Category Archives: Music Review

1827 or: How I’ve Still Gotten Myself Into This

01 Friday Nov 2019

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Salutations™!!

Deep sigh…

That’s what I just let out when I realized that today is the 1,827th blog post I’ve written since November 1, 2014. Perhaps more because I think there was at least one day, perhaps two, that I wrote more than one for a day.

On November 1, 2014, Kristen Daukas and Nick Badgio and I agreed to write a blog post every day for 30 days. All of November. I liked it and kept on doing it. I figured I’d go to the end of the year. I went a bit further than the end of that year. I’m going to repost the first post of the NaBloPoMo posts that happened on 1 November that year.

month-of-november-on-calendar

©wiseGEEK

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So we know that I’m a bit erratic or even sporadic when it comes to writing these blog posts.  Some of you may think that it’s good that you don’t hear from my blabbing self that often, some complain that I don’t do it enough.  Sometimes I have things to say, sometimes I don’t.

So, I’ve recently agreed to, along with Kristen Daukas and Nick Badgio, thus far, to participate in this thing called NaBloPoMo which is some fangdangled way to say National Blog Posting Month.  The idea behind this insanity is that bloggers post every day for the month of November.

A-Blog-Post-A-Day-For-A-Month. Sheesh, the things I get myself into.

Eugene sometimes says that I get too into lists, like the Rolling Stone Top 500 (see my many posts about that lunacy); that’s a commitment. Then I get the honeymoon stories, which I have gotten good reviews for, and will continue to do those. So, the trick will be to do what I need to do in bulk. Kind of get ahead, if you will and keep them in the pipeline. Maybe, something in my life will be interesting enough to create a post here and there.

So, you, dear reader, will be either the beneficiary or the target of turmoil for my month-long ramblings. Of course, I could just let everyone down and “not find the time” or just forget. So, today, November 1 is nombre de jour (day #1) and let the madness begin!

That was 1826 days ago. I have thought about giving up the “daily” aspect of it. I think somewhere along the line I wrote about that dilemma. But, I can’t stand the thought of not having a post. My writing would go all the poop. It’s hard to fill each day. It’s hard to keep up the pace that I do. Some days it doesn’t happen. I’ll be honest. I go and backfill the spaces sometimes. I’ve gotten much busier so I’ve had less time to write but somehow, I pull through.

I’ve written a lot about music – things and albums that were celebrating some kind of anniversary or that I find interesting. I’ve written about lists. I’ve written about movies. I’ve written about food. I’ve written a lot about the podcasts that I do. I’ve written about my family. I’ve written a good bit about my son. I’ve written a great bit about my wife. I’ve written mostly about me. Or have I?

Again, this was never meant to be taken as 100% gospel or to denote that I knew what I was talking about or was even telling what really happened. I set out to do this blog written from a character’s perspective and in many ways I have done that. However, I feel I let that line blur a bit and it’s more real-life than character-driven and I don’t know how I feel about that. I want to be honest or at least be convincing. Sometimes those don’t go hand-in-hand. I want to try and bring the character back out a bit. That’s why I sign everything on here as “Scorp” and not Tim. I never try to actually hide that I’m Tim, nor that The BCPF is Stephanie or 3B is Trey. I just enjoy the code names. But, it started as an outlet for me to be creative and not necessarily straight-shooting.

Kristen told me once when I struggled to describe my blog, that it was a “lifestyle” blog. I can see that. I talk about randomness but cohesively sorted topics sometimes. But, it’s about all the things I mentioned earlier and it’s not just a music blog, a food blog (I have The Man Who Ate the Town for that), a self-help blog (Beer Dads), alcohol blog (Sipping NC then and maybe its return is imminent). It’s my life. It’s my lifestyle. So, in that, it is a lifestyle blog.

To you, Dear Reader, thank you for reading and putting up with this mess every day for the past 1,826 days. I mean, if I didn’t have comments/”likes”/follows on my blog, what would be the point of me doing it? Just to read myself talking? I appreciate your time. Here’s to the next 5 years.

Heck, I don’t even know if National Blog Posting Month is still a thing. I went back and looked at the Twitter account for BlogHer and it hasn’t moved since 2016. The website for it has events but doesn’t mention NaBloPoMo. So, I don’t know. It doesn’t matter because I don’t do it for them. I do it for me.

Until tomorrow, same blog channel…
Scorp (Tim) out!

—
““A writer — and, I believe, generally all persons — must think that whatever happens to him or her is a resource.” – Jorge Luis Borges, Twenty Conversations with Borges, Including a Selection of Poems : Interviews by Roberto Alifano, 1981–1983

Late But Not Out or: For the Records

23 Monday Sep 2019

Posted by in Food, Music Review, Podcasting, Records, The Less Desirables Network

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Salutations™!!

