Spinning Sunday or: The Haul 1/23/21

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Salutations™!!

The BCPF and I got off to a late start yesterday and finally made it to Underdog Records, which was jumpin’, by the way. We bought our four records and went and had some delicious brunch at a new place in town called Clementine’s Gourmet Toast and Juice Bar. Check out The Man Who Ate the Town’s IG for more on that. Here’s the haul:

©Music For Nations/Roadrunner

Genesis – A Trick Of The Tail — This is the seventh studio album by the band. It was released in January 1976 and was the first album to feature drummer Phil Collins as lead vocalist following the departure of Peter Gabriel. It did quite well in the UK and U.S., reaching No. 3 and No. 31 respectively. As I have stated so many times, I have a love/don’t care attitude with the Genesis brand. I love Peter Gabriel. I really like Phil Collins-led Genesis. I do not like Genesis with Peter Gabriel. This is a great album, still with Steve Hackett on guitar, and it sounds amazing! I had never had this on vinyl, only on CD after the remastering in 2007. Gatefold, 180g Yellow Vinyl. Rhino “Start Your Ear Off Right” Release. New.

Genesis – Duke — This is the tenth studio album by Genesis, released in March 1980. The band had been dormant for a bit. Phil Collins moved to Canada in an effort to salvage his failing marriage, while Tony Banks and Mike Rutherford recorded solo albums. Collins returned to the UK and wrote a a lot of material in the wake of the end of that relationship. Some of the tunes were used for Duke and some tunes were reworked for his first solo album, Face Value. This has two of my favorite Genesis songs, because I like hits: “Misunderstanding” and “Turn It On Again.” They were still doing their prog thing at this point but the radio-friendly hits (the ones that I like best) were starting. We had this but it was only in VG or so. 180g Vinyl – Rhino “Start Your Ear Off Right” Release. Limited edition of 3350.

Sebadoh – III — As you may have guessed, this was Sebadoh’s third album, released in 1991. Sebadoh, if you’re not aware is one of The BCPF’s favorite bands. At least her favorite kind of band. We have seen them live once together and I believe she had seen them before. She has a “secret” crush on Lou Barlow, one of the founders and lead singers and guitarists. He’s also part of Dinosaur Jr. and Folk Implosion, probably best known for their tune “Natural One.” She got to smell his hair at that Sebadoh show we saw. It’s classic Indie rock at it’s best and it was a good listen. NM.

Battleaxe – Burn This Town — One thing I noticed yesterday was that someone had come and off-loaded their entire heavy metal collection. Most of it was later-year death metal but this one interested me. I knew it was from 1983 and that it looked like that period. So, I said, let’s give it a try. I haven’t listened to it, yet but I asked Eugene and Bob (drummer from Heavens Sake who was all over this kind of music), both who are my 80s heavy metal gurus, so to speak and neither had heard of them. Bob did some digging and found this: They were a relatively obscure early 80’s NWOBHM band. Imagine Saxon, Motorhead, early Priest…with a raw, 70’s style sound. I heard like 3 songs and liked all three. Would’ve loved it when I was young. They just never caught on. I have recently gotten into the early Judas Priest so I’m looking forward to hearing this. Eugene said he would have overlooked it because the cover looked cheap, but there’s a reason for that. According to Wikipedia (the end-all/be-all of internet truths): …they entered the recording studio to make a demo called “Burn This Town”. In doing so, they garnered the attention of Roadrunner Records and the result was their first album… It went on to say: Once a deal had been struck with Roadrunner Records, the master tapes were sent to Roadrunner Records and the album title was agreed upon as Burn this Town. The record company asked the band for some concept ideas for the cover artwork, so the guys asked a friend and local artist Arthur Ball if he could come up with anything. He then produced the first Burn this Town cover artwork as it is now, but only as a rough proof drawing, and stated that, if it were approved by the record company, he would redraw the whole thing again to a much higher standard. However, when Roadrunner received the proof artwork for approval, they went ahead and pressed 2000 units for a worldwide release without the band’s consent. The original Burn this Town cover artwork is one of the most talked-about album covers in heavy metal history. The graphic looked amateurish, and the band worried what it might do to their reputation. However, the music did the talking and the album sold well. The band began developing a reputation in the region as a solid heavy metal outfit. The sleeve is VG/VG+ but the media is EX.

Sorry that last one was extra verbose, I just wanted to give what I knew about it and let on that I was really looking forward to hearing it.

