Category Archives: Records

Spinning Sunday or: The Haul 12/29/18

30 Sunday Dec 2018

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Salutations™!!

Judas_priest_-_point_of_entry_a

©Columbia

Yesterday was our last visit to Underdog Records. I mean, this year, of course. The BCPF and I will certainly be back next weekend. We have a lot of records to collect, yet, so we’re not done. We will have to get yet another LP case because three full- and one half- sized ones aren’t enough. Our “to-be-listened-to” stack was reset but our “listened-to-awaiting-filing” is getting huge. I mean… huge. Plus, we don’t like leaving them laying flat and that’s what’s happening right now. It’s not good for the records and it takes up a lot of space. Anywhat! Here’s the haul…

  • Judas Priest – Point Of Entry — I passed on this when I could have gotten it, in great shape, used earlier this year when I got that large haul of Judas Priest albums. I wish I would have gotten it, but I didn’t. So, I got it brand new. Luckily, it was not as expensive as most new albums. But, it’s a great album and fun listen. New.
  • Stryper – Soldiers Under Command — The funny thing about this is, the night before, The BCPF and I were playing through songs that teetered between country, religion and other things, just because. I played Stryper’s version of “Battle Hymn of the Republic.” I found this yesterday and was happy. Even given my non-Prophet religion views, I like Stryper. At least this album and its follow-up (and my favorite Stryper album) To Hell With The Devil. It was in VG+.
  • George Harrison – Gone Troppo — This is a whimsical little album from the former Beatle. It’s a fun listen but it’s not his greatest work. A little tropical, a lot of George. VG.
  • Earth, Wind & Fire – Gratitude — 2xLP with “Shining Star,” “Sunshine,” “Sun Goddess,” “Reasons,” and more. VG.
  • Bartok, L’Orchestre De La Suisse Romande, Ansermet– Dance Suite · Two Portraits Opus Five · Rumanian Dances — NM.
  • Kenny Rogers & The First Edition – Greatest Hits — It’s amazing how a young Kenny Rogers sounded unlike Kenny Rogers back then. It’s a lot of great tunes, too. VG+.

This past week, Jonathan actually had a few tape decks for sale in the store. I have somehow resisted the trend of cassettes. They have always been inferior in quality to vinyl, CDs and even streaming. But, hey, if you’re into that, check with Underdog Records to see what they may have for you. Listen to The Less Desirables this week to hear what the weekly TLD/UR special is.  I also used Discogs to make sure I didn’t get a few duplicates yesterday. Discogs is pretty righteous.

Until tomorrow, keep spinning…
Scorp out!

—
“I pushed my soul in a deep dark hole and then I followed it in. I watched myself crawlin’ out as I was a-crawlin’ in. I got up so tight I couldn’t unwind. I saw so much I broke my mind. I just dropped in to see what condition my condition was in.” – “Just Dropped In (To See What Condition My Condition Was In)” (Newbury)

Spinning Sunday or: The Haul (12/22/18)

23 Sunday Dec 2018

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Salutations™!!

Yesterday was a pretty big haul, but it was a cheaper haul. I’ll explain more as we go. But, it was fun just being at Underdog Records, as it always is. It’s my candy store. Here’s the haul:

51Kzr-D77vL._SY355_

©Warner Bros.

  • Siouxsie And The Banshees – Peepshow — The BCPF and I had a good long discussion about why she likes the “Dark Wave” stuff so much. I don’t know that we ever got to the bottom of it, but she just digs it. This was a reissue of their 1988 album. New.

So, from here on, all the albums are $1 bin finds and unless otherwise noted, they are all in VG condition (mostly after cleaning them up). So, here we go:

  • Pablo Cruise – A Place In The Sun — I only really knew one song by Pablo Cruise, who I thought was a guy. I didn’t realize that it was a band in which none of them were named Pablo Cruise. They were a quartet and would always joke that Pablo was the one in the middle. There is a story behind the name, at least minimally, that I won’t get into because, well, that’s not why we’re here. This is the one that has “Whatcha Gonna Do?” which was the song that I knew. This was in really good shape, so I would maybe even rate it VG+, but that may be pushing it.
  • Pablo Cruise – Worlds Away — The other Pablo Cruise that I got, this was the follow-up to A Place in the Sun.
  • Sanford And Townsend – Smoke From A Distant Fire — I will admit that I got this album only because either Ed Sanford or Johnny Townsend (I don’t know which is which), on the cover, looks like a young, chubby Clay Howard. The duo were well-known studio musicians (weren’t they all in the 70s?) and songwriters who co-wrote good songs. I haven’t listened to this so I don’t know what they sound like.
  • Atlanta Rhythm Section – A Rock And Roll Alternative — This album has “So Into You” on it and I like that song. That itself was worth the buck.
  • Jim Steinman – Bad For Good  — For those who don’t know, Steinman was the musical mind behind the songs for Meat Loaf. In fact, this was supposed to be the follow-up to Bat Out of Hell but because of Mr. Aday’s vocal problems, Steinman recorded it himself. Meat Loaf did do some of the songs on some of his later albums. The cover is pretty beaten up, but the LP looks to be VG.
  • Jackson Browne – For Everyman — Browne’s sophomore effort. It contains his version of “Take It Easy” which was co-penned by Glenn Frey.
  • Elton John – Goodbye Yellow Brick Road — Okay, trying this again. Every time I get this 2xLP album it’s pretty beaten up and I have to continue looking. This one doesn’t seem to be too bad, but I haven’t played it, yet, either. I’ll keep you informed.
  • Bob Dylan / The Band – Before The Flood — The first officially released live album by Dylan, it’s his 15th album overall and the seventh from The Band. I know nothing of it, so we’ll see about it. Also a 2xLP.
  • Todd Rundgren – Todd — The last 2xLP for today, it’s Rundgren’s fifth album. I liked Something/Anything? so I am hoping I like this, too.
  • Steely Dan – Countdown To Ecstasy — I love me some Steely Dan and this has “Bodhisattva” and “My Old School,” which, the latter I love.
  • Stanley Clarke / George Duke – The Clarke / Duke Project — Stanley Clarke. ‘Nuff said.
  • Savoy Brown – Hellbound Train — Jonathan asked if I had ever heard this album and I said no. He then said he wanted me to have it. So he gave it to me. We listened to it. It’s pretty good. It’s a blues-rock band from England. Nothing overly exciting for me. I didn’t dislike it, though. Thanks, J.