This weekend, as I said was a little bit weird, timing-wise and we didn’t get to do our normal listening. That also threw our posting off a little on Beeswax Vinyl and in the Underdog Records “Now Spinning” page. So, I’ll leave a little posting about them here. Hah’bah’dah?

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©Enigma Records

This is from Saturday, Sunday and one today.

First up is a great record from The Smithereens. It’s their debut album from 1986, titled Especially For You. I say debut, but I really mean their first full-length album. They had some EPs and stuff prior. This had “Blood and Roses” and “Behind the Walls of Sleep” on it.

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©A&M

Then came the debut album from one of my favorite bands, The Police. It’s Outlandos D’Amour. They were extra punk/ska at this time and the album is just full of awesome tunes. “Next to You,” “So Lonely,” “Roxanne,” “Hole in My Life,” “Can’t Stand Losing You,” “Truth Hits Everybody” and “Born in the ’50s” just to name a few. I love this album. It’s not my favorite Police album but it’s tied for second with the other three that aren’t Synchronicity.

 

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©Sire Records

Next, was The Replacements’ Pleased to Meet Me. It wasn’t Tim or Let It Be (not to be confused with the Beatles album of the same name), which were both on the RS list, but it does have the song “Alex Chilton,” named after the singer of The Box Tops and Big Star. Chilton actually plays on this album, too, but not on that song. It’s punk, it’s rock, it’s alternative. It’s great. I enjoyed listening to it, a lot.

 

Those were Saturday’s listens. Sunday, we only got one in and that was Walking Across Egypt, which is basically author and musician Clyde Edgerton doing songs based on two of his books, Walking Across Egypt and Raney. This album is a lot of banjo and not-quite-bluegrass-Americana. Edgerton is a native of North Carolina, being born in Bethesda, close to Durham. He is a professor at UNC-Wilmington and has a street named for him in Kernersville. This is signed by Edgerton. The last bit is kind of an audiobook with a couple of passages read by the author. A good listen.

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©Flying Fish

 

 

Today, I listened to Pink Floyd’s Animals. This was the transition between Wish You Were Here and The Wall. It’s not my favorite, by any means. It’s a little more proggy than I’d like and less about compact songs. I like compact songs. Heck, read any of my RS list reviews. It’s a concept album that is based on socio-political issues in the late 1970s UK. That was a tumultuous time, for sure. There was turmoil within the band at that time, too. It led to Richard Wright leaving or being fired. Either way, he was no longer in the band. He was just a “hired hand” on The Wall, even though I felt he was a very important part of both of those albums. This was a decent listen. I dug it.

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©Columbia

That’s what I got for our playing the last few days. One day, we’ll get back to recording Beeswax Vinyl & More podcast. We’ll talk about more records soon. Hey, speaking of podcasts, we recorded both Fan Interference and The Man Who Ate the Town today. Listen to TMWATT here and FI here.

Until tomorrow, same blog channel…
Scorp out!

—
“If you didn’t care what happened to me and I didn’t care for you, we would zigzag our way through the boredom and pain. Occasionally glancing up through the rain, wondering which of the buggers to blame. And, watching for pigs on the wing.” – “Pigs on the Wing (Part 1)” (Waters)

The Buzzing Piggyback or: The Week So Far

06 Tuesday Aug 2019

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Salutations™!!Beeswax and More Logo Large

It’s only Tuesday and there are already four podcasts to tell about. There will be two more this week, at least that’s the plan. One for sure and other is probable.

The Man Who Ate the Town has developers of the new Sentinel Commons center talking about the project. Listen to that HERE.

The Beer Dads talk about Tom Cruise. Listen HERE.

Beeswax Vinyl & More features a great conversation about Rumours, the debut Boston album, Bob Seger and The Eagles. Listen HERE.

Apartment 5B talks about a fight that breaks out on a UK cruise ship after a guest shows up dressed as a “clown.” Listen HERE.

I appreciate you giving us a listen!

Until tomorrow, same blog channel…
Scorp out!

—
“I don’t want to know the reasons why love keeps right on walking on down the line. I don’t want to stand between you and love. Honey, I just want you to feel fine.” – “I Don’t Want to Know” (Nicks)

Spinning Sunday or: The Haul 6/22/19

23 Sunday Jun 2019

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Salutations™!!

The BCPF and I did a little jumbling around yesterday. We actually started at Underdog Records instead of it being the last stop of the morning. We had a ribbon cutting at Moji Coffee and More at noon and then had breakfast at Mary’s Gourmet Diner, our first time there in about six months. But, I had gone by Underdog on Friday to grab some stuff for The BCPF and me before someone else took off with it. Anywhat! Here’s the haul:

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©Warner Bros.

