Category Archives: Records

Crazy Licks or: Many Kisses (Part 3)

18 Tuesday Sep 2018

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Salutations™!!

Here’s the second post today! And yes, this is verbose as was the last.

The month of September is a huge month for KISS fans, even if they don’t know it. Why you may ask? Because the month of September is the anniversary month for the releases of TEN KISS albums. I’ve talked about Alive!, Animalize and Asylum. But, like I said in the last post, September 18 is a doozie and talked about the four solo albums that were released 40 years ago, today.

Lick_it_up_cover

©Mercury Records

In 1983, Lick It Up was released on this day and also that night Gene, Paul, Eric and Vinnie Vincent showed up on MTV and showed their faces publicly, at least as KISS, without the makeup. It was a weird transition for them, even if they say it wasn’t. Look at that interview and tell me that Gene doesn’t look uncomfortable as he says through his big white grill that it feels good… Uh huh. I think Vinnie looks uncomfortable all the time. Paul seemed the most natural. Eric was just there. Then look at the video for “Lick It Up” and tell me they look comfortable. Gene can’t figure out how to act. His professional career had always been under some kind of disguise. He’s not the most handsome man, truthfully, but really, were any of them? Nah.

Lick It Up, though, was a big breakthrough for the band. It was their chance to bring the people back into the KISS Army coming off the heels of Creatures of the Night, which saw the departure of Ace, even though he was on the cover, he played nary a note on the album. Several guitarists played in his stead on that album and one of those was Vinnie Vincent. Creatures was the rebirth KISS was looking for. It wasn’t quite KISS, but a harder rock version of KISS. I think Creatures is one of their heaviest albums in the entire KISS Katalog. But, they did that under the hidden comfort of their makeup-laden personas.

Truly, the band incognito had run its course. It was time for a new approach. Gene said in his book Kiss and Make-Up that Paul had talked him into unmasking. He was still apprehensive but Paul explained that the makeup had become a stigma and more people knew the characters than they did the musicians and the music, whether people want to admit it or not, was judged more on the makeup than on the merits of the music and songs. I was only 12 when this came out and I was aware of that fact. And, I’m ALL about the show. So, what to do? New direction with the music on the album before, let’s try a new direction in image, as well. I think it worked.

This album was pretty heavy and at times, mean. From the harmonics-driven intro of “Exciter” on to the fade of “And on the Eighth Day,” the album was a non-stop auditory assault. Paul also showed a whole new vocal style starting with this album. He started singing a little different on Creatures but from Lick It Up on, he sang higher, as did Gene, with more power and with more confidence. In fact, I think this album has Paul’s most powerful tone and timbre.

Gene really changed up his singing from just gruff to high and gruff. I can’t sing most of his non-makeup songs and I sing pretty high. The band also started aiming for the “metal” crowd instead of the “kids and rock-n-rollers.” Eric’s drumming was more volatile as well. He pounded the crap out of the drums. I found I was at the same time longing for and also glad they dismissed the drum sound employed on Creatures. It was an awesome sound but it was also overpowering.

Much of what made this album heavier was Vinnie’s playing. He was all about flash and speed and less about feel. But, I think that bled over onto Paul’s style, as well. Paul’s parts were heavier than the KISS we knew. There were no ballads or slower songs on this album. Speaking of songwriting, this marked the first time that there were no outside writers on a KISS album.  People have a hard time believing that, but from the first album (which had a cover – and yes I know the original didn’t have that cover), the second and third rehashed Wicked Lester songs, and so on. Plus, people forget that Vinnie was “in the band” at one time.

This is one of my favorite KISS albums, although it didn’t start that way. I never really noticed it being a “different KISS” until much later. KISS was KISS was KISS to me. I get it now, but I was blinded at the time. As tired of the title track I am, I still love it. We used to do it in Busted Uncle. It was fun. The only song I really don’t care for is “Gimme More” and even that is a pretty good song. The one that all my friends hate is one of my favorites on this album, “Dance All Over Your Face.” I don’t know why but I just dig the heck out of it.

This was the first album that I got on cassette and not on vinyl. So, the copy I have now (180g brand new) is the first time I’ve ever had it on vinyl.

Crazy_nights_album_cover

©Mercury Records

Now, 31 years ago today KISS released Crazy Nights. It is perhaps the most polarizing of the 80s-era KISS albums. I know a lot of critics, fans and even my friends have labeled it as poppy sugary drivel but I am not one of those. Yes, it is poppier. It’s not quite “hair band” material, but not far from it. Their heavy sound had softened a bit, even though they were on their second album with one of their best guitarists, Bruce Kulick who showed up on the tour for Animalize and played on Asylum. I don’t mind sugary pop, though, as you have read me talking about often, Dear Reader.

I believe part of the deal with the overall tone was that Paul and Gene gave up production duties and just recorded music. But, they were also using outside writers and not the likes of ex-Plasmatics members but with genuine pop music writing heavyweights, Adam Mitchell, Desmond Child, Bruce Turgon, Davitt Sigerson and legend Dianne Warren. On top of that it was produced by Ron Nevison who took over duties from David Foster on Chicago albums, Heart’s Heart and Bad Animals, Europe, Damn Yankees, Survivor and my favorite Ozzy Osbourne album, The Ultimate Sin. What absolutely didn’t help was the incorporation of keyboards (played by Phil Ashley).

I remember buying this album on cassette at Peaches. I knew it was coming out but hadn’t heard anything from it. I put it in the car stereo (in my ’74 Chevelle Malibu Classic’s Craig audio system) and waited. It seemed the leader tape was a bit long, so I turned it up thinking it was low. The opening notes of “whew!” for “Crazy Crazy Nights” scared the bejeezus out of me and I nearly wrecked my car. I loved it, though. That followed by “I’ll Fight Hell to Hold You” and “Bang Bang You,” gave Paul a good three-song start. Nice and poppy.

Then Bruce got to do his thing. He schools us on tapping techniques flawlessly and  Eric joins in with a little double-bass flash. This is “No No No” from Gene. The whole thing is a little hard to follow on the beat because it’s about being fast, I think. The only song that I don’t care for is “My Way” which I think single-handedly shows off the overly-poppy nature that many people see the entire album for. Also, as with Lick It Up, one of my faves on there is the one my friends say they dislike the most on the album, which is “Thief in the Night.” It was covered by Wendy O. Williams (also of Plasmatics fame) on an album that Gene produced which could have actually have been a KISS album.

Is this their best album 80s-era or otherwise? No. It is, however, the 80s-era KISS album that I listened to the most. It was the last original studio album that I actually had a love for and enjoyed without bias. The next album, Hot in the Shade, had plenty of letdowns for me. I don’t mean that I don’t love post-Crazy Nights albums, but up to this point, they could do no wrong. I realized on HITS that they could. Between the two came Smashes, Thrashes & Hits, a greatest hits album. I liked it.

This album also had a lot of unreleased things make it to other artists and box sets and such. The original title of the album was Who Dares Wins. I’m glad they changed that.

