their earlier stuff. This was their second album. So, wish me luck! VG+.

Starbuck – Moonlight Feels Right — The BCPF and I hear this song all the time on our Yacht Rock channels. I don’t know anything from the band other than the title track. Jonathan said there’s a 7″ in the sleeve as well and doesn’t know what the 7″ is or if it was ever part of the original packaging. I haven’t looked inside to know. But, I hope the rest of the album is like the title track. EX.

So, I think that Jonathan and I got a little closer to our podcast launch this week, but we still need a bit more hashing. Underdog Records is open, now, from Wednesday to Saturday 11a-7p and he’s still doing deliveries on Monday and Tuesday. Keep up on the Underdog Instagram account to see what he’s got for purchase. You can shop his entire new inventory day or night, 24/7 by visiting the Underdog Records website. Tell him I sent you! I use Discogs to track my collection as well as my friends’ collections. You should, too.

Until tomorrow, keep spinnin’…
Scorp out!

—
“I sit here on the stairs cause I’d rather be alone. If I can’t have you right now, I’ll wait dear. Sometimes I get so tense but I can’t speed up the time. But you know love there’s one more thing to consider.” – “Patience” (Guns N Roses)

Now Normal Chronicles: And the Winner is Who?

18 Tuesday Aug 2020

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Salutations™!!

Today is the anniversary of several albums. Drama from Yes turns 40 today. Dark Continent from Wall of Voodoo turns 39. Slippery When Wet from Bon Jovi is 34. Kicking Against The Pricks from Nick Cave and the Bad Seeds does, too. Out Of The Blue from Debbie Gibson and Permanent Vacation from Aerosmith are both 33. Patty Smyth’s self-titled album is 28. All would be great choices (yeah, even the Debbie Gibson one) and two of those on the above list would have been a choice before this one, but I think I just needed to do it. It’s also the 42nd anniversary of The Who’s Who Are You. So, take it away, Dave…

Until tomorrow, same blog channel…
Scorp out!

—
“I woke up in a Soho doorway, a policeman knew my name. He said, “You can go sleep at home tonight if you can get up and walk away.” I staggered back to the underground and the breeze blew back my hair. I remember throwing punches around and preaching from my chair. Well, who are you?” – “Who Are You” (Townshend)

Welcome to the Show or: Many Kisses (Part 4)

21 Friday Sep 2018

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Salutations™!!

The month of September is a huge month for KISS fans, even if they don’t know it. Why you may ask? Because the month of September is the anniversary month for the releases of TEN KISS albums. I’ve talked about Alive!, Animalize, Asylum, Paul, Gene, Ace, Peter, Lick It Up and Crazy Nights. Here’s the last one for September. It’s one of great debate, I’m sure. I am conflicted with it myself. And, I’m doing it a day early because Saturdays are scheduled for something else.

Psycho_Circus

©Mercury Records

Heavens Sake, the band that I was in and still the proudest of (we were greatly influenced by KISS), was still happening in 1998. It was in and out but it was happening. I had seen MTV’s “Unplugged” featuring KISS, along with a reunion of the original members while at drummer Bob’s apartment. We saw KISS actually reunited in makeup on the Grammys, introduced by Tupac. They had a reunion tour and we went. So, it was inevitable that there would be an album. This was the “reunion” album, Psycho Circus, in 1998 on September 22.

I say that in quotations because Peter really only played on Ace’s “Into the Void.” And, current KISS “Spaceman” Tommy Thayer played leads on all but four tunes. And, Bruce Kulick, former KISS member, played bass on the title track and “Dreamin'” and played the backward guitar track on “Within” and rhythm guitar on “Dreamin’,” as well. The drums, this time, weren’t played by Anton Fig in Peter’s stead, this time it was Kevin Valentine (who played on Revenge and Hot in the Shade, as well), known from Donnie Iris & the Cruisers and he was a touring drummer with Cinderella for a bit. Valentine also is an Emmy award-winning composer.

Whilst it was supposed to be a “return of KISS,” even in sound and feel it wasn’t old KISS. There were a lot of aspects of Carnival of Souls, the grunge-metal hybrid they were working on before getting the wise idea of “putting the band back together,” still on here. “Within” is the prime example of that, and in fact was demoed for that album. They had stuff that really sounded like most of the 80s-era stuff, especially Crazy Nights and Hot in the Shade. Again, this was a reunion album in concept only.