  • Bad Books – III — I said on my Instagram post about this album yesterday that one of the joys of having Underdog Records as the official music sponsor of The Less Desirables is making the commercials. It gets me to listen to snippets of new stuff that is highlighted releases. I heard the first song on this and knew right away it is right up The BCPF’s alley so I made sure I picked it up. I was right in thinking she’d love it. The win for me! New.
  • Steve Earle – Guitar Town — #489 on the RS list. I have never really been a fan of his and I think the reason why is “Copperhead Road.” This album is a good album and not a bad listen. I listened to it a few years back now and was surprised that I didn’t hate it. Would I want to listen to it often? Nah. But I was glad to get it in my collection. VG+.
  • Caleb Caudle – Paint Another Layer On My Heart — Caleb is a local dude. He’s been on The Less Desirables and plays around here often. He’s gotten pretty big and does tours. I’m glad to know him. VG++.
  • Band Of Horses – Cease To Begin — One of the ones that I grabbed on Friday because I know how much The BCPF loves Band of Horses. Before we ever started dating, she put a song from this album on a mix-CD for me. It’s a great listen. NM.
  • Band Of Horses – Why Are You Ok — She got not one, but two Band of Horses albums this weekend. She was happy. Both were NM, too.
  • Donald Fagen – The Nightfly — I love Steely Dan and I think most of that is because of Donald Fagen. This had two hits on it but the whole album is fantastic. It seems like he had more fluidity outside of the Steely Dan confines and just had a ball with this album. I told The BCPF, when “New Frontier” came on that I thought the video featured a bomb shelter. So, I looked it up. I was right. This was my favorite listen of the day yesterday. VG+.
  • Elvis Costello And The Attractions – Punch The Clock — Elvis’ eighth studio album. It contains “Everyday I Write the Book” and “Shipbuilding.” VG++.
  • Elvis Costello And The Attractions – Blood & Chocolate — Elvis goes by Napoleon Dynamite (not to be confused with the film, which I loved) on this album. It’s a decent listen. I never realized how creepy “I Want You” is, but I like it anyway. VG++.
  • X – Ain’t Love Grand — First Wave heavy, yet poppy punk. It was a good listen. I hear some of their stuff on SiriusXM sometimes. I like it. Singer Exene Cervenka channels her inner Kate Pearson on this album. VG+.
  • Timbuk 3 – Eden Alley — I never knew the couple had more than their first album and here we are two weeks in a row getting a Timbuk3 album. The BCPF said she had this one when she was a young girl. It’s not epic stuff, or even great for that matter, but it’s a great, fun listen. VG+.
  • U.K. – U.K. — A progressive supergroup with singer/bassist John Wetton (formerly of King Crimson, Roxy Music, Bryan Ferry’s band and Uriah Heep), keyboardist/electric violinist Eddie Jobson (formerly of Curved Air, Roxy Music and Frank Zappa’s band), guitarist Allan Holdsworth (formerly of Tempest, Soft Machine, The New Tony Williams Lifetime and Gong) and drummer Bill Bruford (formerly a full member of Yes and King Crimson, and also a tour drummer for Genesis). It is from 1978 but sounds more 80s-ish. Jonathan played if for me in the store. I liked it so I took it! I mean I paid for it, but I bought it. VG-.
  • Shalamar – Heartbreak — The first Shalamar album after Jodi Whatley and Jeffrey Daniel left. It has the only song I know of by the band, “Dancing in the Sheets.” I may find that I know more, but I don’t know. VG+.
  • Various – A Musical Souvenir Of New York City —  Featuring The David Terry Orchestra, The Cherry Hill Songsters, The Travellers Three and The Troubadors. It’s an album of songs about NYC. It’s from 1964 and the picture is of Manhattan but without the WTC since that wasn’t opened until 1973. A $1 bin find. VG/VG+.
  • America – America — This is the 1972 reissue in which “A Horse with No Name” is included. It was originally released as a single after the debut album was released but it was such a success that Warner Bros. reissued it with the song included. $1 bin find. VG.

Was a great day yesterday and the store was jumping. I love seeing Underdog Records busy. If you’ve not listened to the latest episode of The Less Desirables, you should. Each episode we mention the TLD/UR special of the week. I also use Discogs to keep up with my collection so when someone asks, “how many records do you have?” I can blurt out we have XXXX amount and they’re always amazed that I know that. I know that because of Discogs. “Do you have this record?” Why yes. Or, not yet!

Until tomorrow, same blog channel…
Scorp out!

—
“It’s looking like a limb torn off or all together just taken apart. We’re reeling through an endless fall. We are the ever-living ghost of what once was. But no one is ever gonna love you more than I do.” – “No One’s Gonna Love You” (Bridwell/Hampton/Barrett)

Cheers to a Dynasty or: Endings

23 Thursday May 2019

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Salutations™!!

Note: HERE THERE BE SPOILERS!!!

Last night, The BCPF and I finished Cheers (finally). So these spoilers are for a show that ended 27 years ago, so I think we’re safe.