What are your thoughts on these two albums, Dear Reader? Are they up your alley or not? If you’re not familiar, why not give them a shot? Let me know what you think.

Until tomorrow, same blog channel…
Scorp out!

—
“Baby, now that you’ve made up your mind, I’m gonna let you go, if that’s what it takes to show love is blind. I gave you the best love you ever had, but it wasn’t enough. So, if you think you’re so smart, go and play with your heart. When you walk out the door, you’ll realize what you never did before. A million to one – that’s what it will be. A million to one – there’s someone better than me. A million to one – no, you never will find. A million to one – another love like mine.” – “A Million to One” (Stanley/Vincent)

 

Gone Solo or: Many Kisses (Part 2)

18 Tuesday Sep 2018

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Salutations™!!

The month of September is a huge month for KISS fans, even if they don’t know it. Why you may ask? Because the month of September is the anniversary month for the releases of TEN KISS albums. I’ve talked about Alive!, Animalize and Asylum.

20090517004510!Solo_inner_sleeve

©Casablanca Records

Now, today, September 18th is a doozie. In 1978, all four solo albums were released on this day. Three other KISS albums were released on this day as well, we’ll get to those.

Today is the 40th anniversary of the release of all four KISS solo albums. When I got into KISS, I was 7 going on 8 and that’s about when the whole Love Gun, Alive II, Double Platinum era was going on and then these were just coming out. Because of my newness to the band, I didn’t understand what was going on. I thought it was just 4 albums, one featuring songs by each member. I thought that was cool. And, in a way, it was. In other ways, it wasn’t. In many ways, actually.

While I pride myself on knowing my KISStory, at that time I had no such knowledge. I didn’t realize that Peter and Ace were both becoming victims of their own demons and weren’t pulling their own weight. They were constantly being pitted against Gene and Paul and were coming out on the losing side. As would be the case in any partnership/band/biz, that led to dissension. Ace and Peter were becoming more and more disillusioned with the “other side.” Gene and Paul were becoming less and less patient with Ace and Peter. Ace and Peter, whether right or wrong, felt that Gene and Paul were abusing their power and not allowing the others their creative freedom. Peter was threatening to quit as was Ace.  This is not just Gene’s and Paul’s long-heard version of the story, Sean Delaney backed this up when I talked with him several years ago. More on Sean later.

To keep the semblance of the band together, Gene and Paul, along with manager Bill Aucoin proposed that the individual members release their own album under the KISS moniker and let each showcase their influences, skills, desires, etc. Eraldo Carugati did the cover art of each and they looked cohesive, as they were supposed to. To the fans, including the newbies like me, it was to look like a cool thing they did in the name of creativity. I guess it was in some strange instances. They each dedicated their individual albums to each other, except Peter who added a dedication to Michael Benvenga who was in Chelsea and Lips with him, pre-KISS.

Ace’s album was all about the rock. Not, any pop or fluff really, even in the Russ Ballard tune, “New York Groove.” His guest list was not really extensive when you look at the other members’ tracks. He did recruit Anton Fig and Will Lee to play on his album, both of which would go on to be part of The World’s Most Dangerous Band from David Letterman. Fig would go on to be the drummer on the next two KISS studio albums (Dynasty and Unmasked) and when Ace finally blew the joint, he was part of Frehley’s Comet. Ace, being Ace decided he would do most of the other instruments himself, including most of the bass duties (Lee played on “Ozone,” “I’m in Need of Love” and “Wiped-Out”). There’s nothing wrong with that, he did it for the next few KISS albums, at least on his songs. Ace had Eddie Kramer produce his album (Ace co-produced it). Kramer was associated with Jimi Hendrix, David Bowie, the Rolling Stones, Beatles, and the list goes on. He also produced Alive! and Alive II. “New York Groove” was the only tune from this album that charted (#13). Ace’s was the only album to chart (#26) and was the highest selling.

Peter’s album was about soul, R&B, jazz, and rock and roll. kind of stuff. Peter’s background was in jazz drumming, not necessarily the hard rock that he was known for. His influences were older. Diverse. Most of the tracks on this record were written by Stan Penridge. The credits go to Penridge and Peter, but I’m suspicious of how much Peter actually wrote. He may have done some lyrics, I guess. Peter’s cover of Bobby Lewis’ “Tossin’ and Turnin'” was pretty good. KISS did it on the Dynasty tour, at least for a few shows. It was pretty awful from what I’ve heard of it. But, Sean Delaney wrote two songs on the album (“Rock Me Baby” and “I Can’t Stop the Rain”). What is remarkable about this is Sean actually produced Gene’s solo album but was asked to write for Peter. He did both. Peter had many guest musicians including Steve Lukather of Toto fame, Neil Jason (who also played all the bass on Gene’s album), Penridge, Allan Schwartzberg (who also played on Gene’s album and was credited as “additional drum overdubs” on several of the 80s-era KISS albums) and more. The album was produced by Vini Poncia who produced Dynasty and Unmasked. Incidentally, it’s the only one of the four that had a “credits insert” and the only one that released two singles, even though neither song charted.

Paul’s album has been touted as the “most KISS-like” and I disagree. I think that would be Ace’s (which could be one reason why I like it less). Now, Paul’s has KISS qualities but it sounds like Paul’s KISS songs. The addition of outside musicians changes the feel than that of a KISS album. I think Paul’s has the best-written tunes. A little bit of “Starchild” and a little bit of the “lover” is how I’d describe the album. Ballads, power-ballads, hard rocking tunes and some pop aspects. There’s not a song on this album that I don’t dig. While there are three songs (“Move On,” “Ain’t Quite Right” and “Take Me Away (Together as One)”) that were co-written by Mikel Japp, this is the only one of the four solo albums not to feature a cover tune. Paul had some notable guests on this album. Carmine Appice and Craig Krampf (co-writer of “Oh Sherrie” and session drummer for many big-named artists) on drums, and of course, Bob Kulick on guitar. Steve Buslowe played bass on side one and Eric Nelson on side two. I wonder if that was by design? I find it odd. The album was produced by Jeff Glixman who has worked with Kansas, Yngwie Malmsteen, Black Sabbath and more.

