Category Archives: Movie Review

Livin’ Dangerously or: Fargin’ Bastiches

14 Wednesday Nov 2018

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Salutations™!!

Per usual, on a Wednesday night, as I do social media stuff for The Less Desirables, I watch either a crappy sci-fi/fantasy film from the 70s/80s or something nostalgic for me. It was the latter for me, tonight.

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©Twentieth Century Fox

It was 1984’s Johnny Dangerously starring Michael Keaton, Joe Piscopo, Griffin Dunne, Marilu Henner and Maureen Stapleton.

I remember watching it any and every time I could find it on HBO when I was growing up. There were many one-liners that I loved as a kid. And, for whatever reason, I never got the over-the-top absurdity of it all. I got that he was trying to appeal to the best side of the kid, but I never got how incredibly implausible it was. I mean, snow in July, the $49.95 for pancreas surgery, and so on.

There are a lot of coincidences, too. Danny DeVito and Marilu Henner were both in Taxi. Danny DeVito and Michael Keaton were both in Batman Returns a few years later. Danny DeVito and Joe Piscopo were in Wise Guys in 1986. When Johnny was talking about going “legit,” he said one of the benefits of doing so was that he could “say hi to his neighbor, Fred.” That neighbor was a reference to Fred Rogers, whom Keaton worked for as a stagehand in Pittsburgh. There are more things, too.

I loved the over exaggeration of the English language by Italian mob boss, Roman Moroni. Farggin’ Ice-holes. Having “your bells in a sling.” Bastiches. Cork-Soakers. You can figure out what each of those really is.

All the “you shouldn’t have done that, Johnny. My mother did that once… once,” lines. The fact that “Weird Al” Yankovic did the theme song (and it’s one of my favorite “Weird Al” tunes). The fact that Alan Hale, Jr. is the desk sergeant. The fact that Ray Walston is the newspaper vendor that goes from blind to deaf to an amnesiac. All those things make me love this movie more. There are little nuances all throughout and really, over half I never noticed until tonight. I don’t know how.

Rotten Tomatoes didn’t like it. They have it as only 44% Rotten. But the audience score was 63%. So, I guess pftpftpftpft (raspberry sound) to the critics for that one. Yeah, it wasn’t that good, but it was fun.

If you find it and get a chance to watch it, you need to. It may not be your cup of tea and you may think it’s stupid, but that’s okay. I like silly and stupid. It all works for me. So, that’s my love of this film, too. Yay, me!

Until tomorrow, same blog channel…
Scorp out!

—
“Dominus vobiscum, Nabisco. Espiritu sanctu. They gasthebus. We gasthebus. You gasthebus. We missed the bus. They missed the bus. When’s the next bus? Summa cum laude. Magna cum laude. The radio’s too laude. Adeste fidelis. Semper fidelis. High fidelis. Post Meridian. Ante Meridian. Uncle Meridian. All the little Meridians. The Magna Carta. MasterCharge it. Dum procellas. Lotsa Vitalis.” – Charlie

The Next One or: Not So Bad

10 Wednesday Oct 2018

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Salutations™!!

So, whilst doing the social media for The Less Desirables, and on the recommendation of Superfan Damien, I decided to watch Heavy Metal 2000. He was right to a point, The storyline is more linear and makes a little more sense, but it’s really just one story and not pieces. It’s not about the Loc Nar as the first one was. I mean, the Loc Nar is insinuated but, it’s not the focus.

Heavy_Metal_2000_poster

© CinéGroupe, Artisan Filmworks and The Montecito Picture Company

Another thing that’s missing is the cool soundtrack. Yeah, there are songs and yeah, they’re more actual “metal,” but it’s just not got the same feel. Instead of Cheap Trick, Journey, Grand Funk, BOC, Black Sabbath, Sammy Hagar, Devo and Stevie Nicks, we get less memorable songs from Pantera, System of a Down, Voivod, Monster Magnet, Bauhaus, Queens of the Stone Age and Billy Idol, who actually lends his voice to Odin, the guardian of the ancient fountain that gives the bad guy his powers and such. The fountain guardians aren’t the bad guys, by the way. But, is Odin one of them, really? Hmmm… I’m not getting into the plot and all that. The saddest part, though, is that Percy Rodrigues isn’t voiced in this film (he was alive then, couldn’t he have done something?).