Cheers_intro_logo.jpg

©NBC

We have been at it for around a year. I don’t know if it is over or under. I’m figuring over. But, while I think the ending was good, the reasons I thought it was good, is even better. First off, they did bring back a major character, Diane for a little closure of that chapter. I loved a line by Woody around 6 episodes from the end, while Cliff, Norm, Woody and Frasier were watching a Godzilla film at a drive-in that was going to close. He said he couldn’t understand why an actress would leave a successful series in the middle. A shot or homage, take your pick, I think a bit of both. Anywhat, Diane came back and then left again. That’s good.

Another reason I liked it is what I wish shows this day would employ as when it ends. They didn’t kill everyone off, they didn’t have them all moving away to places they won’t see each other again (I’m talking to you Friends), they simply had each person walk out of the bar to go home to their lives. Sam walked into the darkness to the pool room, and it was done. You felt like tomorrow, Norm, Cliff, Carla, Woody, Frasier, Paul, Phil and maybe even Rebecca would be right back, even though Becs did get married to Tom Berenger’s plumber character, Don. I just thought it was simple and unassuming. I really liked it.

The other thing to talk about, really quickly, is that KISS’ Dynasy turned 40 today. I’ve told the story about it and me before. Go search that in the search bar above. I’m not going into a lot of detail about it. It was their “disco emergence” and the album that threw a lot of people off the KISS train. I like it a lot but like the follow-up, Unmasked, even better. The transition KISS album turned 40. Wow, I’m getting old.

Until tomorrow, same blog channel…
Scorp out!

—
“And in the night, in the crowd, she’ll be there as she prances by your watch, while your dreams fade away.” – “Magic Touch” (Stanley)

You Take It With You or: Suitcase

27 Wednesday Mar 2019

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Salutations™!!

Tonight on The Less Desirables, we played a tune from local guys, Suitcase. They are a1051221211_16releasing five songs in serial to make a collection called Don’t Shoot It’s Me. I have always loved these guys and I was excited that they released new music. I really dig Joe, Don and Travis. The first tune released is called “Matter of Time.”

You can hear the song on the podcast, which I certainly hope that you do but you can also hear it on their Bandcamp page. Ordinarily, I wouldn’t send you away from the podcast, but I really want this song heard. You can hear the song HERE and of course, you can hear the podcast HERE.

Until tomorrow, same blog channel…
Scorp out!

—
“Suitcase is a songwriting and performing project out of North Carolina. While piano, bass and percussion form the bones of the group, so much more colors the recordings.” – Bandcamp

Dressed to Kill or: Many KISSes

19 Tuesday Mar 2019

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Salutations™!!

I know I said that I was done with these, but I had to write about something, right?

Today is the 44th anniversary of the release of KISS’ Dressed to Kill album. Probably my least favorite of the “Klassic KISS” albums, it still has plenty of proud moments for me. One of my favorite KISS tunes is “She” and while that was originally a Wicked Lester tune (co-written by Gene and Stephen Coronel), really no one ever heard it like that and I think most people would prefer there not be flutes, a la Jethro Tull, in their KISS songs. Incidentally, today is also the anniversary of Aqualung. I just thought I’d throw that out there.

Dressed_to_Kill_(album)_cover

©Casablanca Records

Other great songs on this album are “C’mon and Love Me” which I performed probably as much as any KISS song in Heavens Sake, “Rock Bottom,” “Two Timer,” and “Love Her All I Can,” also a former Wicked Lester tune but completely written by Paul. Those are the great tunes from the album (including “She”). Then there are the mid-card KISS tunes like “Room Service,” “Ladies in Waiting,” “Getaway,” and “Anything For My Baby.” These are okay but nothing really kicks me from them.

Of course, the “elephant in the room” is that song. And by that song, I mean that song.

I have to give credit where credit is due, without that song, KISS may have never been what they became. Without that song there probably wouldn’t have been any Destroyers, Unmasked, solo albums, Lick It Up, Revenge, Sonic Boom and so on. I’m almost positive that without that song, Casablanca Records would have folded after the release of Alive! later in the year. But, I really don’t like that song. That’s not true. I am so burnt out on that song. I cringe when I hear it come on, but I have to respect it. That song made KISS KISS. I know this. I am just so over it. More than any other KISS song, I don’t care if I never hear it again, although I know I certainly will.

Okay, enough, that song is obviously “Rock and Roll All Nite.”

Paul and Gene were basically told by Bill Aucoin, their manager, who was in turn told by Neil Bogart, the president of Casablanca Records, that they had to write an anthem. They didn’t really know what he meant. What he meant was a “cheerleading song,” something everyone can sing along to. So, they cranked this thing out. The words make no sense really, but hey, it was 1975. Really, though, name an “anthem” that is more known than this tune. I’ll wait. “Twist and Shout?” “Shout?” “Hey Jude?” I don’t know if any of them are as potent as “RNRAN.” Anyway, the KISS haters will debate that all day long. KISS fans may try to include “Shout It Out Loud” (Destroyer) or “I Love It Loud” (Creatures of the Night), but I’m pretty sure that while we may all be tired of “RNRAN,” we’d be hard-pressed to put those ahead of it.