When you go out and play American football with all the rules, the same team, the same players, and call your team the New York Yankees, it’s still American football. You can call it a return to the “old KISS” but when the same two people are in charge of the songwriting and the same players are in the studio, it’s still the “new KISS.” Now, all that being said, I’m glad.

I loved the new KISS. I loved the old KISS. I still love KISS. As I said, up until Hot in the Shade, they couldn’t do any wrong, and, even with a few hiccups since that album, I still love them. It’s like that uncle that you know does dumb stuff but you still love him. The band evolved. They grew. They regressed. They moved forward. They moved backward. They adapted and that’s probably their biggest sin, here. I don’t think it would have been possible to return to Destroyer or Love Gun. I don’t think they forgot how to play and write like that, I just think it wasn’t them. If you listen to Sonic Boom or Monster (more on those next month), it’s not far from the same sound as this album.

I think they loved the idea of a KISS reunion but didn’t love being reunited. In a Rolling Stone interview in 2009, Paul said, “We tried to do a Kiss album, and it was an ill-fated attempt because there was no real band. For a band to make a great album, it has to share a common purpose…and we didn’t have it.” It was also revealed that Ace and Peter were trying to negotiate more money out of the “partnership.” You don’t negotiate money with Gene and Paul, not anymore. They feel they’ve survived without Ace and Peter, they kept the name going – regardless of the circumstances, and I think they knew that it was only a matter of time before it all came to an end.

In a very tongue-in-cheek attempt to return to some semblance of the old KISS sound, what do they do? They hire Bruce Fairbairn who was known for Bon Jovi’s Slippery When Wet and New Jersey albums, Aerosmith’s Permanent Vacation, Pump and Get a Grip, and AC/DC’s The Razor’s Edge. Now, all of those are fine and decent albums but do any of them scream what KISS would have sounded like as “old KISS?” All of those are the slickly-produced, sugary popped, the 80s/early 90s hair band mess. Which, I am quite fond of, actually. But, most folks aren’t when it comes to a KISS reunion.

People were disappointed. I wasn’t. Is it my favorite KISS album? Absolutely not. Is it top 10? Absolutely not. Is it top 20? Well, considering there are only 20 studio albums, it kind of has to be, right? It ranks higher than does either Sonic Boom, Monster, Hot in the Shade, Ace or Peter’s solos, and the gasper for this whole thing, Dressed to Kill. Yeah, I’ve really always been so-so about that one. Live with it. I do. This was the last good KISS record to me.

Contrary to what my blog always sounds like, I’m not anti-Ace or anti-Peter, I just don’t care. They squandered their chance and it’s okay that they milk what they can from what they had: sober, not sober, whining, moaning, happy, in, out… whatever. But, I’m really indifferent about their involvement in the band. I felt a little down when they didn’t all play together on stage for the Rock and Roll Hall of Fame, but I’m kind of glad at the same time. Upon the announcement of the “End of the Road” tour that is coming to be the actual retirement tour (we’ll see), people are calling for Ace and Peter to be part of it. Nah. They don’t deserve it in my eyes. Plus, even on the reunion and “farewell” tours, Peter couldn’t keep up and Ace was Ace. Tommy does the same licks, doesn’t mess them up and still has feeling in his playing. Just let it go. If you’re the “F.You without Peter and Ace,” then go back and listen to the old stuff and relish what you had but shut the heck up. Stop living in the past. Paul and Gene aren’t going to change their minds and they don’t care if you don’t give them money. You’re just grandstanding at that point.

My favorite tunes on this album are the title track, “We Are One,” “Dreamin'” (which got Paul and Bruce sued for copyright infringement from Alice Cooper, he won, they settled out of court) and “Journey of 1,000 Years.” I could have done without “You Wanted the Best” because I’m not a fan of “cheerleading” songs and that’s all it was. “Into the Void” was okay. I do actually like “Within,” but then again, I liked COS, too. The rest are okay, too. I like it. Most don’t. I get it, but oh well.

Tomorrow will be 20 years since this came out. To me, it’s still the “new KISS album.” It’s hard to count Monster and ESPECIALLY Sonic Boom. I just listened to Psycho Circus again for good measure.