For your holiday shopping needs, Underdog Records will be open today, Sunday from 11-4 and Monday (Christmas Eve) from 10-3. And, the big thing now is gift certificates, so make sure you either get yours or tell your loved ones to get you one. Listen to The Less Desirables each week to hear what the TLD/UR special of the week is. And, use Discogs to catalog your music collection, be it vinyl, CD or even cassette.

Until tomorrow, same blog channel…
Scorp out!

—
“So you’re having trouble with your romance? Well, you better check it out before it goes, yeah. ‘Cause you might not be seeing things just the way you should. And you don’t recognize what everybody knows. Whatcha gonna do when she says goodbye? Whatcha gonna do when she is gone?” – “Whatcha Gonna Do?” (Jenkins/Lerios)

Nobody Told Me or: Obscured By What!?

21 Friday Dec 2018

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Salutations™!!

First off, today is “Underdog Day!” Not necessarily Underdog Records. Not necessarily Shoeshine Boy’s heroic alter ego. But, that someone or someones or even something thought to have little chance of winning a fight or contest. It’s for all those that have to beat all odds. So, that being said, still go to Underdog Records because… well, just because. Also, it’s Short Girl Appreciation Day. It has always been observed the first day of Winter (also the shortest day of the year). It turns out that I have me one of those as The BCPF is under 5′ tall. Celebrate them, too. Tomorrow is National Short Person Day, so be on the lookout for your favorite short people.

Pink_Floyd_-_Obscured_by_Clouds

©EMI

Okay, now to what I wanted to talk about today. I know there are some serious music fans/scholars/whatevers out there that love to either prove me wrong about something that I say about music (and I welcome that, heck, sometimes I do it on purpose) or the opposite want to tell me things that I may have missed.

Now, I always say that I’m a Pink Floyd fan. And, I think that I am. Truthfully, I’m a 1971-1994 (mostly) fan. I like Meddle, Dark Side, Wish You Were Here, most of Momentary Lapse and Division Bell, and of course, The Wall. I also like some of Ummagumma and pieces of the earliest Floyd. But, Y’all… why in the HECK did no one tell me about Obscured by Clouds?!? WHY!?

I know it’s based on some French film and I know that it was meant as a pass-through for Dark Side from Meddle. I also know it was panned hard by critics. But, man, that’s a great record to me. I really liked it. It’s not all prog fluff with 42 minutes of synths, repeated blues guitar riffs and lead drumming. There’s some straightforward rock stuff on that. There are some straightforward ballads on there. There are straight-forward good songs on there. And, for the record, I like all the long-winded synth/guitar/drum things, too. This is just different. Where was my “Musical Nightwatchmen (and Women)” when I needed you?

And, now, I’m just downright embarrassed that I have been calling myself a Pink Floyd fan when, while I did know it existed, I didn’t know what this album was or had never heard it before. *facepalm*

Well, now that I have heard it, I have to find it on vinyl. It is Underdog day tomorrow, right? Folks, friends don’t let friends not know about great albums.

Until tomorrow, enjoy your short girls…
Scorp out!

—
“You set sail across the sea of long past thoughts and memories. Childhood’s end, your fantasies merge with harsh realities. And then as the sail is hoist, you find your eyes are growing moist. All the fears never voiced say you have to make your final choice.” – “Childhood’s End” (Gilmour)

Spinning Sunday or: The Haul 12/15/18

16 Sunday Dec 2018

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Salutations™!!

The BCPF and I were out in a drenched wasteland of slush and deluge what with the snow melting and the constant, steady rain. But, we had our crêpes and headed on over to Underdog Records. Here’s the haul:

Tribute_crop

©Epic/CBS

  • Ozzy Osbourne, Randy Rhoads – Tribute — I had this on cassette first, and then on CD and now on vinyl. I love this album. As I said in my Instagram post, Randy Rhoads was on fire, Ozzy was sober and energetic and Rudy Sarzo and Tommy Aldridge were tight and heavy. It’s Ozzy at his finest live. It always got me, too, to hear Randy’s outtakes while recording “Dee” for his mother. 2xLP. VG+.
  • Stan Getz – Joao Gilberto – Getz / Gilberto #2 — A live, mono pressing of these greats doing their thing. I love the stuff from them that I have and this is going to be a great listen. VG+.
  • Heart – Bebe Le Strange — Not my favorite album by them, but it is solid. It’s bluesy and rocking. Also, they have the Tower of Power horns on “Even It Up.” The cover isn’t bad to look at, either. VG+.
  • pranava-om-ios-7-interface-symbol_318-35432George Harrison – Thirty Three & 1/3 — The BCPF loves her some George Harrison and this was a great album. The album actually has the 33 1/3 stylized like the “om” symbol (see to the right). This album was in EX/VG++ condition.
  • Leonard Bernstein, André Watts, Eugene Ormandy, Ivan Davis – Liszt’s Greatest Hits — I have listened to a lot of classical in my life, but I never paid much attent to Franz Liszt. I don’t know why because he does stuff that I like, such as, bombastic pieces and compositions that sound like movie scores. I dig that. This was in the $1 bin, but it is in pristine condition. EX/VG++.
  • Anita Baker – Rapture — Some R&B from the 80s. I like that stuff. $1 bin find in VG.
  • Stravinsky/ Tchaikovsky/Mussorgsky: Stokowski, London Symphony Orchestra – Firebird Suite: Marche Slave / Night On Bald Mountain — I got this specifically because of “Night on Bald Mountain.” That is the theme to one of the most famous scenes from Fantasia with the devil Chernabog, a large “black god” that is the embodiment of Satan or something like that. You know I’m a sucker for Disney stuff and that was something I couldn’t pass up. $1 bin find. VG+ (after I washed it and relieved it of the mold growing on it).
  • England Dan & John Ford Coley – Dowdy Ferry Road — I am a sucker, not only for Disney but for Yacht Rock as well. This is squarely in that realm but I have to admit that this album is a little cheesy. Don’t get me wrong, I do like it, but it kind of smells of K-R-A-F-T. $1 bin find in VG.
  • Yes – Close To The Edge — My quest for Yes albums continues and this only has three songs but still comes in at 37:51. It starts out with some seriously weird tape loops but it works its way out into a great tune, which happens to be the title track. It takes up the whole first side at just over 18 minutes. Side 2 has one eight-minute song and one 10-minute song. Still, even with my indifference to long songs, it worked here. $1 bin find. VG.
  • Modern English – After The Snow — The album from the post-punk/new-wave band that pretty much got them their recognition. It has the song “I Melt With You.” We haven’t listened to it, yet, but we will. $1 bin find in VG.
  • “Annie” Original Cast – Annie (Original Cast Recording) — Yep, the one that led to the film. But, this was from the Broadway version. Quadraphonic sound, no less. All that in a $1 bin find, VG.