The whole thing is kind of disjointed and like I said makes a little more sense, it just isn’t any better. It also is not and was never the cult classic the first one was. The movie rating site, Rotten Tomatoes rates the first one at 61% Fresh (67% Audience Score). This one, however, is a dismal 10% Rotten (36% Audience). Yeah, the more I think about it, it really did suck, pretty much.

The main female character, Julie, is actually modeled after, drawn in the likeness of and voiced by softcore porn actress and 1993 Penthouse Pet of the Year, Julie Strain. Michael Ironside plays the main villain, Tyler.

It’s really a crappy film, but it’s somewhat entertaining when you have to have something going on while you’re doing social media, you know?  Yeah… I guess so.

Until tomorrow, same blog channel…
Scorp out!

—
“What does it take to get laid around here?” – Tyler

Falling In or: What Kind of Name is That?

04 Thursday Oct 2018

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Salutations™!!

So, 3B got me to watch a movie that I wasn’t wanting to ever watch. He got me to watch the first Hunger Games movie. I made fun of it because Jennifer Lawrence’s character is named Katniss and others in the movie also have silly names.

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©Lionsgate

We watched and I have to admit, I found it interesting. I guess we’ll have to watch the others in the next few weeks, but we will have to do it earlier or pause in the middle because our dinner was late! I mean we didn’t eat until almost 10pm. That’s way too late. It’s not good for you and you feel nasty, at least I do. Luckily, it was light.

Yeah, I fell in. I didn’t want to. I wanted to hate it. I didn’t. It’s actually pretty interesting, even if there are holes in the whole premise. Perhaps if I read the books I’d get it more. I can hear you laughing, Dear Reader, because I’m laughing at myself with you. I don’t read, so that isn’t going to happen. Oh well.

Dinner was good, even though it was late. We had to make our own harissa sauce because Publix didn’t have any. It was good. I dug it. We had a “rose harissa salmon.” Being as we made our own it wasn’t “rose” harissa at all. But, my boy did well with it, just way too late. I gotta go wash dishes, now.

Until tomorrow, same blog channel…
Scorp out!

—
“May the odds be ever in your favor.” – Katniss Everdeen (and just about everyone else in the film)

Loc Nar, Eh? or: Heavy Metal

03 Wednesday Oct 2018

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Salutations™!!

Tonight’s cheezoid film whilst working is actually something I knew of and saw when I was a kid, Heavy Metal (1981). It’s an animated film based on the sci-fi/fantasy magazine of the same name. I used to look at the mag because there was nudity, albeit cartoon nudity but I’ll admit that even beyond that aspect, it was too mature for me. I had no clue what it was about. I didn’t get the stories.

Heavy_Metal_(1981)

©Columbia

I’ll be honest, whilst watching this, I understood what was going on but didn’t get the point. I mean, what does it mean? Now, that being said, I don’t feel it’s really cheesy, I just don’t “get” it. It has some fantastic animation, as did the mag in its art. And, another awesome thing about his film is its soundtrack, which I thought I had on vinyl, but it appears that I don’t.

Cheap Trick, Journey, Devo, Grand Funk Railroad, Don Felder, Donald Fagen, Nazareth, Stevie Nicks, and Blue Oyster Cult are just some of the artists featured on the soundtrack. Some of the voices are by John Candy, Eugene Levy, Don Francks, Rodger Bumpass, Harold Ramis and the amazing Percy Rodriguez (who passed away in 2007 but you’d definitely know his voice). It was produced by Ivan Reitman.

All in all, it’s not a bad film, really, I just don’t get the point, but then again, I’m not finished with it. We’ll see how it ends. Like I said, the animation and soundtrack are both awesome. I’d recommend this just for those two things. Check it out, won’t you?

Until tomorrow, same blog channel…
Scorp out!

