Category Archives: Music Review

Spinning Sunday or: The Haul 9/26/20

27 Sunday Sep 2020

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Salutations™!!

The BCPF and I were up “early” to prepare for Record Store Day Drop #2. We were selected for the 930a spot and it was a perfect spot for us. We got everything on our list with the exception of one title but one of our friends and part of the RSD Crüe had found that one at another store after his slot. Things were calm and easy going for Jonathan, I believe. So, we did one non-RSD release but all the releases were brand new. I also included identifiers and attributes, where/when applicable, including how limited the run is. Here’s the haul:

©Kanine

Surfer Blood – Carefree Theatre — This is the non-RSD release. I heard just one song from this as I was making the commercial for Underdog Records for The Less Desirables. I sent Jonathan a message and had him hold me one. I thought it was be great for The BCPF. She loved it. Straight indie rock.

The rest are RSD releases.

The Replacements – The Complete Inconcerated Live — Limited to 8500 copies. Comes in tri-gatefold packaging. 3xLP and it was a great show. Paul Westerberg had a rough night with his voice and some feedback but I love how raw this show is. They may have done some overdubs but I don’t think so, I think this is how it was. I dug it.

The Feminine Complex – Livin’ Love — 2 × Vinyl, LP, Album, Stereo, Pink. Gatefold sleeve, two pink LPs in white polylined inner sleeves. This was the one our friend got for us at a different store. The Feminine Complex was an all-girl garage band from the 60s and this is their only album.

Various – I Saved Latin! A Tribute To Wes Anderson — 2 × Vinyl, LP, Compilation, Limited Edition, Pink, Blue. Exclusive Ltd. Edition Run of 1,000 copies. The BCPF really loves her Wes Anderson movies and I like them, too. This is a compilation of songs from his films. It’s 2xLP record 1 is “Margot Tenenbaum pink” (like The Royal Tenenbaums) and record 2 is “Life Aquatic blue” (like The Life Aquatic with Steve Zissou).

Mott The Hoople – The Golden Age Of Rock ‘N’ Roll — Gatefold sleeve with printed inner sleeves. 2 × Vinyl, LP, Compilation, Blue, Gatefold.

Various – Wilcovered — According to Discogs:  “Wilcovered 19 covers of Wilco songs performed by renowned artists and friends of the band.” 2 × Vinyl, LP, Compilation, Limited Edition. It was an interesting listen. The BCPF is a big fan of Wilco, I’m pretty indifferent. She liked it a lot more than I did.

McCartney – McCartney — Record Store Day release September 26, 2020. Limited pressing: 7000 copies. After cancelling the April 18, 2020 RSD, this release was rescheduled for the second RSD Drop on September 26, 2020.
However in some countries (e.g. Canada and France) it was accidentally distributed for the first RSD Drop on August 29, 2020. Comes in a Gatefold sleeve with a Red ‘Obi’ strip and an (A5-size) ‘Half-speed Mastering’ Certificate. Vinyl cut by Miles Showell using original 1970 master tapes at Abbey Road Studios, London, 5th November 2019. This half-speed master closely references the 2011 remaster by Steve Rooke and Guy Massey.
It was made as a vinyl specific transfer in high resolution and without digital peak limiting for the best possible reproduction.

Son Volt – Live At The Orange Peel — 2 × Vinyl, LP, Limited Edition. RSD 2020 – September 26. On transparent orange vinyl. Quantity: 1500. Recorded live at The Orange Peel in Asheville, NC on September 23, 2005, these songs were part of the 6 String Belief DVD, but have never before been released on vinyl. The BCPF knew nothing about this band, but I believe it will be things she digs. Again, she loves Wilco and Jeff Tweedy was in Uncle Tupelo with Jay Farrar. Uncle Tupelo broke up and Farrar started Son Volt. This was done in a venue that I’ve stood outside of (and was supposed to see Steven Wilson there two years ago, darn snow).

Fleetwood Mac – The Alternate Rumours — Vinyl, LP, Album, Limited Edition, Remastered. Record Store Day 2020 exclusive release, part of the September 26th drops. Limited edition of 16,000 copies. I was looking forward to this one the most, I think. I have really loved the Fleetwood Mac “Alternate” albums over the last few years. There was Alternate Mirage, Alternate Fleetwood Mac, Alternate Tango in the Night. This is perhaps their biggest of them all. I loved all the alternate takes on this album, save one. It’s my least favorite song on the album and I liked “I Don’t Want to Know (Early Take)” even less.