Underdog Records had some great things this week. The holidays, oddly enough, are when the record companies wind down their releases because they want enough time to get some publicity behind the releases. You’ll still find new releases but they’re usually pretty light. Still, this week Jonathan was running a cool special as the TLD/UR special of the week. It was especially useful in the gift card area. Listen to The Less Desirables each week to hear what the special of the week is.

And, I stood (in the way) at the “fresh used” bins and used Discogs to confirm that I did or did not have certain records that I found. It’s a great tool and resource. We are especially fond of the “shuffle” feature. We love Discogs.

Until tomorrow, same blog channel…
Scorp out!

—
“Moving forward using all my breath. Making love to you was never second best. I saw the world crashing all around your face. Never really knowing it was always mesh and lace. I’ll stop the world and melt with you. You’ve seen the difference and it’s getting better all the time. There’s nothing you and I won’t do. I’ll stop the world and melt with you.” – “I Melt With You” (Brown/Conroy/Grey/McDowell/Walker)

Where They Stand or: Many KISSes? (part II)

12 Wednesday Dec 2018

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Salutations™!!

Have you recovered from the first half of the list? Are you torn up about it? That’s okay. I’m used to that. So, here we go into the top 15 KISS albums in my preferred order. Let’s go!

Crazy_nights_album_cover

Crazy Nights

#15 — Crazy Nights (1987). Yeah, this gets a lot of flack for being bubble gum, sugary rubbish, but not with me. I loved this album and I still like it. Is it as good an album as Destroyer or KISS or Rock and Roll Over? Nah, but I enjoyed it. I was almost 17 when the album came out and it was still KISS to me. It didn’t matter how sugary it was, I couldn’t hear enough of it. But, then again, I like that pop-rock stuff. So, there.

#14 — Destroyer (1976). Yeah, what is widely called their best album isn’t even in the top 10 for me; barely does it crack the top 15. Yes, it has classic tunes, including one of my top ever, “God of Thunder,” but overall, it just isn’t my bag. Now, it could be that I never had this as a kid on record and didn’t spend all my pubescent years listening to it. I got what I could when I could and it was never gifted or given to me as a present and I didn’t buy it myself. So, it just doesn’t hold the same nostalgia as the following albums did. Now, I agree it is great, I just don’t get excited about it.

#13 — Lick It Up (1983). I talked about this album on its 35th birthday, which is September 18. You can go back and read more if you want. It was heavy and “metal” and that’s some of what made this a great album. It wasn’t about sex, it was about serious rock stuff. It was a great album and I dig it.

Dynasty_(album)_cover

Dynasty

#12 — Dynasty (1979). The disco craze had just hit and this is where KISS decided they needed to be trendy over their roots and hit up Vini Poncia to produce an overly-slick album that reeked with disco flavor, and I liked it. I talked about the album earlier this year on May 23, its anniversary. I talked about how I really didn’t notice that it was different until much later. I did notice that “2000 Man” sounded unlike KISS, but the rest of it wasn’t really different. I couldn’t pick out the differences back then, I was 8 years old.

 

#11 — Creatures of the Night (1982). The “lost” album. It wasn’t lost, it wasn’t hidden away, it was where many KISS fans were just looking over KISS after their disco/pop/art rock debacles from 1979-1981. As with the previous album, though it was a departure, I didn’t notice the difference. The last true “makeup” album it was KISS trying to get their feet back under them. So, until they went back and listened, most KISS fans didn’t know what they were missing. I will say, it is the coolest of any KISS cover.

#10 — Paul Stanley (1978). So, that means that two solo albums cracked my Top 10. This is very KISS-like, but there was something about it that also wasn’t KISS. It was a little less hard as the KISS stuff. Well-written songs and a bevy of great studio musicians helped make this a fun album to listen to. I could see these being KISS songs and not just KISS throw-aways. To me, probably the best of the solo albums. But…

#9 — Gene Simmons (1978). Gene’s album was what I felt the solo albums should be and my favorite of the four. It was the most experimental, had the widest range of styles, the biggest guest list of any of them and still pulled off a great album that was a lot of softer Beatles-esque tunes, groove rock, horror film feels, and Disney tunes. I mean, c’mon! That’s amazing. Way to go, Demon!

Kiss_alive_album_cover

Alive!

#8 — Unmasked (1980). Unofficially the first album after Peter’s “departure.” But, realistically, it was. Dynasty held that last thread with a Peter tune, but this was not Peter and although I could tell the drumming was different (I was 9) I didn’t know it wasn’t actually Peter until several years later. Some pan this record, a lot. But, as I’ve had to tell one person and probably a few others, don’t think of it as a hard KISS record because it certainly isn’t. Think of it as a good pop record. It has a lot of cool tunes on it if you’ll give them the chance. I always loved the cover, too.

#7 — Alive! (1975). What really broke KISS out was this album. The live version of “Rock and Roll All Nite” kicked it up that notch. It is certainly a Klassic with the whole album a non-stop punch in the face. It’s energetic and KISS was still hungry. The cracks hadn’t started to form, yet. While it is probably their best live album…

#6 — Alive II (1977). This one is my favorite and yes, I know to call this a “live” album is probably a misnomer, it’s the time/era of KISS that is my favorite. I wish they would have filled the five studio songs with more live stuff, but the song selections that I grew up with was spot on. Most of it was overdubbed and recreated in the studio, but it’s still the live album I go to first.

#5 — Rock and Roll Over (1976). So, here we are in the Top 5. This album was the follow-up to Destroyer and I think it surpassed it. I wrote a review about this just two weeks ago. It was given to me by my Uncle Ricky, as was my first copy of Double Platinum. He was my first grownup KISS fan. I didn’t have older brothers or even cousins that were into or aware of KISS. He helped me. Starting slow, ramping up and just having a great mixture of song styles, this album has it all. It was well represented on Alive II, as well.