—
“Earth women who experience sexual ecstasy with mechanical assistance always tend to feel guilty!” – Robot (John Candy, in “So Beautiful and So Dangerous”)

Prepare the Probe Ship or: Disney’s Folly

19 Wednesday Sep 2018

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Salutations™!!

My Wednesday crappy film watch continues this week and it’s from one of my favorite companies, Disney.

The_Black_Hole

©Buena Vista 

In 1979, like everyone else, was wanting to capitalize on the success of Star Wars. Space-based sci-fi/fantasy films were “all the rage” at the time. Heck, even James Bond was made into a space movie just because they wanted to cash in on Lucas’ ingenuity. That doesn’t mean they were all any good. I love Disney. Love them. But, this was a real clunker. It’s called The Black Hole (1979) and stars Maximilian Schell, Ernest Borgnine, Anthony Perkins, Robert Forster, Slim Pickens and Roddy McDowall (the last two were just voices).

I don’t know what year it’s supposed to be, but it’s in the future and some space explorers are coming back to Earth but see a massive black hole with a ship dangling out near it but not getting sucked in. They investigate and some mad dude killed his entire crew and is wanting to go into the hole. The other crew buy into some of it and not all of it. Blah blah blah. I really don’t know what the full gist of it all is but it’s really sucky. Somehow they end up in hell or something, It makes little sense.

Other than trying to capitalize on the fad, I don’t know why Disney put their money into this. The storyline is decent, but not very plausible. For 1979 the special effects were pretty good, but then again, it was Disney Dollars going into it. The storyline really does make sense I just don’t know what to say about it. It’s an okay flick, I guess. You’d think that with a cast like this it would have been better, but I believe it was thrown together in haste.

I remember seeing it in my Junior High gymnasium in 7th or 8th grade. I was probably more interested in hanging out with some girl or my friends than watching this film. I’m not even going to look up the Rotten Tomatoes and IMDb scores. Just watch it, or don’t. That would probably be the better advice on it. Okay, I’m out. Sorry if this was disjointed, I was busy today!

Until tomorrow, same blog channel…
Scorp out!

—
“The word ‘impossible’, Mr. Booth, is only found in the dictionary of fools.” – Dr. Hans Reinhardt

 

Crazy Licks or: Many Kisses (Part 3)

18 Tuesday Sep 2018

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Salutations™!!

Here’s the second post today! And yes, this is verbose as was the last.

The month of September is a huge month for KISS fans, even if they don’t know it. Why you may ask? Because the month of September is the anniversary month for the releases of TEN KISS albums. I’ve talked about Alive!, Animalize and Asylum. But, like I said in the last post, September 18 is a doozie and talked about the four solo albums that were released 40 years ago, today.

Lick_it_up_cover

©Mercury Records

In 1983, Lick It Up was released on this day and also that night Gene, Paul, Eric and Vinnie Vincent showed up on MTV and showed their faces publicly, at least as KISS, without the makeup. It was a weird transition for them, even if they say it wasn’t. Look at that interview and tell me that Gene doesn’t look uncomfortable as he says through his big white grill that it feels good… Uh huh. I think Vinnie looks uncomfortable all the time. Paul seemed the most natural. Eric was just there. Then look at the video for “Lick It Up” and tell me they look comfortable. Gene can’t figure out how to act. His professional career had always been under some kind of disguise. He’s not the most handsome man, truthfully, but really, were any of them? Nah.

Lick It Up, though, was a big breakthrough for the band. It was their chance to bring the people back into the KISS Army coming off the heels of Creatures of the Night, which saw the departure of Ace, even though he was on the cover, he played nary a note on the album. Several guitarists played in his stead on that album and one of those was Vinnie Vincent. Creatures was the rebirth KISS was looking for. It wasn’t quite KISS, but a harder rock version of KISS. I think Creatures is one of their heaviest albums in the entire KISS Katalog. But, they did that under the hidden comfort of their makeup-laden personas.