Roger Waters – The Wall (Live In Berlin 1990) — 2 × Vinyl, LP, Album, Limited Edition, Reissue, Clear, 180 Gram. Record Store Day 2020 exclusive release, part of the September 26th drops. 30th Anniversary limited edition, pressed on Clear 180 gram vinyl, gatefold cover in a total of 8.000 copies. When I first saw this concert (I think I own it on DVD), I was enthralled in the spectacle of it. I have always said that The Wall is my favorite Pink Floyd album and while I still prefer the Pink Floyd version, this was amazing.

The Doors – The Soft Parade: Stripped — Vinyl, 12″, Limited Edition, Numbered, Clear. Record Store Day 2020 exclusive release, part of the September 26th drops. Limited to 12,000 units. Eight tracks (some repeats) some with new Robbie Krieger overdubs.

Various – Psyché France 1960-70 Volume 6 — The BCPF and I are suckers for French pop music. This is French pop music from the 1960s. It sounds new and it could be but supposedly it’s from back then. It was a great listen.

Tegan and Sara – Tonight We’re In The Dark Seeing Colors — Vinyl, LP, Album, Limited Edition, Purple splatter. Recorded live from their ‘Hey, I’m Just Like You’ Tour. Includes exclusive versions of Tegan and Sara favorites on limited edition purple splatter vinyl. Limited to 500 copies.

Mark Snow – The Truth And The Light: Music From The X-Files — Vinyl, LP, Album, Limited Edition, Glow-In-The-Dark.

Squirrel Nut Zippers – The Inevitable — Vinyl, LP, Album, Reissue. Record Store Day 2020 first release, part of the September 26th drops. Limited to 1500 copies. The BCPF says this is her college days. I love the swing style and this is a great album.

Primus – Suck On This — Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Blue. Limited to a quantity of 5000. Release has 3D artwork, and nothing written on the spine. Live album from 1989.

The Alarm – Celtic Folklore Live — Vinyl, LP, Album, Limited Edition. Record Store Day 2020 release in a total of 1.000 copies. Side-A recorded at Hammersmith Odeon London – February 9th 1988. Side-B recorded at Cabaret, San Jose, California – March 17th 1988.

Lenny Bruce – Is Out Again — A rare recording of Lenny Bruce, fully authorized by Lenny’s daughter Kitty Bruce, unlike the majority of the bootleg material that has been released in the past. This release was only ever sold in limited copies at clubs, directly by Lenny to fans. I haven’t heard this yet, but my favorite part of it is the letter on the back from a reverend. He basically says he feels that Bruce is grossly misunderstood.

It was a great day for us. Jonathan said at our scheduled time that everything was going very smooth. I haven’t sent him a message yet, as I normally do after each RSD. He’s probably relaxing today. You can check out any unsold RSD stock by visiting the Underdog Records website. He does contactless deliveries in the early part of the week and is open Thursday through Saturday 11a-7p. I use Discogs to keep track of my collection and share it with you!

I also want to wish The BCPF a happy sixth reception-versary. It’s our fourth and final “public” anniversary of every year.

Until tomorrow, keep spinnin’…
Scorp out!

—
“Broadway hasn’t been the same since we found lover’s lane. Standing on the corner of fourth and main. Dreaming of you way downtown in lover’s lane. Sun is down, moon is bright. Lover’s gonna stroll all night. Way downtown in lover’s lane.” – “Lover’s Lane” (Mathus)

The New List or: Back to the Grind

24 Thursday Sep 2020

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Salutations™!!

Well, it happened. Eight years after they published the last Top 500 Albums of All Time, Rolling Stone Magazine has released a fresh, brand new list. I will admit I haven’t read through it yet. But, I do plan on making a comparison between the 2012 list and this 2020 list and filling the gaps of listening. I am prepared to complain about some missing or knocked off. I am also prepared to question what the heck “they” were thinking. This was brought to my attention by Clay Howard as a joke, I think. But, it’s not joke to me. I will keep you informed on how that goes, as well. You know I have to blog about it, so… here’s your warning shot. It’s the only one you get.

Until tomorrow, and back to the list we go…
Scorp out!

