• Because You Love Me…
  • Follow
  • The Podcast
  • About
  • Friends

Useless Things Need Love Too

Useless Things Need Love Too

Tag Archives: Ace Frehley

Riding the Comet or: Kissin’ Piggies

15 Thursday Jul 2021

Posted by TGBII in KISS, Podcasting, The Less Desirables Network

≈ Leave a comment

Tags

Ace Frehley, asylum: Tales from the Devereaux Diaries Podcast, KISS, Music, The Less Desirables Network

Salutations™!!

©Megaforce

This week on Asylum: Tales from the Devereaux Diaries podcast, we talked about Ace Frehley’s 1987 post-KISS debut, called Frehley’s Comet. What did the Kousins think of this album? You know you’ll have to listen for that. You can do that here. Have you heard the album? Did you like it? Let us know!

Until tomorrow, same blog channel…
Scorp out!

—
“When I think of how my life was spared from that near fatal wreck, if the Devil wants to play his card game now, he’s gonna have to play without an Ace in his deck!!” – “Rock Soldiers” (Frehley/Taylor)

Now Normal Chronicles or: Trouble Walkin’

13 Tuesday Oct 2020

Posted by TGBII in KISS, Video

≈ Leave a comment

Tags

Ace Frehley, Music, Video

Salutations™!!

Today is the 31st anniversary of Ace Frehley’s Trouble Walkin’ album. It was the first album released after Ace broke up Frehley’s Comet. It’s a good album, but I don’t enjoy it as much as the first Frehley’s Comet album. I couldn’t find a good cover (or really any cover) from the album so here’s a video from Ace. Enjoy!

Until tomorrow, same blog channel…
Scorp out!

—
“Your fascination with my creation adds stimulation rock til you drop. Hard rock nation lost generation end the frustration get shot full of rock.” – “Shot Full of Rock” (Frehley/Scarlet)

Spinning Sunday or: Record Store Day Drop One

30 Sunday Aug 2020

Posted by TGBII in Records, Spinning Sunday, The Less Desirables Network

≈ Leave a comment

Tags

Ace Frehley, Al Green, asylum: Tales from the Devereaux Diaries Podcast, Def Leppard, Dio, Discogs, Fantastic Negrito, Fight, Gorillaz, Iggy Pop, Judas Priest, k.d.lang, Martin Denny, Music, New Riders of the Purple Sage, Pretenders, Record Store Day, Records, Rolling Blackouts C.F., Roxy Music, The Charlatans UK, The Cure, The Less Desirables, The Man Who Ate the Town, The Pale Fountains, Throwing Muses, Tom Tom Club, Tones on Tail, Ultravox, Underdog Records

Salutations™!!

Yesterday was a national holiday for record collectors, although it didn’t feel like it. In recent years, I would have camped out overnight in front of Underdog Records in anticipation of Record Store Day. And, it would have been mid- to late-April. But, all that went out the window with C-19. RSD was postponed and then they decided to do it in three drops. One each in August, September, and October. Jonathan did the right thing and set it up in a lottery system where interested parties registered to enter. There were over 100 entries, maybe close to 200. Only 36 slots were available: 3 people every 15 minutes from 8am (the normal start time for RSD) and 11am. Underdog then closed and Jonathan took an inventory of the leftovers and, also for the first time, he was able to sell RSD titles online the day of.rsd drops

I was lucky enough to draw one of the spots. I was a 1015am slot. No overnight camping was allowed, which I don’t mind missing at all, I just missed hanging with my friends. And, no mad scramble for records, although with our crew (or Crüe as we call it), it was fun to do that together. All of these are new and I include (where applicable) the limited issue. So, with that in mind, here’s the haul:

  • Iggy Pop – Kiss My Blood (Live At The Olympia – Paris France – 1991 — Record Store Day 2020 exclusive release, limited to 2,500 copies. Includes printed inner sleeves, a tour poster, and a DVD of the live concert. 3xLP Gray/Red/Gray. New.
  • Ace Frehley – Trouble Walkin’ — Record Store Day 2020 first release, limited to 2,400. 2XLP, 45 RPM, Yellow/Orange splatter. First time on vinyl since 1989. I only owned it on CD, much later.
  • The Cure – Bloodflowers — Record Store Day 2020 exclusive release, limited to 7,500 copies. 2xLP, Limited Edition, Picture Disc, Reissue. I don’t usually do picture discs because a) they sound atrocious and b) they tear the poop out of my needle. But, this album isn’t available on vinyl right now unless you find an old copy.
  • Judas Priest – British Steel — Record Store Day 2020 exclusive release, limited to 3,500. 2xLP, Single Sided, Album, Limited Edition, Reissue. Side A is on Record 1, and Side B is on Side A of Record 2. Sides B & D are printed on creating the illusion of a picture disc. Tracklisting on the packaging differs from what is listed on RSD’s website. I’m not sure how this works, I haven’t opened the albums. I got this mainly for the collectability of it.
  • Throwing Muses – Purgatory Paradise — Record Store Day 2020 first release, limited to 950 copies. 2xLP, Reissue. I don’t know that this album (released in 2013) was released on vinyl originally. I think that’s what the first release means. This was a pick from The BCPF.
  • k.d. lang – Drag — Record Store Day Aug 2020 edition. Smoky grey vinyl. 2xLP, 3 sides recorded, side 4 etched “drag.” Special Edition. k.d. lang (I love the lowercase styling) has an amazing voice.
  • Fight – A Small Deadly Space — Record Store Day 29 Aug 2020 exclusive. First-ever vinyl reissue. Limited Edition, Red & Black Marble. For those who don’t know, Fight was the band that Rob Halford started after he left Judas Priest in 1992. This is their second album.
  • Martin Denny – Exotic Moog —  Limited Edition, Reissue, Orange. Record Store Day 2020 exclusive, limited to 1,500 copies. Originally released in 1969.
  • Tones On Tail – Pop — Limited Edition, Reissue. RSD 2020 Release. Limited to 1500 copies. We didn’t get this from Underdog Records. I had talked to someone from the Crüe that I knew had an earlier time slot and I knew that this was on his list. Another part of RSD is you’re only allowed to buy one of each title. I also didn’t know how many copies Jonathan got in, so another member of the Crüe had to go to another store (he didn’t get drawn) and was first in line (that store did allow people to gather) and picked it up for me. This was The BCPF’s “must-have” from the list.
  • Al Green – Green Is Blues — Limited Edition, Reissue, Remastered, Green/Blue Split, 180g. First released for Record Store Day 2020 with an initial pressing of 3,000 copies, of which 500 were sold in the UK. Housed in a tip-on jacket. This means the pictures are glued onto the card stock.
  • The Pale Fountains – Longshot For Your Love — Compilation, Limited Edition, Reissue. RSD 2020 release reissue limited to 900 Copies. Black vinyl disc issued in a gatefold sleeve. With inner sleeve featuring liner notes & lots of photographs. This was confusing. Musically it is amazing. Vocally it was awful. The music wins.
  • Roxy Music – Roxy Music — Reissue, Clear, 180 Gram, Gatefold. Record Store Day 2020 exclusive release, limited to 4,000, gatefold cover. This release is listed as “Roxy Music – The Steven Wilson Stereo Mix“ on RSD’s website, but that title does not appear on the front cover or spine. So, I don’t know if it really is the Steven Wilson stereo mix or not. Some copies with “Made in the Czech Republic” sticker on the back. Mine had that. The debut album from the band in 1972.
  • Gorillaz – G Sides — Compilation, Limited Edition, Reissue, Remastered, 180g. Limited to 15,000 worldwide copies according to Record Store Day. Printed inner sleeve. I don’t have any Gorillaz and I don’t know a single tune by them. I figured now is a good time to listen to some of it.
  • Pretenders – Live! At The Paradise Theater, Boston, 1980 — Limited Edition, Reissue, Clear / Red. RSD Drop, August 29, 2020 release. Limited edition of 6500 copies. It’s in a vinyl plastic sleeve that smells like pool floats and beach balls. I dug it. The record is awesome, too.
  • k.d. lang and the reclines – Angel With A Lariat — Limited Edition, Translucent Red, Reissue. Reissue of her 1987 sophomore effort.
  • Tom Tom Club – Genius of Live 2020 — Compilation. Record Store Day 2020. Exclusive limited to only 1200 pressed on yellow vinyl.
  • Dio – Annica — 12″. Picture Disc. Officially released on August 29th, 2020 for Record Store Day. The sticker still lists the date for RSD as April 18, 2020, which was postponed. Limited to 3000 copies. Again, this is more for the collectibility of it than to listen to. I’m not a fan of 12″ single nor picture discs (as I stated).
  • The Charlatans UK – The Charlatans V. The Chemical Brothers — 12″,  Limited Edition, Reissue, Yellow. Record Store Day 2020. Limited to 500 copies. The Chemical Brothers remixed this 12″.
  • Def Leppard – Rock N Roll Hall of Fame — Limited Edition, Special Edition. Released for the first Record Store Day “Drops” 2020. Limited to 4000 copies. Includes a hype sticker. Recorded last year in the Barclay Center during their Rock and Roll Hall of Fame induction.
  • Ultravox – Sleepwalk — 12″, 45 RPM, Single, Limited Edition, Clear. Record Store Day 2020 edition: first time on UK 12″. Cover sticker states Ultravox. 40th Anniversary. 12″ Clear Vinyl Exclusive Sleepwalk. Limited Edition Record Store Day. Rear Cover states: Taken from the 40th Anniversary Deluxe Edition of VIENNA. Note: only one pressing of this has been manufactured for worldwide distribution and there are no separate releases for any specific country. 1,200 copies only.
  • New Riders Of The Purple Sage – Field Trip — Limited Edition, Black. Recorded live at Temple Meadow – Veneta, Oregon August 27, 1972. Taken directly from the original 16-track analog master reel-to-reel tapes running at 15 I.P.S. Previously released as “Veneta, Oregon August 27, 1972” (KUFALA Recordings- KUF 0088) in 2004. Record Store Day Release limited to 1500 copies. I know this is probably a blasphemous statement, but I have never heard of NRPS other than some passing something here and there. I don’t know that if I ever had heard it or anything from them, I wouldn’t know it was them. So, why not check it out?
  • Various – Girls In The Garage Volume 8 — Compilation, Limited Edition, Numbered, Special Edition. Some of the artists on this are Claire Lane, The Beas, The Liverbirds, Marilyn Mattson, Shammy And The Famous Ruis Family, Die Sweetles, What Four and Judy Came, just to name a few.

The next two were not part of the RSD releases but we picked them up while we were in the store:

  • Fantastic Negrito – Have You Lost Your Mind Yet? — My Kousin Gary turned me on to this during the recording of Asylum: The Tales from the Devereaux Diaries podcast last week. It’s hard to put him in a genre but you can include, blues, R&B, and some roots stuff. It’s a great listen and The BCPF loved it as well. New.
  • Rolling Blackouts C.F. – Hope Downs — The BCPF really liked the first album we got from Rolling Blackouts C.F. (which was their second album) so she wanted this one (their first), too. New.

I know this was all long and I won’t go into any long-winded diatribe things. Checkout Underdog Records’ website, listen to Asylum: Tales from the Devereaux Diaries podcast (and The Less Desirables and The Man Who Ate the Town and… well, the whole TLD Network) and use Discogs for cataloging and collecting!

Until tomorrow, whew! Keep spininn’!
Scorp out!

—
“Have you lost your mind yet? To get free tonight, ah. To all of your friends that come over, uh. And get free tonight, uh. Clap your hands in time. Get free tonight, yeah. Now the whole world is watching. Get free tonight. It’s your mind, body and soul food tonight. Let your mind, body and soul feel it tonight.” – “Chocolate Samurai” (Dphrepaulezz)

The One That Started It or: First KISS

18 Tuesday Feb 2020

Posted by TGBII in KISS, Video

≈ Leave a comment

Tags

Ace Frehley, Gene Simmons, KISS, Paul Stanley, Peter Criss

Salutations™!!

Today is the 46th anniversary of KISS. The band started in 1973 but this album came out on February 18, 1974. Only eight months older than its successor, Hotter Than Hell which was only five months before its successor, Dressed To Kill. This isn’t my top KISS album but came in at #3 on my rankings (you can read “Part I” or “Part II” of my ranking list by clicking those links). It had the lion’s share of the spots on the first Alive! album, too (7 of the 16 tracks were from this album).

Instead of looking out for some half-good cover version, I’m pulling out one of the most famous videos of this song. It was the version featured in the KISS Xposed video and is with Gene doing the blood thing. It rocks! Enjoy!

Until tomorrow, keep KISSin’!
Scorp out!

—
“And baby, won’t you let me? I think I’m going out of my head. I’m just about to, ooh yeah!” – “100,000 Years” (Stanley/Simmons)

Spinning Sunday or: The Haul – Black Friday Edition

01 Sunday Dec 2019

Posted by TGBII in Records, Spinning Sunday

≈ Leave a comment

Tags

Ace Frehley, Cheap Trick, Discogs, Frehley's Comet, Heart, Jeff Buckley, Jefferson Airplane, Jefferson Starship, John Coltrane, John Linnell, John Philip Sousa, Karla Bonoff, KISS, Marty Balin, Music, National Geographic Society, Paul Young, Piedmont Wind Symphony, Record Store Day, Records, Streetband, The BCPF, The Rolling Stones, They Might Be Giants, Underdog Records

Salutations™!!