Truly, the band incognito had run its course. It was time for a new approach. Gene said in his book Kiss and Make-Up that Paul had talked him into unmasking. He was still apprehensive but Paul explained that the makeup had become a stigma and more people knew the characters than they did the musicians and the music, whether people want to admit it or not, was judged more on the makeup than on the merits of the music and songs. I was only 12 when this came out and I was aware of that fact. And, I’m ALL about the show. So, what to do? New direction with the music on the album before, let’s try a new direction in image, as well. I think it worked.

This album was pretty heavy and at times, mean. From the harmonics-driven intro of “Exciter” on to the fade of “And on the Eighth Day,” the album was a non-stop auditory assault. Paul also showed a whole new vocal style starting with this album. He started singing a little different on Creatures but from Lick It Up on, he sang higher, as did Gene, with more power and with more confidence. In fact, I think this album has Paul’s most powerful tone and timbre.

Gene really changed up his singing from just gruff to high and gruff. I can’t sing most of his non-makeup songs and I sing pretty high. The band also started aiming for the “metal” crowd instead of the “kids and rock-n-rollers.” Eric’s drumming was more volatile as well. He pounded the crap out of the drums. I found I was at the same time longing for and also glad they dismissed the drum sound employed on Creatures. It was an awesome sound but it was also overpowering.

Much of what made this album heavier was Vinnie’s playing. He was all about flash and speed and less about feel. But, I think that bled over onto Paul’s style, as well. Paul’s parts were heavier than the KISS we knew. There were no ballads or slower songs on this album. Speaking of songwriting, this marked the first time that there were no outside writers on a KISS album.  People have a hard time believing that, but from the first album (which had a cover – and yes I know the original didn’t have that cover), the second and third rehashed Wicked Lester songs, and so on. Plus, people forget that Vinnie was “in the band” at one time.

This is one of my favorite KISS albums, although it didn’t start that way. I never really noticed it being a “different KISS” until much later. KISS was KISS was KISS to me. I get it now, but I was blinded at the time. As tired of the title track I am, I still love it. We used to do it in Busted Uncle. It was fun. The only song I really don’t care for is “Gimme More” and even that is a pretty good song. The one that all my friends hate is one of my favorites on this album, “Dance All Over Your Face.” I don’t know why but I just dig the heck out of it.

This was the first album that I got on cassette and not on vinyl. So, the copy I have now (180g brand new) is the first time I’ve ever had it on vinyl.

Crazy_nights_album_cover

©Mercury Records

Now, 31 years ago today KISS released Crazy Nights. It is perhaps the most polarizing of the 80s-era KISS albums. I know a lot of critics, fans and even my friends have labeled it as poppy sugary drivel but I am not one of those. Yes, it is poppier. It’s not quite “hair band” material, but not far from it. Their heavy sound had softened a bit, even though they were on their second album with one of their best guitarists, Bruce Kulick who showed up on the tour for Animalize and played on Asylum. I don’t mind sugary pop, though, as you have read me talking about often, Dear Reader.

I believe part of the deal with the overall tone was that Paul and Gene gave up production duties and just recorded music. But, they were also using outside writers and not the likes of ex-Plasmatics members but with genuine pop music writing heavyweights, Adam Mitchell, Desmond Child, Bruce Turgon, Davitt Sigerson and legend Dianne Warren. On top of that it was produced by Ron Nevison who took over duties from David Foster on Chicago albums, Heart’s Heart and Bad Animals, Europe, Damn Yankees, Survivor and my favorite Ozzy Osbourne album, The Ultimate Sin. What absolutely didn’t help was the incorporation of keyboards (played by Phil Ashley).

I remember buying this album on cassette at Peaches. I knew it was coming out but hadn’t heard anything from it. I put it in the car stereo (in my ’74 Chevelle Malibu Classic’s Craig audio system) and waited. It seemed the leader tape was a bit long, so I turned it up thinking it was low. The opening notes of “whew!” for “Crazy Crazy Nights” scared the bejeezus out of me and I nearly wrecked my car. I loved it, though. That followed by “I’ll Fight Hell to Hold You” and “Bang Bang You,” gave Paul a good three-song start. Nice and poppy.