Underdog Records is open Thursday-Saturday from 11a-7p and Jonathan does in-store pickups, curb service, and store-to-porch deliveries Monday-Wednesday. You can shop his new inventory, day or night, 24/7 by visiting the Underdog Records website. I know I keep teasing this, but there is news coming from Jonathan and me in the (hopefully) very near future. I use Discogs to track my collection, value the collection and sometimes buy for the collection.

Until tomorrow, keep spinnin’…
Scorp out!


“Since then I’ve been running around trying to find you. I went to the places that you always go. I rang your house but got no answer. Jumped in my car, I went ’round there. I still don’t believe it. He was just leaving.” – “Misunderstanding” (Collins)

Sounds Like Saturday or: Golden

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Salutations™!!

Today is the 45th anniversary of David Bowie’s Station To Station album. I’m not a huge fan of this era of Bowie. The Thin White Duke thing doesn’t do it for me. But, I like Bowie, so it made it. I am a sucker for looping. I have never tried it and think I’d just fall apart trying it, but I am fascinated by people who can. Enjoy!

Until tomorrow, same blog channel…
Scorp out!


“Don’t let me hear you say life’s taking you nowhere, angel. Come get up, my baby. Run for the shadows, run for the shadows. Run for the shadows in these golden years.” – “Golden Years” (Bowie)

Charting or: Not What You Think It Is

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Salutations™!!

I woke up today with some good news. I got an email from a podcast charting service (that I am not subscribed to) and was told that Asylum – Tales from the Devereaux Diaries podcast, the one I do with my Kousins about KISS; part of The Less Desirables Network, had charted at #100 on Apple Podcasts in Sweden. I know it’s Sweden, but still…

Asylum – Tales from the Devereaux Diaries Podcast

But, that’s not all, we were also charted at #205 on the same chart here in the US! The chart is for Music Commentary. So, I take this as a win. In podcasting, while there are new ways popping up all the time, charts are pretty much the way to measure any kind of success. I am proud of all my podcasts as some of them are ranked on other podcast charts around the country but this is the highest we’ve been on any of them. So to Kousin Marvin and Kousin Gary… congrats to us!!

That is all. Give us a listen anywhere you find podcasts, give us a like, and if you’d be so kind, a rating. That helps us tremendously!

Until tomorrow, same blog channel…
Scorp out!


“Advertisers and publishers need accurate audience data to make good decisions about content and advertising.” – Podtrac

Now Normal Chronicles or: She Don’t Know Me

Salutations™!!

Today is the 37th anniversary of Bon Jovi’s debut album. Now, I get it, Bon Jovi gets a lot of flack for being like one of THE “hair metal” bands. They’re somewhat cheesy but for their time, they were just where they needed to be. I also think they fell into the snob-ridden screwjobbery that is some people’s idea of putting down someone because they are popular. Let me tell ya something, they’re popular for a reason. Most likely, those people are square in the minority. I don’t mind Bon Jovi. My favorite album from them is this one. I love the whole thing. For 1984, it certainly is sugary, poppy and all those other adjectives. My favorite tune on the album is “Love Lies” but I couldn’t find a decent version of that, so I went with this one, or as I like to call it, the one that isn’t “Runaway.” Enjoy!

Until tomorrow, same blog channel…
Scorp out!


“I dream of when she’ll be mine. I dream of crossing that line and holding her so tender. Dreaming it could come true. So many things I would do if only you’d give me a chance.” – “She Don’t Know Me” (Avsec)

A New Day or: The First of Firsts

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Salutations™!!

I want this clear up front, this is not a political post. It’s a personal post.

©Alex Wong/Getty Images

I just want to say that is a great day today. We as a 244 year old country finally inaugurated our first 1) woman vice president 2) woman of color vice president 3) woman of south-Asian descent vice president into the executive branch. Also, it was a breath of fresh air to hear someone that sounds presidential speaking to the country, without yelling, spreading vitriol and deception as a man of power. It feels as if a shroud has at least moved a few extra miles or so over the country. We were awed by the youngest Poet Laureate in our country’s history (and she also happened to be a person of color). We just woke up to a new day.

Again, none of this is meant as political. It’s not about politics. It’s just about my personal feelings about the people that either are occupying an office or were occupying that office. This speaks nothing on policy, only on character. And while I am usually a fan of characters, the one we just pushed out of the way was the wrong kind of character for me.

All I can say is, wrap up folks, it’s minus 45 out there…

(ps… any political crap thrown at me for this will be deleted… thanks)

Until tomorrow, same blog channel…
Scorp out!