Cover_hth_large

Hotter Than Hell

#4 — Hotter Than Hell (1974). the band’s sophomore effort was a great followup to the debut album. This was one of the first albums I was able to get my hands on and my mother put up a fight because it said “hell.” As I wrote just a few weeks back, it sounds like it was recorded in an old porcelain bathroom, but I think that also adds to the charm. Some of my favorite KISS songs are on there.

 

#3 — KISS (1974). The one that started it all. The KISS debut album is the Klassic-est of Klassics when it comes to KISS. From the opening drum intro of “Strutter” to the tape drag of the bombs at the end of “Black Diamond” it really never gives up except for “Love Theme from KISS.” It’s a great album, all the way through.

#2 — Love Gun (1977). The first KISS album I ever owned. The bombastic opening of “I Stole Your Love” to Ace’s debut vocal performance on “Shock Me,” to the bizarre penis references in “Plaster Caster” to the gender-altering cover of the Crystals’ tune “And Then She Kissed Me,” the album has many highlights and five of the first six songs are represented on Alive II. Also, a great album cover, one in which I spent a lot of time staring at when I was 7. And…

The_elder_album_cover

Music from ‘The Elder’

#1 — Music from ‘The Elder’ (1981). I have said many times that this was my favorite KISS album and I still maintain that. Though, really, any of the top 15 could probably sit on the top of this list. They’re like kids, my favorite one is the one in front of me at that moment. But, this album was KISS trying to be artistic and gain critics’ approval. They didn’t need either one but they thought they did. To most KISS fans and critics alike this was the ultimate KISS “mistake.” A beautiful mistake in my opinion. While Love Gun was the first KISS album I owned, this was the first CD I bought (along with Hotter Than Hell) after Bad English’ debut. At the age of 10, I was only really familiar with “The Oath,” “A World Without Heroes” and “I” and I just knew those tunes were rocking. It wasn’t until much later that I realized it was what it was, or attempted to be. I think it’s gravely overlooked and deserves a second or twelfth listen if you didn’t like it the first time you listened. But, keep an open mind. Like with Unmasked, you have to be prepared to put aside the KISS aspect and listen to the album as a whole. I love it and while I know it’s not the best KISS album, it currently sits at the top of my faves.

So, there you have it, Dear Reader. I know many of you will disagree with just about all of this list and I’m prepared for that. Send me your comments, but keep it cordial. Again, this is my opinion and isn’t supposed to represent how “good” any album is. What is your top 5? I’d like to hear that. Or heck, do the full list.

I did leave off 19 greatest hits albums and other inconsequential recordings, including the box set and You Wanted the Best You Got the Best with two new “live” tracks. I just felt that the three greatest hits albums that I included were enough. Most of them were repetitive anyway. So, yeah, let me know your thoughts, not like you wouldn’t anyway.

Until tomorrow, same blog channel…
Scorp out!

—
“Once I was a fool dreamin’ my life away, and then yesterday I found you lookin’ for me, draggin’ your heart around at the lost and found. I love you, you’re the only one who could make me feel love was smart. I feel you deep inside of me, beatin’ up against my heart. And I found out, I found out, what makes the world go ’round. Oh I found out, really found out, what makes the world go ’round.” – “What Makes the World Go Round” (Stanley/Poncia)

Where They Stand or: Many KISSes?

11 Tuesday Dec 2018

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Salutations™!!

I threatened this a while back. I threatened that I would do my own ranking list of KISS albums, and here it is. There are a few criteria to this list and I will give some details as to why on some of them. This is my opinion and not based on anything other than my preferences with the albums. This doesn’t even represent what I think are the better albums and which are the worse as far as the overall substance, it’s where I prefer them.

I know there will be controversy and I know that there will be screaming and yelling at me over some of them, especially one pretty low on the list. We’ll hit it fairly soon. But first, let’s go over the criteria. To begin, these are the first 20 studio albums, the four solo albums, Alive I-IV, Unplugged, and the three “greatest hits” albums that I felt qualified (read: that I consider worth a crap). I am going from #32 and counting down backward. According to how long-winded I get, I may break this down into two posts, we’ll see when we get there. Okay, ready? Here we go:

Hot_in_the_shade_cover

Hot in the Shade

#32 — Sonic Boom (2009) and #31 Monster (2012). As I said in my post about these two last month, I think Monster is the better of the two, but both are pretty much non-existent to me. There are some hits and misses on each but, more misses than hits.

#30 — Hot in the Shade (1989). This was the long-reigning worst KISS album until the previous two came along. It was half-arsed, lacking substance, about five songs too long and, with the exception of about four songs, I didn’t care about any of it.

Dressed_to_Kill_(album)_cover

Dressed to Kill

#29 — Dressed to Kill (1975). Yeah, this is the one that will probably get the most attention and get me screamed at by my KISS-lovin’ friends and “purists” alike. While this album has three of my favorite songs overall (top 15 probably), it also has that song on it. It has “Rock and Roll All Nite” on it. It also has “Getaway” and “Room Service” on it. Neither of those is awful, I just think they’re quite cheesy. The album, to me, sounds thin, and I just don’t like to listen to it. So, there’s the first surprise.

#28 — KISS Symphony: Alive IV (2003). To really even call this a KISS Alive is kind of pushing it, to me, anyway. Yes, it is live and some of it is done with the Melbourne Symphony, but it’s thrown together and while I like to listen to it, it just doesn’t move me as a KISS album.

#27 — KISS Killers (1982). This was originally a Japanese-only release and then was re-released here in the US later. It’s kind of shoddy production and while there are four new songs on this album, outside of “Nowhere to Run,” I don’t really care for the others. The new songs were recorded because Phonogram, the international label at the time, pretty much made them after the disappointing sales of 1981’s Music from ‘The Elder.’ The makeup and costumes are of that same period.

#26 — KISS: MTV Unplugged (1996). This has some great version and I have the full uncut show on VHS somewhere, and it got the “band back together.” I like to listen to it, but it’s not something I listen to often, so it isn’t dislike but disinterest that puts it this low on the list. Not a bad album.

#25 — Alive III (1993). I did like this album. I saw the tour it was on and I loved hearing “I Was Made for Lovin’ You” and later KISS tunes live. The sound is pretty good on this, too. It’s starting to get into albums that I just had to place them somewhere, not because I disliked them, same as the one previous.