—
“We received and tabulated Top 50 Albums lists from more than 300 artists, producers, critics, and music-industry figures (from radio programmers to label heads, like Atlantic Records CEO Craig Kallman).” – Rolling Stone

Big Album Day or: February 10

10 Monday Feb 2020

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Salutations™!!

I don’t like to do video posts on Monday and I still don’t know that I will do one today, but February 10 has a lot of history for releases.

1carole_king_-_tapestry

©A&M

In 1971, Carole King released her seminal album, Tapestry. It contains 12 songs and there isn’t a clunker one. “I Feel the Earth Move,” “So Far Away,” “It’s Too Late,” “Home Again,”
“Beautiful,” “You’ve Got a Friend” (I really don’t like James Taylor’s version but love this one), “Where You Lead” (I’m a huge Gilmore Girls fan and that was the theme song sung by Carole and her daughter Louise Goffin), “Will You Love Me Tomorrow?” “Smackwater Jack,” “Tapestry” and “(You Make Me Feel Like) A Natural Woman.” The album is amazing. It’s #36 on the RS list and I wonder if that’s too far up the list. Should it be in the 20s? I don’t know, but man, it’s a great album.

Little_Feat_-_Waiting_for_Columbus

©Warner Bros.

Now, in 1978, there were three big albums released. Well, I know one of them was big, the other two were pretty big for fans of those bands, too. Let’s start with the “other two.”

Waiting for Columbus is Little Feat’s first live album. 17 tracks on 2xLP. I’m not a Little Feat fan, really. But for some, it’s the tops.

Stained Class is the fourth album from Judas Priest. It’s the first album with temporary drummer Les Binks. Binks gets a songwriting credit with “Beyond the Realms of Death.” Bassist Ian Hill gets his first writing credit with “Invader.” I always thought anyone could be the bassist for Priest because he doesn’t “do anything.” Now, he isn’t flashy, but Hill is a good solid bassist. I think the best song on the album is the opening track, “Exciter.” I have grown to really dig Judas Priest.

StainedClass

©Columbia

Now, the big one is where we were introduced to the magic that was Van Halen. On this day in 1978, Van Halen was released. The wizardry of Eddie Van Halen was something that few had heard before. His fretboard work, combined with his tremolo picking was earthshattering. Yeah, it’s not as out-there as it used to be but in 1978, it certainly was. Combine Eddie’s guitar work with Alex’s thunderous drumming, Michael Anthony’s near virtuoso-like bass playing, he was matching Eddie in a lot of those tunes, and his ultra-high harmonies and the frontman that is second, in my opinion to Paul Stanley in stage presence (at least then), Diamond David Lee Roth and you have a band like no other. Dave’s ability to split his vocals in those early days was amazing.

Van_Halen_album

©Warner Bros.

From the siren into with the growling bass in “Running With the Devil” to the groove rock of “Jamie’s Cryin'” and “Ain’t Talkin’ ‘Bout Love” to the classic rock and roll feel of “Feel Your Love Tonight” to the speed boogie of “I’m the One.” All of that on their own would be a darn-great rock album. But, then you add the laid back feel of “Little Dreamer,” the in-your-face version of the Kink’s “You Really Got Me,” the classic “Ice Cream Man” and the song that changed the lives of as many up-and-coming/wannabe guitarists as “Purple Haze,” “Stairway to Heaven” and “Iron Man,” “Eruption” and that makes this one of the greatest rock albums I have ever heard. I say that and I’m not even a big VH fan. It’s #410 on the RS list and I think that’s a bit too high. I think it should at least be in the top 200. But, that’s just me, I guess.

So, I’ll spare you a video to watch, but I just wanted to bring attention to this day in record releases, of which I have three of the four on vinyl! Thanks for indulging me.

Until tomorrow, same blog channel…
Scorp out!

—
“It used to be so easy living here with you. You were light and breezy and I knew just what to do. Now you look so unhappy and I feel like a fool.” – “It’s Too Late” (Stern/King)

1827 or: How I’ve Still Gotten Myself Into This

01 Friday Nov 2019

Posted by in Beer, Blogging, Food, Life as We Know It, Movie Review, Music Review, Podcasting, Rant

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Salutations™!!

Deep sigh…

That’s what I just let out when I realized that today is the 1,827th blog post I’ve written since November 1, 2014. Perhaps more because I think there was at least one day, perhaps two, that I wrote more than one for a day.