Funds at Casablanca Records were tight. So tight, in fact, that when the band was brought in the studio after touring, they couldn’t even afford to hire a proper producer. So, Bogart did the work himself. I think he did okay. It’s not the most sonically-dynamic KISS album, but it’s not the worst sounding either.

This was KISS’ third album in just 13 months. Today, that would be unheard of. KISS was released in February 1974 and Hotter Than Hell in October 1974. This was March 1975. There was little time to write and prepare, which, I believe, is why there are two Wicked Lester songs on the album. I also believe that is why there are so many mid-card songs on the album. And, I think it is why the album is so short. The whole thing comes in at 30:07. That’s 15 minutes per side on vinyl. It’s almost EP length in comparison to standards.

Gene played rhythm guitar on “Ladies in Waiting” and Ace played all guitars and bass on “Getaway” (he wrote) and “Rock Bottom” (he co-wrote). Peter sang “Getaway.” Four of the tunes made it to Alive! 

It does have one of the coolest covers, though. I love the boys in business suits. All of them, except Peter, had to borrow theirs because they didn’t own one. If you notice, Gene has on some open-backed high-heeled clogs or something and they’re a little small for his feet. The heel is about an inch out of the back of the shoe. The back cover is the negative of that cover photo.

The album was certified gold in 1977. To my knowledge, it hasn’t progressed from there.

It sits at #29 on my KISS list (out of a possible 32), which surprises a lot of folks. Sorry, it’s just not up there on my “want-to-listen” list. But, it is a KISS Klassic and, again, I give it mad props because of that.

What do you think of this album, Dear Reader?

Until tomorrow, same blog channel…
Scorp out!

—
“Hard times got me down. Good times ain’t around. Now I got the mind to say, ‘Girl, you hit rock bottom and you’re there to stay!'” – “Rock Bottom” (Stanley/Frehley)

Nobody Told Me or: Obscured By What!?

21 Friday Dec 2018

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Salutations™!!

First off, today is “Underdog Day!” Not necessarily Underdog Records. Not necessarily Shoeshine Boy’s heroic alter ego. But, that someone or someones or even something thought to have little chance of winning a fight or contest. It’s for all those that have to beat all odds. So, that being said, still go to Underdog Records because… well, just because. Also, it’s Short Girl Appreciation Day. It has always been observed the first day of Winter (also the shortest day of the year). It turns out that I have me one of those as The BCPF is under 5′ tall. Celebrate them, too. Tomorrow is National Short Person Day, so be on the lookout for your favorite short people.

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©EMI

Okay, now to what I wanted to talk about today. I know there are some serious music fans/scholars/whatevers out there that love to either prove me wrong about something that I say about music (and I welcome that, heck, sometimes I do it on purpose) or the opposite want to tell me things that I may have missed.

Now, I always say that I’m a Pink Floyd fan. And, I think that I am. Truthfully, I’m a 1971-1994 (mostly) fan. I like Meddle, Dark Side, Wish You Were Here, most of Momentary Lapse and Division Bell, and of course, The Wall. I also like some of Ummagumma and pieces of the earliest Floyd. But, Y’all… why in the HECK did no one tell me about Obscured by Clouds?!? WHY!?

I know it’s based on some French film and I know that it was meant as a pass-through for Dark Side from Meddle. I also know it was panned hard by critics. But, man, that’s a great record to me. I really liked it. It’s not all prog fluff with 42 minutes of synths, repeated blues guitar riffs and lead drumming. There’s some straightforward rock stuff on that. There are some straightforward ballads on there. There are straight-forward good songs on there. And, for the record, I like all the long-winded synth/guitar/drum things, too. This is just different. Where was my “Musical Nightwatchmen (and Women)” when I needed you?

And, now, I’m just downright embarrassed that I have been calling myself a Pink Floyd fan when, while I did know it existed, I didn’t know what this album was or had never heard it before. *facepalm*

Well, now that I have heard it, I have to find it on vinyl. It is Underdog day tomorrow, right? Folks, friends don’t let friends not know about great albums.

Until tomorrow, enjoy your short girls…
Scorp out!

—
“You set sail across the sea of long past thoughts and memories. Childhood’s end, your fantasies merge with harsh realities. And then as the sail is hoist, you find your eyes are growing moist. All the fears never voiced say you have to make your final choice.” – “Childhood’s End” (Gilmour)

Where They Stand or: Many KISSes? (part II)

12 Wednesday Dec 2018

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Salutations™!!