Until tomorrow, same blog channel…
Scorp out!

—
“I’ve been waiting here to be your guide. So come, reveal the secrets that you keep inside. Step up! No one leaves until the night is done. The amplifier starts to hum. The carnival has just begun. You’re in the psycho circus. And I say welcome to the show.” – “Psycho Circus” (Stanley/Cuomo)

Spinning Sunday or: The Haul 9/8/18

09 Sunday Sep 2018

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Salutations™!!

The BCPF and I were back to Underdog Records yesterday after our trip to Beantown last week. It was good to be back and not only did we get a good haul this week, we actually got about six hours of record listening as well! Other than going through some head cold or sinus thing, yesterday was a wonderful day. I love my girl and spending the day with her. Here’s the haul:

b4d756e0ecf7475bc7f853206632f4f7

©Warner Bros.

  • The Psychedelic Furs – Talk Talk Talk — When I was younger, say when this stuff was new, I always got PFurs mixed up with The Fixx and Naked Eyes. They were close enough to the first wave stuff that it was only on my radar when they had a mega hit. I just didn’t have access to it. I have (obviously) come to know the difference and this was a great record. VG++.
  • Dire Straits – Love Over Gold — I have, on several occasions, mentioned my newfound love of Dire Straits. I am now only one album from having all of their studio albums on vinyl. I’m not sure it was even released on vinyl or not. If not, since they are not in the Rock and Roll Hall of Fame, perhaps they’ll get a reissue of it? And, if they could figure out a way to get side one of Brothers in Arms back to its full-length self, that would be great. This was a great record. VG+.
  • Aerosmith – Aerosmith — No, I still don’t like Aerosmith, but there are some songs that I like and this was their debut album. This is the second pressing reissue from 1976 where “Walkin’ the Dog” is spelled correctly and they only used the photo of the band instead of the full sky pic. VG+.
  • Joan Jett & The Blackhearts – I Love Rock ‘N Roll — I know the song is way played out by now, but when this came out, I always felt it was a matter of “oh you have that!?” with covetous intent. I never had it, though. As a kid, for some things, albums and such, ordinary releases felt like the Holy Grail and I either felt special for having something or jealous someone else did. Music is just that big a deal to me. Anywhat! This was there and The BCPF couldn’t resist getting it. VG.
  • Pretenders – Pretenders — This completes our 79-89 Pretenders full-length album collection. They have stuff later but this was their heyday, so this is what we want. It has some great tunes including “Precious” and “Brass in Pocket.” VG++.
  • Squeeze  – Singles – 45’s And Under
  • Squeeze – Argybargy — We got two Squeeze albums yesterday and we’ve only gotten to listen to the “Singles” one so far. But, I had forgotten how many awesome songs this band had. Both of them were VG++.
  • The Cars – Candy-O — Just like Dire Straits, I have come to realize that I just downright love The Cars. No ifs, ands, or buts about it. This album, their second, has a lot of great stuff including “Let’s Go,” “It’s All I Can Do,” and “Dangerous Type.” VG++.
  • Robert Plant – Now And Zen — If I’m not mistaken, it’s the second time I’ve bought this album but the first time owning it. I believe this is the one that I purchased and immediately gave to my pal and bandmate, Clay Howard. I may be wrong, sure, but I believe that’s what happened. It has “Ship of Fools,” “Tall Cool One” and “Heaven Knows” and has a really cool feel and groove about the whole album. I dig it. VG++.
  • The Guess Who – The Best Of The Guess Who — I had this album on CD and didn’t realize how much I missed by just going after the “sexy” Rock 92 staples. Songs like “Laughing” and “Undun” are really good. I do wish (as annoying as it is) that they would have included the album version of “American Woman” but the meat of the song is here. Great listen. VG+.
  • Aldo Nova – Aldo Nova — I have passed over this about 20 times. It was a good price and I finally pulled the trigger on it. VG++.
  • Jackson Browne – World In Motion — VG++.
  • Jackson Browne – Lives In The Balance — I say I am a “fan” of Jackson Browne. However, I am usually more hit-or-miss with his stuff than I am full-on excited. These are two 80s albums. We will see if they’re hits or misses with me. VG+.
  • Billy Squier – Don’t Say No — This album was two before the one with “Rock Me Tonite” on it so he was still rockin’ and rollin’ at this point. Really, I don’t know why people flipped out over that video other than it was just awful. People are dumb. But, this has the hits “In the Dark,” “The Stroke,” “My Kind of Lover” and “Lonely is the Night.” But, there are so many other good songs on the album as well. You should get it or stream it or something if you’ve not heard it. VG++.
  • Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy, Tchaikovsky/ Mendelssohn– Violin Concerto In D Major / Violin Concerto In E Minor — $1 bin find, but as per usual with classical records that we find in the $1 bin (or elsewhere), the classical music folks pretty much take care of their records. It was in really good shape, both the media and the cover. I rated it VG+ but could have gone VG++ if not for a little bit of “spotting” on the vinyl, even after my cleaning of it.
  • Herb Alpert & The Tijuana Brass – Christmas Album — The BCPF loves her Christmas albums, we both dig Herb Alpert and it was a $1 bin find. Why not jump on it!? Even for a $1 bin find it was in VG shape.