I had told Jonathan that The BCPF and I wouldn’t be coming to Underdog Records for the Record Store Day – Black Friday event, and technically, we weren’t there at the opening for the bum-rush doorbuster event, but we did wait until about noon and went by and the store had settled down. We still found pretty much all we would have gotten had we gotten there in the wee hours of the evening, which surprised us. If this had been the April version of RSD, I would have camped out and been one of the first three in the line and in the door. But, since we went on Friday and spent a good bit of money we didn’t go on Saturday, so this reflects Friday and two that I got on Wednesday. Here ya go:

190759783115

©Epic/Legacy

  • Cheap Trick – Are You Ready? Live 12/31/1979 — This is supposedly an infamous show from The Forum in Los Angeles, New Year’s Eve 1979. The “supposedly” is the infamous part. The hype sticker states it’s from a few different mixes and the first few songs in the set are really crappy production. The sonic quality picks up after the first little bit. Robin Zander’s voice, which I’ve always found strong was a bit shaky in some spots, too. I think they had played a few shows before and he needed a break. Still, it sounds pretty good overall; lots of energy. It was an RSD exclusive, limited to 3500 copies worldwide, and I picked up the last one that Jonathan had. 2xLP. New.
  • John Linnell – State Songs — One half of They Might Be Giants, John Linnell, plays a lot of original songs about 15 different states and one about all 50. I’m a fan of TMBG but sometimes they’re a bit much for me to take. I think this is good for comedic purposes but overall? I didn’t really think it was that great. RSD exclusive, first time on vinyl on green-marbled wax, limited to 1500 copies worldwide. New.
  • Frehley’s Comet – Live… — Not to be confused with Live+1 that came out in 1988, which was recorded in Chicago in 1987 and had two live KISS tunes (Ace’s) and two live from Frehley’s Comet’s self-titled debut and one studio demo track. This was recorded in March 1988 in London and has all the live tracks from the previously mentioned EP along with “Cold Gin” and “Shock Me.” This also had Jamie Oldaker playing drums instead of Anton Fig. A really good sounding recording. I don’t know how many more songs they did and if these were the only ones that made it, or if he only did six songs…? RSD “first,” limited to 2700 copies worldwide, first time on vinyl; orange. New.
  • Jeff Buckley – Live At KCRW: Morning Becomes Eclectic — I will say again that when the world lost Jeff Buckley, we lost a true musical genius and talent. His ability to jump his voice from heavy to heavenly at the drop of a hat was amazing. This EP has five songs done at KCRW sometime in the 90s. RSD exclusive limited to 3750 copies worldwide. New.
  • John Coltrane – A Love Supreme: The Complete Masters — #47 on the RS list, this is a 3xLP reissue from 2015 that I purchased on Wednesday. Coltrane is a “local boy done good.” He was born in Hamlet, NC in the south-central part of the state and grew up in High Point, just down the road from WSNC. This version includes the original album, a quartet session and a sextet session. Good stuff. VG+.
  • The Rolling Stones – Love You Live — Love You Live was recorded on the “Tour of Americas” from 1975, the “Tour of Europe” in 1976 and from the El Mocambo nightclub concert venue in Toronto in 1977. It was overdubbed and mixed from late May to mid-June 1977. So, I didn’t think they could have done that good of a job live. But, the final result was pretty good considering it is the Stones and it is a “live” album. VG+.
  • Heart – Greatest Hits / Live — This is a compilation album of greatest hits, live recordings and new tracks released in 1980. I like Heart. I’ll probably like this. VG+.
  • Streetband Featuring Paul Young – Streetband Featuring Paul Young — I get the feeling that this was a record company money grab as it “features” Paul Young. This is before “Every Time You Go Away,” before “Come Back and Stay,” even before the Q-Tips. His time in Streetband wasn’t very long in the late 1970s. But, he has a great voice, let’s hear how this works out, eh? 2xLP. VG+.
  • Marty Balin – Balin — The other LP that I picked up on Wednesday. Every time I hear “Hearts,” I think of my friend Jim Young. I really don’t know why other than we once had a conversation about it. Same with “Personally” from Karla Bonoff. But, this, Balin’s debut solo album after Jefferson Starship, has “Hearts” and it was only $2 and was in NM condition, although I give the outer sleeve VG++.
  • John Philip Sousa – The Music Of John Philip Sousa On Parade — We say the Piedmont Wind Symphony do Sousa songs early last month and we never knew how much style was in those marches. I thought of them as being boring but one we saw it live, I can’t say that any longer. The BCPF picked this one out. It’s from the National Geographic Society. VG+.

Jonathan said that the Record Store Day – Black Friday Edition was a success, even more than he expected. He did a great job getting it all set up and we are all thankful that he provides us record collectors with a “candy store” we can be proud of. Underdog Records has a good selection of used stereo equipment for sale and don’t forget gift certificates, they come on old 45s. Listen to each new episode of The Less Desirables to hear the TLD/UR special of the week/month. Also, use Discogs to track your music collection no matter the format (other than digital and maybe even then).

Until tomorrow, keep spinnin’…
Scorp out!

—
“Hearts can break and never mend together. Love can fade away. Hearts can cry when love won’t stay forever. Hearts can be that way.” – “Hearts” (Barish)

Hotter Than Hell Again or: Still a Great One

22 Tuesday Oct 2019

Posted by TGBII in KISS, Movie Review

≈ Leave a comment

Tags

Ace Frehley, Gene Simmons, KISS, Music, Paul Stanley, Peter Criss

Salutations™!!

Today is the 45th anniversary of one of my favorite KISS albums, Hotter Than Hell. I liked my writeup from last year and I’m reposting it.

… It is one of my faves, for sure. It was one of the first albums I ever got in the 70s and it was one of two KISS CDs that I purchased when I bought my first CD player in Orlando, FL on December 27, 1989. I got the player at Wal-Mart (the first time I ever went to one) and purchased the Bad English CD from the band of the same name and when we were eating dinner, I went to Peaches Records and Tapes and bought this and Music from ‘The Elder.’ I just felt like I needed to. That was when CDs were still $24ish at Peaches. But, enough about me…

Cover_hth_large

@Casablanca Records

 

In February of 1974 young group of New Yorkers had donned greasepaint and put out their first album called KISS. Casablanca Records had put “Kissin’ Time” which had been a hit for Bobby Rydell on the album because Neil Bogart thought it was catchy and they needed a boost for the album. It wasn’t on the original version but subsequent copies had it. They did some novelty things like KISSing contests and the like. KISS was gaining speed as a live act, but that was on a somewhat smaller scale as it was only the people who went to see the band that knew about them. The album itself had a little momentum but then went nowhere.