Gene’s album seems, to me, like a huge party. It’s like he gathered all of his friends, girlfriends, a previously-released KISS tune, bits of horror, hard rock, The Beatles and his favorite Disney films and threw himself a shindig. If I knew he wasn’t so straight-edged, that could be the case, but other than a few impromptu orgies, I don’t see the party happening. The album opens with something that reminds one of The Omen and is hellish before hitting the hard rock “Radioactive” which has a very cool (complete with choreographed dissonant passing notes) classical guitar interlude into “Burning Up With Fever” which on the original CD versions put both of those songs together and you had to either just listen through or fast forward to get to the latter. This is the only one of the four that re-recorded a KISS song (“See You In Your Dreams”) because he wasn’t happy with the original that was on Rock and Roll Over. Gene has always maintained that he learned English from watching Disney films. So, while it sticks out like a sore thumb on the album, it makes perfect sense that he’d cover “When You Wish Upon a Star” because hey, it gives him an extra tune and you love what you love, especially when it fits your story. Now, his guest list is incredible. He plays no bass on this album, just acoustic and electric guitar. He leaves the bass work to Neil Jason, who along with Allan Schwartzberg on drums, also played on Peter’s album. Elliot Randall, who is probably best known for his guitar solo on “Reelin’ in the Years” from Steely Dan handles most of the main guitar work but also, Rick Neilsen, Joe Perry, Jeff “Skunk” Baxter and Richie Ranno of Starz do guest spots. And back up singers? Bob Seger, Helen Reddy, Donna Summer, Cher, Janis Ian, Michael Des Barres and a then-unknown young lady by the name of Kate Sagal (yes, Peggy Bundy) all lent their voices. Sean Delaney, as I said, produced the album. Sean claimed, to me, that he never got paid for that job and that Gene cheated him. Again, that’s an allegation and not necessarily a fact. But, the fact that he and Gene had a falling out about this time and as far as I know never really reconciled, I can see it. It wasn’t my business and I hope they talked before Sean passed away in 2003.

You’ll notice the order in which I talked about the albums. This order is important because it is in reverse order my favorite/preferred list. Gene, Paul, Peter and Ace. I get looks and furrowed brows when I say Ace’s is my least favorite. There are several reasons for this. One, I just am not a huge fan of Ace’s. I feel he squandered an opportunity and let KISS fans down in general. Yes, Peter flaked first and was a little byotch about it. But, I felt we got the better deal because Eric Carr was a much better drummer and a rock drummer at that. Ace’s also is just boring to me. Don’t get me wrong, I like it, it’s just my least favorite. I felt the reason for the solo projects was to show a bit of freedom and influence and step out of the KISS box. If you’re going to sound like KISS, record a KISS album and don’t be a byotch. Peter, Paul and Gene all got experimental and showed range, for better or for worse. Don’t argue, you have your favorites and I have mine!

All four had cool posters that you pieced together and the ones I have on 180g vinyl (from Underdog Records, of course) are pretty good. I had to buy my Paul Stanley used and it is missing the poster. I never had all the posters as a kid, either, so I’m looking for a replacement. I talked earlier about the good and bad of the solo albums. I love them for what they are, in varying degrees. The bad, however, was that no matter how crappy Peter’s performed, he still thought he was better and needed more from KISS. They showed him the door. Ace, on the other hand, got bolder as his album did the best and it proved, at least in his head, that he was more important. I feel he was, but disagree with how he dealt with it. Plus, he and Peter’s demons really got in their way beyond “just ego.” What are your thoughts on the solo albums, Dear Reader? I know you’ll disagree on the Ace placement but it is how I see it.

This got a lot more overly verbose than I expected, so I’ll continue the others either in a separate post for today or just do it tomorrow. Stay tuned.

Until tomorrow (or later today), stay in the Useless Things Groove!
Scorp out!

—
“You were standin’ and I was thinkin’ ff all the time that I spend hangin’ around. Situation could only get better. I got closer to see what I found. In the mornin’, movin’ easy. Everything seems so right. But when the night comes, I’ve been dreamin’… Dreamin’ ’bout leavin’ you one more time. Girl, you gave me good love but it ain’t quite right.” – “Ain’t Quite Right” (Stanley/Japp)

Spinning Sunday or: The Haul 9/15/18

16 Sunday Sep 2018

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Salutations™!!

Points_on_the_Curve_CD_cover

©Geffen Records

It was a rather dreary day in WSNC yesterday and will continue to be for a few days. There were minimal folks out because no one knows what Florence is going to do. So, The BCPF and I made sure to get some good listening material at Underdog Records. And, we did! Here’s what:

  • Sly & The Family Stone – Fresh — #186 on the RS List and I love good funky rock and that’s what this is. Great stuff. Yellow label UK pressing, I believe. It’s in VG++ condition.
  • The Blue Öyster Cult – Tyranny And Mutation — This was the 23rd entry on the Eugeology list from last year. I stated at the time that I didn’t care to hear it again. I do want my list stuffs on vinyl, so here it is in my listening realm again. VG+.
  • Aztec Camera – High Land, Hard Rain — I had heard of Aztec Camera but knew nothing of them. I had seen a few AC albums and thought nothing of it. I didn’t know it was The BCPF’s kind of thing. She said it was and we got this one. I could tell right away that it was definitely her kind of thing. It’s VG++.
  • Simple Minds – Once Upon A Time — There are a lot of great songs on this album and I was very happy to have it. It was a VG++ rated album and we really enjoyed listening to it. Simple Minds are a great band and I’ll buy pretty much anything from them I find.
  • New Order – Low-life — This wasn’t purchased from Underdog Records but was given to us there by our pal Clay Howard. Clay’s the only person we know that will give you gifts for his birthday! It was a great listen and The BCPF was singing along with the whole thing. At least mouthing the words, she won’t sing in front of me for whatever reason. VG++!
  • Wang Chung – Points On The Curve — I will never understand what in the wide-world-of-sports they’re talking about on “Dance Hall Days” but I really like the song. There were several great tunes on this album, and I’ll venture to say it was one of my favorite listens yesterday. Good early 80s pop and the best part is we found it in the $1 bin. I will go as far as saying it was VG++.
  • Henry Mancini – The Best Of Mancini — I love Henry Mancini and his smooth and groovy jazz stylings. He does it really well not only as musical releases but in television and movies, as well. It was a $1 bin find and is VG+.
  • Rod Stewart – Never A Dull Moment — It was funny to watch both The BCPF and me trying to figure out how to get the vinyl out of the sleeve. It was some weird double-flapped gatefold type thing. It turns out you get the vinyl from the back of that. It’s difficult to explain. We just had never seen one like that. Anywhat! It was a $1 bin find and I was surprised how much I liked the album. Some of Stewart’s older albums are a bit bluesy for me. VG.
  • Rick Springfield – Success Hasn’t Spoiled Me Yet — Another great pop album from the early 1980s. Speaking of Clay Howard, the first time we talked about playing music together was him asking about doing a Springfield tribute band. “Don’t Talk to Strangers” is on this one. Great stuff. VG+.
  • Various – Hit Machine — My friend Taylor Chamberlin contacted me on my Instagram post about this. He asked if I had it and I said I didn’t, which was odd because I have such a vast collection of K-Tel albums. He left it at Underdog Records for me. That was a swell gesture of him, I think. Thanks, TC. It’s G+.

So, not a huge haul but a very satisfying one. We got to all but the BOC and K-Tel album yesterday. It was a great listen day. I’ll have some news about The Less Desirables and Underdog Records this week. But, let me say that you can find a lot of cool records both used and new at Underdog. A lot of the stuff from the late 80s and into the 00s that were not even really released on LP is not being re-released in that format and Underdog Records gets them. Be sure to listen to The Less Desirables to hear what the TLD/UDR exclusive deal of the week is.

Discogs is my go-to for cataloging my albums and listing them here. It’s the easiest way to keep up with your collection, too. And, they have a great marketplace for selling or buying your records, cassettes or CDs.