#24 — Carnival of Souls: The Final Sessions (1997). I wrote a review of this last month, too. It was a big

Carnival_of_Souls_KISS

Carnival of Souls

departure from even the heaviest (to that point) KISS albums like Revenge and Creatures of the Night. I don’t know that they could have toured in support of this album, though, as I don’t think Gene could even play half of the bass lines on the album. Nor, do I think they’d want to. I liked it, though. I just don’t listen as much as its predecessors. You can search the blog for the review if you missed it. Just type in Carnival of Souls.

#23 — Psycho Circus (1998).  Again, reviewed just recently. I do think while it attempted to capture the old-makeup days’ glory, it missed a lot of its spirit. I do really like the album, but not better than the next 22.

#22 — Ace Frehley (1978). Yeah, here’s the second yelling spot. In September, I wrote about the four and stated that Ace’s album was my least favorite. To me, the solo albums were a chance to experiment and Ace experimented the least. While Paul’s was also KISS-like, Ace’s was just plain KISS.

#21 — Smashes Thrashes & Hits (1988). A good representation of KISS from 1974-1988 (including the two new originals). I talked a bit about this album last month, too.

Peter_criss_solo_album_cover

Peter Criss

#20 — Peter Criss (1978). It was a lot of disco, country & western, boogie rock and ballads. But, I liked it. And, I liked it better than Ace’s.

#19 — Double Platinum (1978). The KISS greatest hits album that started it all. Two records, four sides, each loaded with KISS Klassics. Some remixes, most notably “Strutter ’78” which added a little disco hi-hat overdubs in to jazz it up a bit. Some tunes had parts removed and some remixed and rearranged. I wore that record out.

#18 — Animalize (1984). I don’t know that I’ll ever really understand the title or cover, but that’s okay. It was 1984 and that was the going thing. “Heavens on Fire” is still one of my favorite non-makeup songs and “I’ve Had Enough (Into the Fire),” “Under the Gun,” “Thrills in the Night” were pretty cool, too. There were some Gene clunkers but there was a lot of energy on the album.

#17 — Asylum (1985). The only reason this album gets higher than Animalize is that this album has “Tears are Falling” and “Who Wants to be Lonely” which are two of my favorite KISS songs overall, not just non-makeup. Again, a lot of energy on this album and it’s fun to listen to.

Kiss_revenge_cover

Revenge

#16 — Revenge (1992). Released after Eric Carr’s passing, KISS went into “heavy mode” to right the wrongs that their direction had taken. The did the same in 1982, yes, 10 years earlier. It’s like they had started to veer and needed to correct. The album is a monster (more so than the one actually titled that) and while there are heavy tunes, there are also some Paul cheese. Paul cheese generally isn’t a bad thing. It’s just that, cheese. The album that the Alive III tour was recorded for, I saw this tour and it was great!

I think I am going to stop here and break it up. I’ve given you enough to stare at your screen agape already. I’ll get back to the rest later this week, maybe tomorrow.

So, just from this, go ahead, Dear Reader and all you KISS fans, give it to me. I can handle it. Again, this is my opinion, not based on anything else. I’m pretty outspoken about a lot of the albums, but I’ve tried to keep my verbosity to a minimum on this. Be on the lookout for Part 2.

Until tomorrow, same blog channel…
Scorp out!

—
“Open yourself to me. Let me show you what it can be like. Baby, giving it all that you’ve got. Nothing can hold you back. Some things can stand alone. A mountain can feel no desire. But a heart isn’t made out of stone. Wake up in the middle of the night. Nobody’s gonna make it alright.” – “Who Wants to Be Lonely” (Stanley/Child/Beauvoir)

Snowing Spinning Sunday or: The Haul 12/8/18

09 Sunday Dec 2018

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Salutations™!!

71ZvAmD7hTL._SY355_

©Interscope

As I had stated on social media in places, our trip to Asheville was canceled because of the impending Snowpocalypse, so we did get to Underdog Records after all. We started the morning at our favorite creperie and shared a meal with our The Beer Dads cohorts. It was a great morning. We did our grocery shopping which we usually reserve for Sunday but if you look out the door today, you’ll see we’re not going anywhere. But, then we got to Underdog and here’s the haul:

  • The Struts – Young & Dangerous — I have heard of these guys but haven’t listened to anything they’ve put out until this week. When I do the commercials for Underdog on The Less Desirables, I try to include pieces of music that are relevant to the new releases. This was one of those. It’s a great rock record. New.
  • Bauhaus – Best Of Bauhaus | Crackle — The BCPF is a huge fan of this band and its subsequent offerings like Peter Murphy solo and Love and Rockets. So, this was a given. It was also a new release and bam! We nailed it. New.
  • Marvin Gaye – Live At The London Palladium — Recorded late in 1976 and released in early 1977, this is an energetic show with a lively crowd. I think he may have been a little drunk or stoned while doing it, but that’s just my opinion. He was a flirt, that’s for sure. Not the best live album but it is a very good one. VG+.
  • Van Morrison – Wavelength — As I stated on my social media post about this, the only problem I really have with Van Morrison is it’s like he’s yelling at me when I listen. But, this has some great tunes on it, nonetheless. It was a departure from his previous releases as it was more guitar and synth driven. The song “Kingdom Hall” was about his mother being a practicing Jehovah’s Witness and attending “church” which “Kingdom Hall” is what JWs call their churches. VG++.
  • Joe Jackson – I’m The Man — Last week (or the week before, one of the two) I talked about Jackson’s debut album that we had just picked up and this is the follow-up and it’s a great sophomore effort, too. I performed the final track “Friday” with the Vagabond Saints Society several years back, closing the show. VG+.
  • Tchaikowsky / Mendelssohn – David Oistrakh, Bolshoi Theatre Orchestra, Samuel Samosud, National Philharmonic Orchestra of the U.S.S.R., Kiril Kondrashin – Violin Concerto In D Major – Violin Concerto In E Minor — That may be the longest Discogs album title I’ve ever put in one of these posts. It’s classical and The BCPF has gone on a kick as of late. Not a bad thing. VG+.
  • Eric Clapton – Slowhand — I actually got this last week but upon playing it, I needed to return it to Jonathan because it skipped all the way through “Cocaine.” He washed it and vacuumed it dry at the shop and it played with no skips. I got it home and it skipped a few times but that was the only place. I don’t know why it did on my system and not his, but oh well. It #325 on the RS list. I’m fine with that placement, too. It doesn’t need to be higher or lower. It’s fine. VG+ (minus the skip).