On November 1, 2014, Kristen Daukas and Nick Badgio and I agreed to write a blog post every day for 30 days. All of November. I liked it and kept on doing it. I figured I’d go to the end of the year. I went a bit further than the end of that year. I’m going to repost the first post of the NaBloPoMo posts that happened on 1 November that year.

month-of-november-on-calendar

©wiseGEEK

—
So we know that I’m a bit erratic or even sporadic when it comes to writing these blog posts.  Some of you may think that it’s good that you don’t hear from my blabbing self that often, some complain that I don’t do it enough.  Sometimes I have things to say, sometimes I don’t.

So, I’ve recently agreed to, along with Kristen Daukas and Nick Badgio, thus far, to participate in this thing called NaBloPoMo which is some fangdangled way to say National Blog Posting Month.  The idea behind this insanity is that bloggers post every day for the month of November.

A-Blog-Post-A-Day-For-A-Month. Sheesh, the things I get myself into.

Eugene sometimes says that I get too into lists, like the Rolling Stone Top 500 (see my many posts about that lunacy); that’s a commitment. Then I get the honeymoon stories, which I have gotten good reviews for, and will continue to do those. So, the trick will be to do what I need to do in bulk. Kind of get ahead, if you will and keep them in the pipeline. Maybe, something in my life will be interesting enough to create a post here and there.

So, you, dear reader, will be either the beneficiary or the target of turmoil for my month-long ramblings. Of course, I could just let everyone down and “not find the time” or just forget. So, today, November 1 is nombre de jour (day #1) and let the madness begin!

That was 1826 days ago. I have thought about giving up the “daily” aspect of it. I think somewhere along the line I wrote about that dilemma. But, I can’t stand the thought of not having a post. My writing would go all the poop. It’s hard to fill each day. It’s hard to keep up the pace that I do. Some days it doesn’t happen. I’ll be honest. I go and backfill the spaces sometimes. I’ve gotten much busier so I’ve had less time to write but somehow, I pull through.

I’ve written a lot about music – things and albums that were celebrating some kind of anniversary or that I find interesting. I’ve written about lists. I’ve written about movies. I’ve written about food. I’ve written a lot about the podcasts that I do. I’ve written about my family. I’ve written a good bit about my son. I’ve written a great bit about my wife. I’ve written mostly about me. Or have I?

Again, this was never meant to be taken as 100% gospel or to denote that I knew what I was talking about or was even telling what really happened. I set out to do this blog written from a character’s perspective and in many ways I have done that. However, I feel I let that line blur a bit and it’s more real-life than character-driven and I don’t know how I feel about that. I want to be honest or at least be convincing. Sometimes those don’t go hand-in-hand. I want to try and bring the character back out a bit. That’s why I sign everything on here as “Scorp” and not Tim. I never try to actually hide that I’m Tim, nor that The BCPF is Stephanie or 3B is Trey. I just enjoy the code names. But, it started as an outlet for me to be creative and not necessarily straight-shooting.

Kristen told me once when I struggled to describe my blog, that it was a “lifestyle” blog. I can see that. I talk about randomness but cohesively sorted topics sometimes. But, it’s about all the things I mentioned earlier and it’s not just a music blog, a food blog (I have The Man Who Ate the Town for that), a self-help blog (Beer Dads), alcohol blog (Sipping NC then and maybe its return is imminent). It’s my life. It’s my lifestyle. So, in that, it is a lifestyle blog.

To you, Dear Reader, thank you for reading and putting up with this mess every day for the past 1,826 days. I mean, if I didn’t have comments/”likes”/follows on my blog, what would be the point of me doing it? Just to read myself talking? I appreciate your time. Here’s to the next 5 years.

Heck, I don’t even know if National Blog Posting Month is still a thing. I went back and looked at the Twitter account for BlogHer and it hasn’t moved since 2016. The website for it has events but doesn’t mention NaBloPoMo. So, I don’t know. It doesn’t matter because I don’t do it for them. I do it for me.

Until tomorrow, same blog channel…
Scorp (Tim) out!

—
““A writer — and, I believe, generally all persons — must think that whatever happens to him or her is a resource.” – Jorge Luis Borges, Twenty Conversations with Borges, Including a Selection of Poems : Interviews by Roberto Alifano, 1981–1983

Late But Not Out or: For the Records

23 Monday Sep 2019

Posted by in Food, Music Review, Podcasting, Records, The Less Desirables Network

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Salutations™!!