Then Bruce got to do his thing. He schools us on tapping techniques flawlessly and  Eric joins in with a little double-bass flash. This is “No No No” from Gene. The whole thing is a little hard to follow on the beat because it’s about being fast, I think. The only song that I don’t care for is “My Way” which I think single-handedly shows off the overly-poppy nature that many people see the entire album for. Also, as with Lick It Up, one of my faves on there is the one my friends say they dislike the most on the album, which is “Thief in the Night.” It was covered by Wendy O. Williams (also of Plasmatics fame) on an album that Gene produced which could have actually have been a KISS album.

Is this their best album 80s-era or otherwise? No. It is, however, the 80s-era KISS album that I listened to the most. It was the last original studio album that I actually had a love for and enjoyed without bias. The next album, Hot in the Shade, had plenty of letdowns for me. I don’t mean that I don’t love post-Crazy Nights albums, but up to this point, they could do no wrong. I realized on HITS that they could. Between the two came Smashes, Thrashes & Hits, a greatest hits album. I liked it.

This album also had a lot of unreleased things make it to other artists and box sets and such. The original title of the album was Who Dares Wins. I’m glad they changed that.

What are your thoughts on these two albums, Dear Reader? Are they up your alley or not? If you’re not familiar, why not give them a shot? Let me know what you think.

Until tomorrow, same blog channel…
Scorp out!

—
“Baby, now that you’ve made up your mind, I’m gonna let you go, if that’s what it takes to show love is blind. I gave you the best love you ever had, but it wasn’t enough. So, if you think you’re so smart, go and play with your heart. When you walk out the door, you’ll realize what you never did before. A million to one – that’s what it will be. A million to one – there’s someone better than me. A million to one – no, you never will find. A million to one – another love like mine.” – “A Million to One” (Stanley/Vincent)

 

Back in the Swing or: Suspiria

05 Wednesday Sep 2018

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Salutations™!!

I’m apologizing that this post is a) late and b) short. I was still getting acclimated to being back today, Dear Reader. But, whilst I’m sitting here doing my social media posts, and finally fixing my Fire TV, I turned to watching crappy films, as has become the custom for me. This one is from 1977 and I’m really only about 15 minutes into it. But, I chose it because I was caught by the tagline: The Only Thing More Terrifying Than the Last 12 Minutes of This Film are the First 92.

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©Produzioni Atlas Consorziate

It is called Suspiria and is an Italian film but it is overdubbed. It’s clearly crappy 1970s horror with bright red blood, fake looking organs (a heart comes to mind) and bad effects. But, it made me chuckle already so… And, to top it off, it was remade and will be released in November of this year. It is an American film this time starring Dakota Johnson, Tilda Swinton and Chloë Grace Moretz. And, it’s a true remake, as far as I can tell. I had its debut at the Venice Film Festival on Saturday. Oddly enough, it’s rated 7.5 stars out of 10 on IMDb. The remake has already made it to only 6.x something. And, Rotten Tomatoes has it at 92% Fresh and an Audience Score of 83%. Perhaps it gets better? We’ll see.

Anyway, the plot summary, per my media player, is this: “From the moment she arrives in Friedberg, Germany to attend the prestigious Tans Academy, American ballet-dancer, Suzy Bannion senses that something horribly evil lurks within the walls of the age-old institution.”

Doesn’t that sound lovely? Pffft. It’s entertaining, though. I’m going back to it.

Until tomorrow, same blog channel…
Scorp out!

—
“This is Pavlo, our general handyman. He’s really ugly, isn’t he? Don’t be afraid to say so. Can’t understand you anyway, he speaks only Romanian. You see that gorgeous smile? He’s felt very handsome ever since he got those false teeth.” – Miss Tanner

You’ll Believe a Man Can Fly or: Superman Where Are You Now?

08 Wednesday Aug 2018

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Salutations™!!

As last week, I watched a movie whilst doing my social media posting and such after The Less Desirables show. This wasn’t a clunker like Starcrash. In fact, it’s totally the opposite. This was a fantastic viewing. It was Superman: The Movie (1978).

_Superman_II

©Warner Bros.

I first saw this film in a drive-in theater with my parents in 1978. It was, actually, followed by some adult movie that I apparently slept through. Incidentally, when Supergirl (1984) came out, I saw that at a drive-in, too, but with a friend and his family. I just made that drive-in connection.