The weather kept the early part of the day quiet for Underdog Records but as we were there, people were starting to pile in, so yay for Jonathan’s peace of mind! And, we have our vinyl to keep us company in the bedlam that is winter outside. You should have gone to get yours. You know, Christmas is coming and you know you want to start collecting and playing vinyl, right? Yes, you do. So, tell your loved ones that you want a new (or used) turntable for Christmas. And, heck, why not grab a gift certificate (or in this case a gift 45) for you, as well? You have to have something to play on it, right? Listen to this week’s episode of The Less Desirables (well, listen every week) to hear what the special TLD/UDR deal is.

The schools have already canceled thinking they’ll be back by Wednesday but they won’t. This much snow, later turning to ice, will be a week at least. So, if you go out, be careful. Oh, and I use Discogs to catalog my vinyl!!

Until tomorrow, keep spinning…
Scorp out!

—
“Lazy Gilly was a flower child all the summer. Calmly running wild. She’d be silly and her friends just smiled. Pass the bottle, wash the pills down, what went wrong? What went wrong? She don’t care no more. She don’t need to fight it. She don’t care no more. She gets paid on Friday.” – “Friday” (Jackson)

Spinning Sunday or: The Haul 12/1/18

02 Sunday Dec 2018

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Salutations™!!

Our original plan for this week was thwarted when the Connells had to postpone their show in Durham due to a member of the band being in a car accident. So, we did the breakfast thing and then over to Underdog Records. It was a dreary morning but we brightened it up with rekkids! Here’s the haul!

Lightscamerarevolution

©Epic

  • Beastie Boys – Licensed To Ill — #219 on the RS list, I wanted to get this to show 3B that not all rap is this mess they call rap these days or cRap as I call it. Sometimes you gotta fight for your right to better music. New.
  • Suicidal Tendencies – Lights… Camera… Revolution — I used to listen to this when my friend Danny (Daniel now) and I used to cruise Stratford. “Lovely” and “Send Me Your Money” was the two best on the album and they still are. Robert Trujillo who is now the bassist for Metallica was the bassist for ST in the day. I saw them open for Queensryche on the “Building Empires” tour, too. They were one of the first rapping metal bands that I remember. New on transparent green vinyl.
  • The Mountain Goats – All Hail West Texas — This is one of those bands that The BCPF loves. This was the sixth “studio” album by the “band.” Up to and including this the albums had been recorded on a Panasonic boombox and it was only John Darnielle writing, recording and playing the songs. It’s a concept album that the cover even says, “fourteen songs about seven people, two houses, a motorcycle, and a locked treatment facility for adolescent boys.” You can hear the wheel gears on the boombox whirling the whole time. It’s very lo-fi and I didn’t really care for it, but it wasn’t for me anyway. New.
  • The Velvet Underground – White Light/White Heat — Once again, I will never understand the appeal of the Velvet Underground. Not the songs. The songs have some substance but the total disregard of sonic sense in the recordings of this album is raking on the nerves of people that enjoy real music. This is #293 on the RS list and I think that is asinine. It should be in the #1 spot for worst thing ever. This is worse than The Velvet Underground + Nico album and that’s saying something. VG++ but how would you know?
  • The Allman Brothers Band – The Allman Brothers Band At Fillmore East — The good news is I was able to add a few from the RS list. The bad news is that I don’t really like two of them. This was is #49 on that list which, again, I just don’t get. I stirred a bit debate on Facebook with the post about this album. I get so tired of extended jamming and endless crapola solos. I agree the guitar tones were fantastic and Gregg’s voice was on point, but if it were just songs of normal lengths, I’d have been quite fine with this, but it goes on and on and on forever. I mean the whole Side 4 is a 22-minute version of “Whipping Post.” I like that song but it was just a bunch of showing off. I didn’t care when I first heard it and I still don’t. But, it’s part of my collection and one off the list. VG+.
  • Handel, Leonard Bernstein, The New York Philharmonic, The Westminster Choir – Messiah — Christmas is coming, right? Leonard Bernstein, right? Yeah. 2xLP set. VG+.
  • Serkin / Beethoven – Three Favorite Sonatas — The “Moonlight Sonata,” “Pathétique” and “Appassionata” are the three and they are doing beautifully by Rudolf Serkin. This was NM and not a single pop and crackle was heard.
  • Bonnie Raitt – Takin’ My Time — I never really cared about Bonnie Raitt but the last few things I’ve listened to, I really liked from her. On this album, there are a few songs that she channels her inner Etta James and you can’t go wrong with that. Others she’s like Carole King. This is a great album. VG+.
  • Prokofiev – The Philadelphia Orchestra, Eugene Ormandy– Classical Symphony, The Love For Three Oranges Suite, Lieutenant Kijé Suite — A $1 bin find, it seems like yesterday was a good classical day for The BCPF and me. Yay us. Even though it was a $1 bin find, it is in VG+ shape.

We got a lot of it listened to yesterday. It was a good day, even with two (necessary) clunkers. Jonathan was bouncing around the store and joking around, so he has gotten over the Record Store Day weekend. He’s gearing up for a good holiday season and you should tell your loved ones that you want a gift certificate to Underdog Records for your Christmas gift. You can use it for anything in the store. You’ll get it on a 45 7″, too. Listen to The Less Desirables each week to hear the TLD/UDR special of the week.

Discogs is the way I keep track of what my collection looks like. Also, I can purchase from other sellers the things that Jonathan may not be able to get.

Until tomorrow, keep spinnin’!
Scorp out!

—
“White light, White light goin’ messin’ up my mind. White light, and don’t you know its gonna make me go blind. White heat, aww white heat it tickle me down to my toes. White light, Oh have mercy white light have it goodness knows.” – “White Light/White Heat” (Reed)

Smashin’ Thrashin’ the Millenial Box or: Many Kisses

30 Friday Nov 2018

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Salutations™!!

Finishing out the month of November with KISS things, we have three more anniversaries this month.

Smashes_Thrashes_cover

©Mercury

First, what is, to me, the better of the two original US-based greatest hits KISS albums, Smashes Thrashes & Hits. I don’t know why they used this title as I think it’s kind of silly, but I liked the album itself. November 15 was the THIRTIETH anniversary of that album. THIRTY! Wow.

There are several things to note about this album, though.