Until tomorrow, keep spinning…
Scorp out!

—
“What you gonna do when things go wrong? What you gonna do when it all cracks up? What you gonna do when the love burns down? What you gonna do when the flames go up? Who is gonna come and turn the tide? What’s it gonna take to make a dream survive? Who’s got the touch to calm the storm inside? Who’s gonna save you? Alive and kicking.” – “Alive and Kicking” (Kerr/Burchill/MacNeil)

Spinning Sunday or: The Haul 9/8/18

09 Sunday Sep 2018

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Salutations™!!

The BCPF and I were back to Underdog Records yesterday after our trip to Beantown last week. It was good to be back and not only did we get a good haul this week, we actually got about six hours of record listening as well! Other than going through some head cold or sinus thing, yesterday was a wonderful day. I love my girl and spending the day with her. Here’s the haul:

b4d756e0ecf7475bc7f853206632f4f7

©Warner Bros.

  • The Psychedelic Furs – Talk Talk Talk — When I was younger, say when this stuff was new, I always got PFurs mixed up with The Fixx and Naked Eyes. They were close enough to the first wave stuff that it was only on my radar when they had a mega hit. I just didn’t have access to it. I have (obviously) come to know the difference and this was a great record. VG++.
  • Dire Straits – Love Over Gold — I have, on several occasions, mentioned my newfound love of Dire Straits. I am now only one album from having all of their studio albums on vinyl. I’m not sure it was even released on vinyl or not. If not, since they are not in the Rock and Roll Hall of Fame, perhaps they’ll get a reissue of it? And, if they could figure out a way to get side one of Brothers in Arms back to its full-length self, that would be great. This was a great record. VG+.
  • Aerosmith – Aerosmith — No, I still don’t like Aerosmith, but there are some songs that I like and this was their debut album. This is the second pressing reissue from 1976 where “Walkin’ the Dog” is spelled correctly and they only used the photo of the band instead of the full sky pic. VG+.
  • Joan Jett & The Blackhearts – I Love Rock ‘N Roll — I know the song is way played out by now, but when this came out, I always felt it was a matter of “oh you have that!?” with covetous intent. I never had it, though. As a kid, for some things, albums and such, ordinary releases felt like the Holy Grail and I either felt special for having something or jealous someone else did. Music is just that big a deal to me. Anywhat! This was there and The BCPF couldn’t resist getting it. VG.
  • Pretenders – Pretenders — This completes our 79-89 Pretenders full-length album collection. They have stuff later but this was their heyday, so this is what we want. It has some great tunes including “Precious” and “Brass in Pocket.” VG++.
  • Squeeze  – Singles – 45’s And Under
  • Squeeze – Argybargy — We got two Squeeze albums yesterday and we’ve only gotten to listen to the “Singles” one so far. But, I had forgotten how many awesome songs this band had. Both of them were VG++.
  • The Cars – Candy-O — Just like Dire Straits, I have come to realize that I just downright love The Cars. No ifs, ands, or buts about it. This album, their second, has a lot of great stuff including “Let’s Go,” “It’s All I Can Do,” and “Dangerous Type.” VG++.
  • Robert Plant – Now And Zen — If I’m not mistaken, it’s the second time I’ve bought this album but the first time owning it. I believe this is the one that I purchased and immediately gave to my pal and bandmate, Clay Howard. I may be wrong, sure, but I believe that’s what happened. It has “Ship of Fools,” “Tall Cool One” and “Heaven Knows” and has a really cool feel and groove about the whole album. I dig it. VG++.
  • The Guess Who – The Best Of The Guess Who — I had this album on CD and didn’t realize how much I missed by just going after the “sexy” Rock 92 staples. Songs like “Laughing” and “Undun” are really good. I do wish (as annoying as it is) that they would have included the album version of “American Woman” but the meat of the song is here. Great listen. VG+.
  • Aldo Nova – Aldo Nova — I have passed over this about 20 times. It was a good price and I finally pulled the trigger on it. VG++.
  • Jackson Browne – World In Motion — VG++.
  • Jackson Browne – Lives In The Balance — I say I am a “fan” of Jackson Browne. However, I am usually more hit-or-miss with his stuff than I am full-on excited. These are two 80s albums. We will see if they’re hits or misses with me. VG+.
  • Billy Squier – Don’t Say No — This album was two before the one with “Rock Me Tonite” on it so he was still rockin’ and rollin’ at this point. Really, I don’t know why people flipped out over that video other than it was just awful. People are dumb. But, this has the hits “In the Dark,” “The Stroke,” “My Kind of Lover” and “Lonely is the Night.” But, there are so many other good songs on the album as well. You should get it or stream it or something if you’ve not heard it. VG++.
  • Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy, Tchaikovsky/ Mendelssohn– Violin Concerto In D Major / Violin Concerto In E Minor — $1 bin find, but as per usual with classical records that we find in the $1 bin (or elsewhere), the classical music folks pretty much take care of their records. It was in really good shape, both the media and the cover. I rated it VG+ but could have gone VG++ if not for a little bit of “spotting” on the vinyl, even after my cleaning of it.
  • Herb Alpert & The Tijuana Brass – Christmas Album — The BCPF loves her Christmas albums, we both dig Herb Alpert and it was a $1 bin find. Why not jump on it!? Even for a $1 bin find it was in VG shape.

There you go, Dear Reader. Not only did we get awesome albums in this haul, many of them were VG++ and all of them were priced nicely. That’s what we missed being in Boston. We loved Boston but we missed our Saturday routine at Underdog Records. Deals like this week’s haul are what Underdog Records is all about. Plus, Jonathan is very helpful with finding the right equipment, old titles, he knows his inventory and is just the sweetest guy. Just yesterday a couple came in looking for cleaning supplies to be able to listen to some old records they had in storage. He helped them pick out the right stuff for what they needed and even gave away his “secret formula” recipe for the solution that I and several of the Underdog Records community use for cleaning records. He could have upsold some other stuff but he didn’t. He cares about your records. Watch the Instagram and Facebook feeds for the newest finds Jonathan has come across at Underdog Records. Also, listen to The Less Desirables every Wednesday night/Thursday morning (or anytime really) to hear the weekly TLD-exclusive deal.

Also, I stood in Underdog Records yesterday with my phone in my hand and every time I came across the titles above, I first checked on Discogs to make sure I didn’t already have it. Discogs is a great resource for all record, CD and even cassette collectors. The Marketplace is pretty awesome, too.

Until tomorrow, keep spinning…
Scorp out!

—
“Caroline laughs, and it’s raining all day, loves to be one of the girls. She lives in the place in the side of our lives where nothing is ever put straight. She turns herself ’round and she smiles and she says, ‘This is it, that’s the end of the joke.’ And loses herself in her dreaming and sleep, and her lovers walk through in their coats. Pretty in pink, isn’t she?” – “Pretty in Pink” (Ashton/Butler/Butler/Ely/Kilburn/Morris)

Spinning Sunday or: The (very short) Haul 8/25/18

26 Sunday Aug 2018

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Salutations™!!