This weekend, as I said was a little bit weird, timing-wise and we didn’t get to do our normal listening. That also threw our posting off a little on Beeswax Vinyl and in the Underdog Records “Now Spinning” page. So, I’ll leave a little posting about them here. Hah’bah’dah?

20190921_164404-01

©Enigma Records

This is from Saturday, Sunday and one today.

First up is a great record from The Smithereens. It’s their debut album from 1986, titled Especially For You. I say debut, but I really mean their first full-length album. They had some EPs and stuff prior. This had “Blood and Roses” and “Behind the Walls of Sleep” on it.

20190922_101515-01

©A&M

Then came the debut album from one of my favorite bands, The Police. It’s Outlandos D’Amour. They were extra punk/ska at this time and the album is just full of awesome tunes. “Next to You,” “So Lonely,” “Roxanne,” “Hole in My Life,” “Can’t Stand Losing You,” “Truth Hits Everybody” and “Born in the ’50s” just to name a few. I love this album. It’s not my favorite Police album but it’s tied for second with the other three that aren’t Synchronicity.

 

20190922_101605-01

©Sire Records

Next, was The Replacements’ Pleased to Meet Me. It wasn’t Tim or Let It Be (not to be confused with the Beatles album of the same name), which were both on the RS list, but it does have the song “Alex Chilton,” named after the singer of The Box Tops and Big Star. Chilton actually plays on this album, too, but not on that song. It’s punk, it’s rock, it’s alternative. It’s great. I enjoyed listening to it, a lot.

 

Those were Saturday’s listens. Sunday, we only got one in and that was Walking Across Egypt, which is basically author and musician Clyde Edgerton doing songs based on two of his books, Walking Across Egypt and Raney. This album is a lot of banjo and not-quite-bluegrass-Americana. Edgerton is a native of North Carolina, being born in Bethesda, close to Durham. He is a professor at UNC-Wilmington and has a street named for him in Kernersville. This is signed by Edgerton. The last bit is kind of an audiobook with a couple of passages read by the author. A good listen.

20190922_101717-01

©Flying Fish

 

 

Today, I listened to Pink Floyd’s Animals. This was the transition between Wish You Were Here and The Wall. It’s not my favorite, by any means. It’s a little more proggy than I’d like and less about compact songs. I like compact songs. Heck, read any of my RS list reviews. It’s a concept album that is based on socio-political issues in the late 1970s UK. That was a tumultuous time, for sure. There was turmoil within the band at that time, too. It led to Richard Wright leaving or being fired. Either way, he was no longer in the band. He was just a “hired hand” on The Wall, even though I felt he was a very important part of both of those albums. This was a decent listen. I dug it.

20190923_180414-02

©Columbia

That’s what I got for our playing the last few days. One day, we’ll get back to recording Beeswax Vinyl & More podcast. We’ll talk about more records soon. Hey, speaking of podcasts, we recorded both Fan Interference and The Man Who Ate the Town today. Listen to TMWATT here and FI here.

Until tomorrow, same blog channel…
Scorp out!

—
“If you didn’t care what happened to me and I didn’t care for you, we would zigzag our way through the boredom and pain. Occasionally glancing up through the rain, wondering which of the buggers to blame. And, watching for pigs on the wing.” – “Pigs on the Wing (Part 1)” (Waters)

The Buzzing Piggyback or: The Week So Far

06 Tuesday Aug 2019

Posted by in Beer, Food, Music Review, Podcasting, Records, The Less Desirables Network

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Salutations™!!Beeswax and More Logo Large

It’s only Tuesday and there are already four podcasts to tell about. There will be two more this week, at least that’s the plan. One for sure and other is probable.

The Man Who Ate the Town has developers of the new Sentinel Commons center talking about the project. Listen to that HERE.

The Beer Dads talk about Tom Cruise. Listen HERE.

Beeswax Vinyl & More features a great conversation about Rumours, the debut Boston album, Bob Seger and The Eagles. Listen HERE.

Apartment 5B talks about a fight that breaks out on a UK cruise ship after a guest shows up dressed as a “clown.” Listen HERE.

I appreciate you giving us a listen!

Until tomorrow, same blog channel…
Scorp out!