Well, if at first you don’t succeed… do it again. So, here they were in August and disappointed with sales of the first record. Bogart shipped them to Los Angeles to record with Kenny Kerner and Richie Wise who both had just moved to LA. None of the band liked it out there (at first). Equipment theft, eccentric people, the list goes on for reasons, just didn’t sit well with the tougher New Yorkers.

Recording went okay, but any KISS fan can tell you it sounds like they recorded it in a bathroom. It’s more reverb-heavy or echoey and the sonic presence is somewhat thinner. That, despite the lyrical content being a little darker and the music heavier than on the first album. The producers can just blame it on their frazzled state after moving to Cali. Now, I’m sure, this being the 70s and such, that there were probably drugs involved, too. Despite that, as a kid, I never knew there was a difference. I just heard the songs. The songs spoke to me.

Ace and Peter were still in it at this time. I mean, they were in it. They were still hungry. Ace wrote two of the songs and co-wrote another with Paul. He still wasn’t in a position to sing as his confidence level in that area was quite low. But, the songs that he wrote were powerful. One becoming a concert staple and making it onto Alive! just a year later. More about that in a minute.

The album, at first, went nowhere. The distribution deal that Casablanca had with Warner Bros. Records had expired. So, they had practically no heat behind it. It undersold the first album and that’s saying something. It did eventually reach gold a few years later but that was because the surprise popularity of Alive! boosted the public interest of the previous studio albums. The low sales/high potential led to the very quick recording of Dressed to Kill only three months later.

Musically, however, this album is chock-full of goodness. The album starts off with “Got to Choose” a tune written and sung by Paul. It’s about a guy who hears his girl is going to leave him or at least going to be double-dippin’ and he’s telling her it’s “him or me,” make up your mind. This song was the first KISS song that Heavens Sake ever performed live. The first of very many. There’s even a recording of it on our 1998ish WV EP that was never released as the sound quality was worse than this album, but we enjoyed it. We realized after we had already come back home that we had totally left off one of the harmonies in the verses. Oh well. It was still fun. And, so, I’d say if you asked Dave and Bobby about this song, we’d all three have the same fond memories of doing it in the HS. This tune was track #3 on Alive!

“Parasite” was another that made it to Alive! and was written by Ace. It’s heavy and is pretty much a song about a leecher or a woman holding on and it seems the guy can’t shake her loose. Ace played bass on this album but left the vocal duties to Gene. I have performed this one a good bit live. It’s fun.

The odd-ball song on this album, which is not to say it’s not one of my faves, is “Goin’ Blind.” It was co-written by Stephen Coronel and Gene when they were both in Wicked Lester. It’s subject matter, which you’d never get away with in today’s musical and political climate, is about a relationship (or wanted relationship) between a 93-year old man and an underaged girl. Gene did a couple of these over the years. I didn’t appreciate it when I was a kid but I love the song now, subject matter notwithstanding.

The title track is one of my faves, for sure. It also was the subject of a lot of misheard or misunderstood lyrics when I was a kid. I didn’t get the whole premise other than this girl was hotter than hell. I don’t really know what I thought he was saying. But, hey! There’s a gong in it! Great, marvelous, okay move on.

The album’s only single is my least favorite song on the album. It has always been just “okay” with me. It’s called “Let Me Go, Rock ‘n’ Roll.” I think because it’s the boogie-woogie style tempo and feel of the song. I don’t usually care for those type of songs. With that, I don’t have a lot to say about it, other than why was that the single?

“All the Way” is actually kind of a fun, punchy, and happy sounding song, even if it’s just about a guy being driven to the edge of crazy because of his girlfriend.

My absolute favorite song on the album is “Watchin’ You.” It’s a pretty tough riff to pull off and it’s one of the few KISS songs that has a weird time signature (at least in the interludes between chorus and verses). It’s heavy as heck and was an inspiration to my lyrical content for the Heavens Sake song “Cannibal.” In fact, the first line is “I’m watchin’ you…”

Peter gets to sing the next one. It’s called “Mainline.” It was written by Paul and is about a heavy want of this girl. I never really cared for it as a kid but I like it now. It’s 60s or 50s style rock with a harder 70s edge.

“Comin’ Home” was co-written by Paul and Ace, one of the few with that co-billing. I listened to it but never paid attention to it until KISS did it for their Unplugged album. Then, of course, Heavens Sake did it for a bit. Come to think of it, every song on this album got some HS love.

Another one of my faves on the album closes it out. Written by Ace but sung by Peter, “Strange Ways” is just mean and heavy. It is also one of my favorite KISS songs that Heavens Sake covered live. Bobby sang it because he sounded like Peter and was the drummer. Makes sense, yeah? A great solo by Ace on this one, too.

I remember looking at the album cover and think that Gene had some ironed, flipped hairdo and that Paul looked like he had his hand down Peter’s pants. I also couldn’t figure out all the Japanese things. And, what in the wide world of sports was with the green fingernails? The back cover, however, turned me on and confused me. Peter was sitting in a throne (which would probably be more Gene-like) with a naked woman (with stars over her nipples). Ace was sitting, virtually, on nothing in a big aluminum bag. Gene looked like something from “Planet of the Apes” breathing fire but the fire didn’t look real. And, Paul was either making out with a mannequin or doing his best impression of Captain Kirk because his picture partner looked like she was blue.

None of that (other than Peter) was actually what was going on, it just what it looked like to my 8-year old self. I loved, however, the amalgamation mask of the members, adding elements of them all to one face.

It turns out that there had been a party thrown and, other than Gene, all of the band were either drunk or high. So, probably, other than Gene, none of them really have any recollection of what happened during that shoot.

I would put this in my top 10 of KISS albums, possibly even top 5. It’s a great album, even with the shoddy production. Five of the ten songs made it to Alive! and some are still concert staples. It’s a great album and should be heard. If you are confused about what I’ve written, just listen to it and you’ll get it. Imagine an 8-year old kid just learning about rock and roll music in a house full of country and gospel. I was in heaven. Thanks, Paul, Gene, Ace, and Peter.

Until tomorrow, keep KISSing!
Scorp out!