Have you recovered from the first half of the list? Are you torn up about it? That’s okay. I’m used to that. So, here we go into the top 15 KISS albums in my preferred order. Let’s go!

Crazy_nights_album_cover

Crazy Nights

#15 — Crazy Nights (1987). Yeah, this gets a lot of flack for being bubble gum, sugary rubbish, but not with me. I loved this album and I still like it. Is it as good an album as Destroyer or KISS or Rock and Roll Over? Nah, but I enjoyed it. I was almost 17 when the album came out and it was still KISS to me. It didn’t matter how sugary it was, I couldn’t hear enough of it. But, then again, I like that pop-rock stuff. So, there.

#14 — Destroyer (1976). Yeah, what is widely called their best album isn’t even in the top 10 for me; barely does it crack the top 15. Yes, it has classic tunes, including one of my top ever, “God of Thunder,” but overall, it just isn’t my bag. Now, it could be that I never had this as a kid on record and didn’t spend all my pubescent years listening to it. I got what I could when I could and it was never gifted or given to me as a present and I didn’t buy it myself. So, it just doesn’t hold the same nostalgia as the following albums did. Now, I agree it is great, I just don’t get excited about it.

#13 — Lick It Up (1983). I talked about this album on its 35th birthday, which is September 18. You can go back and read more if you want. It was heavy and “metal” and that’s some of what made this a great album. It wasn’t about sex, it was about serious rock stuff. It was a great album and I dig it.

Dynasty_(album)_cover

Dynasty

#12 — Dynasty (1979). The disco craze had just hit and this is where KISS decided they needed to be trendy over their roots and hit up Vini Poncia to produce an overly-slick album that reeked with disco flavor, and I liked it. I talked about the album earlier this year on May 23, its anniversary. I talked about how I really didn’t notice that it was different until much later. I did notice that “2000 Man” sounded unlike KISS, but the rest of it wasn’t really different. I couldn’t pick out the differences back then, I was 8 years old.

 

#11 — Creatures of the Night (1982). The “lost” album. It wasn’t lost, it wasn’t hidden away, it was where many KISS fans were just looking over KISS after their disco/pop/art rock debacles from 1979-1981. As with the previous album, though it was a departure, I didn’t notice the difference. The last true “makeup” album it was KISS trying to get their feet back under them. So, until they went back and listened, most KISS fans didn’t know what they were missing. I will say, it is the coolest of any KISS cover.

#10 — Paul Stanley (1978). So, that means that two solo albums cracked my Top 10. This is very KISS-like, but there was something about it that also wasn’t KISS. It was a little less hard as the KISS stuff. Well-written songs and a bevy of great studio musicians helped make this a fun album to listen to. I could see these being KISS songs and not just KISS throw-aways. To me, probably the best of the solo albums. But…

#9 — Gene Simmons (1978). Gene’s album was what I felt the solo albums should be and my favorite of the four. It was the most experimental, had the widest range of styles, the biggest guest list of any of them and still pulled off a great album that was a lot of softer Beatles-esque tunes, groove rock, horror film feels, and Disney tunes. I mean, c’mon! That’s amazing. Way to go, Demon!

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Alive!

#8 — Unmasked (1980). Unofficially the first album after Peter’s “departure.” But, realistically, it was. Dynasty held that last thread with a Peter tune, but this was not Peter and although I could tell the drumming was different (I was 9) I didn’t know it wasn’t actually Peter until several years later. Some pan this record, a lot. But, as I’ve had to tell one person and probably a few others, don’t think of it as a hard KISS record because it certainly isn’t. Think of it as a good pop record. It has a lot of cool tunes on it if you’ll give them the chance. I always loved the cover, too.

#7 — Alive! (1975). What really broke KISS out was this album. The live version of “Rock and Roll All Nite” kicked it up that notch. It is certainly a Klassic with the whole album a non-stop punch in the face. It’s energetic and KISS was still hungry. The cracks hadn’t started to form, yet. While it is probably their best live album…

#6 — Alive II (1977). This one is my favorite and yes, I know to call this a “live” album is probably a misnomer, it’s the time/era of KISS that is my favorite. I wish they would have filled the five studio songs with more live stuff, but the song selections that I grew up with was spot on. Most of it was overdubbed and recreated in the studio, but it’s still the live album I go to first.

#5 — Rock and Roll Over (1976). So, here we are in the Top 5. This album was the follow-up to Destroyer and I think it surpassed it. I wrote a review about this just two weeks ago. It was given to me by my Uncle Ricky, as was my first copy of Double Platinum. He was my first grownup KISS fan. I didn’t have older brothers or even cousins that were into or aware of KISS. He helped me. Starting slow, ramping up and just having a great mixture of song styles, this album has it all. It was well represented on Alive II, as well.