There you go, Dear Reader. Not only did we get awesome albums in this haul, many of them were VG++ and all of them were priced nicely. That’s what we missed being in Boston. We loved Boston but we missed our Saturday routine at Underdog Records. Deals like this week’s haul are what Underdog Records is all about. Plus, Jonathan is very helpful with finding the right equipment, old titles, he knows his inventory and is just the sweetest guy. Just yesterday a couple came in looking for cleaning supplies to be able to listen to some old records they had in storage. He helped them pick out the right stuff for what they needed and even gave away his “secret formula” recipe for the solution that I and several of the Underdog Records community use for cleaning records. He could have upsold some other stuff but he didn’t. He cares about your records. Watch the Instagram and Facebook feeds for the newest finds Jonathan has come across at Underdog Records. Also, listen to The Less Desirables every Wednesday night/Thursday morning (or anytime really) to hear the weekly TLD-exclusive deal.

Also, I stood in Underdog Records yesterday with my phone in my hand and every time I came across the titles above, I first checked on Discogs to make sure I didn’t already have it. Discogs is a great resource for all record, CD and even cassette collectors. The Marketplace is pretty awesome, too.

Until tomorrow, keep spinning…
Scorp out!

—
“Caroline laughs, and it’s raining all day, loves to be one of the girls. She lives in the place in the side of our lives where nothing is ever put straight. She turns herself ’round and she smiles and she says, ‘This is it, that’s the end of the joke.’ And loses herself in her dreaming and sleep, and her lovers walk through in their coats. Pretty in pink, isn’t she?” – “Pretty in Pink” (Ashton/Butler/Butler/Ely/Kilburn/Morris)

The Last Train? or: Heartbreak Station (Eugeology Entry 46)

27 Monday Nov 2017

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Salutations™!!

The last entry was something that I was familiar with and I really enjoyed it. Eugene and Jon are behind but Eug is trying to catch up. I was late with this one because Thursday was Thanksgiving and I hadn’t had time to give it a fair shake. But, let’s hit it…R-5700976-1400324217-3906.jpeg

#46 – Heartbreak Station by Cinderella.

I loved Cinderella’s first two albums. They were raw, yes, but still glammy and glittery. They were gutter rock and that was great. “Nobody’s Fool,” “Somebody Save Me,” “Nothin’ for Nothin’,” “Shake Me,” “Bad Seamstress Blues/Fallin’ Apart at the Seams,” “Gypsy Road,” “The Last Mile,” “Coming Home” and the list goes on. Night Songs and Long Cold Winter had those. And, then, this album came along. This was Rolling Stones. This was Aerosmith. Both of those by which I picked out as soon as I heard it. I will say that Tom Keifer and company did Stones and Aerosmith better than the originals but I don’t really care for either way for the Stones, I can’t stand Aerosuck, and I don’t care for Cinderella doing them.

One way for me to switch the channel on SiriusXM’s Hair Nation channel is to let “Shelter Me” come on. I absolutely hate that song. From the first time in 1990 until the fourth time hearing it during this project, I have completely hated it. This is not the glammy and glittery gutter rock that Cinderella was to me. This was a sad excuse for a blues record, and we know how I feel about blues music. Not, hard rock – or even pop rock – that are based in blues, but when I can hear the blues coming out. And, it reminded me of “Copperhead Road” in places and I hate that song, too.