Miss_Etta_James

©Crown

Yesterday was normal for us, other than we only got about five LPs from Underdog Records. Mostly it’s because we’re trying to save our money for our trip this week. If you will remember how I sprung the trip to Boston on The BCPF, and this is that trip. Plus, a week from today, there will not be a “Spinning Sunday” post but the BIG anniversary post, as that will be #4 for us. Anywhat! That’s next week, let’s do this week.

  • Etta James – Miss Etta James — The only Etta James that I had before this was At Last and that is a fine one to have if it’s your only. So, The BCPF actually picked this one up and I’m glad she did. I am a fan of Ms. James. VG.
  • Whitesnake – Slide It In — The Whitesnake album that really broke them out, and not to be confused with the ’87 album that blew them up. I know plenty of WS fans that prefer this one to the ’87. I am not one of them because I love the ’87 album. But, in all honesty, I’ve not given this album a fair shake, yet. That will happen, hopefully, before I leave. VG.
  • Various – Together – Today’s Love Hits – All Originals — The BCPF and I just laughed the whole time this album played yesterday. It came out in 1979 and that era for “love hits” was really K-R-A-F-T! But, it did contain a few of the songs we hear on the “Yacht Rock” channel on SiriusXM. It’s listed in VG+ condition but there are some serious skips on it. So I think it’s really closer to VG or even VG-.
  • The Time – The Time — The debut album by Morris Day and company. As is par for the course, at least in their early days, this album only has six songs. However, it did have three singles on it. This is before “Jerome” (Jerome Benton) came along. VG-.
  • Emmylou Harris – Cimarron —$1 bin find by The BCPF. We haven’t listened to it yet, so I don’t know what to expect. She’s big on Emmylou and that’s good enough for me. It seems to be in VG.

So, see? It was a short week. There were things that I really wanted during the week but, as I said, we were watching our spending but in two weeks, I’m sure we’ll have a larger list. The monthly budget resets then, too. Go by Underdog Records to see what we left for you. The weather was nice yesterday so Jonathan was able to put the $1 records outside. I always like when he does that.

I use Discogs to track what I have (like when I made sure that I didn’t already have that K-Tel album) and to purchase those hard-to-find used albums.

Until tomorrow, same blog channel…
Scorp out!

—
“I’m gonna slide it in right to the top. Slide it in, I ain’t never gonna stop. Slide it in, right to the top. I’m gonna slide it in, slide it in, slide it, in baby.” – “Slide It In” (Coverdale)

They’re Building Empires or: 28

21 Tuesday Aug 2018

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Salutations™!!

Yesterday was the 28th anniversary of a very influential album for me. 28 Years ago yesterday, Empire was released by Queensryche.

Queensryche_-_Empire_cover

©EMI America

It was the follow up to my #2 album of all time, Operation: Mindcrime and really was the first time I really got to hear what this band could do. I was big into “mind metal” at the time and this was a good break from the thrash stuff I had to listen to in order to get that. Empire was a completely different path for the band, especially given its direct predecessor and the previous few. It was definitely more commercial.

This was probably due to the fact that Mindcrime was such a hit. It gave them a boost that let them experiment and evolve their sound and focus. While still somewhat present, gone was the focus on political statements and social issues and more on life and dreams. Sure, “Best I Can,” “Resistance,” “Empire,” “Della Brown” were all social statements, but songs like “The Thin Line,” “Another Rainy Night (Without You),” “Anybody Listening?” “Jet City Woman,” and “Hand on Heart” are more romantic or loss thereof.

The album’s signature song (and probably the best known among non-Queensryche fans) is “Silent Lucidity.” It’s not my favorite on the album, by any means, but it certainly isn’t the least. I think it is still a fantastic song that still holds up. It is well-written and well-versed in the whole “lucid dreaming” phenomenon. Lucid dreaming is where the dreamer is aware that they’re dreaming. I still shudder when I hear the woman’s voice say, “Help me.” Did you know that was sampled from Hellraiser II? It was. And, Michael Kamen’s orchestration adds a lot of depth to the entire song, but especially the end which is from Johannes Brahms’ “Lullaby” which you’d certainly know as soon as you heard it. There’s just a lot of cool things about the song. It reminds me of having my Sony Discman® in freshman Algebra I in college, listening to it while the professor went on about a bunch of numbers and letters in which I had no clue what she was talking about, before or after listening to the CD.

My faves on this album are “The Thin Line,” “Jet City Woman” (I am a bass player, ya know?), “Empire,” “Anybody Listening?” and “Silent Lucidity.” The production on this album is amazing and Peter Collins, who also produced Mindcrime is a great producer.

The tour for this, “The Building Empires Tour,” was the first time I had seen them live and it was the first time that they had performed Mindcrime in its entirety. We were front row on the second level right over the stage and it was so much fun watching them. For a “mind metal” band, they put on a great, and at times theatrical, show. Suicidal Tendencies opened for them.

The dual guitar force of Michael Wilton and Chris DeGarmo (who was the main music-writer of this album and most of Queensryche’s earlier stuff) was unmatched at the time. Sure there were metal bands that did the same thing, but to me, there was no matching the smooth velvet leads of DeGarmo with Wilton’s blazing riffs. It was like adding spicy Ro-Tel to Velveeta only better (and better for you).

Scott Rockenfield is still one of my all-time favorite drummers. What he does with a set both large (then) and small (now) is just fun to watch. He’s technical but with feeling and he bashes the crap out of those skins. I’m always amazed by his hi-hat work, too, which is one of my favorite things from drummers who know what they’re doing.

Eddie Jackson is one of the steadiest, most solid and in-pocket bass players around. He now handles most of the backup vocals since DeGarmo left the band and even though I’m not a big fan of bass players who play with their fingers as opposed to a pick, generally, he does both very, very well. Plus, he’s got some seriously awesome hair.

Then, there’s Geoff Tate. I think this album was the start of a transition for him. Yes, he’s demonstrating his multi-octave virtuosity but he also started to go low a little bit. Not as much as he did on the next album, Promised Land and especially Now in the Hear Frontier on, but some. He’s still my favorite lead vocalist in rock. I should clarify that he’s my favorite lead vocalist in rock from this era of the band and before. After Promised Land, he started losing me, at least from the newer songs. He was still hitting the good notes live; mostly.

Some say this was the band’s last great album. Again, I go with Promised Land on that, but even PL isn’t this and neither are Mindcrime. And, I must say if you’ve not heard the last two Queensryche albums with Todd La Torre, you’re missing out. La Torre sounds like younger Tate but he also brings his own personality to the songs. His versions of the older ‘Ryche stuff is really good, too.

So, happy anniversary Empire. You mean a lot to me and darn it! I hope to have you on vinyl, soon. There’s so much awesomeness on this album. I think I’m going to go give it a spin, now (or stream it, as the case probably is).

Until tomorrow, same blog channel…
Scorp out!