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Hotter Than Hell

#4 — Hotter Than Hell (1974). the band’s sophomore effort was a great followup to the debut album. This was one of the first albums I was able to get my hands on and my mother put up a fight because it said “hell.” As I wrote just a few weeks back, it sounds like it was recorded in an old porcelain bathroom, but I think that also adds to the charm. Some of my favorite KISS songs are on there.

 

#3 — KISS (1974). The one that started it all. The KISS debut album is the Klassic-est of Klassics when it comes to KISS. From the opening drum intro of “Strutter” to the tape drag of the bombs at the end of “Black Diamond” it really never gives up except for “Love Theme from KISS.” It’s a great album, all the way through.

#2 — Love Gun (1977). The first KISS album I ever owned. The bombastic opening of “I Stole Your Love” to Ace’s debut vocal performance on “Shock Me,” to the bizarre penis references in “Plaster Caster” to the gender-altering cover of the Crystals’ tune “And Then She Kissed Me,” the album has many highlights and five of the first six songs are represented on Alive II. Also, a great album cover, one in which I spent a lot of time staring at when I was 7. And…

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Music from ‘The Elder’

#1 — Music from ‘The Elder’ (1981). I have said many times that this was my favorite KISS album and I still maintain that. Though, really, any of the top 15 could probably sit on the top of this list. They’re like kids, my favorite one is the one in front of me at that moment. But, this album was KISS trying to be artistic and gain critics’ approval. They didn’t need either one but they thought they did. To most KISS fans and critics alike this was the ultimate KISS “mistake.” A beautiful mistake in my opinion. While Love Gun was the first KISS album I owned, this was the first CD I bought (along with Hotter Than Hell) after Bad English’ debut. At the age of 10, I was only really familiar with “The Oath,” “A World Without Heroes” and “I” and I just knew those tunes were rocking. It wasn’t until much later that I realized it was what it was, or attempted to be. I think it’s gravely overlooked and deserves a second or twelfth listen if you didn’t like it the first time you listened. But, keep an open mind. Like with Unmasked, you have to be prepared to put aside the KISS aspect and listen to the album as a whole. I love it and while I know it’s not the best KISS album, it currently sits at the top of my faves.

So, there you have it, Dear Reader. I know many of you will disagree with just about all of this list and I’m prepared for that. Send me your comments, but keep it cordial. Again, this is my opinion and isn’t supposed to represent how “good” any album is. What is your top 5? I’d like to hear that. Or heck, do the full list.

I did leave off 19 greatest hits albums and other inconsequential recordings, including the box set and You Wanted the Best You Got the Best with two new “live” tracks. I just felt that the three greatest hits albums that I included were enough. Most of them were repetitive anyway. So, yeah, let me know your thoughts, not like you wouldn’t anyway.

Until tomorrow, same blog channel…
Scorp out!

—
“Once I was a fool dreamin’ my life away, and then yesterday I found you lookin’ for me, draggin’ your heart around at the lost and found. I love you, you’re the only one who could make me feel love was smart. I feel you deep inside of me, beatin’ up against my heart. And I found out, I found out, what makes the world go ’round. Oh I found out, really found out, what makes the world go ’round.” – “What Makes the World Go Round” (Stanley/Poncia)

Where They Stand or: Many KISSes?

11 Tuesday Dec 2018

Posted by in KISS, Music Review, Records

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Salutations™!!

I threatened this a while back. I threatened that I would do my own ranking list of KISS albums, and here it is. There are a few criteria to this list and I will give some details as to why on some of them. This is my opinion and not based on anything other than my preferences with the albums. This doesn’t even represent what I think are the better albums and which are the worse as far as the overall substance, it’s where I prefer them.

I know there will be controversy and I know that there will be screaming and yelling at me over some of them, especially one pretty low on the list. We’ll hit it fairly soon. But first, let’s go over the criteria. To begin, these are the first 20 studio albums, the four solo albums, Alive I-IV, Unplugged, and the three “greatest hits” albums that I felt qualified (read: that I consider worth a crap). I am going from #32 and counting down backward. According to how long-winded I get, I may break this down into two posts, we’ll see when we get there. Okay, ready? Here we go:

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Hot in the Shade

#32 — Sonic Boom (2009) and #31 Monster (2012). As I said in my post about these two last month, I think Monster is the better of the two, but both are pretty much non-existent to me. There are some hits and misses on each but, more misses than hits.

#30 — Hot in the Shade (1989). This was the long-reigning worst KISS album until the previous two came along. It was half-arsed, lacking substance, about five songs too long and, with the exception of about four songs, I didn’t care about any of it.

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Dressed to Kill

#29 — Dressed to Kill (1975). Yeah, this is the one that will probably get the most attention and get me screamed at by my KISS-lovin’ friends and “purists” alike. While this album has three of my favorite songs overall (top 15 probably), it also has that song on it. It has “Rock and Roll All Nite” on it. It also has “Getaway” and “Room Service” on it. Neither of those is awful, I just think they’re quite cheesy. The album, to me, sounds thin, and I just don’t like to listen to it. So, there’s the first surprise.