One funny thing about this album, it came out on my 20th birthday. Okay, that’s really not funny but it is somewhat ironic that I dislike it as much as I do. And, I really do. There are moments that I like and a few of the songs, but overall, I couldn’t wait for it to be over every time I listened to it. And, I never listened to it back to back. I just needed a break. I will say, though, that while I say there are a few that I like, I really do like “Electric Love.”

Like I said, on Night Songs and Long Cold Winter, I loved what Keifer, Eric Brittingham, Fred Coury and Jeff LeBar did. On this, I find very little redeeming qualities. Sorry, Eug, but this is a dud for me. But, remember Dear Reader, this is just my opinion. I’m not right or wrong, just how I feel. Definitely, give it (and the two albums prior in their discography) a listen. You may like it. It grates me, badly. Look for Eugene’s and Jon’s reviews sometime next year on this one.

Until tomorrow, same blog channel…
Scorp out!

—
“Woke up this morning on the wrong side of bed. I got this feeling like a train’s running through my head. Turned on my radio to the same old song. Some big mouth talking trying to tell us where the world went wrong.” – “The More Things Change” (Keifer)

Silent Sunday or: The Haul 11/18/17

19 Sunday Nov 2017

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Salutations™!!StreetSurvivorsFlames

So this week will be a mixture of the take from Underdog Records and a shload of records that I didn’t know that I owned. Let me explain. About 10 years ago, my ex-wife and my mother went to an auction (they were always going to auctions) and purchased a ton of records. They only wanted to rock records but it was one of those, you take one you have to take the whole thing deals. Well, I didn’t have a record player back then. So they got stored. And, I forgot about them. About 3 weeks ago, my ex-wife asked me if I got the ones out of the cabin. What are you talking about? We didn’t have any in the cabin. She informed me that yes we did. I thought perhaps it was one or two things that I had over time. Well, I had to go in the attic with my mother and she said, there are your records. I was looking through and just like a kid, kept saying these are mine!?!? So, I brought them home and am going through them a little at a time. Many rock albums to add to my collection and a lot of jazz, folk and classical, too. I did the rock ones first. Again, these are mixed here.

This is the Bonus Stack below the line

So, that’s a lot and that’s only the rock and few that The BCPF wanted to listen to. I have at least 50 more to put in that are of all other genres. This coming Friday is Black Friday and Underdog Records will have a ton of awesomeness for Record Store Day – Black Friday Edition. Go to the RSD website to find out what is coming. Jonathan said he’s stocking 90% of that list, so make plans now. And buy a gift certificate for someone, do it now and get an additional 10% added for no additional cost. And as you can see, we do a lot of cataloging with Discogs and we love it!

And RIP not only to Malcolm Young, but Mel Tillis passed away, too. RIP Mel.

Until tomorrow, same blog channel…
Scorp out!

—
“Heaven. Heaven is a place. A place where nothing. Nothing ever happens.” – “Heaven” (Byrne)

Silent Sunday or: The Haul 8/26/17

27 Sunday Aug 2017

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Salutations™!!

After a week off from records to absorb deliciously fermented grape juice, we made up for it at Underdog Records on Saturday. I’m sure Jonathan wasn’t complaining. Let’s just do it!

COTN_album_cover

©Casablanca/Island Def Jam/UMe

 

That’s quite the haul. It’s hard to tell what I missed yesterday because we were a little late getting there and I know Clay had already been through. We were quite excited with this haul and it’s already been good listening. If you’re thinking of getting into vinyl, getting back into vinyl or just want to expand your vinyl collection, then you need to get by Underdog Records. They have turntables, receivers, speakers, cleaning accessories and more. Listen to The Less Desirables each week to hear what the Underdog/TLD special is for that week. And use Discogs to archive and log your vinyl collection so you always know what you have.

Until tomorrow, same blog channel…
Scorp out!

—
“The road is long with many a winding turn that leads us to who knows where. Who knows where? But I’m strong. Strong enough to carry him. He ain’t heavy, he’s my brother.” – “He Ain’t Heavy, He’s My Brother” (Russell, Scott)

Silent Sunday or: The Haul 8/1-5/17

06 Sunday Aug 2017

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Salutations™!!