—
“I don’t want to know the reasons why love keeps right on walking on down the line. I don’t want to stand between you and love. Honey, I just want you to feel fine.” – “I Don’t Want to Know” (Nicks)

Spinning Sunday or: The Haul 6/22/19

23 Sunday Jun 2019

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Salutations™!!

The BCPF and I did a little jumbling around yesterday. We actually started at Underdog Records instead of it being the last stop of the morning. We had a ribbon cutting at Moji Coffee and More at noon and then had breakfast at Mary’s Gourmet Diner, our first time there in about six months. But, I had gone by Underdog on Friday to grab some stuff for The BCPF and me before someone else took off with it. Anywhat! Here’s the haul:

Donald_Fagen_-_The_Nightfly.jpg

©Warner Bros.

  • Bad Books – III — I said on my Instagram post about this album yesterday that one of the joys of having Underdog Records as the official music sponsor of The Less Desirables is making the commercials. It gets me to listen to snippets of new stuff that is highlighted releases. I heard the first song on this and knew right away it is right up The BCPF’s alley so I made sure I picked it up. I was right in thinking she’d love it. The win for me! New.
  • Steve Earle – Guitar Town — #489 on the RS list. I have never really been a fan of his and I think the reason why is “Copperhead Road.” This album is a good album and not a bad listen. I listened to it a few years back now and was surprised that I didn’t hate it. Would I want to listen to it often? Nah. But I was glad to get it in my collection. VG+.
  • Caleb Caudle – Paint Another Layer On My Heart — Caleb is a local dude. He’s been on The Less Desirables and plays around here often. He’s gotten pretty big and does tours. I’m glad to know him. VG++.
  • Band Of Horses – Cease To Begin — One of the ones that I grabbed on Friday because I know how much The BCPF loves Band of Horses. Before we ever started dating, she put a song from this album on a mix-CD for me. It’s a great listen. NM.
  • Band Of Horses – Why Are You Ok — She got not one, but two Band of Horses albums this weekend. She was happy. Both were NM, too.
  • Donald Fagen – The Nightfly — I love Steely Dan and I think most of that is because of Donald Fagen. This had two hits on it but the whole album is fantastic. It seems like he had more fluidity outside of the Steely Dan confines and just had a ball with this album. I told The BCPF, when “New Frontier” came on that I thought the video featured a bomb shelter. So, I looked it up. I was right. This was my favorite listen of the day yesterday. VG+.
  • Elvis Costello And The Attractions – Punch The Clock — Elvis’ eighth studio album. It contains “Everyday I Write the Book” and “Shipbuilding.” VG++.
  • Elvis Costello And The Attractions – Blood & Chocolate — Elvis goes by Napoleon Dynamite (not to be confused with the film, which I loved) on this album. It’s a decent listen. I never realized how creepy “I Want You” is, but I like it anyway. VG++.
  • X – Ain’t Love Grand — First Wave heavy, yet poppy punk. It was a good listen. I hear some of their stuff on SiriusXM sometimes. I like it. Singer Exene Cervenka channels her inner Kate Pearson on this album. VG+.
  • Timbuk 3 – Eden Alley — I never knew the couple had more than their first album and here we are two weeks in a row getting a Timbuk3 album. The BCPF said she had this one when she was a young girl. It’s not epic stuff, or even great for that matter, but it’s a great, fun listen. VG+.
  • U.K. – U.K. — A progressive supergroup with singer/bassist John Wetton (formerly of King Crimson, Roxy Music, Bryan Ferry’s band and Uriah Heep), keyboardist/electric violinist Eddie Jobson (formerly of Curved Air, Roxy Music and Frank Zappa’s band), guitarist Allan Holdsworth (formerly of Tempest, Soft Machine, The New Tony Williams Lifetime and Gong) and drummer Bill Bruford (formerly a full member of Yes and King Crimson, and also a tour drummer for Genesis). It is from 1978 but sounds more 80s-ish. Jonathan played if for me in the store. I liked it so I took it! I mean I paid for it, but I bought it. VG-.
  • Shalamar – Heartbreak — The first Shalamar album after Jodi Whatley and Jeffrey Daniel left. It has the only song I know of by the band, “Dancing in the Sheets.” I may find that I know more, but I don’t know. VG+.
  • Various – A Musical Souvenir Of New York City —  Featuring The David Terry Orchestra, The Cherry Hill Songsters, The Travellers Three and The Troubadors. It’s an album of songs about NYC. It’s from 1964 and the picture is of Manhattan but without the WTC since that wasn’t opened until 1973. A $1 bin find. VG/VG+.
  • America – America — This is the 1972 reissue in which “A Horse with No Name” is included. It was originally released as a single after the debut album was released but it was such a success that Warner Bros. reissued it with the song included. $1 bin find. VG.