#28 — KISS Symphony: Alive IV (2003). To really even call this a KISS Alive is kind of pushing it, to me, anyway. Yes, it is live and some of it is done with the Melbourne Symphony, but it’s thrown together and while I like to listen to it, it just doesn’t move me as a KISS album.

#27 — KISS Killers (1982). This was originally a Japanese-only release and then was re-released here in the US later. It’s kind of shoddy production and while there are four new songs on this album, outside of “Nowhere to Run,” I don’t really care for the others. The new songs were recorded because Phonogram, the international label at the time, pretty much made them after the disappointing sales of 1981’s Music from ‘The Elder.’ The makeup and costumes are of that same period.

#26 — KISS: MTV Unplugged (1996). This has some great version and I have the full uncut show on VHS somewhere, and it got the “band back together.” I like to listen to it, but it’s not something I listen to often, so it isn’t dislike but disinterest that puts it this low on the list. Not a bad album.

#25 — Alive III (1993). I did like this album. I saw the tour it was on and I loved hearing “I Was Made for Lovin’ You” and later KISS tunes live. The sound is pretty good on this, too. It’s starting to get into albums that I just had to place them somewhere, not because I disliked them, same as the one previous.

#24 — Carnival of Souls: The Final Sessions (1997). I wrote a review of this last month, too. It was a big

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Carnival of Souls

departure from even the heaviest (to that point) KISS albums like Revenge and Creatures of the Night. I don’t know that they could have toured in support of this album, though, as I don’t think Gene could even play half of the bass lines on the album. Nor, do I think they’d want to. I liked it, though. I just don’t listen as much as its predecessors. You can search the blog for the review if you missed it. Just type in Carnival of Souls.

#23 — Psycho Circus (1998).  Again, reviewed just recently. I do think while it attempted to capture the old-makeup days’ glory, it missed a lot of its spirit. I do really like the album, but not better than the next 22.

#22 — Ace Frehley (1978). Yeah, here’s the second yelling spot. In September, I wrote about the four and stated that Ace’s album was my least favorite. To me, the solo albums were a chance to experiment and Ace experimented the least. While Paul’s was also KISS-like, Ace’s was just plain KISS.

#21 — Smashes Thrashes & Hits (1988). A good representation of KISS from 1974-1988 (including the two new originals). I talked a bit about this album last month, too.

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Peter Criss

#20 — Peter Criss (1978). It was a lot of disco, country & western, boogie rock and ballads. But, I liked it. And, I liked it better than Ace’s.

#19 — Double Platinum (1978). The KISS greatest hits album that started it all. Two records, four sides, each loaded with KISS Klassics. Some remixes, most notably “Strutter ’78” which added a little disco hi-hat overdubs in to jazz it up a bit. Some tunes had parts removed and some remixed and rearranged. I wore that record out.

#18 — Animalize (1984). I don’t know that I’ll ever really understand the title or cover, but that’s okay. It was 1984 and that was the going thing. “Heavens on Fire” is still one of my favorite non-makeup songs and “I’ve Had Enough (Into the Fire),” “Under the Gun,” “Thrills in the Night” were pretty cool, too. There were some Gene clunkers but there was a lot of energy on the album.

#17 — Asylum (1985). The only reason this album gets higher than Animalize is that this album has “Tears are Falling” and “Who Wants to be Lonely” which are two of my favorite KISS songs overall, not just non-makeup. Again, a lot of energy on this album and it’s fun to listen to.

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Revenge

#16 — Revenge (1992). Released after Eric Carr’s passing, KISS went into “heavy mode” to right the wrongs that their direction had taken. The did the same in 1982, yes, 10 years earlier. It’s like they had started to veer and needed to correct. The album is a monster (more so than the one actually titled that) and while there are heavy tunes, there are also some Paul cheese. Paul cheese generally isn’t a bad thing. It’s just that, cheese. The album that the Alive III tour was recorded for, I saw this tour and it was great!

I think I am going to stop here and break it up. I’ve given you enough to stare at your screen agape already. I’ll get back to the rest later this week, maybe tomorrow.

So, just from this, go ahead, Dear Reader and all you KISS fans, give it to me. I can handle it. Again, this is my opinion, not based on anything else. I’m pretty outspoken about a lot of the albums, but I’ve tried to keep my verbosity to a minimum on this. Be on the lookout for Part 2.

Until tomorrow, same blog channel…
Scorp out!

—
“Open yourself to me. Let me show you what it can be like. Baby, giving it all that you’ve got. Nothing can hold you back. Some things can stand alone. A mountain can feel no desire. But a heart isn’t made out of stone. Wake up in the middle of the night. Nobody’s gonna make it alright.” – “Who Wants to Be Lonely” (Stanley/Child/Beauvoir)