This week’s haul spans several days as we visited Underdog Records on Tuesday upon our return from Raleigh, seeing Belle and Sebastian. So it’s extra long today. Let’s hit it!

Peter_criss_solo_album_cover

©Casablanca/UMe

 

So, as you can see, that’s a pretty good haul. Some stuff we’re really excited to get, some we just needed for the collection and some “must haves.” It’s always fun to go in Underdog Records. We have a little community that we’ve formed being customers over there. I know Jonathan has a few quality turntables for sale in the store right now and some receivers and speakers, as well. If you’re looking to get into vinyl for the first time, or again, or just want/need to upgrade your setup, then you’ve choices over there. And, we all use Discogs to manage and archive our collection (and to provide you links for this blog).

Until tomorrow, same blog channel…
Scorp out!

—
“My house! Is out of the ordinary. That’s right! Don’t wanna hurt nobody. Some things sure can sweep me off my feet. Burning down the house.” – “Burning Down the House” (Frantz, Byrne, Harrison, Weymouth)

Let It All Be For Me or: Attention Shoppers! (Eugeology Entry 15)

20 Thursday Apr 2017

Posted by in Music Review

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Salutations™!!

Attention_Shoppers!

©Capitol Records

I was really pleased with last week’s entry. That surprised a few people because they know how much I can’t stand Aerosmith. But, a good album is a good album. Jon has been traveling and Eugene has had work things to take care of. As I told them, it’s for fun. So, we’ll get their reviews in due time. Now it’s time for this week’s entry.

#15 – Attention Shoppers! by Starz.

Although I had heard of Starz, I had never heard anything from them. I had heard of them because they were one of the bands in the Bill Aucoin stable. Bill Aucoin was the manager of KISS that pretty much got them rolling like the huge rock mastodons they were. He got them signed to Capitol Records. Good job Gui!

There’s not a lot of info out there about the band, really. It sprouted from what was Looking Glass after their lead vocalist left. Add Rex Smith’s brother Michael Lee Smith on vocals and a guitarist (Richie Ranno) from Stories and you pretty much have Starz.

But I can say that this is power-pop beautifully done. It’s a lot like hard rock meets 50’s early rock. It does remind me a lot of Cheap Trick, which can never be a bad thing. The twin guitars of Ranno and Brendan Harkin are melodic and harmonic all at the same time. Pete Sweval’s bass lines aren’t just mimicking the guitars, either. There are some gritty and nasty bass runs and riffs on this album. I love when drummers aren’t afraid to be hi hat heavy and Joe X. is certainly that. I think a drummer that can tastefully make the hi hat more than a time keeping device, that’s most impressive.

The real star(z) on this record, though, is Michael Lee Smith. The guy has some serious chops and a great rock and roll voice. He can get gritty, he can be velvety, he can have oomph, he can have tenderness and probably most importantly, his range is wide. It’s all there. And the harmonies on this record are amazing. Listen to the opening track. “Hold On to the Night,” and you know you’re in for a fantastic vocal journey and the music isn’t bad either. Other faves of mine are “She,” “(Any Way That You Want It) I’ll Be There,” “Good Ale We Seek” and “Johnny All Alone.” My absolute favorite on the album, though, is “Third Time’s the Charm.” I just love that song.

I really don’t know why this band didn’t get farther than they did. It wasn’t like the 80s when there was an overabundance of musical acts to choose from. There were a few dozen handfuls of bands to choose from in the 70s. I know that’s really a stretch but I am just disappointed they weren’t more popular. Perhaps Cheap Trick cornered the rockin’ pop market and cornered them out? Now, I do understand that their previous albums were a little more raw and that after this album a few members were “relieved of their duties” because they thought they should have stayed this course, whereas the remaining members wanted to go back to the more raw sound. I did briefly touch on Violation, the album prior and it was okay, but this is more my speed. If you like good  great power pop music that seems to have just about all the elements you need for a darn-near perfect album. This is it. Thanks Eug, for this one. Can’t wait to hear your and Jon’s take on this. I know Jon heard a few bars of the opening track in the studio and he seemed to dig it.

Until tomorrow, same blog channel…
Scorp out!

—
“If you miss it on the first one, you’ve got to be strong, my son. Get up and try it again and again until the pieces fit right in. The third time is the charm. Don’t you know the third time is the charm?” – “Third Time’s the Charm” (Starz)

F.I.N.E. or: Pump (Eugeology Entry 14)

13 Thursday Apr 2017

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Salutations™!!