“When day comes we ask ourselves, where can we find light in this never-ending shade? The loss we carry, a sea we must wade. We’ve braved the belly of the beast.” – “The Hill We Climb” by Amanda Gorman

Now Normal Chronicles or: So What?

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Salutations™!!

Today is the 33rd anniversary of Megadeth’s third studio album, So Far, So Good… So What! I wasn’t too familiar with either Metallica or Megadeth until around this time. I didn’t know their histories or the politics within. I thought Dave Mustaine was cooler than anyone in Metallica, but I felt Metallica’s music more accessible. As I grew older, that view shifted. I like old Metallica from Metallica back (yes, even and especially the “black” album) and I like Megadeth from Countdown to Extinction back. I will admit that I can only listen to so much Megadeth at a time, but I dig it. This tune is pretty awesome and this guy doing it on acoustic is almost mind-blowing. Especially since he sounds so much like Mustaine. Well, enjoy!

Until tomorrow, same blog channel…
Scorp out!


“In my hour of need… Heh, no, you’re not there. And though I reached out for you, wouldn’t lend a hand. Through the darkest hour, your grace did not shine on me. Feels so cold, very cold. No one cares for me.” – “In My Darkest Hour” (Mustaine/Ellefson)

Murder Be Damned or: Wall of Mystery

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Salutations™!!

Yesterday, it was announced that murderous, yet borderline genius Phil Spector had passed away at the age of 81. Spector was serving out a 19-to-life in prison for the murder of Lana Clarkson whom he shot in his mansion/castle in Los Angeles. Be that as it may, he was previously best known for his “Wall of Sound” (WOS).

The Wall of Sound on “The Long and Winding Road” by The Beatles

I have read someone compare his WOS ambitions to Wagner and how epic Richard Wagner’s compositions were. The WOS was Wagnerian in scope. He wanted to make it sound as if the listener was encased in the sound.

Some critics didn’t like that. They thought he cheapened or perhaps covered a lot of crap from the artists’ renderings of the tunes. I like production and I have conflicting feelings about the WOS. If you’re wondering about what the WOS is, well, you can listen to The Beatles Let It Be album. It’s all over that. If you don’t believe me, then listen to Let It Be: Naked which is the album without the WOS treatment. I actually prefer his work on this album.

One of the things about the Righteous Brothers’ music, in particular the two biggest hits, “Unchained Melody” and “You’ve Lost that Lovin’ Feeling” (which Spector co-wrote) that I have never liked is how they sound like they’re in a big underground tank. That is Spector’s doing. I hate that.

So, as I said, hit or miss with him for me. Spector died on January 16, 2021 from natural causes. Some said it was C-19 but it’s been confirmed it was just death and nothing more. RIP, I guess, Phil. You definitely left a mark on music. I know this is a very truncated post about Phil but who has time to write all that? Plus, Given how I’m hit or miss, I’m even more hit or miss to the man himself, so…

Until tomorrow, same blog channel…
Scorp out!


“I’m dealing in rock’n’roll. I’m, like, I’m not a bona fide human being.” – Phil Spector

Spinning Sunday or: The Haul 1/16/21

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Salutations™!!

The BCPF and I got up and headed to Underdog Records grabbed our goodies (he was busy, that was good) and then literally got in our own bubble and had lunch at The Porch. Lots of record listening yesterday, too. A good day. Here’s the haul:

©Dine Alone Records

Crosby, Stills & Nash – Crosby, Stills & Nash — Yes, we already had this one, but this was a reissue and still sealed. The one we had was in Fair condition at worst, Good condition at best. So, we decided to upgrade. The album is fantastic, so why have a crappy copy? New.

Neil Young + Stray Gators – Tuscaloosa — It’s a 2×LP/3-Side record with Side D being etched art. Recorded at the University of Alabama in Tuscaloosa on February 5th, 1973. Gatefold jacket with cardboard inner sleeves containing photographs. Sealed. New. I didn’t realize until just now that while they are separate, we got CSN&Y yesterday.

New Order – Western Works (Demos 7-9-80) — This excerpt from Discogs: An interesting excerpt from a 2014 University of Sheffield News on-line post regarding the Western Works recording studio at the University of Sheffield:

The John Pemberton Lecture Theatres in the School of Health and Related Research (ScHARR) are as close as it is possible to get to site of the former Western Works, where Cabaret Voltaire and countless other pioneering Sheffield industrial and post-punk bands made their mark on the music scene.