One, it has two original songs written and recorded for this comp. I believe they may have been written for Crazy Nights but just didn’t make it on. I also think that those two songs sound more like Hot in the Shade material than they do Crazy Nights and it came out between the two.

Both songs are dripping with sex. Extra sex. I mean, the songs’ titles are “Let’s Put the ‘X’ in Sex” and “(You Make Me) Rock Hard.” I think that Paul was trying too hard, actually. Well, him and his writing partners. Both were co-written with frequent writing partner Desmond Child and “(You Make Me) Rock Hard” was co-written by Diane Warren. The second isn’t as obvious but the double entendre is “hard” to miss. Both had videos and both were pretty cheesy. But, I listen to them.

Another thing, with the exception of “I Was Made For Lovin’ You,” all the makeup songs (which were most of the album) were all remixes. Eric Carr recorded his version of “Beth” which I thought was a much better version. Another notable change was with “Love Gun” where they sang the outro chorus over what would normally be the solo spot. The solo spot still happened just under the vocals.

One more thing, there was nothing from Crazy Nights even though that was the most recent album. All the non-makeup albums and including Creatures of the Night were represented except Crazy. The UK version did have “Reason to Live” and “Crazy, Crazy Nights” but not the US version. The UK also didn’t have “Deuce.”

I wore the cassette and CD out of this album. The cover had Gene and Bruce looking kind of cool to the right while Eric was playing a little side-shy-peek-a-boo and Paul doing some weird jazz hands thing. They were surrounded by a bunch of reaching arms, I suppose of fans. It was billed as “15 Years of KISStory.” Overall, I really like the album. I had grown weary of Double Platinum and this included more than the first six studio albums. If you’re not a KISS fan or just wonder what I get out of it? This is a decent representation. More things came after this. Speaking of which…

Last Tuesday, November 20, which happens to be my birthday, was the 17th anniversary of the KISS Box Set. Now, I have mixed feelings about this album. I have the cool “box set” that is in the mini guitar case with five CDs. There’s also a 120-page booklet that has “commentary” and liner notes from Ace, Peter, Gene and Paul. There are a good bit of unreleased songs and demos.

Now, what I have a problem with is there should have been a lot more demos and unreleased songs. They remixed and remastered the Wicked Lester album, or at least they did three of the songs. I was hoping to hear the whole thing remastered. I had only heard a muddy mix of a dubbed tape of a dubbed tape of a dubbed tape of about 20 generations. I know that Gene and Paul didn’t write but a small handful of the songs, but I think they could have secured rights.

Plus, I think there should have been a better representation of all the albums to that point. In some shape or form, the entire debut album is represented on here (minus the cover of “Kissin’ Time”). Five songs are represented from Hotter Than Hell including demos. Four from Dressed to Kill, and then, and then, and then.

I have never known KISS to worry about how much something costs. I think they could have done two boxes. One just the demos, unreleased and rarities, the other more complete albums. Maybe that’s not feasible. Maybe it’s overkill. I just wish I had more of the stuff I’ve not heard my entire life over the stuff that I have. I know they have to assume that people who aren’t KISS fans will buy it and they need to give them the substance. But, again, make that a separate thing. Give us more of that. Give me more of that.

What is included? As I said, parts of the Wicked Lester unreleased album; “Stop, Look to Listen,” a 1966 demo by Paul; “Leeta” a 1969 demo by Gene; a six-minute live performance from 1973 of “Acrobat” which in part became “Love Theme from KISS”; the original studio demos that got KISS their record deal; “Doncha Hesitate” and “Mad Dog” both unreleased demos from the Destroyer sessions; the demo of “God of Thunder”; “Bad, Bad Lovin'” which became “Calling Dr. Love”; “I Want You” from a 1977 soundcheck; “Love Is Blind” an unreleased demo from the Love Gun sessions; a demo version of “Radioactive” from Gene’s solo album (each member has one solo album song); “You’re All That I Want, You’re All That I Need” a demo recorded in 1977 that would eventually become “You’re All That I Want” on Unmasked; ” Talk to Me” live in 1980;  an unreleased demo of Paul’s “Time Traveler” from the Crazy Nights sessions; “Ain’t That Peculiar” Eric demo that became “Little Caesar”; the demo of “Domino”; “Childhood’s End” with the special coda – previously unreleased; a previously unreleased demo of “It’s My Life” from the Psycho Circus sessions, which sounds like something that would come later on Sonic Boom or Monster.

So, really that is a lot of cool things, but with the vault they must have, can you imagine what this could have been? Now, also I recognize that with the “End of the Road” tour coming up and their impending retirement of the band, that there will be opportunities for more box sets. This was a great start, but I think it could have been much better.

And, then the last thing (or two last things) I’ll talk about for November is another box set of sorts. It’s KISS Alive! 1975-2000. This includes the same day release of Alive! The Millennium Concert, a show that was recorded on New Years Eve 1999 but not released until 2006 on November 21. The box set contained Alive, Alive II, Alive III and the Millennium Concert. I haven’t heard the last so I can’t really comment on it. But, it is from 1999 before Paul’s voice was completely shot. There’s really nothing that stands out to me about it. It was supposed to be Alive IV but that got shelved and we ended up with KISS Symphony: Alive IV. It’s okay.

So, happy anniversaries to each of the releases I talked about. This is all of the releases for the year. There were no KISS album releases in December, as of yet. So, I hope you enjoyed the KISS albums that I have touched on. I think it’s all true to the best of my knowledge.

Until tomorrow, keep KISSin’!
Scorp out!

—
“Kiss is a Fourth of July fireworks show with a backbeat.” – Gene Simmons

Music from Rock And Roll Over the Elder or: Many Kisses

29 Thursday Nov 2018

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Salutations™!!

I failed you, Dear Reader. I had been keeping up with my KISS album release dates and missed two big ones this month, but in my defense, I have been a bit busy. Holidays, birthdays, work, and other things have kept me tied up. But, let’s just jump in. This may be long and I apologize for that. Or, I may split it into a couple of posts, I won’t know until I get to the end of this one. So, let’s hit it.

Rock_and_roll_over_cover

©Casablanca Records

On November 11 — a couple of weeks back, it was the 42nd anniversary of Rock And Roll Over. This was a big album for the band. It was the first record after their best-selling album, Destroyer. They had a point to prove after their foray into the Top 10 that they could still put out quality albums, especially now that they were in the spotlight they all craved.