To my chagrin, I liked last week’s entry. I didn’t want to, but I couldn’t resist. It was like trying to eat only one Lay’s potato chip. Eugene hasn’t written his entry for that one yet, but Jon really dug it. I’m glad. So, last Thursday, it was time to be issued our next project, this came through:

Aerosmith_Pump

©Geffen Records

#14 – Pump by Aerosmith.

Let me say that I cannot stand Aerosmith. I can’t stand Steven Tyler and they’re so very over played. I have seen them live twice. Once with the drummer from my old band Heavens Sake. It was a shed show and we had gotten free tix for advertising in a local mag. Free seats, usually, equates to no seats but lawn access. That was awful. I will never go to another shed show to sit on the lawn. That’s dumb. The second time was on a double-bill co-headline show with KISS. I had gotten gold circle seats because I wrote the cover story for the same magazine.

I was kind of offended that KISS went on first. They were the better “headliner” I thought. When they were done, I had shifted my thought on that because that meant I could leave four songs into the Aerosmith show because they were horrible. The keys were too loud and Tyler was too interested in dancing and prancing than singing in key. I just can’t stand them. Bottom line.

Now, all that being said… I really love this album. This and its predecessor, Permanent Vacation, both were fantastic albums. It could be that I thought it sounded better when they were straight and sober. It could be that this was the first stuff that I really paid attention to from the band (my history of rock was skewed because of my access as a child, I’ve explained that before). It could be that I like slick production. Whatever the reason, I don’t get annoyed with this or Vacation. When something comes on from these two albums, I don’t turn it. Anything after or before, I turn it. Overplayed and overdone.

There’s not a lot of difference in this and the earlier (or later) stuff, it sounds like Aerosmith, but I guess it was my age. I was freshly out of high school (I graduated the spring prior to its release) and had this on cassette. That makes it one of only two of these albums that I have previously owned (Invasion of Your Privacy) and was familiar with. It just seems there was some direction here. This and the one before were a proving ground for the band to show they could write sober songs. I think they did a darn good job.

There’s some weird stuff going on. I’m not used to Tom Hamilton being a slap bass kind of guy but in “Janie’s Got a Gun,” he’s doing just that. And, he co-wrote the tune. The harmonies are really cool and textural. They’re scattered around and put in great spots. Yeah, it’s almost entirely Steven Tyler, but it’s more layered than older Aerosmith. I believe “Love in an Elevator” is really the only song that has other people singing backing vocals. They either use a backing track or a harmonizer live, because it’s almost all Steven Tyler. There’s also a dulcimer, a didgeridoo, Thai naw (a mouth organ made from gourds and bamboo) and a glass harmonica, all played by a fellow named Randy Raine-Reusch. It adds dimension and depth. I like that. Even album producer Bruce Fairbairn threw in some horn work on the album.

Joe Perry is on, keeping his blues-laden riffs in tact. Brad Whitford (not the actor Bradley Whitford) is there trading licks, too. I don’t know that Joey Kramer was this solid a drummer when he was stoned. Tom Hamilton, as stated earlier, is doing that slapping thing but he’s laying down some fantastic riffs and lines on this album. Very nice work. And, yes, Tyler does a really great job. He shows more range and dynamics on this album and the one prior, I think, than the “classic” albums.

My favorite tunes on the album are “Love in an Elevator,” “Janie’s Got a Gun,” “The Other Side,” “Medicine Man” and “What It Takes.” There’s none that I dislike. So, yeah, I like an Aerosuck, er… Aerosmith album. This wasn’t a stretch for me, as I’ve always liked it. And, I still listened to it the (mostly) minimum six times. I recommend it and want to hear Eugene and Jon’s takes. Hopefully, they won’t be too long. And, hey Eug, what’s next!?!

Until tomorrow, same blog channel…
Scorp out!

—
“Gonna be a penthouse pauper. Gonna be a millionaire. I’m gonna be a real fast talker and have me a love affair. Gotta get my timin’ right. It’s a test that I gotta pass. I’ll chase you all the way to the stairway honey, kiss your sassafras.” – “Love in an Elevator” (Perry/Tyler)