—
“You’ve got a lot to say every night and every sunny day. It’s the same thing you’ve been sayin’ to me every day. You say it’s within your heart. You keep repeating that we’ll never part. I’m so finally glad to hear you stop for a day. You just keep talking louder, complain to your mother and father. One of these days, you’ll push me all the way.” – “All the Way” (Simmons)

Many a Title or: The Biggest Day in KISStory

19 Thursday Sep 2019

Posted by TGBII in KISS

≈ Leave a comment

Tags

Ace Frehley, Gene Simmons, KISS, KISStory, Music, Paul Stanley, Peter Criss

Yesterday was September 18, which means it’s the biggest release day in KISStory.

September 18, 1978, saw all four KISS solo albums (Paul Stanley, Gene Simmons, Ace Frehley, Peter Criss) released.

September 18, 1983, saw Lick It Up released.

September 18, 1987, saw Crazy Nights released.

So, six KISS albums were released on that day. All six of them are certified platinum.

So, here’s a tune, enjoy!

Until tomorrow, same blog channel…
Scorp out!

—
“Don’t like to dress, talk too good, but I found my queen. Not too clean, know what I like, if you know what I mean. Baby, baby, guess you win the prize. Maybe, baby, where the sun never shines. This must be love, fits like a glove.” – “Fits Like a Glove” (Simmons)

Dressed to Kill or: Many KISSes

19 Tuesday Mar 2019

Posted by TGBII in KISS, Music Review, Records

≈ Leave a comment

Tags

Ace Frehley, Album Reviews, Bill Aucoin, Casablanca Records, Dressed to Kill, Gene Simmons, Jethro Tull, KISS, Music, Neil Bogart, Paul Stanley, Peter Criss, Records

Salutations™!!

I know I said that I was done with these, but I had to write about something, right?

Today is the 44th anniversary of the release of KISS’ Dressed to Kill album. Probably my least favorite of the “Klassic KISS” albums, it still has plenty of proud moments for me. One of my favorite KISS tunes is “She” and while that was originally a Wicked Lester tune (co-written by Gene and Stephen Coronel), really no one ever heard it like that and I think most people would prefer there not be flutes, a la Jethro Tull, in their KISS songs. Incidentally, today is also the anniversary of Aqualung. I just thought I’d throw that out there.

Dressed_to_Kill_(album)_cover

©Casablanca Records

Other great songs on this album are “C’mon and Love Me” which I performed probably as much as any KISS song in Heavens Sake, “Rock Bottom,” “Two Timer,” and “Love Her All I Can,” also a former Wicked Lester tune but completely written by Paul. Those are the great tunes from the album (including “She”). Then there are the mid-card KISS tunes like “Room Service,” “Ladies in Waiting,” “Getaway,” and “Anything For My Baby.” These are okay but nothing really kicks me from them.

Of course, the “elephant in the room” is that song. And by that song, I mean that song.

I have to give credit where credit is due, without that song, KISS may have never been what they became. Without that song there probably wouldn’t have been any Destroyers, Unmasked, solo albums, Lick It Up, Revenge, Sonic Boom and so on. I’m almost positive that without that song, Casablanca Records would have folded after the release of Alive! later in the year. But, I really don’t like that song. That’s not true. I am so burnt out on that song. I cringe when I hear it come on, but I have to respect it. That song made KISS KISS. I know this. I am just so over it. More than any other KISS song, I don’t care if I never hear it again, although I know I certainly will.

Okay, enough, that song is obviously “Rock and Roll All Nite.”

Paul and Gene were basically told by Bill Aucoin, their manager, who was in turn told by Neil Bogart, the president of Casablanca Records, that they had to write an anthem. They didn’t really know what he meant. What he meant was a “cheerleading song,” something everyone can sing along to. So, they cranked this thing out. The words make no sense really, but hey, it was 1975. Really, though, name an “anthem” that is more known than this tune. I’ll wait. “Twist and Shout?” “Shout?” “Hey Jude?” I don’t know if any of them are as potent as “RNRAN.” Anyway, the KISS haters will debate that all day long. KISS fans may try to include “Shout It Out Loud” (Destroyer) or “I Love It Loud” (Creatures of the Night), but I’m pretty sure that while we may all be tired of “RNRAN,” we’d be hard-pressed to put those ahead of it.

Funds at Casablanca Records were tight. So tight, in fact, that when the band was brought in the studio after touring, they couldn’t even afford to hire a proper producer. So, Bogart did the work himself. I think he did okay. It’s not the most sonically-dynamic KISS album, but it’s not the worst sounding either.

This was KISS’ third album in just 13 months. Today, that would be unheard of. KISS was released in February 1974 and Hotter Than Hell in October 1974. This was March 1975. There was little time to write and prepare, which, I believe, is why there are two Wicked Lester songs on the album. I also believe that is why there are so many mid-card songs on the album. And, I think it is why the album is so short. The whole thing comes in at 30:07. That’s 15 minutes per side on vinyl. It’s almost EP length in comparison to standards.

Gene played rhythm guitar on “Ladies in Waiting” and Ace played all guitars and bass on “Getaway” (he wrote) and “Rock Bottom” (he co-wrote). Peter sang “Getaway.” Four of the tunes made it to Alive! 

It does have one of the coolest covers, though. I love the boys in business suits. All of them, except Peter, had to borrow theirs because they didn’t own one. If you notice, Gene has on some open-backed high-heeled clogs or something and they’re a little small for his feet. The heel is about an inch out of the back of the shoe. The back cover is the negative of that cover photo.

The album was certified gold in 1977. To my knowledge, it hasn’t progressed from there.

It sits at #29 on my KISS list (out of a possible 32), which surprises a lot of folks. Sorry, it’s just not up there on my “want-to-listen” list. But, it is a KISS Klassic and, again, I give it mad props because of that.

What do you think of this album, Dear Reader?

Until tomorrow, same blog channel…
Scorp out!

—
“Hard times got me down. Good times ain’t around. Now I got the mind to say, ‘Girl, you hit rock bottom and you’re there to stay!'” – “Rock Bottom” (Stanley/Frehley)

Where They Stand or: Many KISSes? (part II)

12 Wednesday Dec 2018

Posted by TGBII in KISS, Music Review, Records

≈ 1 Comment

Tags

Ace Frehley, Alive II, Alive!, Bruce Kulick, Crazy Nights, Creatures of the Night, Destroyer, Dynasty, Eric Carr, Eric Singer, Gene Simmons, KISS, Lick It Up, Love Gun, Mark St. John, Music, Music From The Elder, Paul Stanley, Peter Criss, Rock and Roll Over, Tommy Thayer, Unmasked, Vinnie Vincent

Salutations™!!