Anywhat! I’ve always been into superhero stuff. Movies, comics, stories, magazines, action figures, etc. Superheroes and fantasy things (Star Wars, Star Trek, etc.), really. I have to admit, though, in the comics world, I can’t stand Superman. I think he’s cheesy and too goody-goody and is quite boring. I mean, come on, he’s basically invulnerable except for kryptonite and Doomsday and in the last few decades, magic. He really is an overgrown boy scout.

In all honesty, he is in the movies, too, but it was so entertaining. The special effects were remarkable for their time. This was after Star Wars so everyone stepped up their FX game. Christopher Reeve played the part so well. From clumsy, goofy, awkward as Clark Kent to “manly” Man of Steel as Supes.

Gene Hackman as a comical Lex Luthor was good although I always picture him more as a serious character.

I liked Margot Kidder as Lois Lane but the older I get, the more annoying all her screaming and caterwauling gets. Reminds me of Kim Basinger’s Vicki Vale in Batman (1989). Screaming all the time. Jeez. I also didn’t like the whole “can you read my mind” crap she started “thinking” during the flying scene.

And, former “Little Rascal” and “Our Gang” star, Jackie Cooper as Perry White was cool.

But, add in Marlon Brando as Jor-El and John Williams’ fantastic score and this was a very entertaining film. I loved Superman II (1980), too, although it had a slightly different feel. I think I could write an entire blog post on the drama that went down between many of the principal parties on the filming of Supes II. It’s too much to get into here, though.

I really dug the film and loved revisiting it again. Now I’m going to watch II.

Until tomorrow, same blog channel…
Scorp out!

—
“Your name is Kal-El. You are the only survivor of the planet Krypton. Even though you’ve been raised as a human, you are not one of them. You have great powers, only some of which you have as yet discovered.” – Jor-El

Ridiculous Fun or: I Can’t Unsee This…

01 Wednesday Aug 2018

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Salutations™!!

… And why would I?

I know the title sounds a bit spazzy but the truth is, I sometimes just get in the mood for silly, stupid, ridiculous and horrible films. I love good films but sometimes you just need some mindless stuff to get you through the night, ya know?

_starcrash

©Columbia/New World Pictures

That’s what I’m watching now: silly, stupid, ridiculous and horrible. I’m watching Starcrash (1978). 1978 was after Star Wars (1977) and this was just an attempt to capitalize on the latter’s success. The acting, the plot, the effects were just awful. This goes beyond the fact that a very young David Hasselhoff is in it. The true sadness was a great actor like Christopher Plummer is also in it.

An outlaw smuggler named Stella Star (Caroline Munro) and her alien companion named Akton (Marjoe Gortner) are recruited by the Emperor of the Galaxy (Plummer) to rescue his son (The Hoff) and destroy a secret weapon by the evil Count Zarth Arn (Joe Spinell). There’s also a “robot,” that looks like a cheap Darth Vader, named Elle (which is a guy robot) and it’s voiced by Hamilton Camp who has the most ridiculous “country accent.” It’s not robotic, it’s not even alien. It’s very human. 

I laughed at the total BS that this film was. It kept me laughing throughout my work with social media for The Less Desirables tonight. I appreciate it for that. If I were rating this film, it would only be about a 1 star, but probably 2.5 on the entertainment value.

IMDb rates it 3.9 out of 10. I guess that ratio is about right. Rotten Tomatoes says it’s 33% rotten and the audience score is only 38%.

