The BCPF and I started our day at Clementine’s to have some fantastic breakfast. We then headed over to Underdog Records, found some good stuff and came home for some listening. Here’s the haul:
Poison – Look What The Cat Dragged In — Yeah, I know it’s cheesy and truth be known it doesn’t hold up well. I know a lot of people hate Bret Michael’s voice. Some hate the glam aspect, because let’s face it, when you think of glam metal/hair bands, who do you think of first? Probably Poison. But, here’s the thing. It came out at a time where I was just getting introduced to a whole different world of music, thanks to me finally getting MTV. So, it was new to me. Here’s the thing. I thought it was and I still think it is fun. It’s not a masterpiece and it didn’t or doesn’t have to be. I just enjoyed listening to it. And, that’s all that matters. It’s a “club edition” but in EX. It was well taken care of.
The Love Language – Ruby Red — This is The BCPF’s jam. Well, maybe not this band per se, but they’re signed to Merge Records and just about everything Merge puts out is her jam. This band is basically Stuart McLamb and is from Raleigh, NC. To me, it sounds like Superchunk but with a singer that can stay on key. No offense Mac McCaughan. It’s a good listen. New.
Julie London – Around Midnight — Jazz standards from the singer/actress. Julie London was married to Jack Webb of Dragnet fame. She also had a recurring role on the medical drama Emergency! She sometimes smoked three packs of cigs a day. I haven’t heard this yet but it’s bound to fantastic! No sarcasm there, either. This is original pressing of the stereo mix. It was released the same year (but after) as the mono mix. VG.
George Harrison – Brainwashed — This is the twelfth and final studio album by the ex-Beatle. It was released posthumously in 2002, almost a year after his death at age 58 (just eight years older than I am right now, wow…), and 15 years after his previous studio album, Cloud Nine. Recordings began over a decade before Harrison’s death but were repeatedly delayed. The album’s overdubs were completed by his son Dhani, session drummer Jim Keltner, and longtime friend and collaborator Jeff Lynne, according to Wikipedia. It was a great listen and “Marwa Blues” is a great instrumental track. It was nominated for Grammys. NM.
Built To Spill – Keep It Like A Secret — The BCPF and I have seen this band live together. She swears there’s something different about this than her CD copy. I believe her, but I find no evidence of that online anywhere. The one difference I see is that there is a bonus track on this vinyl version, which is a reissue and split to 2×LP to enhance the audible experience. I liked it. It’s good stuff. New.
Jonathan had a steady stream of customers yesterday. Things look to be picking up. Only 6 people are allowed in the store at one time, and while we didn’t see that yesterday, we have seen people waiting to get in over the last few weeks. I love that rock/hard rock/heavy metal folks are selling their collections to Jonathan. Most of it is black/death metal, which I’m certainly not into, some of it is just good straight-ahead rock! I love it. Underdog Records is open Thursday-Saturday from 11a-7p and Jonathan does deliveries and store pickups by appointment only Monday-Wednesday. You can shop for new vinyl, day or night, 24/7 by visiting the Underdog Records website. Follow him on social media, especially Instagram, to see what he had just acquired and is putting out for purchase! Use Discogs to keep track of your collection. You won’t be sorry!
Until tomorrow, keep spinnin’…
“You know I call you, I call you on the telephone. I’m only hoping that you’re home. So I can hear you when you say those words to me and whisper so softly.” – “Talk Dirty to Me” (Michaels/DeVille/Dall/Rockett)