Have you recovered from the first half of the list? Are you torn up about it? That’s okay. I’m used to that. So, here we go into the top 15 KISS albums in my preferred order. Let’s go!

Crazy_nights_album_cover

Crazy Nights

#15 — Crazy Nights (1987). Yeah, this gets a lot of flack for being bubble gum, sugary rubbish, but not with me. I loved this album and I still like it. Is it as good an album as Destroyer or KISS or Rock and Roll Over? Nah, but I enjoyed it. I was almost 17 when the album came out and it was still KISS to me. It didn’t matter how sugary it was, I couldn’t hear enough of it. But, then again, I like that pop-rock stuff. So, there.

#14 — Destroyer (1976). Yeah, what is widely called their best album isn’t even in the top 10 for me; barely does it crack the top 15. Yes, it has classic tunes, including one of my top ever, “God of Thunder,” but overall, it just isn’t my bag. Now, it could be that I never had this as a kid on record and didn’t spend all my pubescent years listening to it. I got what I could when I could and it was never gifted or given to me as a present and I didn’t buy it myself. So, it just doesn’t hold the same nostalgia as the following albums did. Now, I agree it is great, I just don’t get excited about it.

#13 — Lick It Up (1983). I talked about this album on its 35th birthday, which is September 18. You can go back and read more if you want. It was heavy and “metal” and that’s some of what made this a great album. It wasn’t about sex, it was about serious rock stuff. It was a great album and I dig it.

Dynasty_(album)_cover

Dynasty

#12 — Dynasty (1979). The disco craze had just hit and this is where KISS decided they needed to be trendy over their roots and hit up Vini Poncia to produce an overly-slick album that reeked with disco flavor, and I liked it. I talked about the album earlier this year on May 23, its anniversary. I talked about how I really didn’t notice that it was different until much later. I did notice that “2000 Man” sounded unlike KISS, but the rest of it wasn’t really different. I couldn’t pick out the differences back then, I was 8 years old.

 

#11 — Creatures of the Night (1982). The “lost” album. It wasn’t lost, it wasn’t hidden away, it was where many KISS fans were just looking over KISS after their disco/pop/art rock debacles from 1979-1981. As with the previous album, though it was a departure, I didn’t notice the difference. The last true “makeup” album it was KISS trying to get their feet back under them. So, until they went back and listened, most KISS fans didn’t know what they were missing. I will say, it is the coolest of any KISS cover.

#10 — Paul Stanley (1978). So, that means that two solo albums cracked my Top 10. This is very KISS-like, but there was something about it that also wasn’t KISS. It was a little less hard as the KISS stuff. Well-written songs and a bevy of great studio musicians helped make this a fun album to listen to. I could see these being KISS songs and not just KISS throw-aways. To me, probably the best of the solo albums. But…

#9 — Gene Simmons (1978). Gene’s album was what I felt the solo albums should be and my favorite of the four. It was the most experimental, had the widest range of styles, the biggest guest list of any of them and still pulled off a great album that was a lot of softer Beatles-esque tunes, groove rock, horror film feels, and Disney tunes. I mean, c’mon! That’s amazing. Way to go, Demon!

Kiss_alive_album_cover

Alive!

#8 — Unmasked (1980). Unofficially the first album after Peter’s “departure.” But, realistically, it was. Dynasty held that last thread with a Peter tune, but this was not Peter and although I could tell the drumming was different (I was 9) I didn’t know it wasn’t actually Peter until several years later. Some pan this record, a lot. But, as I’ve had to tell one person and probably a few others, don’t think of it as a hard KISS record because it certainly isn’t. Think of it as a good pop record. It has a lot of cool tunes on it if you’ll give them the chance. I always loved the cover, too.

#7 — Alive! (1975). What really broke KISS out was this album. The live version of “Rock and Roll All Nite” kicked it up that notch. It is certainly a Klassic with the whole album a non-stop punch in the face. It’s energetic and KISS was still hungry. The cracks hadn’t started to form, yet. While it is probably their best live album…

#6 — Alive II (1977). This one is my favorite and yes, I know to call this a “live” album is probably a misnomer, it’s the time/era of KISS that is my favorite. I wish they would have filled the five studio songs with more live stuff, but the song selections that I grew up with was spot on. Most of it was overdubbed and recreated in the studio, but it’s still the live album I go to first.

#5 — Rock and Roll Over (1976). So, here we are in the Top 5. This album was the follow-up to Destroyer and I think it surpassed it. I wrote a review about this just two weeks ago. It was given to me by my Uncle Ricky, as was my first copy of Double Platinum. He was my first grownup KISS fan. I didn’t have older brothers or even cousins that were into or aware of KISS. He helped me. Starting slow, ramping up and just having a great mixture of song styles, this album has it all. It was well represented on Alive II, as well.

Cover_hth_large

Hotter Than Hell

#4 — Hotter Than Hell (1974). the band’s sophomore effort was a great followup to the debut album. This was one of the first albums I was able to get my hands on and my mother put up a fight because it said “hell.” As I wrote just a few weeks back, it sounds like it was recorded in an old porcelain bathroom, but I think that also adds to the charm. Some of my favorite KISS songs are on there.

 

#3 — KISS (1974). The one that started it all. The KISS debut album is the Klassic-est of Klassics when it comes to KISS. From the opening drum intro of “Strutter” to the tape drag of the bombs at the end of “Black Diamond” it really never gives up except for “Love Theme from KISS.” It’s a great album, all the way through.

#2 — Love Gun (1977). The first KISS album I ever owned. The bombastic opening of “I Stole Your Love” to Ace’s debut vocal performance on “Shock Me,” to the bizarre penis references in “Plaster Caster” to the gender-altering cover of the Crystals’ tune “And Then She Kissed Me,” the album has many highlights and five of the first six songs are represented on Alive II. Also, a great album cover, one in which I spent a lot of time staring at when I was 7. And…

The_elder_album_cover

Music from ‘The Elder’

#1 — Music from ‘The Elder’ (1981). I have said many times that this was my favorite KISS album and I still maintain that. Though, really, any of the top 15 could probably sit on the top of this list. They’re like kids, my favorite one is the one in front of me at that moment. But, this album was KISS trying to be artistic and gain critics’ approval. They didn’t need either one but they thought they did. To most KISS fans and critics alike this was the ultimate KISS “mistake.” A beautiful mistake in my opinion. While Love Gun was the first KISS album I owned, this was the first CD I bought (along with Hotter Than Hell) after Bad English’ debut. At the age of 10, I was only really familiar with “The Oath,” “A World Without Heroes” and “I” and I just knew those tunes were rocking. It wasn’t until much later that I realized it was what it was, or attempted to be. I think it’s gravely overlooked and deserves a second or twelfth listen if you didn’t like it the first time you listened. But, keep an open mind. Like with Unmasked, you have to be prepared to put aside the KISS aspect and listen to the album as a whole. I love it and while I know it’s not the best KISS album, it currently sits at the top of my faves.