—
“In the fiscal year 1986 to ’87, local, state and federal governments spent a combined total of $60.6M on law enforcement. Federal law enforcement expenditures ranked last in absolute dollars and accounted for only 6% of all federal spending. By way of comparison, the federal government spent $24M more on space exploration and 43 times more on national defense and international relations than the law enforcement.” – “Empire” (Tate/Wilton)

Spinning Sunday or: The Haul 8/18/18

19 Sunday Aug 2018

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Salutations™!!

We changed up our routine yesterday a bit because Mary’s Gourmet Diner was on vacation. We went to Underdog Records first and then went to a new place to eat breakfast/lunch. You’ll need to watch The Man Who Ate the Town blog (and listen to the podcast) to find out more about that experience. I will just say, “WOW!!!!” Okay, here’s the haul:

R-6549215-1421819102-7567.jpeg

©Asthmatic Kitty

  • Lambchop – What Another Man Spills — The BCPF is a huge fan of Lambchop (is a band) and when Jonathan included this in his “flip video” on Friday, she went nuts because she didn’t see it until around 8 hours after he posted it. She figured that was a lost opportunity. It wasn’t. It was still there. This is a remastered 2xLP in a pea green and peacock blue (one each) and the artwork is just a black cover, as opposed to the slightly more colorful original. This was the first time this has ever been on vinyl and it’s a promo copy. NM.
  • Squirrel Nut Zippers – Hot — Another that The BCPF was gaga over. She loves this band and her brother went to high school with someone from SNZ. It was VG+ and a fun listen. Even the production sounded like it was from the swing heyday.
  • Sufjan Stevens – Carrie & Lowell — Yet another for The BCPF. When I think of “her music,” I think of Elliott Smith first, Belle & Sebastian second and Sufjan Stevens third. We have a few albums by him and while I don’t have a wide knowledge of his stuff, I am going to say this is my favorite. There’s a lot of emotion on here and it was therapy for him by the loss of his mother (Carrie) who abandoned him when he was about one. They had connections later, I think, and Lowell (Sufjan’s stepfather) actually co-founded Asthmatic Kitty Records with Sufjan. A funny line in one of the lyrics which was presumably about Lowell and was “Emerald Park, wonders never cease. The man who taught me to swim, he couldn’t quite say my first name. Like a Father, he led community water on my head, and he called me ‘Subaru.'” This was VG++.
  • Paul McCartney – Tug Of War — Not my favorite Macca albums but it does have some good stuff on it. The title track, “Take It Away” and “Ebony and Ivory” were some of my faves. VG+.
  • Bee Gees – 2 Years On —  The only one we didn’t get to listen to yesterday of this haul. We will today. I don’t know much about the album other than it only sold around 375k copies. Which is way more than I’ve sold but still… Robin Gibb had had a spat with his brothers a couple of albums before and had left. He came back for this one. Okay. VG+.
  • Queen – Hot Space — Often considered the “awful” Queen album, I didn’t mind it. It’s not the Queen we were used to at this point but it wasn’t bad. I equate it to KISS’ Music from ‘The Elder.’ Not what you thought it would be but in hindsight? It’s decent. The production is very synth-heavy. On The Game, Queen had “discovered” the OB-X from Oberheim. That kind of turned Freddie on and he led the band in this direction. The other band members have voiced how much they really weren’t happy with it and David Bowie had done some backing vocals for a tune or two and asked that they be removed just before the album went to press. Of course, “Under Pressure” featured Bowie’s vocals, but that was recorded before the album. VG- according to Jonathan, but it was in good listening shape.
  • Crowded House – Temple Of Low Men — As I said on social media, I have never heard a Crowded House song I didn’t like and this is no exception. The band always puts out quality stuff and this is one fantastic album. As our pal, Neil says, “Better Be Home Soon,” “Into Temptation,” “Mansion in the Slums,” “Love This Life,” “Kill Eye,” “Sister Madly,” all great tunes from this album. I agree with him. VG- but again, in really good shape.

So, the haul was small but we got great stuff. Nothing on the RS list but that’s okay. Jonathan had to close the Underdog Records for a few days this past week because he was sick but he’s back and better. We loved our finds (all in the recently used bin) and made it out to do some good listening with good stuff. I didn’t get a good look at what all was in there because we were in a hurry, but you know you can always find cleaning and listening supplies, some new and a lot of used equipment, including a set of Pioneer speakers for $150 for the pair (I think). There’s lots of good stuff there and you already know that by now. Go check him out.

And, you know by now that I use Discogs to catalog my collection and to buy used (and sometimes new) records that Jonathan can’t get.

Until tomorrow, keep spinning…
Scorp out!

—
“In the afterlife, you could be headed for the serious strife. Now you make the scene all day, but tomorrow there’ll be Hell to pay.” – “Hell” (Maxwell)

Spinning Sunday or: The Haul 8/11/18

12 Sunday Aug 2018

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Salutations™!!

Queensryche_-_Operation_Mindcrime_cover

©EMI

It was a great average Saturday for The BCPF and me. Sun was out mostly in the morning/early afternoon. We got home from Underdog Records and the bottom fell out. It was done before we went to Willows and stayed nice the rest of the evening. Here’s what happened at Underdog:

  • Queensrÿche – Operation: Mindcrime — I didn’t buy this from Underdog but I did get it from there. After looking for this album for a long while and through some negotiation, I finally was able to convince my friend Bill B-A to part with his copy. It sounds fantastic on vinyl and I actually heard things I hadn’t ever noticed. That happens with vinyl I have noticed. Once my favorite album of all-time, it moved down one notch when I realized the love I had for So by Peter Gabriel. Listening to this again, it can still be a contender. VG+ from Bill.
  • U2 – Achtung Baby — #63 on the RS list which brings me to 200 from that list. The search continues. One of my favorite U2 albums and the last before they went into “temporary insanity” state. “Mysterious Ways” and “One” are probably my two faves on this album, while “Who’s Gonna Ride Your Wild Horses” and “Even Better Than the Real Thing” are awesome, too. 2xLP New.
  • The Sisters Of Mercy – Floodland — This is solely a The BCPF thing. She went through (and still lives through some memories of) a goth stage when she was a bit younger. This is definitely “Dark Wave” material and I can see why she likes it. She is especially fond of “This Corrosion.” New.
  • Dio – The Last In Line — I couldn’t pass it up. VG.
  • Whitesnake – Whitesnake — One of my favorite hard rock albums of all time. There are no real clunkers on this album and I had hoped to get it on Record Store Day but while Jonathan ordered several copies, he only got two. Even being fourth in line didn’t get me that album. He had it this time. It was a label promo but that’s okay. It’s the full album. VG+.
  • Golden Earring – Moontan — Although there are only five songs on the album, it isn’t an EP because it still comes in at about 40 minutes. This is the “Radar Love” album. I didn’t know that Golden Earring were Dutch. VG.
  • George Harrison – George Harrison — A good album with some great tunes. It’s no All Things Must Pass, to be sure, but it is good nonetheless. “Blown Away,” “Faster,” and “Love Comes to Everyone” are on this album. VG+.
  • Nick Lowe – Labour Of Lust — Yes, I got this for “Cruel to be Kind.” No, the rest of the album isn’t as good as that tune. But, there are some good pop-music things going on in this album. It’s decent. VG+.
  • Journey – Look Into The Future — Journey’s second album and the penultimate to feature Gregg Rolie on vocals exclusively (which I think is a good thing, I’ve never really been a big fan of his). VG.
  • Various – The Story Of Great Music: Prelude To Modern Music and Various – The Story Of Great Music: The Romantic Era — Each from 1966 and are TimeLife collections, 4xLP each and the “Modern Music” one is VG++ in mono and the “Romantic Era” is NM in mono. I’m actually listening to the first one as I write this.
  • Traffic – The Low Spark Of High Heeled Boys — Notable for its really strange die-cut cover, this is a really good album from Traffic. The title song is a great listen as well as the whole album, really. Better than I initially gave it credit for. VG+.
  • The Alan Parsons Project – The Turn Of A Friendly Card — Man, I really dig me some APP. Who’d-a-thunk when I was a young lad listening to music and only knowing “Eye in the Sky” that I would grow up to become such a fan of the other (and in many ways better) APP albums? “Games People Play” and “Time” are the two best tunes on here, in my opinion. VG.
  • Robert Palmer – Heavy Nova — $1 bin find. It has “Simply Irresistible” and I know not much more than that. I think I got it from Columbia House on cassette when it came out because I forgot to send in my card. I may have sent it back or considered sending it back. I think I kept it, though. Oh well, it was $1. VG.
  • The Voices Of Walter Schumann – Songs Of The Ivy League — I have no idea what this is other than college songs. School songs and such. So it will be interesting. The BCPF wanted it for some song that was on The Gilmore Girls and it was $1. 10″ and in VG.