Was a great day yesterday and the store was jumping. I love seeing Underdog Records busy. If you’ve not listened to the latest episode of The Less Desirables, you should. Each episode we mention the TLD/UR special of the week. I also use Discogs to keep up with my collection so when someone asks, “how many records do you have?” I can blurt out we have XXXX amount and they’re always amazed that I know that. I know that because of Discogs. “Do you have this record?” Why yes. Or, not yet!

Until tomorrow, same blog channel…
Scorp out!

—
“It’s looking like a limb torn off or all together just taken apart. We’re reeling through an endless fall. We are the ever-living ghost of what once was. But no one is ever gonna love you more than I do.” – “No One’s Gonna Love You” (Bridwell/Hampton/Barrett)

Cheers to a Dynasty or: Endings

23 Thursday May 2019

Posted by in KISS, Music Review, Records

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Salutations™!!

Note: HERE THERE BE SPOILERS!!!

Last night, The BCPF and I finished Cheers (finally). So these spoilers are for a show that ended 27 years ago, so I think we’re safe.

Cheers_intro_logo.jpg

©NBC

We have been at it for around a year. I don’t know if it is over or under. I’m figuring over. But, while I think the ending was good, the reasons I thought it was good, is even better. First off, they did bring back a major character, Diane for a little closure of that chapter. I loved a line by Woody around 6 episodes from the end, while Cliff, Norm, Woody and Frasier were watching a Godzilla film at a drive-in that was going to close. He said he couldn’t understand why an actress would leave a successful series in the middle. A shot or homage, take your pick, I think a bit of both. Anywhat, Diane came back and then left again. That’s good.

Another reason I liked it is what I wish shows this day would employ as when it ends. They didn’t kill everyone off, they didn’t have them all moving away to places they won’t see each other again (I’m talking to you Friends), they simply had each person walk out of the bar to go home to their lives. Sam walked into the darkness to the pool room, and it was done. You felt like tomorrow, Norm, Cliff, Carla, Woody, Frasier, Paul, Phil and maybe even Rebecca would be right back, even though Becs did get married to Tom Berenger’s plumber character, Don. I just thought it was simple and unassuming. I really liked it.

The other thing to talk about, really quickly, is that KISS’ Dynasy turned 40 today. I’ve told the story about it and me before. Go search that in the search bar above. I’m not going into a lot of detail about it. It was their “disco emergence” and the album that threw a lot of people off the KISS train. I like it a lot but like the follow-up, Unmasked, even better. The transition KISS album turned 40. Wow, I’m getting old.

Until tomorrow, same blog channel…
Scorp out!

—
“And in the night, in the crowd, she’ll be there as she prances by your watch, while your dreams fade away.” – “Magic Touch” (Stanley)

You Take It With You or: Suitcase

27 Wednesday Mar 2019

Posted by in Music Review, Podcasting, The Less Desirables Network

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Salutations™!!

Tonight on The Less Desirables, we played a tune from local guys, Suitcase. They are a1051221211_16releasing five songs in serial to make a collection called Don’t Shoot It’s Me. I have always loved these guys and I was excited that they released new music. I really dig Joe, Don and Travis. The first tune released is called “Matter of Time.”

You can hear the song on the podcast, which I certainly hope that you do but you can also hear it on their Bandcamp page. Ordinarily, I wouldn’t send you away from the podcast, but I really want this song heard. You can hear the song HERE and of course, you can hear the podcast HERE.

Until tomorrow, same blog channel…
Scorp out!

—
“Suitcase is a songwriting and performing project out of North Carolina. While piano, bass and percussion form the bones of the group, so much more colors the recordings.” – Bandcamp

Dressed to Kill or: Many KISSes

19 Tuesday Mar 2019

Posted by in KISS, Music Review, Records

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Salutations™!!

I know I said that I was done with these, but I had to write about something, right?