So, there you have it, Dear Reader. I know many of you will disagree with just about all of this list and I’m prepared for that. Send me your comments, but keep it cordial. Again, this is my opinion and isn’t supposed to represent how “good” any album is. What is your top 5? I’d like to hear that. Or heck, do the full list.

I did leave off 19 greatest hits albums and other inconsequential recordings, including the box set and You Wanted the Best You Got the Best with two new “live” tracks. I just felt that the three greatest hits albums that I included were enough. Most of them were repetitive anyway. So, yeah, let me know your thoughts, not like you wouldn’t anyway.

Until tomorrow, same blog channel…
Scorp out!

—
“Once I was a fool dreamin’ my life away, and then yesterday I found you lookin’ for me, draggin’ your heart around at the lost and found. I love you, you’re the only one who could make me feel love was smart. I feel you deep inside of me, beatin’ up against my heart. And I found out, I found out, what makes the world go ’round. Oh I found out, really found out, what makes the world go ’round.” – “What Makes the World Go Round” (Stanley/Poncia)

Where They Stand or: Many KISSes?

11 Tuesday Dec 2018

Posted by TGBII in KISS, Music Review, Records

≈ 1 Comment

Tags

Ace Frehley, Alive III, Animalize, Asylum, Bruce Kulick, Carnival of Souls, Double Platinum, Dressed to Kill, Eric Carr, Eric Singer, Gene Simmons, Hot in the Shade, KISS, Kiss Alive IV, KISS Killers, KISS: MTV Unplugged, Mark St. John, Monster, Music, Paul Stanley, Peter Criss, Psycho Circus, Revenge, Smashes Thrashes and Hits, Sonic Boom, Tommy Thayer, Vinnie Vincent

Salutations™!!

I threatened this a while back. I threatened that I would do my own ranking list of KISS albums, and here it is. There are a few criteria to this list and I will give some details as to why on some of them. This is my opinion and not based on anything other than my preferences with the albums. This doesn’t even represent what I think are the better albums and which are the worse as far as the overall substance, it’s where I prefer them.

I know there will be controversy and I know that there will be screaming and yelling at me over some of them, especially one pretty low on the list. We’ll hit it fairly soon. But first, let’s go over the criteria. To begin, these are the first 20 studio albums, the four solo albums, Alive I-IV, Unplugged, and the three “greatest hits” albums that I felt qualified (read: that I consider worth a crap). I am going from #32 and counting down backward. According to how long-winded I get, I may break this down into two posts, we’ll see when we get there. Okay, ready? Here we go:

Hot_in_the_shade_cover

Hot in the Shade

#32 — Sonic Boom (2009) and #31 Monster (2012). As I said in my post about these two last month, I think Monster is the better of the two, but both are pretty much non-existent to me. There are some hits and misses on each but, more misses than hits.

#30 — Hot in the Shade (1989). This was the long-reigning worst KISS album until the previous two came along. It was half-arsed, lacking substance, about five songs too long and, with the exception of about four songs, I didn’t care about any of it.

Dressed_to_Kill_(album)_cover

Dressed to Kill

#29 — Dressed to Kill (1975). Yeah, this is the one that will probably get the most attention and get me screamed at by my KISS-lovin’ friends and “purists” alike. While this album has three of my favorite songs overall (top 15 probably), it also has that song on it. It has “Rock and Roll All Nite” on it. It also has “Getaway” and “Room Service” on it. Neither of those is awful, I just think they’re quite cheesy. The album, to me, sounds thin, and I just don’t like to listen to it. So, there’s the first surprise.

#28 — KISS Symphony: Alive IV (2003). To really even call this a KISS Alive is kind of pushing it, to me, anyway. Yes, it is live and some of it is done with the Melbourne Symphony, but it’s thrown together and while I like to listen to it, it just doesn’t move me as a KISS album.

#27 — KISS Killers (1982). This was originally a Japanese-only release and then was re-released here in the US later. It’s kind of shoddy production and while there are four new songs on this album, outside of “Nowhere to Run,” I don’t really care for the others. The new songs were recorded because Phonogram, the international label at the time, pretty much made them after the disappointing sales of 1981’s Music from ‘The Elder.’ The makeup and costumes are of that same period.

#26 — KISS: MTV Unplugged (1996). This has some great version and I have the full uncut show on VHS somewhere, and it got the “band back together.” I like to listen to it, but it’s not something I listen to often, so it isn’t dislike but disinterest that puts it this low on the list. Not a bad album.

#25 — Alive III (1993). I did like this album. I saw the tour it was on and I loved hearing “I Was Made for Lovin’ You” and later KISS tunes live. The sound is pretty good on this, too. It’s starting to get into albums that I just had to place them somewhere, not because I disliked them, same as the one previous.

#24 — Carnival of Souls: The Final Sessions (1997). I wrote a review of this last month, too. It was a big

Carnival_of_Souls_KISS

Carnival of Souls

departure from even the heaviest (to that point) KISS albums like Revenge and Creatures of the Night. I don’t know that they could have toured in support of this album, though, as I don’t think Gene could even play half of the bass lines on the album. Nor, do I think they’d want to. I liked it, though. I just don’t listen as much as its predecessors. You can search the blog for the review if you missed it. Just type in Carnival of Souls.

#23 — Psycho Circus (1998).  Again, reviewed just recently. I do think while it attempted to capture the old-makeup days’ glory, it missed a lot of its spirit. I do really like the album, but not better than the next 22.

#22 — Ace Frehley (1978). Yeah, here’s the second yelling spot. In September, I wrote about the four and stated that Ace’s album was my least favorite. To me, the solo albums were a chance to experiment and Ace experimented the least. While Paul’s was also KISS-like, Ace’s was just plain KISS.

#21 — Smashes Thrashes & Hits (1988). A good representation of KISS from 1974-1988 (including the two new originals). I talked a bit about this album last month, too.

Peter_criss_solo_album_cover

Peter Criss

#20 — Peter Criss (1978). It was a lot of disco, country & western, boogie rock and ballads. But, I liked it. And, I liked it better than Ace’s.

#19 — Double Platinum (1978). The KISS greatest hits album that started it all. Two records, four sides, each loaded with KISS Klassics. Some remixes, most notably “Strutter ’78” which added a little disco hi-hat overdubs in to jazz it up a bit. Some tunes had parts removed and some remixed and rearranged. I wore that record out.