It’s always fun just going into Underdog Records and hearing people say they were playing “Beat the Beemans.” Yeah, we get there and start grabbing stuff as this list shows but there is a method to the madness, but we shan’t divulge the method. Check out The Less Desirables for the weekly TLD/UDR special that runs.

Discogs is where I catalog my entire collection. It (usually) keeps me from getting duplicates and helps me figure what’s left to get for my collection. I recommend using them.

Until tomorrow, keep spinning…
Scorp out!

—
“Did I disappoint you? Or leave a bad taste in your mouth? You act like you never had love and you want me to go without. Well, it’s too late, tonight, to drag the past out into the light. We’re one, but we’re not the same. We get to carry each other. Carry each other. One.” – “One” (Evans/Hewson/Mullen/Clayton)

Spinning Sunday or: The Haul 8/4/18

05 Sunday Aug 2018

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Salutations™!!

At Underdog Records yesterday, I was able to finally, once and for all, tackle a certain Beatles problem that I have had over the last few years. You’ll find out about it in this haul:

BruceWillis_-_ReturnOfBruno

©Motown

  • The Beatles – Rubber Soul — So, I have been burned (by my own self) over and over finding this on vinyl. Either it’s just a really sucky copy (usually with tape around the sleeve to keep it from falling apart and really scratchy vinyl) or I find a really good copy and it turns out to be the American version. And, to be honest, I hate the American versions of Beatles albums. Mainly, it’s just not what I’m used to. I have the entire Beatles catalog on CD in a box set and that’s the UK versions, to me, the real versions. So, I bought it brand new to finally kill the frustration. Now, the caveat here is that this is in mono. I don’t know how I feel about that, yet. I know the general consensus of folks when comparing the two, agree that the mono versions are probably more in tune with what they were trying to do. I will reserve judgment on that until I listen. All that being said, I finally have finished the Top 10 of the RS list as this sits at #5. Now, I only have 4 more to before the Top 25 is finished. I am sitting at 199 of the 500 on vinyl, right now.
  • The Clientele – Suburban Light — The BCPF loved the other album by The Clientele so she wanted to give this one a try. Sure enough, she loved it, too. I dug it also. New.
  • Coldplay – X&Y — Not my favorite Coldplay album (we know that’s Parachutes) but this 2xLP was there in “like new” condition for about half the cost so I couldn’t pass it up. This is where they started to lose me but I find that when I revisit, usually I can change my mind. We’ll see. NM+.
  • Pavement – Wowee Zowee — It’s weird that Pavement is a The BCPF band. It seems, all at once, to be totally against everything you’d think she’d like and totally everything she likes in one package. I don’t know how I feel about them, and there is another Pavement album we have to get because of the RS list, but this wasn’t on it. VG+.
  • The Autumn Defense – The Green Hour — Another that The BCPF really wanted. This was a past “Record Store Day” selection and one of only 500 pressed in the world, so it’s rare. We couldn’t pass it up. VG++.
  • Emmylou Harris – Blue Kentucky Girl — Not my favorite from Ms. Harris. I did get a little nostalgia because it reminded me of Ma Père listening to his records, even though he didn’t do that a lot. He didn’t play Emmylou but definitely this style. But, The BCPF wanted it and well, she gets what she wants (when I can help it). VG+.
  • Supertramp – Paris — A 2xLP live album from Supertramp’s Breakfast in America tour with minimal overdubs – or so they say. I hate they left off “Give a Little Bit” and “Goodbye Stranger” but it seems like the rest of the set is pretty sound. The reason for “Give a Little Bit” was that all the versions over several shows were awful. It was re-released in the CD/DVD anniversary edition of Breakfast… This was in VG+ condition.
  • Randy Newman – Good Old Boys — #394 on the RS list. This means that I have all of the RS entries for Randy Newman. I like him a lot. I always thought of him as a novelty act because a lot of his stuff is novelty-type songs, at least what I had always heard. But, he really digs in. I couldn’t get over the audacity of the song “Rednecks” but realized pretty quickly that it was not sensationalizing racism but actually mocking it. Still… even Newman felt weird performing it. VG+.
  • Bruce Willis – The Return Of Bruno — Yes, Bruce Willis, who I think has a decent voice and can play a mean harmonica. As I stated on social media with several people agreeing with me, it’s not a great album, it’s not a classic, it’s not a masterpiece. But, it is a decent album and it’s very entertaining. I know I had it on cassette when it came out, following the “mockumentary” that it accompanied, I may have it on CD, but I’m not certain. But, I enjoyed it and saw it and couldn’t pass it up.
  • INXS – INXS — INXS’ debut album and it’s not at all what I expected. It’s very new wavey and poppy and I loved it. At times Michael Hutchence’s voiced sounded like Tim Curry, but I also dig Tim Curry, so that’s great. It was more synth-driven and I had never heard any of the songs, that I knew of. It was a record company promo with a sticker on the front cover with checkboxes for “recommended selections.” Nothing had been checked. I found this in the $1 bin, but I’d still rate it around VG+ because it was in really good condition.
  • Eddie Cantor, Bert Williams, Van And Schenck, John Steel, Irving Berlin – Ziegfeld Follies Of 1919 —  A very entertaining recording (and accompanying booklet) of the famous Ziegfeld Follies vaudeville-like theatrical revue put on by Florenz Ziegfeld. And, did you know that Ziegfeld was married to Billie Burke? That’s right, he was married to Glinda, the Good Witch. This was a really great listen and it was a $1 bin find. VG/VG+.
  • The Melachrino Orchestra – Paris, The Sounds, The Sights — Another $1 bin find in which there is an accompanying booklet. This is about our beloved city of Paris and includes a guide to the sights and attractions of the City of Light, from 1956. We can’t wait to listen. VG.
  • Franz Schubert, Karl Böhm, Berliner Philharmoniker – Symphonies — A 5xLP collection of Schubert symphonies including Symphonie Nrs. 1-6, 8, 9 and “Rosamunde” which was written for the play Rosamunde, Fürstin von Zypern, by Helmina von Chézy. It was a $1 bin find but I believe the vinyl is VG+.