Today is the 44th anniversary of the release of KISS’ Dressed to Kill album. Probably my least favorite of the “Klassic KISS” albums, it still has plenty of proud moments for me. One of my favorite KISS tunes is “She” and while that was originally a Wicked Lester tune (co-written by Gene and Stephen Coronel), really no one ever heard it like that and I think most people would prefer there not be flutes, a la Jethro Tull, in their KISS songs. Incidentally, today is also the anniversary of Aqualung. I just thought I’d throw that out there.

Dressed_to_Kill_(album)_cover

©Casablanca Records

Other great songs on this album are “C’mon and Love Me” which I performed probably as much as any KISS song in Heavens Sake, “Rock Bottom,” “Two Timer,” and “Love Her All I Can,” also a former Wicked Lester tune but completely written by Paul. Those are the great tunes from the album (including “She”). Then there are the mid-card KISS tunes like “Room Service,” “Ladies in Waiting,” “Getaway,” and “Anything For My Baby.” These are okay but nothing really kicks me from them.

Of course, the “elephant in the room” is that song. And by that song, I mean that song.

I have to give credit where credit is due, without that song, KISS may have never been what they became. Without that song there probably wouldn’t have been any Destroyers, Unmasked, solo albums, Lick It Up, Revenge, Sonic Boom and so on. I’m almost positive that without that song, Casablanca Records would have folded after the release of Alive! later in the year. But, I really don’t like that song. That’s not true. I am so burnt out on that song. I cringe when I hear it come on, but I have to respect it. That song made KISS KISS. I know this. I am just so over it. More than any other KISS song, I don’t care if I never hear it again, although I know I certainly will.

Okay, enough, that song is obviously “Rock and Roll All Nite.”

Paul and Gene were basically told by Bill Aucoin, their manager, who was in turn told by Neil Bogart, the president of Casablanca Records, that they had to write an anthem. They didn’t really know what he meant. What he meant was a “cheerleading song,” something everyone can sing along to. So, they cranked this thing out. The words make no sense really, but hey, it was 1975. Really, though, name an “anthem” that is more known than this tune. I’ll wait. “Twist and Shout?” “Shout?” “Hey Jude?” I don’t know if any of them are as potent as “RNRAN.” Anyway, the KISS haters will debate that all day long. KISS fans may try to include “Shout It Out Loud” (Destroyer) or “I Love It Loud” (Creatures of the Night), but I’m pretty sure that while we may all be tired of “RNRAN,” we’d be hard-pressed to put those ahead of it.

Funds at Casablanca Records were tight. So tight, in fact, that when the band was brought in the studio after touring, they couldn’t even afford to hire a proper producer. So, Bogart did the work himself. I think he did okay. It’s not the most sonically-dynamic KISS album, but it’s not the worst sounding either.

This was KISS’ third album in just 13 months. Today, that would be unheard of. KISS was released in February 1974 and Hotter Than Hell in October 1974. This was March 1975. There was little time to write and prepare, which, I believe, is why there are two Wicked Lester songs on the album. I also believe that is why there are so many mid-card songs on the album. And, I think it is why the album is so short. The whole thing comes in at 30:07. That’s 15 minutes per side on vinyl. It’s almost EP length in comparison to standards.

Gene played rhythm guitar on “Ladies in Waiting” and Ace played all guitars and bass on “Getaway” (he wrote) and “Rock Bottom” (he co-wrote). Peter sang “Getaway.” Four of the tunes made it to Alive! 

It does have one of the coolest covers, though. I love the boys in business suits. All of them, except Peter, had to borrow theirs because they didn’t own one. If you notice, Gene has on some open-backed high-heeled clogs or something and they’re a little small for his feet. The heel is about an inch out of the back of the shoe. The back cover is the negative of that cover photo.

The album was certified gold in 1977. To my knowledge, it hasn’t progressed from there.

It sits at #29 on my KISS list (out of a possible 32), which surprises a lot of folks. Sorry, it’s just not up there on my “want-to-listen” list. But, it is a KISS Klassic and, again, I give it mad props because of that.

What do you think of this album, Dear Reader?

Until tomorrow, same blog channel…
Scorp out!

—
“Hard times got me down. Good times ain’t around. Now I got the mind to say, ‘Girl, you hit rock bottom and you’re there to stay!'” – “Rock Bottom” (Stanley/Frehley)