Destroyer had knocked it out of the park, albeit weirdly with orchestras and choirs and such. But, KISS went back to their bread and butter on this album, rock and roll. Heck, it’s in the name of the album itself. KISS, manager Bill Aucoin and Casablanca Records brought in Eddie Kramer, best known at the time for his work with Jimi Hendrix, to produce the album. They also chose to record it at the Star Theatre just outside of New York City.

In the recording, they were in a big cavernous space, which was good for the live-like vibe. But, they also put Peter in a bathroom to get the proper tone on his drums. I’ve always said that the bathroom can be a great place for reverb because of the porcelain fixtures and tile and such. But, I bet it can be a headache at times, too. Kramer knew what he was doing, though.

The album starts off with a little acoustically-blended subtleness that eventually turns into a full-on rock fest, with “I Want You.” That song, written by Paul has some great riffs and I say it’s one of my favorite original studio album songs. “Take Me” is a Klassic rock and roll riffed song and while it didn’t make it to the Alive II release, it did get a bit of play on the tour. There is a “live” version of it on the You Wanted the Best You Got the Best live compilation in 1996 (when the reunion was going on). It wasn’t really live but okay. The song was co-written by Paul and Sean Delaney, whom I’ve talked about in other blog posts.

Next came the first time I ever heard a cowbell in a song. The intro to “Calling Dr. Love” has this cowbell and as a kid, I had no idea what it was but I know that I liked it! I have always thought that the intro to this song has a bad edit. It’s right when the drums kick in after the wonderful cowbell spot. There’s some weird skip or something that happens. I don’t know if anyone will agree with me or not, but I hear it. It’s there. When Gene isn’t called the God of Thunder he’s been referred to as Dr. Love. I think it’s funny that he wrote the lyrics at a Holiday Inn on one of the complimentary notepads.

The cowbell extravaganza continues into “Ladies Room,” a tune about a rendezvous or some secret tryst in the women’s room with one of the lovely ladies that Gene happened to encounter. Most of his songs were about doing that. Well, not in the restroom but hey, it was 70s “cock rock” and that is what he was known for. It is what it is, folks. I can’t say that I, too didn’t write my share in Heavens Sake.

Peter’s contribution, writing-wise, is “Baby Driver” which I think is probably my favorite Peter-penned song in KISS. Perhaps “Hooligan” from Love Gun, but I think this is it. It definitely isn’t “Beth” or “Dirty Livin’.” He co-wrote the song, as he usually did, with Stan Penridge, a bandmate of Peter’s in Chelsea. I figure Penridge probably wrote the music and Pete the lyrics.

“Love ‘Em and Leave ‘Em” is a song that I really didn’t like as a kid but now, I really love it. It’s the same situation as all of Gene’s songs from this album. He’s the object someone’s infatuation and, of course, the ladies (probably young girls) can’t resist him and want to do cruel and unusual things with him. “She had an opening and I had a stiff proposition…” kind of things, as he would say. Some of the most prolific lyrics in Gene’s career, too (tongue firmly planted in cheek). Don’t believe me? Check the quote at the end! The promotional video for the song is just a “concert” setting but it’s still funny. I think it’s funny that even into the 80s when Gene was filming videos he always plays with his fingers but he’s actually a pick bassist.

“Mr. Speed” is Paul/Delaney’s rock and roller boogie. I say that because it has a little boogie-woogie swag to it. I don’t know, though, that I’d want the ladies to call me “Mr. Speed.” I’m just sayin’. This album has a number of titles, Drs., Messrs. Hmm.

“See You In Your Dreams” is a Gene tune and one that he didn’t care for. At least, not this version. He redid this on his solo album just two years later. I prefer this one, actually. I just like the straight-ahead rockingness of this one. It seems heavier. His solo album didn’t seem as fluid, to me. I also like Paul singing the call/response parts. Incidentally, all the Gene songs on this album were written solely by him.

Next is the Rod Stewart tune, “Hard Luck Woman.” Not really. It was written for him by Paul, but Mr. Hot Legs turned it down, I suppose. They say that it was on the success of “Beth” they decided to keep it for themselves, but I don’t know that I believe that. Anyway, Peter sang it and sounded just like Stewart doing it. I have always liked the song even if I didn’t know what the heck it was about when I was a kid. I couldn’t figure out what a “child of the border” was. It was, of course, “child of the water” but hey, I was young. Heavens Sake covered it a few times.

“Makin’ Love” closes out the album and is co-penned by Paul and Delaney again. It’s a rocker for sure. Paul is ready to pounce on this girl, he’s moving in and won’t take “no” for an answer. Maybe this is why they call him Mr. Speed? Anywhat! There is this weird heavy drum at the end that gets off beat a few times and I don’t think that was on purpose, I just think they left it in there. It has always bothered me, but I have also always liked it.

This is the first KISS studio album (out of 5) not to feature a writing credit from Ace. There were five songs from RNRO that made it on the Alive II release. Those are “Ladies Room,” Makin’ Love,” “Calling Dr. Love,” “Hard Luck Woman” and “I Want You.” Not a bad representation. And, I believe a few of the others made it in the set, sporadically, when the album was first released.

RNRO is a KISS Klassic, for sure. It does fall in my Top 10, but I’m not sure where, right now. I am going to create my list, soon. It has a Klassic or iKonic kover, too. I went krazy with the “K,” I know. But, the cover has been used in many a tattoo, t-shirts, pins, patches, etc. The same person who did this cover, Michael Doret, also did the cover for Sonic Boom. This was a better cover and a much better album.

November 10 was the 37th anniversary of what I call “my favorite” KISS album, Music from ‘The Elder.’ Instead of rewriting the thing, I’m going to leave a link to last year’s post about it. You can read that, HERE.

There are three more November KISS releases to mention, but I’ll save them for another post. It will be much less verbose. I won’t promise that because I am verbose, but I can try, right? Right.

Until tomorrow, same blog channel…
Scorp out!

—
“My limousine is a-waitin’ and I see you comin’ my way, hey, hey, hey. I’m sittin’ by the window and you ask me which hotel I stay in. Well, make a reservation between the hours of ten and two, how do you do? You’ve got the time to remember, I’ve gotta stiff proposition, yeah! There’s nothing else I’d rather do. So, you lift your dress. You wanna impress. There’s one thing I’ve got to confess. Love ’em, leave ’em, love ’em, leave ’em.” – “Love ‘Em and Leave ‘Em” (Simmons)