A decent haul this week, I think. Jonathan had just returned from a short sabbatical to Atlanta with his dad and he seemed a bit more recharged. A happy Jonathan means a happy Underdog Records. Speaking of Underdog and Atlanta… even though I hate the Atlanta Braves, it’s Jonathan’s favorite team. When the Braves complete a sweep of a series (which hasn’t happened a lot this year), there’s a “sweep sale” at Underdog Records. That can mean a variety of things so I recommend you watch their social media to see what that may be. Plus, the social media platforms is the best place to keep track of new arrivals to the store. Be the first to know and try to “Beat Beeman.” That is apparently a thing. Also, listen to The Less Desirables each week to hear the TLD/UDR special of the week.

And, when I’m there since my collection has grown, I can always cross-reference my collection to make sure I’m not doubling up on anything by using Discogs. I keep better track of my collection, my purchases and as was the case this week, let others track my collection to see if there’s anything to trade. Now, for the record, I don’t get rid of much but if it’s something I absolutely need, I may consider it.

Until tomorrow, keep spinning…
Scorp out!

—
“She’s a rounder I can tell you that. She can sing ’em all night, too. She’ll raise hell about the sleep she lost, but even cowgirls get the blues.” – “Even Cowgirls Get the Blues” (Crowell)

Spinning Sunday or: The Haul 7/28/18

29 Sunday Jul 2018

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Salutations™!!

The BCPF and I did our Saturday thang all around. Mary’s Gourmet Diner, Underdog Records, Willows Bistro. I have to say, I made out with a great collection of Judas Priest albums. I have never really been huge into them but their older stuff is awesome, especially their first album, which I got. Speaking of which:

Rocka_Rolla_(Judas_Priest_album)

©Gull Records

  • Judas Priest – Rocka Rolla — The first Priest album. However, it wasn’t first here in the US. It was first in the UK and Europe in 1974. But, it wasn’t released here until 1979. This was back when Rob Halford was still “Bob” Halford. It wasn’t the “metal” Priest, either, just good early- to mid-70s hard rock. Great stuff. VG++!
  • Judas Priest – Sad Wings Of Destiny  — The second Priest album. They got a little harder on this one and started shaping up for what was the Priest to come. VG++.
  • Judas Priest – Sin After Sin — The third Priest album. Jonathan has it rated at VG and I haven’t listened to it yet, but J tends to be conservative in his ratings which is good, he doesn’t want to oversell anything. I have a feeling that this is probably closer to VG+. He says it has some surface noise but sometimes, that’s the beauty of vinyl.
  • Judas Priest – Unleashed In The East (Live In Japan) — I already had the fourth album from Priest (Stained Class) and haven’t found the fifth yet (Killing Machine or in the US it was called Hell Bent for Leather) but then comes this album, their first live album. I found it at Underdog Records in VG condition and again, I feel it is probably a little closer to VG+ but I’m going with VG.
  • Judas Priest – Turbo — Then comes the one everyone hates… except me. I don’t have the sixth studio album (British Steel), the seventh (Point of Entry) – which Jonathan had but I passed on it for whatever reason. I do have the eighth (Screaming For Vengeance). Jonathan had the ninth (Defenders of the Faith) but for whatever reason, I skipped on it, and then this one.  This was a very pop-heavy album. And by pop-heavy I mean it was filled with a poppier sound but it was also heavy. Many Priest purists down it because it wasn’t “their Judas Priest.” However, it was the first real introduction I had to any of their stuff and I loved it. I loved it more than most of their stuff I got to know later. So, “Parental Guidance” and “Turbo Lover” are some of my favorite Priest tunes. I get how cheesy they can be but I still loved it. It’s the first time, I believe, I’ve owned this record, though. VG+.
  • Bob Dylan – Infidels — I am so hit-or-miss with Dylan, especially the older he got. This came out in 1983 and I really don’t like all the scoopy-whiny crap he resorted to. This was VG+.
  • Bob Dylan – Empire Burlesque — Dylan’s next studio album after Infidels. Oddly enough, I didn’t hate it. There were some cheesish things on there but it wasn’t awful. This, too, was VG+.
  • Bob Marley & The Wailers – Catch A Fire — This is the 1974 reissue of the 1973 album. I have gotten to really like Marley even though I’m still not a huge fan of reggae as a whole. This though was pretty much background noise after a while. It was in VG condition.
  • Ric Ocasek – Beatitude — This album was really crappy which was a disappointment because I’m a fan of The Cars. I was hoping it would have been Cars-like but it was disjointed and seemed to have no cohesion throughout. It was in VG shape.
  • No Artist – Living French: A Complete Language Course — The BCPF and I are huge fans of the French, their language, their culture, them. We have both taken French over the course of our lifetimes. We got this 4×10″ set mainly because of the books that came with the set and it was only $1. I’d say the cover box was in VG- condition but the 10″ records inside were in VG+.
  • Daniel Ash – Coming Down — This was a “bucket list” item for The BCPF. I purchased it from Discogs Marketplace and this was the second attempt. The first attempt led to the seller not finding it. It worked out okay, though, I have another album I need on its way (both the replacement and this came from Europe/UK). So, she was excited because I didn’t tell her that I ordered another. I like giving her the things she likes. VG++.

I really wish I would have gotten those two Priest albums that I passed on at Underdog Records. Part of it was the cost was piling up, but I just said, Nah. I figure he sold them both before the end of the day. I’m going to check on Tuesday when he opens back up but I’m not getting my hopes up. I really encourage you to watch the Facebook and Instagram accounts for Underdog, because he always posts exciting things he’s getting in, be it equipment, re-stock or freshly acquired used stuff.

And, as you can see, you can get your “bucket list” stuff on Discogs Marketplace. I’d say 99% of the sellers are really easy to work with and they’re usually spot on about their grade ratings and are willing to work with you to make all right. I love buying from there. You just have to watch shipping from EU and UK as those costs can add up. I try to only buy from those who state their shipping costs up front.

Until tomorrow, keep spinning!
Scorp out!

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“You say I waste my life away, but I live it to the full. And how would you know anyway, you’re just mister dull. Why don’t you get into the things we do today? You could lose twenty years right away, so we say. We don’t need, no, no no no parental guidance here.” – “Parental Guidance” (Tipton/Downing/Halford)