From 1978, Cabaret Voltaire rented rooms on the top floor of Western Works, which stood at the corner of Regent Street and Portobello. Having private recording and rehearsal space was unusual for bands of that era, which led to the building becoming a magnet for like-minded groups including Clock DVA, New Order and Lydia Lunch.

But the building was demolished in 1993 and now has a very different use as the home to ScHARR and the University’s Department of Computer Science.

I don’t know what we’ll get from this but since Ian Curtis died in May, 1980 and New Order came from the chaos of the demise of Joy Division and this is from July, 1980, it wasn’t long after Curtis’ death. They had decided to go on nearly at the same time. I wonder how much of this was supposed to be Joy Division and they just reworked it? Well, I know “Ceremony” was a Joy Division song and the first singly from New Order and only two of the tunes on this demo made it to Movement, the debut New Order album. Interesting to me, anyway. New. Import. 12″ 45RPM.

Jeff Tweedy – Love Is The King — As much as I want to like Jeff Tweedy and Wilco, I just cannot get into him. I think he’s overrated and is a warbly, off-key singer. I just can’t. But, I bought this because of The BCPF. She is so into him. New. Clear vinyl.

City And Colour – If I Should Go Before You — This is the one that I was most excited about. I saw Dallas Green (who is City and Colour, by the way) do “Rain When I Die” from Alice in Chains’ induction into the MoPop (Museum of Pop Culture founded by Paul Allen and his sister, Jody Patton). I thought it was a fantastic rendition and loved his voice. I thought it would please The BCPF because it is right up her alley. I got this album for me but hoped it would be something she liked. She admitted to me that she had heard a few things by City and Colour and thought I had gotten it for her. She hadn’t heard this one and we both loved it. It is my favorite musical acquisition so far this year. It is darn good. The name City and Colour comes from Dallas (city) Green (color/colour) himself. This was his fifth album under this name and came out in 2015. Jonathan special ordered it for me. It’s 2×LP, 45RPM, 180g. New.

As I said earlier, Jonathan was rocking the store yesterday. Good crowd (only six allowed in at a time), good tunes over the stereo, good times all around. Underdog Records is open Thursday through Saturday 11a-7p and does deliveries and shipping Monday-Wednesday. You can order day or night 24/7 by visiting the Underdog Records website. I use Discogs to track my collection and if you see me at the record store, you know I have my phone out looking stuff up on Discogs all the time to make sure I don’t already have something or check the grading of the albums I’m looking at that I may already have.

Until tomorrow, keep spinnin’…
Scorp out!


“If you smile at me, I will understand ’cause that is something everybody everywhere does in the same language. I can see by your coat, my friend, you’re from the other side. There’s just one thing I got to know. Can you tell me please, who won?” – “Wooden Ships” (Crosby/Kantner/Stills)

Sounds Like Saturday or: Confusing Cuts

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Salutations™!!

Some sources say that today is the release anniversary of Peter Murphy’s third solo album after leaving Bauhaus, Deep, while others say it’s in December, 1989. Either way, it’s what I want to highlight today. So, let’s go with today being the 31st anniversary of it, yeah? Okay. The album spawned three singles: “The Line Between the Devil’s Teeth (And That Which Cannot Be Repeat)” which has to be one of the longest titles of a released single, ever, “A Strange Kind of Love,” and this one. This one went on to be a pretty big hit for him. I like C-19 created vids, so I went with this. Enjoy!

Until tomorrow, same blog channel…
Scorp out!


“You know the way, it twists and turns, changing color, spinning yarns. You know the way, it leaves you dry. It cuts you up and takes you high. You know the way, it’s painted gold. Is it honey? Is it cold? You know the way, it throws about. It takes you in and spits you out. (Oh…) Cuts you up.” – “Cuts You Up” (Murphy/Statham)

Now Normal Chronicles or: The Story Ends?

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Salutations™!!

Today is the 31st anniversary of The Sundays’ Reading, Writing and Arithmetic album. The BCPF loves this band and I have grown to really dig them, myself. This is their debut album. I think the big hit was this one and I had a hard time choosing a great cover but, I know The BCPF loves when banjos and other non-traditional rock instruments show up in her music, so, I went with this one. A great tune. Enjoy!

Until tomorrow, same blog channel…
Scorp out!


“People I see, weary of me, showing my good side. I can see how, people look down. I’m on the outside. Here’s, where the story ends.” – “Here’s Where the Story Ends” (Gavurin/Wheeler)