Here’s what Jeremy Wheeler from Rovi says on Rotten Tomatoes: Italian schlock-master Luigi Cozzi (billed as Lewis Coates here) directed this low-budget Star Wars rip-off in 1978, right when the sci-fi craze was hitting audiences on a world-wide scale. The story begins familiarly enough, with a huge spaceship tracking through an extremely colorful space scene while under attack by some kind of unknown and deadly force resembling a lava lamp. Being no match for the ’60s acid-flashback rays, they manage to jettison a few escape pods just before being blown to kingdom come. Fast forward now to the other end of the galaxy, where we find the best smugglers in town — gorgeous Stella Star (Caroline Munro) and space-pimp Akton (Marjoe Gortner) — outrunning a band of cops on their tail. Eventually, they’re caught, taken into custody, and sentenced to intense Labor Camps, where Stella is forced to wear a skimpy Barbarella-like outfit by the extreme, merciless guards. A break-out ensues, and in the intense laser shoot-out, Stella manages to escape, only to be captured again by the semi-green-skinned Thor (Robert Tessier) and his annoying southern-drawled robot, Elle (voiced by genre veteran Hamilton Camp). Brought in front of the Emperor of the Galaxy (Christopher Plummer) and reunited with Akton, the sexy duo find themselves suddenly in charge of finding Prince Simon (David Hasselhoff). Thus begins the heroes’ amazing adventure through space and time as they search for Hasselhoff and end up fighting Amazons, Cavemen, and the Evil Count Zarth Arn (Joe Spinell) along the way. 

That pretty much sums it up. It’s true crap and I’m glad I watched it. Will I watch it again? Probably not. If you come across it and need a good laugh, check it out.

Until tomorrow, same blog channel…
Scorp out!

—
“You know, my son, I wouldn’t be Emperor of the Galaxy if I didn’t have some powers at my disposal. Imperial Battleship, halt the flow of time!” – The Emperor

Listing or: a New Play

05 Friday Jan 2018

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Salutations™!!

Well, it’s a new year. Last year around the new year, I finished two long-time lists, The Rolling Stone Top 500 Albums of All Time and the 400 nominations for the AFI 100 Years… 100 Movies. Again, those were long, drawn-out treks. The movies list took almost nine years and the RS list was a three-year jaunt. Lots of hours spent in that. One day I may add up the run times of each film and each album to see how much time those actually took. I’m really curious.

nme

©NME

 

Then, this past year, I did Eugeology: Eugene’s List of Hard Rock Albums and Possible Gems where Eugene and Jon and I listened to a random list of 50 hard rock albums that Eugene thought were fantastic and perhaps lesser known to everyday music folk. I finished it in almost perfect time. Eugene got somewhere barely over half done and Jon never made it to half. Oh well.

Now, the point is, Dear Reader, you know that I do lists. That’s how I operate. Eug jokes that the only way to get me to do something is to put it on a list or let it involve a streak and watch me burn through it. He’s not far off from the truth, there.

I feel I need to explain this again, but I’m always asked why I have to have lists, why can’t I just listen to stuff? I’ll condense it and say that where I grew up there were no top 40 or pop music radio stations until at least 1982 and at that, it was a limited playlist. We didn’t have MTV and I really had no access to the plethora of music that was out there. My father listened only to what we now know as “classic country” and my mother listened to Leslie Gore and gospel stuff. She isn’t really a “musical person.” I spent most of my time, ages 8 until around 12/13, listening to nothing but KISS. I don’t regret that, but I do wish I had more knowledge of the rest of musicdom.

As I said at the beginning, it’s a new year. And, since I’m out of lists that I was already working on, well, I need another. So, I was looking through some Google searches and came across a few lists but the one that I think is manageable right now is NME’s 101 Albums to Hear Before You Die. I will figure out how to structure the listen. I know for the RS list I did 10 at a time and with Eug’s list we did one a week. I don’t know, just yet, how I’m going to approach it. I know that about half of the albums on that are on the RS list in different spots (obviously) but there are some out there things that I’ve never even heard of. You never know I may find the next Forever Changes (Love), Maggot Brain (Funkadelic) or Berlin (Lou Reed) on this list. Or, I may find the stuff too out there for me and abandon it. We’ll see. I know that NME has a 500 of all time, too. Who knows. I have the 1001 Movies You Must See Before You Die (2011 edition) book and there’s a website with the whole list including all editions. You never know I may pick all of those. For now, however, I’m going to say the NME list is what I pick. You’ll see how it works out because I know you read every day, right? Right.

Until tomorrow, same blog channel…
Scorp out!

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“Lists are how I parse and manage the world.” – Adam Savage