#18 — Animalize (1984). I don’t know that I’ll ever really understand the title or cover, but that’s okay. It was 1984 and that was the going thing. “Heavens on Fire” is still one of my favorite non-makeup songs and “I’ve Had Enough (Into the Fire),” “Under the Gun,” “Thrills in the Night” were pretty cool, too. There were some Gene clunkers but there was a lot of energy on the album.

#17 — Asylum (1985). The only reason this album gets higher than Animalize is that this album has “Tears are Falling” and “Who Wants to be Lonely” which are two of my favorite KISS songs overall, not just non-makeup. Again, a lot of energy on this album and it’s fun to listen to.

Kiss_revenge_cover

Revenge

#16 — Revenge (1992). Released after Eric Carr’s passing, KISS went into “heavy mode” to right the wrongs that their direction had taken. The did the same in 1982, yes, 10 years earlier. It’s like they had started to veer and needed to correct. The album is a monster (more so than the one actually titled that) and while there are heavy tunes, there are also some Paul cheese. Paul cheese generally isn’t a bad thing. It’s just that, cheese. The album that the Alive III tour was recorded for, I saw this tour and it was great!

I think I am going to stop here and break it up. I’ve given you enough to stare at your screen agape already. I’ll get back to the rest later this week, maybe tomorrow.

So, just from this, go ahead, Dear Reader and all you KISS fans, give it to me. I can handle it. Again, this is my opinion, not based on anything else. I’m pretty outspoken about a lot of the albums, but I’ve tried to keep my verbosity to a minimum on this. Be on the lookout for Part 2.

Until tomorrow, same blog channel…
Scorp out!

—
“Open yourself to me. Let me show you what it can be like. Baby, giving it all that you’ve got. Nothing can hold you back. Some things can stand alone. A mountain can feel no desire. But a heart isn’t made out of stone. Wake up in the middle of the night. Nobody’s gonna make it alright.” – “Who Wants to Be Lonely” (Stanley/Child/Beauvoir)

← Older posts
Follow Useless Things Need Love Too on WordPress.com

Social

  • View tgbii’s profile on Facebook
  • View bassmantnc’s profile on Twitter
  • View timbeemanii’s profile on Instagram
  • View timothy-beeman-ii-9ab93827’s profile on LinkedIn
  • View +TimothyBeemanII1970’s profile on Google+

Recent Posts

  • Still Ticking or: The Tenth Second Birthday
  • Spinning Sunday or: The Haul 2/19 and 2/26
  • Silent Sunday or: Big Game Day
  • Spinning Sunday or: The Haul 2/5/22
  • Spinning Sunday or: The Haul 1/29/22

Recent Comments

Damien on The End of an Era or: Thank Yo…
TGBII on  He Occasionally Takes an Alco…
Damien on Spinning Sunday or: The Haul 1…
Damien on  He Occasionally Takes an Alco…
KISS Rankin’ o… on Where They Stand or: Many KISS…

Archives

  • April 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • July 2014
  • May 2014
  • April 2014
  • March 2014
  • January 2014

Categories

  • Beer
  • Blogging
  • Food
  • Friend Friday
  • Honeymoon
  • KISS
  • Life as We Know It
  • Movie Review
  • Music Review
  • Podcasting
  • Product Review
  • Rant
  • Records
  • Silent Sunday
  • Sounds Like Saturday
  • Spinning Sunday
  • Spirits
  • Talking Tuesday
  • The Less Desirables Network
  • Travel
  • Uncategorized
  • Video
  • Wine

Meta

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Dealspotr

@themanwhoatethetown - influencer profile on Dealspotr
dealspotr.com
Follow Useless Things Need Love Too on WordPress.com

Enter your email address to receive notifications when the idiot who runs this blog updates by email.

Join 1,980 other followers

Recent Posts

  • Still Ticking or: The Tenth Second Birthday
  • Spinning Sunday or: The Haul 2/19 and 2/26
  • Silent Sunday or: Big Game Day
  • Spinning Sunday or: The Haul 2/5/22
  • Spinning Sunday or: The Haul 1/29/22

Recent Comments

Damien on The End of an Era or: Thank Yo…
TGBII on  He Occasionally Takes an Alco…
Damien on Spinning Sunday or: The Haul 1…
Damien on  He Occasionally Takes an Alco…
KISS Rankin’ o… on Where They Stand or: Many KISS…

People Who Say Things That Rock!

Categories

  • Beer
  • Blogging
  • Food
  • Friend Friday
  • Honeymoon
  • KISS
  • Life as We Know It
  • Movie Review
  • Music Review
  • Podcasting
  • Product Review
  • Rant
  • Records
  • Silent Sunday
  • Sounds Like Saturday
  • Spinning Sunday
  • Spirits
  • Talking Tuesday
  • The Less Desirables Network
  • Travel
  • Uncategorized
  • Video
  • Wine

People who love to read my spoutings.

  • 53,261 hits

Archives

  • April 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • July 2014
  • May 2014
  • April 2014
  • March 2014
  • January 2014

Meta

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Copyright For All Ramblings:

©Timothy G Beeman II

Blog at WordPress.com.

Useless Things Need Love Too Podcast

Just another rambling dude talking out his...

Fan Interference Podcast

Part of The Less Desirables Podcast Network

Asylum: Tales from the Devereaux Diaries

Eat Drink Triad Podcast

The Podcast of Triad Food and Beverage Coalition

Beeman-Metz Media

Coming Soon

FOX8 WGHP

News, Weather, Sports and more from FOX8 WGHP

As Ardmore Turns

An almost true-to-life soap opera that practically writes itself.

Beeswax Vinyl and More

A NC-based Podcast About Music and Music History!

Defining Yellow

Eddie Huffman

SippingNC: The Art of Drinking

A Blog and Podcast all about North Carolina libations.

Dr. Rock's Blog & Roll

Your dose of the BEST music ever made! (www.DrRock.com)

Sipping NC: The Art of the Drink

North Carolina Libations from Beer to Wine to Spirits

benedictbeerblog

Funny Redhead Loves Beer. Funny Readhead Writes About Beer.

The Beer Dads Podcast

Three guys having a beer and talking about being dads.

The Man Who Walked the Town

Exploring WSNC One Step at a Time

Somewhere Over the Olive Tree

Way up high in the Valencian mountains

Daily Inspiration Blog

triad-city-beat.com/1643080770-dedupe/

Wrestling-Online.com

Covering pro wrestling news since 1998!

  • Follow Following
    • Useless Things Need Love Too
    • Join 1,980 other followers
    • Already have a WordPress.com account? Log in now.
    • Useless Things Need Love Too
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...